US Vogue October 1986
Yves Saint Laurent Haute Couture.
Frederique van der Wal wears a short black wool evening dress,
lined with black velvet ( Besson wool; silk velvet by Moreau.) The big hat!-perfect symbol of the couture atmosphere of the season.
Hairstyle, Bruno Weppe for Jean-Louis David, makeup, Marc Schaeffer.
Frederique van der Wal porte une robe courte de soirée en laine noire,
bordé de velours noir (Laine Besson ; soie velours par Moreau.) Le grand chapeau !-parfait symbole de l'ambiance couture de la saison.
Coiffure, Bruno Weppe pour Jean-Louis David, maquillage, Marc Schaeffer.
Photo Bill King
vogue archive
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This song with lyrics by Lene Lovich and Marc Cerrone which seem to be inspired by The Island of Dr. Moreau by Robert Louis Stevenson is pretty fantastic though grim.
Supernature Lyrics
[Verse 1]
Once upon a time
Science opened up the door
We would feed the hungry fields
Till they couldn't eat no more
But the potions that we made
Touched the creatures down below
And they grew up in a way
That we'd never seen before
[Chorus]
Supernature, supernature
Supernature, supernature
Supernature, supernature
Supernature, supernature
[Verse 2]
They were angry with the man
'Cause he changed their way of life
And they take their sweet revenge
As they trample through the night
For a hundred miles or more
You can hear the people cry
But there's nothing you can do
Even God is on their side
[Chorus]
Supernature, supernature
Supernature, supernature
Supernature, supernature
Supernature, supernature
[Verse 3]
How can I explain?
Things are different today
Darkness all around
And nobody makes a sound
Such a sad affair
No one seems to care
[Chorus 2]
Supernature, better watch out!
Look at you now, better watch out!
Look at you now!
[Bridge]
(Supernature) Better watch out
There's no way to stop it now
You can't escape, it's too late
Look what you've done:
There's no place that you can run
The monsters made, we must pray
[Chorus 2]
Supernature, better watch out!
Look at you now!
Supernature, better watch out!
Supernature!
Look at you now!
[Bridge]
Better watch out
There's no way to stop it now
You can't escape, it's too late
Look what you've done
There's no place that you can run
The monster's made, we must pray
[Verse 4]
Maybe nature has a plan
To control the ways of man
He must start from scratch again
Many battles he must win
Till he earns his place on earth
Like the other creatures do
Will there be a happy end?
Now that all depends on you
[Outro]
Supernature
Supernature
Supernature
Supernature
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Pas l'temps je lis (mai-juin 2023)
Pas l’temps je lis est la chronique que je tiens dans le supplément culture qui paraît chaque samedi dans le quotidien Le Temps. Ci-dessous vous trouverez la liste des livres présentés dans les chroniques. Elle permettra aux abonné.es du Temps de les retouver facilement, offrira des pistes aux lecteur.ices du blog et sera utile aux éditeurs.trices qui verront ainsi quels livres ont été retenus et auront une idée du ton de la chronique.
06 mai 2023 - Comment dorment les animaux
Les Animaux dorment, Kjersti Annesdatter Skomsvold, Mari Kanstad Johnsen, Cambourakis - Album dès 4 ans
Vive la sieste, Yuichi Kasano, L'Ecole des loisirs - Cartonné 0-3 ans
Comment dorment les animaux, Marie Stumpfova, Jiri Dvorak, La Partie - Documentaire dès 3-4 ans
13 mai 2023 - Cadeaux de naissance
Tu vois le jour, Laurent Moreau, Hélium - Livre accordéon dès la naissance
Je, Olivier Douzou, Le Rouergue Jeunesse - Album dès 3 mois
Les Images de Lou et Mouf: le chantier, la ville, Jeanne Ashbé, Pastel / L'Ecole des loisirs - Cartonnés 0-2 ans
Mes p'tits doigts, Anne Crahay, CotCotCot - Album 0-2 ans
20 mai 2023 - Le temps du voyage
Notre Voyage, Romain Bernard, La Partie - Album dès 3 ans
Le Temps est rond, Victoria Kaario, Juliette Binet, Le Rouergue - Cartonné dès 2 ans
Killiok, Anne Brouillard, Pastel / L'Ecole des loisirs - Album dès 6 ans
27 mai 2023 - Wouf Wouf !
Iggy, Alex Cousseau, Janik Coat, Les Fourmis rouges - Album dès 4-5 ans
Tout le monde a un teckel sauf moi, Charlotte Pollet, Biscoto - Album dès 4-5 ans
Chien Pourri, le grand fourre toutout, Colas Gutman, Marc Boutavant, L'Ecole des loisirs - 6-9 ans
03 juin 2023 - Trois bandes dessinées
Swamp, Johann G. Louis, Dargaud - Dès 12 ans
Béa Wolf, Zach Weinersmith, Boulet, trad. Aude Pasquier, Albin Michel - Tous âges dès 10 ans
Blancaflor, la princesse aux pouvoirs secrets, Sergio Garcia Sanchez, Rue de Sèvres - Dès 9-10 ans
10 juin 2023 - Des animaux pas si domestiqués que ça
Bonne nuit, gorille, Peggy Rathmann, L'Ecole des loisirs - Cartonné dès 3 ans
Tigre et Chat, Allira Tee, La Joie de lire - Album dès 5 ans
Hector, Fred Dupouy, Lucie Maillot, Talents Hauts - Roman dès 8-9 ans
17 juin 2023 - Que fait-on le samedi?
Jour de marché, Alice Oehr, La Partie - Album dès 3-4 ans
Tommy fait les courses, Rotraut Susanne Berner, La Joie de lire - Cartonné dès 2 ans
Pops et Mimosa. Mission salade, Emile Cucherousset, Thomas Baas, Actes Sud Junior - Album dès 6 ans
24 juin 2023 - Au coeur du végétal, les cycles de la vie
Comment naissent les arbres, Charles Berberian, La Martinière - Album dès 4 ans
De fleurs en fleurs, Anne Crausaz, MeMo - Album documentaire dès 6 ans
Végétal, Juliette Einhorn, Hélène Druvert, la Martinière - Documentaire dès 9-10 ans
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Jeanne Moreau and Jean-Marc Bory in The Lovers (Louis Malle, 1958)
Cast: Jeanne Moreau, Jean-Marc Bory, Alain Cuny, Judith Magre, José Luis de Villalonga, Gaston Modot. Screenplay: Louise de Vilmorin, based on a novel by Dominique Vivant. Cinematography: Henri Decaë.
Anna Karenina without the train. That's one way of looking at Louis Malle's once-scandalous but now somewhat tepid The Lovers. That seems to be the way the German censors saw it: a story about a woman who abandons not only her husband but also her child, and seemingly gets away with it. In the German release, the scenes involving Jeanne Tournier's (Jeanne Moreau) daughter were cut, as if the idea of a mother leaving so adorable a child was too horrible for audiences to contemplate. In the United States, of course, it was the depiction of sex -- not "cutting away to the window" as Malle once described the traditional approach to sex scenes -- that caused the censors to draw their knives. The result was the Supreme Court decision that The Lovers didn't fit Justice Potter Stewart's famous definition of pornography: "I know it when I see it." He didn't, and it isn't: What we see in the scene are a briefly flashed nipple and the look on Jeanne's face as Bernard (Jean-Marc Bory) brings her to orgasm. Even the fact that she is being pleasured orally by him is only implied by his absence in the frame. The Lovers is more satiric than erotic, its targets the stale marriages and pro forma affairs of an haute bourgeoisie obsessed with hairstyles and polo games. Malle attempts to contrast the sterile dalliances of the idle rich with the more spontaneous relationship between Jeanne and Bernard, a casually dressed archaeologist who drives a clunky tin-can Citroën, but the film gets a little too formulaic, especially in the lushly romantic moonlight stroll and boat ride that serves as foreplay to the consummation of their affair. He switches back to irony at the end: Jeanne and Bernard escape together under the astonished gaze of her husband and her other lover, but we sense their uncertainty about whether it will work, anticipating the way Mike Nichols tempered romance with reality by holding the camera just a little bit too long on Benjamin and Elaine after they escape from the church in The Graduate (1967). Maybe we don't see the train but we hear it approaching.
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