#mainly because johnny was actually involved | Explore Tumblr Posts and Blogs

freyito · 5 months

Note

Can you do the type of dates Mk1 guys will take you on?

idk if yall caught on but i absolutely love making these big ass drabbles for everyone... takes so long but its always so worth it. i got like 3 more in the drafts el oh el

cw: gn reader, juuuust fluff, bonus characters!, proofread

ᴛʏᴘᴇꜱ ᴏꜰ ᴅᴀᴛᴇꜱ ᴛʜᴇ ᴋᴏᴍʙᴀᴛ ʙᴏʏꜱ ᴛᴀᴋᴇ ʏᴏᴜ ᴏɴ

⎯ Liu Kang

Need I say it? I'll say it anyways. Stargazing. Liu Kang loves taking you stargazing. He'll take you absolutely anywhere in the world. It does not matter that he's lived under these stars for ages and ages. He enjoys seeing Earthrealm's natural beauty. And the stars, of course.

⎯ Bi-Han

Bi-Han prefers private moments with you, so his favorite date is simply a nice stroll. Sure, he could be lavish and drop a whole bunch of money on you, but he feels like that does not display his love properly. He just likes quality time with you, really. A nice, private dinner with you doesn't sound bad, either... or even ice skating. As cheesy as that is for someone like him.

⎯ Kuai Liang

As much as Kuai tries to be simple, he really loves taking you to festivals. As often as he can, of course that kind of amounts to like eight a year. But he loves them, he loves every single aspect of them. Mainly pampering you and buying you all the food you could want. His favorite festival is actually the Lantern Festival, he loves sending off lanterns with you.

⎯ Johnny Cage

Johnny sets up the most fancy, frivolous, and expensive dates for you, always. Truth be told, however, he really just likes a night in with you. Ordering your favorite take-out, cuddling up on the couch, watching one of his favorite movies- which, surprisingly, isn't one of his! He really loves horror movie nights, too. He chooses the corniest movies, and gets kind of disappointed if you don't AT LEAST squeeze his bicep during the scary parts.

⎯ Kenshi Takahashi

I like to think Kenshi is a good ol' fashioned lover boy. He loves extending the date through the whole day. He starts off with surprising you with flowers in the morning, maybe going on for a nice little stroll, have lunch at a quaint little café, and finish it all off with some dancing. Perhaps in the kitchen, or at a club, whichever you choose. Kenshi is actually terrifyingly good at dancing, he's just smooth like that.

⎯ Kung Lao

Madam Bo's. Breakfast, lunch, or dinner. Are you surprised? No. I know you aren't. Kung Lao loves any date that involves food, but enjoying something as simple and humble as a meal at Madam Bo's specifically has been and always will be his favorite.

⎯ Raiden

Raiden loves picnics! Somewhere in the secluded country-side, just enjoying your time with him. A myriad of home-made appetizers and what not. He believes it's one of the most intimate ways to spend time with you. He also loves to admire the way the sun compliments your figure, as well.

⎯ Zeffeero

Zeffeero seems particularly excited when it rains. Of course. It's in the job description. He urges you in the most nonchalant way for a quick stroll in the rain. Which inevitably leads to dancing in the rain. He tries to keep his composure around you, to look like that respectable wizard all the damn time. But you make him crumble, and he just can't help but giving in to breaking that façade with you.

⎯ Tomas Vrbada

Tomas also loves taking you out for dinner at Madam Bo's. Partially because he still feels guilty. But he loves the food there, and he hopes you do, too. To be honest, any time spent with you is worth it. So when it comes to dates, he doesn't exactly have a go-to or a favorite.

⎯ Baraka

Stargazing. The wastes provide a great space away from any sort of light pollution, and truth be told, Baraka prefers any time away from any populated places with you. He's afraid of the backlash you could get, as well as just the overall fear of spreading Tarkat. He knows his place, really. But those moments, deep in the night, where the stars are the brightest make up for all the worry.

⎯ Geras

Geras kind of has... no concept on dates. Like, none. He's a construct, and he doesn't really know much of the human connection. He's content simply by seeing you- which is kind of all your dates amount to. He's busy regardless, he has to watch over the hourglass.

⎯ Syzoth

Would it sound weird if I said Syzoth really liked hiking...? Aside from just cuddling up with you, he likes to explore. Especially with Earthrealm being so new to him. Being all sort of tucked away in the mountains, just with you, where he's free to transform and explore and enjoy his new-found life and freedom just... sparks something within him.

⎯ Havik

Oh boy. Havik also SUCKS at dates. Given his rowdy and anarchist nature, it's really hard for him to find a proper way to settle down and enjoy the day with you. Aside from naps, he genuinely would like you to tag along with him on all his... excursions. Extreme they may be, dismantling some sort of order with you really makes his heart burn for you.

⎯ Shao Kahn

With his status, it's kind of hard to find proper time to take you out. However, when he does, it's always a stereotypical quiet dinner. He's got some pretty damn connections, and somehow always manages to land the right table. Under the moonlight, just talking about your days. He enjoys those quiet, mundane moments.

⎯ Shang Tsung

A day AND night out shopping is really what Shang Tsung loves. He spoils you (and himself), and he's all chatty while you two walk down the market. He's very observant, actually. Any little thing you so much as spend more than 2 seconds looking at is now in your hands. He loves buying you the little things.

⎯ Reiko

Being second in command to Shao, Reiko kind of knows his way around dancing. He's a soldier, yeah, but especially when he's close to the royalty I imagine there's some sort of luxury he has to uphold. Reiko's not the best at dancing by all means, but whenever some sort of ball event starts in Sun Do, he's bringing you. And he gets better, each time.

⎯ Bonus Points! Takeda Takahashi

KARAOKE. Takeda SUCKS at singing, but it's not about that. It is so fun with him. Getting a break from the Shirai Ryu, his father, the special forces, pulling you to some dive, screaming his heart out to some white girl pop, he loves it. And he loves it when you two do those silly little duets. He could care less about how bad he sings, it's just those moments he gets to let loose with you.

⎯ Bonus Points! Hanzo Hasashi

It may come as a surprise, but Hanzo loves little pottery dates. For a man like him, it seems so unlikely. But it's quiet, and actually needs a lot of focus. That's what he likes about it. It's something calming to do, with his love. And he likes to see what you come up with, especially. He kind of sucks at painting, though. So he'll pass off the bowls or cups he makes for you to paint.

716 notes · View notes

markrosewater · 6 months

Note

First, I want to say that "Throne of the Grim Captain" is a cool card that tickles both the Johnny and Timmy parts of my brain in just the right ways. Kudos to whoever designed it.

However, I think it was a mistake to tease the type line "Legendary Creature - Skeleton Spirit Pirate" when the card in question can't actually be used as a Commander.

There's always going to be some risk of disappointment involved when teasing cards, but I think "don't tease Legendary type lines that can't be used as a commander" is a low bar to clear.

I mainly say this because it is a bit sad to see so many people down on such a cool card.

Let me ask everyone here. I have a cool creature type line that's legendary, but can't be played as a commander. Should I not include it in my teaser?

82 notes · View notes

tellthemeerkatsitsfine · 2 months

Text

All right, I did a post yesterday about the Cowgate incident of 2003, which started because I read the disappointing news that the site of the incident will be closed to the public when I'm in Edinburgh this summer, and I literally read it during a brief period of being awake in the middle of a fever dream. And then of course I made a post about it, because if you wake up in the middle of a fever dream, you always have to post about the real-life incident that most resembles the content of an actual fever dream.

This made me realize it's been a little while since I've actually watched that video, I went through a year or so of re-watching it at least once a week (mainly because it became a go-to re-watch when drunk, particularly near the end of the night when I no longer wanted to focus on anything coherent or longer than a few minutes, personally I'd never want to be at a comedy show while drunk but I do see why they'd do this for a drunk crowd, it appeals to that side of the brain), but I hadn't seen it in six months or so. I thought, I've probably been building this up in my head a bit in the six months of not actually watching it. The idea of Cowgate as a weird drunken fever dream (though one enjoyable thing about it is that besides Adam Hills and the entire audience I'm pretty sure the people involved were sober, as that was sort of the Chocolate Milk Gang's thing, getting their name specifically because they were the only people who didn't get drunk at late-night Edinburgh shows, instead they went for milkshakes across the road) had become a running joke in my mind and sometimes my Tumblr references, but at this point it's more of a symbol than anything else. After writing that post that ran with the joke of it being an iconic violent ritual, I thought it would be fun to spend some of my sick day at home re-watching the actual video, expecting to find that it just looks like relatively expected raucous comedy show shenanigans, not quite as mind-breakingly weird as I remember.

...Guys, it's exactly as I remembered. It's so weird. I've made multiple deep dive Cowgate posts before, but not for at least six months (I think the last time I did it one was for the 20th anniversary, August 26 last year, so almost exactly six months, actually), and I think six months should be long enough to make me allowed to repeat myself on the subject. Because there's almost nothing I haven't said before, but watching it again made me want to say it all again. And I do mean almost - I think I did discover one new detail while watching it between fever dreams yesterday. It's pretty good.

Okay, first of all, here's the video in all its glory:

youtube

I cannot emphasize enough how much the first time I came across this it was 2 AM and I had no context for understanding where they were or what was going on. Since then, I have figured out: it's a show called Late 'n' Live. It takes place on many nights throughout the Edinburgh Festival, at a venue called the Gilded Balloon. The Gilded Balloon is owned by Karen Koren. It burned down in 2002 and was rebuilt nearby, this video is from 2003, in the rebuilt venue on Teviot Place. The Late 'n' Live event runs from around 11:30 PM to around 3:30 AM and consists of a bunch of comedians who come on, sometimes to do their own sets and sometimes to do shit like this, managed by a compere, and after that they bring out a band and it turns into a dance floor. At this time, it was known for being a bearpit with a drunk and rough crowd that sometimes got violent. For several years in the late '90s and early '00s, it was famous compered by Johnny Vegas. It was then compered, throughout the early- and mid-00s, by Daniel Kitson. I mean I think there was some crossover, obviously they didn't just have one compere for an entire month and people besides those two guys did it too, some people had to get some sleep at some point. Anyway, these are all things that I know as a direct result of the rabbit hole I went down after finding this video and needing to understand what the ever loving fuck was going on in it. I actually know a lot more than that about Late 'n' Live, but there isn't time for it all right now. I've watched a four-part BBC Scotland documentary series about the history of Late 'n' Live. I watched a Tim Minchin documentary mainly because I like Tim Minchin but a little bit because it had a lot of the Gilded Balloon in it and that was relevant to my Late 'n' Live research. I have an entire folder on my hard drive called Late 'n' Live and it has too many files in it.

One of them's a gif of David O'Doherty throwing his entire body with abandon onto different things at Late 'n' Live in different years: onto Jason Byrne in 2003, onto the floor in 2005, and onto Daniel Kitson in 2007. All clips I found in entirely different sources and decided they needed to be together.

Anyway. I'm getting off topic. Already. Cowgate. The point is Cowgate. I named the incident Cowgate because that's the name of the neighbourhood where the original Gilded Balloon was, and, you know, it was a cow. A cow and what looked like it had to be some sort of scandal. I think it's very clever.

So here's the thing. After I first found that video, which seemed like a tiny relic of one of many moments of one of many nights on one of many years that this stuff went on, and I set about obsessively looking things up for weeks to try to figure out what they were doing, in the process I came across a second video that also happened to capture the same moment. Amazing stuff.

youtube

The former video was on the Gilded Balloon's YouTube channel, and seemed to have been filmed officially by the venue staff. This latter one was a montage of videos taken throughout the night by an audience member who apparently had whatever people used to film things at gigs in 2003. Wouldn't have been a camera phone back then.

This video shed a bit of light on some of the essential mysteries of Cowgate, but didn't actually answer many, and to be honest it asked more questions than it answered. Obviously, one of the main questions I had about Cowgate was "Where did the cow come from?" I'd wondered whether the Chocolate Milk Gang had somehow procured it, or whether they took something that was already there. Both options would open up a lot more questions, such as where did they get it, and if it wasn't there because they specifically put it there for the purposes of taking it apart, how did they get permission to take it apart?

The longer video suggests that it's the latter. It shows Daniel Kitson earlier in the night, messing around with the cow the way he might if its presence on stage were a surprise to him as well as to the audience.

The other essential question is "Why did they attack it?", and this earlier scene may suggest a possible reason. From the dialogue, it seems that Kitson jumped on top of it because the crowd told him to, and then the crowd keeps shouting other cow-based challenges at him, and he makes fun of them for suggesting challenges that are too easy (jump off it, touch it, etc.). The video then cuts, but it is possible that he challenged the crowd to ask him to do something difficult with it, and they said to tear it apart, and then it escalated. That scene seems to be from the beginning of the night, and we know the actual Cowgate ritual was the last thing that happened in the night, because right after they finish Kitson brings the band out and that occurs after the comedy ends. So it's possible that they could have come up with the challenge at the beginning, spent a few hours sourcing various weapons, and then done this at the end.

That theory of course brings up other questions, like how they decided on the weaponry. And, again, why they were allowed to do that. The answer to that question depends on where the cow came from, which I still don't know. I once spent a week looking up the International Cow Parade because I thought maybe it was part of that, but I don't think so anymore. It has the word Metro on the side of it, and someone in the YouTube comments called it the Metro cow. So it was probably an advertisement, not an art piece. But I wouldn't have thought your allowed to take apart a company's advertising installation. Maybe it was going to be destroyed after the festival anyway? Also, why was there a cow-based Metro advertisement on the floor at a comedy gig anyway?

I'd like to go through the video in further detail, as I've done many times before, but not for six months so I think I'm allowed a new one, and also I've come up with one (1) new fact (theory) so that's worth doing the whole thing again. I've just spent two days sick in bed, please allow me to indulge in this.

- Right at the beginning, the "three chances" thing still confuses me. That line really suggests that this is a challenge, not just a weird stunt, that they are being tested to see if they can do it. Possibly tested by an audience that was told to come up with a more difficult idea for something the comedians could try with a cow.

But what are the paramatres of the challenge? To take the cow apart, sure, but the "three chances" line implies more specific restrictions. Did they try this two other times earlier in the night and weren't able to do it? Perhaps tried it earlier with fewer weapons? Or did "three chances" mean three people are allowed to work on it? Doesn't seem likely, as Kitson jumped in fairly quickly and made it four.

- Adam Hills sounds like he's referencing something with "literally bottle it". I know "bottle it" is a expression that means "fuck it up", but I don't see how that's literal in this case. Was there a bottle involved? What would bottling it mean in this instance? Failing the audience's challenge? I don't even know for sure that it was an audience challenge, that's just a guess based on the beginning. It could be something else entirely.

- The part where John Oliver, Demetri Martin, and David O'Doherty scurry across the stage like squirrels makes me laugh every time. Why are they all bent over? What are they hiding from?

- David O'Doherty appears to be the only person who came out carrying a weapon. In the first shot of the guys attacking the cow, DO'D is hitting it with a hammer that he presumably brought from backstage. The other two are pulling on it with their bare hands. Then, in a detail I find hilarious, Demetri Marin reaches behind him and grabs what appears to be a chisel off the floor. I guess what probably happened is he did bring that with him from backstage, then put it down, and we just see him pick it back up. But the editing makes it look like he's tried pulling the horns, it didn't work, so he turned around and grabbed the nearest tool, like a character in a video game that just finds useful weapons lying around.

- It also makes me laugh that Adam Hills used his rap-based narration to make sexual jokes about the cow, while Kitson puts his hand over his mouth/in the air like a rapper, to show he's totally on board with this gangsta rap thing, but also, they have shit to and it's (presumably) nearly 4 AM, so the actual content of his lyrics is going to be to give useful practical advice on how to get this job done. Because they're not combining the tools, and you really need to use the chisel and hammer together or it'll never work.

I enjoy the way at this point, John Oliver takes just the briefest break from attacking a facsimile cow with his bare hands to look up Kitson, looking quite impressed with his approach to the situation. "Yes, thank you Daniel, finally some helpful ideas instead of just cowfucking jokes, now let's get that chisel over here."

- It can be hard to see in the darkness, but this whole thing is basically a Kitson and Oliver-oriented plan. Kitson shouts at DO'D to "combine the chisel and the hammer". John Oliver then points like he's directing a play, getting DO'D to bring his hammer to the other side.

DO'D does this, but puts the hammer down on the ground over there, instead of combining it with anything. That's when Kitson taps DO'D on the back like a pretend wrestler tagging in, possibly deciding that if he stays on the sidelines rapping all night, they'll never get this done and be allowed to leave. So he pushes DO'D out of the way, and takes his spot next to John Oliver. Then he reaches down and grabs a random chisel off the ground, again like a video game character. Then he reaches over the cow and picks up the hammer that DO'D has discarded (like a video game character), so he is now combining the chisel and the hammer. At the same time, John Oliver has physically taken the first chisel out of Demitri Martin's hand, and starts working on the same end as Kitson. Now they're getting somewhere.

- This is one of those videos that's funny every time if you keep running it back to watch the same eight seconds over but this time focus on a different person. DO'D tries to get in after Kitson straight-up stole his spot, leans in but can't find an opening, gives up and walks all the way around them both to try the other end of the cow because clearly the Kitson and Oliver dream team have this end sewn up.

- Then, there's a curveball: someone with the word CREW on the back of their shirt comes out of absolutely nowhere, and hands John Oliver a lead pipe, like a character fucking Clue(do, depending where you live). Where did this come from? Do most stages have large bits of piping lying around backstage? Was John Oliver supposed to bring it on stage with him but forgot it so they had to run it out to him? Or did those crew people decide that they're not making enough progress, someone had better find a large pipe and bring it on stage and hand it to John Oliver so we can all go home.

I've been writing this post so far while watching the official video - the one off the Gilded Balloon YouTube channel - but I think you get a much better view of this specific part from the way it was captured in the montage by an audience member. It's another part that I find incredibly funny. John Oliver is methodically working away with Demitri Martin's chisel and his own hands. Then someone hands him a large weapon, and he immediately raises it above his head like a sword and starts whacking the thing full tilt. Scares the shit out of Kitson on one side of him and DO'D on the other. They both jump, Demitri Martin just cautiously circles away.

In the words of a John Oliver bit that is long outdated but lives on in our hearts and my DVD collection... whaky stick. Whacky stick!!!

Kitson, after initially jumping, responds by choosing to imitate John's style, and starts raising the hammer over his own head to attack it with full force in the same way. While DO'D literally cowers in the corner:

And Demitri Martin continues to do what he's been doing since John took his tool away, which is to run his hands over the body of a cow like a mechanic sizing up a car. He has contributed almost nothing to this operation. I don't even think Demetri Martin knows how to take cows apart. Too busy turning letters into numbers and stuff.

- After getting over the initial excitement of waving a pipe around wildly, John Oliver employs the more thought-out strategy of using it like a lever, trying to prise it open at the seam. Kitson gets in beside him and starts attacking this same seam, striking the weak spot repeatedly with the hammer. In the background, DO'D and Demetri Martin appear to try jumping on the thing.

This is the strategy they're still employing the moment the cow finally comes apart:

I've observed this from multiple angles, and at first I thought Kitson deserved the most credit for breaking it, but now I think it was mainly John Oliver's work. Definitely a team effort though (or at least a dual effort, not sure how much the other two helped, though to be fair the bigger boys took their tools away). It comes apart at the exact spot where Kitson was hitting it with the hammer, you can see Kitson give it a hard kick, then one more strike, then put his arms up in celebration as this strike breaks it in half. But I'm pretty sure it was John's leverage from behind him that allowed him to split the thing.

- At this point they all contribute to pulling it the rest of the way apart; Kitson and Martin hold the top half while Oliver and DO'D take out the bottom. This is another part I find very funny - the way they're so matter-of-fact about handing it out to the audience. Look at John Oliver and David O'Doherty marching this across the stage like they're workers delivering a coach or something:

- Then the camera shows the cow being crowd surfed. The YouTube comments say: "The Metro cow got smashed in two and crowd surfed over everyone out the back door". In his lyrics, Adam Hills talks about taking it up the Royal Mile. The Royal Mile is the street outside, so all this suggests that they continued to take the cow outside and down the street. Was that part of the challenge? Was the initial plan to take the thing apart and then have it carried through the streets of Edinburgh? How far did this cow go?

- I have so far compared them to video game characters, board game characters, tag-team pretend wrestlers, a mechanic, and delivery workers. But my favourite thing to compare them to is probably at the end, when they celebrate like football players who've just won a big match.

"Great work everyone, good hustle out there, really pulled together as a team. Okay, now hit the showers. I want to see you all dressed and ready for milkshakes in ten minutes flat."

- There is so much going on in this video that I find it easier to not try to focus on it all at once, I have to do one thing and then backtrack. So now that I've gone through the whole video while looking at what the rest of them were doing, I need to backtrack and go over the lyrics to Adam Hills' song.

Question: Did Adam Hills think he was going to have to do this alone, or was he supposed to have Kitson co-MC-ing, but then Kitson jumped in partway through? Because I think the latter may have happened. Kitson was the compere for the whole night, as we see in the montage video.

Adam Hills If you had three chances Would you take them? Or would you quite literally bottle it?

As I said before: don't know what he's talking about there. What got literally bottled? Why three chances?

His palms are sweaty, his hair is sweaty He's ready to shoot spaghetti He's got a cow on stage It's got red horns, it's all the rage

This is veering wildly off topic, but I just want to mention that that Adam Hills got his off the cuff "stage/all the rage" rhyme because he'd heard DO'D use it in a freestyle rap battle with Daniel Kitson, that we know from the montage took place earlier than night (another one of my favourite videos, but we don't have time to go into this one right now):

youtube

It's cow tipping, it's not quite shitty Get that cow down in this city Take it up the Royal Mile, attack it with a hammer Kitson's on the stage, he's [?] with a hammer

Again, how far did the cow go? They had clearly planned from the beginning (of this song, at least) to have it out on the Royal Mile. YouTube comments confirm it left the building.

David O'Doherty's going up the ass It's time to fuck this motherfucking class Fuck the udder (x4) Let's get this udder fucking cow out of here

After all the times I've watched this video, this is the first time I've noticed that Adam Hills tried a pun on "mother fucking" there. Glad he's having a good time.

Daniel Kitson Davey, Davey, what you need to do Is combine the chisel and the hammer

Finally, some useful fucking advice.

Adam Hills There's Martin, Demitri Martin The Perrier win has left me smartin'

This was August 26, Hills' song mentions later that it's the last night of Late 'n' Live for that year, so the Perrier Awards had just been given out. In 2003, Demetri Martin won the main award over other nominees: Reginald D. Hunter, Flight of the Conchords, Howard Read and Little Howard, and Adam Hills. Adam Hills, who had also been nominated the previous year, when he lost to Daniel Kitson, and the year before that, when he lost to Garth Marenghi. So he is actually being, as a YouTube comment said, a pretty good sport to jump in and have fun about it. If I were him I'd probably resent losing out an award again and then not even getting to smash shit up.

John Oliver, he's the man If that pipe won't do it, nothing can David O'Doherty, he comes from Ireland, the land of the green Daniel Kitson, he's got a hammer He's also got one motherfucking stammer

I quite enjoy the way no one responds to any of this. Adam Hills starts calling them out by name, including bringing up Kitson's stutter and DO'D nationality and his awards rivalry with Demetri Martin, and none of them even briefly looks at him. They are all very busy and focused on the important task of destroying a cow.

It's time to break this cow down It's time to break this cow down It's not time to chow down It's time to break this cow down

I want this verse embroidered on a throw pillow. Actually, I think I want these entire lyrics printed out and framed on my wall.

Late 'n' Live, Late 'n' Live, it's the very last night It's time to wrap this show up tight Send it out the front, send it out the... [cow breaks apart] Break the cow, break it in half Lead it out the front to the path

Once again, talk of parading this thing around outside the venue. Where were they taking it?

Karen Koren, she's outside She's got petrol dripping down her eyes There was a fire at the Gilded Balloon The police found no one else was to blame If this season doesn't go well This fucking venue's going up in flames

That, of course, is a reference to the Gilded Balloon's history. It burned down in a fire in December 2002. It's now August 2003, and they're in a new venue that was rebuilt nearby. Karen Koren is the venue's owner. I'm pretty sure Adam Hills is implying that she's going to burn down the new venue if the performers don't do well enough. Actually, he's not implying that, he's outright stating it. What he's implying is that she burned down the first venue, presumably for the insurance money, and she is currently outside ready to burn this one down too, if they perform badly enough to make the insurance money worth more than the shows bring in.

The cow's in half, the cow's in half Let's hear it for the cow in half!

This is like that famous poem that was allegedly written by a child about a tiger breaking out of its cage. Sheer poetry.

Tea's gone cold, I'm wondering why I Got out of bed at all The morning sun goes up my window And I can't see at all And even if I could, it'd all be grey But your picture on my wall It reminds me that it's not so bad, it's not so bad

What's interesting about this is that these are the lyrics to Stan, which is a different Eminem song from the one he was (sort of) singing at the beginning, which was lose yourself. This may or may not be related to the fact that Adam Hills is the only person in this performance who was not a member of the Chocolate Milk Gang, which was a group of comedians known for not getting drunk during or after late-night Edinburgh shows.

It may also be related to the fact that this is a clip of the Edinburgh show that Adam Hills had just spent a month performing:

So he had Stan in his head all month anyway, he was on stage and remembered he was supposed to be singing an Eminem song, his brain told him that the Eminem song he sings on stage is Stan. Fair enough.

Though it's worth noting that those aren't the correct lyrics to Stan either. The Eninem song says the clouds come up the window, not the sun. Why would it be all grey and hard to see if the sun came up the window?

Crowd surf the cow, people.

I want all those lyrics printed out in fancy calligraphy font. And ornately framed. And on my wall.

So that's Cowgate, in case anyone wants to know. But this is just stuff I've said before. I said I had a new detail, didn't I? Well here it is:

Who is that man, sat unobtrusively in the background, playing the percussion set? Of course we have no way of knowing, in such low quality video without any clear shots of his face. Or do we? Because here is a screenshot of Flight of the Conchords, sitting on that very cow, earlier in the same night! (We know it was the same night because it was taken from the montage of the whole night, which ended with a second angle on Cowgate.)

Am I wrong? I might be wrong, tell me if you think I'm wrong. But I think that's Jermaine Clement playing percussion back there. Based on the evidence that: He was there that night. He does play the drums. He's a bona fide member of the Chocolate Milk Gang. And he has the same vague outline and shirt colour as the guy in those screenshots. And he was in the background of the Kitson/DO'D battle rap video, playing guitar, so he does sometime play music to accompany other comedians doing weird shit at Late 'n' Live. My new detail is I think Jermaine Clement was on the stage during Cowgate.

It is cool, really. I mean, I'm obviously being vaguely ironic by treating this late-night comedy show stunt as a vitally important mysterious ritual. But I genuinely think that what happened there is fucking cool, if you look at all those people being on one stage doing something so stupid together, and then consider where they all went after that.

And if Jermaine Clement was there, that just adds to it. The variety and international breadth of all the different comedy careers all in one place just as they were on the cusp of taking off. I mean, by plenty of definitions some had taken off already, but they have all taken off significantly more since then. Almost as though on one night in 2003, they all sacrificed a cow to the gods of success and it worked. Of the main five people involved in the sacrifice rituals, there are three Perrier Awards (Kitson, DO'D, Demetri Martin - though to be fair two of those were won before Cowgate happened so I guess we can't attribute it to the sacrifice), an MBE (Hills), and a shitload of Emmys (Oliver). Which I think they should all bring in for the prize task of the Taskmaster episode that I imagine with those five as the contestants (it's okay, I think this is worth setting racial and gender representation on panel shows back by 20 years), the studio task is to take a cow apart, the winner gets all the trophies.

That's a lot of countries. The Australian Adam Hills, the British Daniel Kitson, the American Demetri Martin, the Irish David O'Doherty, the Kiwi Jermaine Clement, and the now-British/American John Oliver. All with wildly different types of careers. All, for different reasons, among my favourite comedians. I have seen or heard all of the official video or audio stand-up releases by all six of those people (and possibly 1 or 2 or several hundred or so unofficial ones as well). And not because of this video or anything, I sought them out because those are among my favourites and then they were all on stage doing this unhinged thing together.

It's the great mystery of my lifetime, I still want to know where the fuck they got that cow. And I'm genuinely annoyed that I won't be able to see the stage where it happened when I go to Edinburgh this year, but it's all right, I'll look at the outside.

If I ever get to meet any of these people, this is the first question I'm asking. No I don't need to know anything else about your career, just please tell me, what the fuck was going on with that fucking cow in 2003?

#Youtube

11 notes · View notes

boysborntodie · 2 months

Note

3,7,15,16,22

Thanks for the ask, anon!!!

3: As you can see by my pfp, it’s Miss Cherry Valance. I absolutely adore her<333

7: So like everyone talks about the Curtis brothers, the Dally/Johnny/Trio, the gang, Randy and Pony, etc. And I adore those relationships but I wanna talk about one less talked about.

I fucking love whatever the fuck Bob and Johnny have going on.

Bob and Johnny, despite not exchanging a word, are so compelling due to their past and this tension that surrounds them. Despite one appearing in one scene, Bob continues to haunt the narrative, his presence never disappears, especially for Johnny.

For Johnny, Bob was the physical manifestation of his abuse, someone who hurt him more than anyone ever had, and this causes Johnny to decide that he would kill before he got hurt again (not like a proper intention but just lurking at the edge, enough to make him capable of what no other character is).

For Bob, Johnny ends up being the executor of the consequences he had always needed, but never got as his parents refused to set limits for him. They are so intertwined ugh (actually you can make an argument Cherry/Bob/Johnny/Dally are all intertwined but that’s a topic for another day)

15.

Johnny is gay and demisexual. For the longest time, he believed himself to be unable to feel romantic love (it didn’t bother him tho).

Sodapop learned some basic first aid from his mother and is the gang’s go-to as they can’t afford to go to the hospital after getting any scrapes. He also is good at taking care of someone when they’re sick

Dally has a chunk of one of his ears missing and stories as to how it happened vary. Two says it’s because Dally got into a fight with a street dog. Tim swears that Dally told him it’s nasty story involving a pipe and a car accident. Pony has several different stories of how he imagined it could’ve happened

Half of the greasers don’t even like Elvis that much (they don’t dislike his music and some songs are catchy but it’s nit their fave), they just listen because it’s considered cool

Johnny takes after his mom in appearance (canonically) and personality but has his dad’s eyes. He seems to not take after either of them in personal due to his meekness, but in some ways, he’s more similar to them than he’s comfortable being. And yet he is not because he chooses to not pass on the hurt his parents gave him

16. I love some more gang interactions in general. Two and Dally have always felt like besties to me so I wish we saw more of them. There was no way to fit in Cherry and Johnny interactions but I still yearn for them

22: I do this with all minor characters to some extent, but mainly Sandy and Sylvia. I have an entire enemies and lovers, toxic yuri canonverse AU about them

#asks #the outsiders #johnny cade #dallas winston #se hinton #bob sheldon #cherry valance #sodapop curtis #dally winston #ponyboy curtis

8 notes · View notes

unhingedpolycule · 4 months

Note

Absolutely on board with aromantic Horangi now, love it~ (I kinda see him just vibing with Ghost now)

And I love Ghost freaking out Krueger so much, he was born a creepy bastard and he will absolutely weaponize that shit.

Me tooooooo! I think after Horangi gets about his innitial distrust, he would really like Ghost. SOap is a little bit too high energy for him, but ghost? Calm and stoic, can sit in silence for ages? Just perfect. I think if Horangi is involved with anyone from Königs polycule, it is Ghost. I see them click in a platonic and sexual kind of way.

I am writing all of this down and just noticed that... I basically wrote this AU already. Its from Ghosts perspective, but like... the relationships are like this. It is a lot of domesticity and getting together, navigating both coming out as an adult man in the military and getting into a poly relationship. Its kinda lengthy, but its called "Brave as a noun" and "Traust" on AO3 and has two additional one shots this far... there is just a little honorary mention of Krueger and he is much calmer in this, mainly because I didnt have major headcannons for his character back then. But the next longer work I post on there will have a lot of Krueger focus :D So yeah, sorry for the shameless self promotion :D

Ghost is just so terrifying and this angers Krueger. He needs control, he need pople to cower from him and he needs it from everyone around him. He might play nice most times, but thats just because he knows most people around eye him with caution. They know what he might or might not have done in the KSK.

I am not quite sure if Krueger would push and try to get even more unhinged and weird because he thinks he can win this thing. He tries to get Königs attention when Ghost and Soap are around, to impress on them what kind of position he holds in Königs life, going as far as to try and court König again or if he would just... get into an agressive defense position and starts lashing out at Ghost when his superiors backs are turned.

He would be smart about it as well. Like whispering to him about how he did unspeakable things to König and had his devotion in a way they could never replicate. It was mania, codependency, love, passion and a fierce need for the other. That he could ask anything of König and would get it, no matter how risky or dangerous. He could have him on his knees in an active warzone or make him do his paperwork during lazy days on base. König was mad for him in his eyes. He doesnt realize how sick this sounds and that most people wouldnt want that and aim for a relationship with healthy boundaries.

Maybe, if he would be like that, this might trigger an insecurity in Ghost, but not the kind Krueger aims for. More of an insecurity of asking too much from someone who would do anything for love and security. He becomes very conscious of König trying to impress and service him and Soap and does everything in his power to make his new partner feel secure and appreciated.

It could prompt a much needed discussion about boundaries König might have but never expressed. Soap and Ghost telling him that they do not love him for what he can do for them but for himself, his (com-) passion and soft, gentle way. For his competence in both tactics and on the field. That he is valueable outside of his sexual service and usefulness. That they just like him for himself.

They also learn that little acts of service is his lovelanguage. (Ghosts is service and food (I am projecting here), while Johnnys is very clearly touch). It gets easier between them afterwards.

In short, Krueger is who König fantasized about while Ghost and Soap are the ones he actually would like to be with realistically. More sane, maybe sometimes a little boring after the emotional rollercoaster he is used to, but safe and healthy.

God, now I feel like I need to write this in addition to a horangi pov in my brave as a noun thing. What have you done to me??? /pos

~Corr

13 notes · View notes

80stacos · 2 years

Text

Childhood Headcanons for the Gang

—trigger warnings: mentions of bad childhood/home life

DALLY:

Dally threw stuff on the floor when he was angry as a toddler.

He probably chewed the heads off of his toys.

He was sort of just naturally angry because he wasn’t really cared about.

He got in trouble a lot in kindergarten, preschool, and elementary school.

Some days he’d be put in time out for pulling a girl’s hair, other times it was because he stole another student’s toy.

He was pretty chill with the kids who were his friends, though.

Unfortunately they were just as mischievous.

Some of them actually introduced him to the gangs he later got involved with.

DARRY:

Was a super quiet baby.

Loved to take naps.

He was one of those babies that was super chubby for a long time but in a cute way.

He rarely threw fits or got upset, but when he did, it was over having a bath.

He was so excited when he was told he was going to be a big brother.

Called Soda “Sobub” for a long time.

He loved Soda, but got annoyed that he didn’t organize his toys “properly”.

He organized his toys for him which Soda would swiftly mess up again.

He was always happy to help his mother with chores.

He was always telling Soda and Ponyboy right from wrong.

Put his hands on his hips whenever he disliked something. It always made his parents laugh.

JOHNNY:

Johnny spent most of his childhood with a nanny (who wasn’t all that great because she was the cheapest one his mom could find).

He was really interested in bugs.

Was super weary of strangers.

He learned how to talk at a normal age but was still super quiet most of the time.

He really loved mac and cheese.

He loved to play with sticks and rocks. It wasn’t that they were the only things he had to play with, he just really liked them.

He was that type of kid that just loved to be in nature and was easily amused by it.

He learned about the world just by watching others. He didn’t really try to read books or make sense of things using toys. He just observed.

He never picked his nose or put his hands in mouth or anything, even as a baby. He was naturally just really sanitary.

He LOVED when his elementary classes took field trips. It made his whole year.

PONYBOY:

Ponyboy Michael Curtis is the reason the Curtis parents had to put better locks on the front door.

This boy would just casually walk out like he had somewhere else to be.

He would get upset if he wasn’t wherever Soda was.

He started reading early.

LOVED when his class got to do silent reading time in elementary school and when they went to the library.

His parents would actually take him to the library as a reward or treat because he loved it that much.

Thought girls had cooties.

He loved dragons. Everything in his room was dragon themed <3.

SODAPOP:

Soda was the cutest little baby change my mind <3.

He was one of those babies that threw tantrums a lot though over little things.

His toy fell over? Tantrum. Someone turned a lamp off? Tantrum. His cereal was “too crunchy”? Tantrum.

He was a bit slow on his linguistic skills. He didn’t start speaking until 16 months, and he couldn’t start reading until the age of 8.

He was obsessed with those little toy cars.

Whenever he was interested in something his eyes would go super big.

Poor thing had a really hard time letting go of his pacifier :((. Mainly because he thought of it as his friend.

Soda was definitely one of those kids that learned about stuff by poking or licking things. It stressed Darry out so much.

“Sobub what doing?!?”

Soda: *licking the electrical outlet*

He was definitely a mama’s boy.

He would always hold onto her hand or her dress when they went out.

STEVE

Oh boy little baby Steve Randle.

He bit people when he was teething. More than a normal baby should.

Even after his baby teeth came through he bit people.

He did not want to take naps. If he had to take a nap he would scream.

Eating and playtime were his most favorite things.

He loved to tear things up.

He always attempted to climb out of his playpen or over the baby gates.

Just like Soda, he was obsessed with toy cars.

He hated writing practice in elementary school. He didn’t understand why he had to write in a straight line.

He was the king of the jungle gym.

TWO-BIT:

He tried to eat everything. And he often succeeded.

Just like Darry, he was a chubby baby but in a cute way.

He had one of those really funny belly laughs that some babies have.

He’d also laugh at the littlest things.

Most of his toys were messed up because, again, he tried to eat them.

They legit looked like a dog got ahold of them.

He also believed that girls had cooties.

He had a tendency for disrupting his elementary classes.

He was obsessed with quesadillas as a kid. He always had them for lunch at school. (Am I projecting? Maybe.)

He refused to stay inside the lines when coloring. He knew it was wrong but he didn’t care.

#the outsiders #the outsiders headcanons #the outsiders hcs

94 notes · View notes

seroothincs · 1 year

Text

Enjoy my rant of me creating a found family trope out of the freaking mafia

Listen, there are plenty of moments in the show where the wiseguys appear that makes them seem like a family. Obviously, Tony is the father because he always seems like a good guy when taking care of his friends and also because he has a son of his own, So I'd imagine his father instincts also come in handy for his gang members. Then Legs I mean he is already seen as like the Caretaker of the gang, he is know to be a experienced Mob Doctor and possible Therapist. So he'd be the guy that would visit you while you were sick at home and bring food. But since we're talking family-wise, I'd say he's the oldest of the family. First-born and has seen so much chaos through-out his life. He possibly matured at a young age after his two siblings were born and so is just vibing. A brother that just sits on the couch, listens to you if you have problems but mainly just there to chill. Not that much at home because of his own life and would be considered the thanksgiving sibling who only comes like-- maybe one time each four months. Then there's Johnny, the ain't saying nuthin type, who really is just a caporegime and not actually part of Fat tony's inner circle which would make sense since he's betrayed them like three times. Like his nickname, Johnny says very little, which often makes it hard to figure out what his personality is like. BUT he seems like the serious and self-reserved type, takes his job serious and can be a bit annoying at times. I guess he could be the type of older brother that has already done every single little party trick in the book and now being grown up and better knowing, he lectures his younger siblings how to be safer in life and gives them tips to not get caught by the police like he once got. Oh yeah, he definitely had a wild young adulthood, if you know what I mean~ Since Frankie is never that much around and involved in the shenanigans with the others, possibly because of his squeamish nature, I still wanna include him since he's part of the family. Frankie is THAT younger brother, the one who you would need to always keep an extra eye on him because if you look for just ONE SECOND away he has already ate a flower to find out what it tastes like, beat down a bee hive to just wanna say hi to the friendly bees and has most definitely ate sand. Nonetheless, he's a bit much. And Louie, the baby of the bunch, who is just so clingy to Tony that it's adorable. He always makes himself wanna be useful and overall gives off major baby vibes. Though don't let that cute image of him get to you, he's still a skilled hit-man who isn't afraid to kill or wound anyone that stands in his way .... though personally I can't even imagine him killing someone because he's such a baby There was one episode, I can't remember the title, there was one where Louie was seen in the background of a meeting held at the elementary school along with a bunch of other people. When Skinner announced that they were no longer giving away free cookies, Louie was one of the many people that left AND ALSO Along with Fat Tony and Legs, Louie has been seen attending the monthly pancake dinner at the Springfield Catholic Church AND He owns a 'Folk Diva Mix' CD that includes Janis Ian's "At Seventeen." How much more baby can it get?! Safe to say, he's the baby. Papa's favorite boy and so innocent. He's like that one baby brother the other siblings would absolutely kill people over if they even dared to hurt him. Jesus, look at me- I am creating a found family trope out of a literal mafia Meh, at least it's cute to imagine though

#And if you're wondering about Michael #Don't worry he's also in this #He's the little brother that seems innocent but oh boy #does he have a dark side #Springfield Mafia #Louie #Legs #Fat Tony #Johnny Tightlips #Frankie the squealer #Michael D'amico #Found Family

16 notes · View notes

hoperays-song · 1 year

Text

The Gang’s Jail Sentences

I should preface this with my favourite lovely warning: I AM NOT A BOARD CERTIFIED ATTORNEY OF LAW. I do NOT have a degree in this. I have done research, yes, and come up with somewhat of a defense and timeline but still, I AM NOT A LAWYER. I’m just a hyperfixated idiot. Enjoy!

----------------------

During the events of Sing One we see Johnny’s family/the Gang commit several crimes. However, they are only caught after one failed heist. So, I will be calculating the charges they faced as well as providing possible defenses and my version of sentencing. Everyone ready for a ton of legal mumbo jumbo? Great! Let’s dive in.

Ps. I’m so sorry for the delay y’all, I know I promised this a long time ago but I really wanted to do it right. I hope y’all enjoy!

----------------------

Definitions:

I wasn’t kidding when I said their would be actual legal vocabulary here so let’s go over what it all means.

Wobbler: a special class of crimes involving conduct that varies widely in its level of seriousness.

Misdemeanor: a non-indictable offense, regarded in the US (and formerly in the UK) as less serious than a felony.

Felony: a crime, typically one involving violence, regarded as more serious than a misdemeanor, and usually punishable by imprisonment for more than one year or by death.

Parole: the release of a prisoner temporarily (for a special purpose) or permanently before the completion of a sentence, on the promise of good behavior.

County Jail: a facility operated by or for a county for the confinement of persons accused or convicted of an offense.

Sate Prison: is for inmates serving lengthier sentences on crimes that are more severe in nature.

Sentencing: declare the punishment decided for an offender.

----------------------

Crimes and Their Sentences:

Grand Theft Larceny - Wobbler (anywhere from less than a year in County Jail to 3 years in State Prison)

Wearing a Mask - Misdemeanor (up to 6 months in County Jail and a $1,000.00 fine)

Gang Involvement - Wobbler (anywhere from less than a year in County Jail to 3 years in State Prison)

Marcus Exclusively:

Escape from Custody - Wobbler (anywhere from less than a year in County Jail to 3 years in State Prison with no parole)

----------------------

Maximum Sentencing vs. My Sentencing:

Max: 6 months in County Jail, $1000.00 each, 6 years in State Prison (plus 3 years in State Prison and no chance of parole for anything for Marcus).

My Sentencing: 7.5 months in County Jail, $1000.00 each, 2 years of formal parole, 400 hours of community service for Stan and Barry, and 490 hours of community service for Marcus. All of them also were ordered into court mandated counseling/therapy due to the results found by the court appointed psychologist for the enterity of their incarceration and parole.

----------------------

Explanation and Defenses Used:

Now, you all might notice that my sentencing was much, much, much lighter than the maximum sentence. However, that is because I believe they were not prosecuted for some of the potential charges and they also were allowed parole in change of some of their sentence.

Firstly, I do not think they would be prosecuted for Gang Involvement, mainly due to they barely qualifying as a gang by California State Law. By their definition, a gang is:

“a criminal street gang is any ongoing organization, association, or group of three or more persons, whether formal or informal: 1. That has a common name or common identifying sign or symbol; 2. That has, as one or more of its primary activities, the commission of [a crime listed in Pen. Code §186.22(e)(1)-(25), (31)-(33)]; AND, 3. Whose members, whether acting alone or together, engage in or have engaged in a pattern of criminal gang activity.””.

Now why wouldn’t they be prosecuted for this? We see them fitting those descriptions after all. And while we saw those defining actions, the prosecutors definitely didn’t.

We see how criminally smart the gang actually is multiple times in the movie. For one, we never see them try to physically confront anyone that tried to stop them, they just ran. That allows them to avoid all the potential aggravated assault on peace officers charges.

Secondly, when they are captured, they immediately surrendered, no fighting, no running, they immediately surrendered. This allows them to escape literally all evading the police charges as well as them instantly being marked as cooperative, which is extremely useful in their case.

Third, they seem to move fast. In the first heist we see them pull off, the alarm does not start ringing until they break the window. Now, why would that mean they move fast? Banks and jewelry stores both have something called silent alarms that can be subtly triggered by staff in case of a robbery. Judging by the obliviousness of the nearby officers, that alarm was not triggered. Meaning, no one knew that the gang was there until they were escaping. In fact, it’s hinted that the main heist we see is the longest one yet. Judging by how down to the second everything is planned, they were a bit more nervous about this heist than the other ones. And most of that time is traveling discretely so they aren’t caught. Not only do they see to move fast, they seem to be non-violent offenders.

Finally, the fact that there were only three of them (they clearly covered for Johnny, he wasn’t even shown to be questioned so they definitely denied his involvement) and they view each other like brothers, they definitely denied being a gang and instead identified themselves as brothers who committed a crime together. Also, Johnny wasn’t recognized by the Bear Gang (to be fair they were busy, but still) and you would think he would if have been if he was viewed by other gangs as the son of a rival gang leader. Therefore, I believe their actually identity as a gang was not that solid and they weren’t seen as one in a court of law. And that lightened their sentence considerably.

In the case of the other crimes, I think that Marcus’s escape and the Grand Theft Larceny were both demoted to misdemeanors. Why? Because in the eyes of the court, they are first time offenders. From what we can tell, they were not linked back to their previous crimes, and therefore I will not be calculating that into my sentencing. Sentences for first time offenders (in some cases) are considerably lighter and I think that was part of the case here.

The rest of the case here is public opinion. Your court sentence is largely based on what the judge deems appropriate. And public opinion can definitely influence that by swaying the judge’s view on the case. The thing is, the public of Calatonia would definitely be on the gang’s side. Why? Because Johnny, that’s why.

Johnny would have just appeared on tv as a performer at New Moon Theatre and as we saw, he drew in a bit of a crowd during his performance during the ending scene. Those fans would definitely want Johnny to be reunited with his dad sooner and could petition the court for a lighter sentence. Not only would his fans potentially influence the sentencing, but Johnny’s mere existence would too.

From what we can tell, Marcus is a single parent. And while Stan and Barry might lend a hand here and there with helping him with Johnny, Marcus is clearly doing majority of the parenting work. Whether his other parent is dead or just divorced, it’s clear that Johnny doesn’t see living with them as an option (he chose to stay in the garage alone). Why is this important? Because Johnny’s primary caregiver (Marcus) and his two other caregivers who he’d probably be sent to in an emergency (Stan and Barry) are now all incarcerated. That means that Johnny (he is implied to be around 17 in Sing 1 so that’s what I’m going with) would be sent to foster care. And if Johnny had happened to recently gone through a traumatic event, like for instance, just throwing it out there, being trapped in a flooding building, or having all of his family be sent to jail, he would more than likely be evaluated by a psychologist to see what the potential effects of sentencing could have on him.

I don’t think it would surprise anyone if I said that I believe that the psychologist would more than likely decide that Johnny would be negatively affected mentally and emotionally if he was kept from his family the full maximum sentence. What kid wouldn’t be? That, along with the gang being non-violent, first time offenders who had (in the court’s eye) been just every day citizens til then, they would have more than likely been given lighter sentences that would have resulted in their release a few weeks before the events of Sing 2, around only a year later.

#sing #sing 2 #sing marcus #sing big daddy #sing stan #sing barry #sing johnny #I AM NOT A LISCENSED ATTORNEY #PLEASE DON'T ASK ME FOR LEGAL ADVICE #obviously this blog does not condone robbery #do not steal #johnny absolute saved his family in sentencing #he's an adorable anxiety ridden singer with a ton of new fans and foster family #the judge didn't stand a chance against him #marcus could have also claimed the escape from custody was a crime of passion as well #oh and it's a formal parole also known as a felony parole #these three absolutely went oh is a gang a criminal thing? we thought it was an american way of saying friend/family group!#and we've never met his son more than like five times in our lives what are you talking about? barely ever spoken to the kid #johnny just basically used puppy dog eyes and the entire court melted #if i am inaccurate with any of this please remember that I AM NOT AN ATTORNEY #i'm just a hyperfixated idiot ok?#also the timeline makes sense to me so i'm keeping it

18 notes · View notes

avatarskywalker78 · 8 months

Text

It's Six Sentence Sunday and it's just the one extract this week - mainly because I had a sudden burst of inspiration, ended up not only writing around seven thousand words for but completing the sensei dispute resolution protocol(s), so it's a win-win really. The wip I've been working on since is the sequel to my first Elaine Barnes fic to make things right (defending others), temporarily titled 'Elaine & Sam' as that is the main focus of the fic, after Sam decides to try and get to know Elaine, and they end up becoming friends. This is from the first part when she first approaches Elaine.

“I wanted to thank you.”

“Thank me?”

“For…you know, stopping the fight.” Sam explained, meeting Elaine’s eyes. “You didn’t have to step in, and you saved me.”

“I wouldn’t go that far, I just didn’t want anyone getting hurt. And it’s what anyone would’ve—"

“No, it’s not – most people wouldn’t have gotten involved because they know things have been getting worse all summer.” Sam insisted. “They were probably spoiling for some kind of fight, but you not only stopped it, but managed to get through to her. She probably wouldn’t have stopped at all if someone hadn’t intervened, and I’m sorry you got in trouble for it.”

“Yeah, well, we all know the teachers are shitheads.” Elaine said flatly, making Sam laugh. “And you don’t have to apologise – I’d do it again even knowing the consequences. And it’s not like I got in trouble with my parents, so…”

This fic will also feature: Sam calling Daniel out on his treatment of Robby just because he's Johnny's son, Elaine finally watching the '85 fight and being horrified that the father she knows and loves was ever like that (because hearing about something and seeing something are two very different things), Mike jumping to entirely the wrong conclusion about why she's freaked out and feeling more guilty than he ever has in his life, something of a tentative peace between Tory and Sam, and a race to stop Hawk from going after Demetri because it turns out he's actually still pretty pissed about the party.

#Six Sentence Sunday #wip: Elaine & Sam #OC: Elaine Barnes #Samantha LaRusso #Cobra Kai #It's all gonna work out I swear #bad boy (no more)

2 notes · View notes

navysealt4t · 1 year

Note

ok hold on im here with my band thoughts about riptide the musical. full disclosure this may not make sense i tried to be coherent.

i think that in the dunjon the orchestra would get real spooky during this. I ALSO REALLY WOULD LIKE SOMETHING CHOIR GOING ON IN THE BACKGROUND. what im thinking is like op 32 - 7 neptune, the mystique by gustav holst. they have an all female choir that sings this really nice chord and adds a lot to the song. this would mainly play while gillion stands before the elders and i think it would be interesting to play with the idea of the key and melody instrument changing between trials. i ALSO think it would add to the whole "this isnt real. but you dont know that" idea if the song stayed the same. no matter the scene.

assigning characters certain instrument melodies like how they do how to train your dragon is SUCH a cool idea to me. i think gillions motif would be played by a french horn. not too sure on the notes but definitely something with those typical heroic tones. chips would be played by a bassoon. hear me out on this. i actually dont have any reasoning. its just vibes alone. jay tripped me up for a bit due to her more complex character, but i think she would be played by bell chimes

going back to arrangements matching certain scenes i can TOTALLY imagine the island of zero scenes with movement three of west highlands sojourn as it is primarily navy based. (this is totally a bias since i play this piece for my competition this year. but i just generally really like west highlands sojourn)

i think it would be SUPER cool to have band involvement on stage. im not sure if this goes across for all productions, but i once saw a high school production of Catch Me if you can in which the jazz band was directly on stage in certain scenes. in certain scenes like the casino arc, anytime they enter a tavern, or just a place where there's street performers. having just soloist or a small ensemble on stage would be SO incredible. i think it would be so cool if the whole band was up there during the noctis like fancy party all dressed up. god id go insane.

i think anytime theres a navy related topic/scene there'd be this BRASS HEAVY melody (id say led by low trombones) if you've ever listened to arabesque. its a little something like the saucy lick they have going in that. i also think that whenever marshall john shows up the brass thing still plays but it sounds like a circus march.

SPEAKING OF CIRCUS MARCHES. i think that the entire time they are in Kas' Karnival (or however you spell it) a different strain of a circus march plays. specifically here im thinking Grand Galop by Johnnie Vinson because it has such wiggle room for tempo that you can play around with the mood of the carnival. in the pixieland and other peaceful areas the trio (a clarinet and euphonium led part. very soft and silly. most of the band rests during this.) plays. in the big top extravaganza the final strain plays (thats basically a rebalanced version of the trio to include the full band) i think the break strain would play anytime things got stressful. the other two strains could be anywhere really as they are pretty general.

those are the thoughts ive had so far abt it but if i have anymore ill let u know ^_^

HOLY SHIT ROSEMARY I AM SHAKING U I LOVE THIS SOOOOO MUCH….. I KNOW LIKE. VERY LITTLE ABOUT ORCHESTRA AND INSTRUMENTS BUT HOLY SHIT KM IN LOVE WITH THIS ALL OF IT!!!!!

i so so agree with u for the dunjon scene . i imagine during either the trials or gillion’s speech to the elders the choir would be BEAUTIFULL like singing rlly high notes and there’d be a lot a dissonance. like man <333

i listened to all the songs u mentioned and !!!! they are so cool i love all ur thoughts :3

AND I AGREE assigning characters a specific instrument is sooo cool <333 each character would have a little theme/motif (? idk which one is the right word) that would play in the background if a scene or song is specifically focused on them… ough man <333

i was thinking like for jay it could be something like a violin or viola. like it’s usually a fancy and elegant instrument but it can go CRAZYY when you want it to <3 and in scenes like the block i imagine jayson would have a strong cello playing for him and jay’s violin would be echoing his notes… ough. wind chimes are a really good idea though it plays a lot into some of her wind imagery (THIS IS THERE I KNOW IT IS OK<3)

and !!!! brass instruments for the navy are so really actually they are very loud and strong and generally inspiring :3 also something like a french horn for gill’s theme???? mwah mwah in love

HAVJNG THE BAND ON STAGE SOUNDS SO COOL?????? in taverns and big islands it makes so much sense. i feel like it would tie the roots back to dnd a little and it would make the town feel more real!! i love it <3

i am soosooo in love with all of this <33 gillion’s theme would be very strong and powerful like you can feel it in your bones, but through out the musical it dies down. it’s not as loud and intimidating or out there.

jays theme would be very subtle. it would be as loud but it is definitely there. the song wouldn’t sound the same without it. OH MY GOD. her theme plays in the block when she walks to her fathers side but it doesn’t have her specific instrument and it just isn’t the same. then a few measures in it gets replaced with a big cello and her instrument echoes the cello <333

chips theme would be very sudden and sharp. like it’s always on the verge of growing into something HUGE but it never really does. like ouugh. <333 sorry i’m having so many thoughts. his theme would have a harmonica ive just decided <3333

tyty rosemary for these amazing thoughts i’m going feral actually ily <33333

#asks #verdellium #beloveds <3 #riptide the musical #like YES YES YES #sorry if none of this made sense i’ve never done anything with instruments LMAO #i only do theatre and choir </3 #but i’m feral over these i love it <33333 #bumbling thoughts

11 notes · View notes