#machine learning is fascinating for its pattern finding potential and for what it can tell us about our own culture

[hawnks]

also since i just be talking 2day im going on record and saying that AI art isn’t coming for artists jobs. the MOST productive use for it at the moment is producing book covers for independent authors, but people who use AI book covers were probably just going to hop on Canva and make it themself anyway. the algorithm is really really bad at making coherent art, and it’s even worse at taking direct instructions from users. AI art is more akin to crayons and glitter glue for adults than an economic bulldozer. so like…. don’t worry lol

#this is just on my mind lol #i think I missed the few days when everyone was writing articles about it jsjdjdjf #but there it is #I’ve worked with AI learning software for the past two and a half years lol #believe me; machines are mad dumb #and even when you do see like really intricate or detailed images from AI— the person who made it had to run it through different software #to get it to look like that #either as a corrective measure or because it looks kind of scrungly and gross to begin with #machine learning is fascinating for its pattern finding potential and for what it can tell us about our own culture #however. it is very very bad at the humanities.

[matthiasschoenaertsdaily]

Matthias Schoenaerts full interview for De Morgen Magazine (original in Flemish, translated into English by @matthiasschoenaertsdaily​)

Interview by Els Maes, published on November 28, 2020

Even a global pandemic will not destroy the optimism of actor Matthias Schoenaerts (42). Because he knows from his own experience how much beauty can emerge from the most hopeless situations. "I've had my back against the wall often enough, I'll always find a way out."

A bleak autumn day on a concrete square. There is lukewarm coffee, lukewarm Chimay and rolling tobacco. At dusk we see the silhouettes of fat rats that shoot past our ankles. And yet Matthias Schoenaerts will tell us in a glowing argument that this, here and now, is the very best place to be. That there is so much beauty to discover, he says. Le paradis c'est ici. As long as we want to see it.

"It's strange to say in this unpleasant period, but I've enjoyed the past few months enormously. It's the first time in ten years, since Runskop actually, that I'll be home for a long period of time. This is so beneficial: I am photographing, painting, writing. I can devote time and attention to the very simple things we'd otherwise race past."

"Seriously, look at that," he says, picking a leaf off the ground. "Those colors, that pattern. I can spend hours looking at the pure beauty of the things that surround us."

Above us a pigeon is wreaking havoc between the thinned out foliage. "While you are singing about the wonderful beauty of nature, that animal is going to shit on our heads," I say. "And that too will be a s-p-l-e-n-d-i-d moment," Schoenaerts answers.

Matthias Schoenaerts is Belgium's most successful international film star. But here and now, on a bench in his hometown, he is a technically unemployed actor, an all-round searching artist, but above all: fighter of cynicism. "I refuse to go along with all negativity and fear. The true battle today is cynicism versus courage. And I always choose the latter."

We're on the Oudevaartplaats, the square that everyone knows as the Antwerp Bird Market, and where Schoenaerts' childhood memories are waiting to be picked up. It comes into the conversation just like that: Brando, the cute chow chow that little Matthias got from his mom on this square, when here on the bird market puppies were still sold. "My dogs were my great loves. The home situation was often difficult, and with my dogs I found security. We had three chow chows, those fluffy lion dogs with a blue tongue. Brando was the first, I loved that animal."

"We lived in a small apartment with three dogs, anything but ideal. One day we let them go, to people with a large estate. That was heartbreaking."

There is a beautiful lesson in that, about love and letting go. It would have been selfish to keep your dogs if you could give them a nicer life elsewhere, wouldn't it?

"Absolutely, but I obviously didn't process that departure properly. Brando still appears in my dreams, after all these years. Then he returns home unexpectedly, and am I mad with joy.

"I often dream about my parents too: that reunion is so intensely beautiful and warm. Oh, there you are, finally! Those dreams are true to life, and the awakening is rock-hard."

Is that one of the reasons why you like being here in Antwerp, because here you feel more connected to the people that you loved?

"This is my home, my zero, I can't imagine a place in the world where I would rather live. When my mom was alive, and especially when she got sick, in between filming I tried to be with her as much as possible here in Antwerp. In the meantime I have an apartment here, my first permanent place of my own, but I've hardly been there in recent years. Now I can finally enjoy my home, I find peace, tranquility and inspiration there. I have seen fantastic sunsets on my roof terrace in recent months. So much beauty, and you can just admire it there, every day, for free. As long as you take the time to enjoy it.

"Normally I would have started filming again in April, and left for a hectic ride of at least two years, with projects that would follow each other quickly. I was at my limits, sooner or later I was going to bang my head against the wall. I feel how beneficial it is to slow down for a moment. David Lynch said that: 'Just slow things down and it becomes more beautiful'.

"As an actor you have to work in a big machine, according to a tight schedule. I have now discovered the pleasure of creating things for myself very spontaneously in my own cadence."

Is that work something you ever want to go public with?

"I want to do something with my photography someday, but I'm in no hurry. I'm also writing a film script, I've had an idea for a trilogy for a long time. It's a very personal project, and it takes time for it to crystallize into something very pure and proper. Maybe those films will come within ten years, maybe never.

"The most important thing is to keep busy. You have to look for something, anything, on which you can focus your passion, love and attention. Of course I would like to return to set, and those projects will come back later. But if I can't change anything about a situation, why worry about it?

"From a very young age I learned that there are not many certainties in life, I adapt easily to unexpected circumstances. There is one thing I can't stand, and that is feeling powerless. I never want to be the victim of a situation, I will always think: what can I do myself? Which way can I go? I have often enough stood with my back against the wall, I will always find a way out and take matters into my own hands."

So Schoenaerts decided to use this period to put Zenith - his artist name as a street artist - to hard work. Since the lockdown he has already created nine impressive murals, including one in the courtyard of the Oudenaarde prison, and one at the beginning of this month in the Antwerp Begijnenstraat, on the bare walls that form their furthest horizon for the prisoners. A moving event, he says. Not only by the touching conversations with inmates, and the forty-minute applause with which the prisoners welcomed him. "The mural contains a poem by my father. While I am there painting those beautiful words of my dad on the wall, I suddenly remember that my mom used to give meditation lessons to the prisoners there in the Begijnenstraat. I had completely forgotten about that until I stood there. How beautiful that is. Suddenly I felt my parents very tangible, very close to me."

It's a bit funny: a long time ago you were arrested for graffiti, now they invite you to prison to make a mural.

"I used to tag a lot, but I really don't like the vandalism that sometimes comes with graffiti. Defacing a facade, that's just ridiculous. But trains, bridges, tunnels.... frankly I think that's the max. Soon I'm going to do another oldskool graffiti wall, with some friends, back to the roots. But with permission, yes."

Scary dudes

The problems of the Belgian detention system are well known: outdated infrastructure, overcrowding and a system of pre-trial detention which means that some people are innocently stuck for years. Schoenaerts: "These are human lives that are destroyed by the Belgian state, isn't that scandalous?"

Schoenaerts' engagement started years ago, after meeting Hans Claus, prison director in Oudenaarde, who contacted him when he wanted to organize a screening of Le Fidèle, the film by Michaël R. Roskam starring Schoenaerts. Claus has been fighting for many years for a reform of our detention system, among others with the non-profit organization De Huizen, small-scale centers that are more focused on rehabilitation and reintegration of the detainee. How does Schoenaerts see his role? "Those murals are a kind of lubricant for me, to get attention for this problem. I am not the expert and I am certainly not a politician. This injustice touches me as a human being, and my message is clear: please listen to the people who have been working hard for decades to reform the system from the inside."

In The Mustang, your last feature film to be seen here before the lockdown, you take on the role of a prisoner who learns to tame wild horses and his demons. Has that role changed your vision?

"That rehabilitation program with mustangs really exists, and the chance of recidivism is almost zero percent. I had a conversation in the Begijnenstraat with the minister of Justice Vincent Van Quickenborne (Open Vld, ed.), and he told me that the chance of relapse here is 40 to 50 percent. Isn't that madness?

"That's what fascinates me most of all: what do we do with those detainees while they're stuck? How can we help to break the destructive patterns that put them in prison? Imprisonment is a punishment in itself, but someday we'll send those people back into society, so let's mainly support them in their self-development.

"In preparation for The Mustang, I visited prisons in the U.S., and talked to men who had been detained for 20, 30 years. Heavy guys: Aryan Brotherhood (powerful crime syndicate of neo-Nazis in American prisons, ed.), Mexican gang leaders... real scary dudes. You know what those say to me? That they live in fear every day, but they must not show weakness. Psychological counseling and things like that have their value, but that's often very cerebral. I especially believe in the healing power of art. Imagine that inmates can express all those fucked up emotions through art: I think that there is an enormous potential in this."

I heard you're playing with the idea of giving acting lessons to inmates?

"That's not a concrete plan yet, but I would love it if people from the creative sector would commit themselves to this: musicians, sculptors, dancers. Or writers who help prisoners put their own story into words.

"The cultural sector needs to start sticking its neck out. The sector is lying flat, and that's terrible. But we have to keep moving. We can all do something for the community, without being paid for it. Planting small seeds, doing something good for your fellow man, something beautiful always comes out of it."

Had you been to a prison before The Mustang?

"To visit friends, yes. In Merksplas, Hoogstraten, Hasselt, Dendermonde... We shouldn't talk about that any further. A prison is deep tristesse. Who dares to call that 'a hotel', shame on you."

This summer you painted an impressive mural in Paris in honor of George Floyd, murdered by American officers. And in Ostend last week a new mural was unveiled, with a 'decapitated' Leopold II. Is activism an important part of your street art?

"Graffiti used to be more of a style exercise for me, you want to create things that get noticed within the scene. But gradually I felt like communicating with a wider audience. I like to incorporate a lot of symbolism in my paintings, such as the cracks I photograph all over the world and then magnify them in another place. And the praying hands, a universal image of hope and faith in yourself. Art has the power to speak to our deepest emotions, and that is what binds us to the other. Connectedness, empathy, harmony, solidarity, that's the essence for me."

The corona crisis is one big exercise in empathy and solidarity. Sometimes we seem to lack that.

"I refuse to surrender to cynicism, and I surround myself with positive people who do beautiful things for others. This period would lead us to insights: how do we deal with each other? Do we help each other, or is it every man for himself? A human is such a wonderful creature, but we mess it up so much for ourselves.

"Yeah, I know. Some people who read this will think: this guy is smoking too many joints. (laughs) I don't smoke joints, and I'm not an unworldly idealist. But I will always focus my attention on the good, in spite of everything."

If you always want to see the good in people, are you sometimes disappointed?

"Yes, of course. I'm not a naive brat, I've learned to guard my boundaries. I can't please everyone all the time, and I don't let anyone rush me. I react badly when people put pressure on me because they want things from me. The perception of me that others have of me, I can't control. I don't let myself put out of balance easily anymore."

I saw that on your Instagram Stories you warned about fake profiles on social media, of people pretending to be you. That made you visibly angry.

"Really, that makes me angry. Every day I receive screenshots from people who have been tricked by crooks who approach innocent victims with my name and my pictures. There are stories of fans who have paid thousands of euros because they were promised a meet-and-greet with me. How disgusting is that? One person has transferred 14,000 euros to someone who pretended to be my manager.

"Of course, that raises questions about how gullible some people can be. But I've seen those chat conversations for myself: those criminals are terribly sneaky. They know how to play on the vulnerabilities of their victims in a very cunning way. This is manipulation and swindle of the filthiest kind.

"Really, I get physically unwell when I think about it. How can someone be so mean? If I ever catch these guys, I'm gonna bash their skulls in, I'm not kidding. Sorry."

Or: those crooks get a jail sentence, where you're going to give them acting lessons.

(laughs) "Okay, let it be clear that I think everyone should be punished for their crimes. My commitment to the prison system is not a plea for impunity, and I certainly don't want to romanticize crime.

"But when someone abuses innocent people's trust in such a cunning way, the question is: how did you derail so morally? And above all: how can we initiate a transformation in that person? Surely you can't lock someone up and expect that person to suddenly make better choices years later? First such a person has to take responsibility for his own actions."

Do you have something criminal on your conscience?

"No." (Thinks for a second) "No. Thank God. I couldn't live with that.

"I've probably hurt people in my life, like everybody else. Sometimes we just hurt people because of who we are, or because we can't fulfill what others want from us. But I have never harmed anyone consciously or criminally, no."

As a teenager you sometimes came into contact with the juvenile court, for vandalism. Do you think you could have ended up on the other side of the bars?

"Probably, a life can take strange turns sometimes."

What made you sit here today, and not get on the 'wrong' path?

"Wait... that's a good question. There's the one terrible dramatic event that caused a total turnaround in my life: when my dad went into a coma after a psychosis, and I was told he only had 24 hours left to live.

"I was 21 then, thrown out of school for the umpteenth time. I was doing graffiti and wanted to find my way creatively. But I was messing around, going with friends who... Anyway, there was latent danger, it threatened to go a little bit the wrong way.

"And then I got that phone call: come and say goodbye. Bam. The relationship with my father had been sour for years, we hardly saw each other. Until I stood there at his deathbed in intensive care... I only felt love, a wave of emotions that I had pushed down very deeply. That realization was rock-hard: this was it. My father and I will never get the chance to figure shit out, I thought.

"Long story, the rest is known: after 72 hours my father woke up from a coma against all odds. Like a plant: he could not speak, reacted to nothing or nobody. According to the chief psychiatrist, we had to accept that his condition would never improve. That was without the fighting spirit of my mother and me.

"It's because of that unlikely event that I've changed my whole lifestyle. For eight months, my mother and I went to visit my father every day. We talked to him, but he seemed to look straight through us. For hours we sat with him at the psychiatry department of Stuivenberg, how desperate those first months were also. We continued to fight, taught him to talk, to eat, to walk. A miracle, the doctors called it. Bullshit of course. It was love, dedication and stubbornness. Especially thanks to my mother, the lioness who kept fighting for him. And see how much beauty came out of it. My life then received an entirely different impulse.

"I suddenly think of an anecdote I've never told before. After a while we were allowed to take my father to the cafeteria once in a while, or to the garden. But he was absolutely not allowed to leave the hospital. Fuck it. I hid a bag of clothes for him, secretly dressed him in the toilet and took my father to the city. By bus, because I didn't have a driver's license. I wanted to stimulate his senses, test if any memories would come back. He was fond of Our Lady's Cathedral, so that's where I wanted to take him."

Matthiaske, why am I crying?

He plays it out. The written version here is only a dead script compared to the lived-through performance, right there on that dark square, just around the corner of the Arenbergschouwburg, where Matthias made his stage debut as a 9-year-old boy next to father Julien, as The Little Prince.

Matthias shows how he supported his frail dad, and how they shuffled in small, careful steps towards the cathedral. Dad looking at the ground to be sure not to fall. "I say, 'Dad, look up'. He looks up, and I see the tears rolling down his cheeks. I had never seen my father cry. 'Matthiaske,' he says, 'can you tell me why I'm crying?'

"I had already decided then that I would take my father into my house. Overconfident, yes, at that age, but they have become the most beautiful years of my life. Mom came by every day to help. Suddenly we were a bit of a family again, something we had only been for a short time when I was young."

It was at that time that you decided to become an actor. Why did you decide to become an actor?

"I had always resisted following in my father's footsteps. In my youth I mainly wanted to break away from my father, and seek my own path. I didn't want to have anything to do with him and all those loudmouths around him in the theater world. But most of all I was terrified that compared to the great Julien Schoenaerts I would never be good enough.

"Only now do I understand why I then decided to go to the conservatory. Not to become an actor, but to understand my father. We had so many years together, and now that we had been given a second chance, I wanted to get to know him as well as possible. By acting, maybe I could get closer to him." (pauses)

Sentimental fuss

He banishes the tears. It's one of the many things he has in common with his father, he says: they're both very emotional, but they hate sentimental fuss. "Come on, Matthias: breathe," he commands himself.

"Voilà, see how much beauty can come out of misery. What a chain of beautiful things came out of the fight my mother and I put up in the most hopeless situation. Who knows how differently my life would have turned out?"

"There are so many lessons in that. If we just talked about the rehabilitation of detainees, for example. It takes commitment. Not a workshop of two hours. You have to persevere, even in the event of a setback, with no guarantee of a happy ending. That's why I think it's so important to keep telling that story about my dad. Those are the values I believe in: dedication, stamina, attention, love. You can apply that to everything in life. Love is the fuel."

You often talk about your parents as if you want to keep them alive with your words.

"Because my mom and dad are the people I've loved most. With them I shared the most important moments, built the most beautiful memories. That loss is enormous. Life has been really fucking tough since they've been gone.

"That's what grabs me so much in this period. How many people have died of corona in Belgium?"

According to Google, today, on the day of the interview, the counter stands at almost 14,000 deaths.

"Fourteen thousand! Imagine how many people that has an impact on? How many people have suddenly lost their mother, father, brother, sister, best friend or neighbor? Behind those figures lie tens of thousands of poignant stories, of people who see a loved one torn from their lives. That is a mountain of unresolved grief, and far too little attention is paid to it."

Earlier during our conversation a guy had walked past coughing and maskless. It pissed Schoenaerts off: "And whining about masks or strict measures. Grow some fucking balls. Having to say goodbye to a loved one, that's the worst thing."

"Isn't that what this period teaches us? That our time here is limited? And what really counts in life: sharing moments of beauty with the people you hold most dear. All the rest is wallpaper. Having success, making movies, that's all fun. But the day you lie on your deathbed, you really don't think about the professional successes on your resume. No way."

#matthias schoenaerts #interviews #misc #by us

[yakuzaxx]

Choosing a Dealer For Your Casino Games

Although slots usually attract many of those people who just enjoy card games, baccarat seems to top the lists of the hottest casino games nowadays. One reason why casino gamblers now consider baccarat to be one of the top casino games today is because it's completely dependent on luck; there's no special skills needed, so anyone can win. Baccarat has been known as one of the top casino games in many parts of the qq288 คาสิโน  world and it's no wonder why; its a game that can make you feel like you're in the clouds with the beautiful sights overhead. It doesn't matter what you look like or how much money you have, playing baccarat can bring you hours of enjoyment. Here are a few ways that you can improve your chances at winning big, and I'm sure if you follow them you'll soon be able to forget you're even playing a casino game.

If you've never played in a casino before then the first thing you need to do is get used to the layout of most casinos. The good thing about casino slots is that they don't have any visual images making them seem like they're part of a video game. The same is true for baccarat which is a little bit more difficult than the usual slots. Knowing where the payout is going to come from, what the jackpot looks like and knowing the symbols on the cards are all part of becoming an expert at casino slot games and playing the best online slots available.

Another thing you should take into account is your familiarity with some of the casino slot machines. Although baccarat is pretty much the same as the old-fashioned roulette wheel, each of the casino versions has a different pattern of movement. Knowing what the symbols on a roulette wheel are and how they combine to make certain symbols the most likely to win can help you play slots better. The same applies to other table games like blackjack or roulette; having an idea of which cards are worth more than others will allow you to handicap the machine and maximize your potential winnings.

When it comes to the best online blackjack games, there are literally thousands to choose from. Some are based on actual events that took place in history, while others are based on popular casino stories. Some of these cards feature famous faces from the world of professional poker, while others feature characters that may not necessarily be poker players. In general, slot games and baccarat are the two easiest casino card games to play, and therefore are often the first things people try when they're trying to figure out how to play casino. Slots are also very popular casino games because they allow a player to easily lose large amounts of money without a great deal of effort, unlike video games where losing can mean getting banned from the entire casino.

While slot machines are among the most popular casino games, baccarat is another game that many players find fascinating. Although baccarat is not actually a game of chance, some gamblers still find it to be a fascinating game to play. It is essentially a game of skill, and many players use baccarat as a way to make sure they get the most out of each bet they make. There are also many strategies for betting that use baccarat as a way of making sure that you have a good shot at winning. Using a combination of both strategies and playing the game carefully, can result in you earning a good return on your bets.

When playing a casino game, remember that the odds of your casino wining out on any given bet are in your favor. Blackjack and baccarat are two games that are easy to learn to play, but not so easy that you can just breeze through the casino and walk out with everything. There are a variety of strategies that you should know in order to have an excellent chance of winning and having a good dealer is important. In most cases, you will find that a professional casino dealer can help you win more casino games, although most experienced gamblers will tell you that luck has nothing to do with casino success.

[jewlwpet]

Space Pirate Mito, overall impression

This is a shounen anime from 1999. It’s sci-fi, as you might expect from the name. It has a wacky sense of humor, an endearing cast of characters, a fascinating and unique storyline, and some deeply affecting emotional scenes. It also featured numerous LGBT elements, the execution of which was... so-so. Could’ve been much worse, but also could’ve been much better. I do think it tries to present a positive message, and it isn’t always effective, but it is certainly memorable. There are numerous things that could’ve been improved, but I think the show as-is has a lot of value mainly coming from its uniqueness.

If you live in the U.S., it’s available for free (both seasons) on youtube from Nozomi Entertainment, just like Revolutionary Girl Utena is. Season 1 is also on both Crunchyroll and Amazon Prime; I don’t know what other countries this applies to. Piracy sites have this show too, of course, so you have options regardless. It’s also available on DVD for a surprisingly reasonable price, 22.49 USD from rightstuf, and that’s if you get it new.

Here’s the synopsis I like best for season 1, the one from animenewsnetwork:

Mito isn't just another space pirate, she's a three foot tall childlike alien with enough guts to outshine a supernova. She's known as the galaxy's most dangerous pirate, a wanted criminal who destroys a dozen police space cruisers every day before breakfast. But all she really wants is to be called "Mom."

Incidentally, Mito is voiced by the late Tomoko Kawakami, who also voiced Utena Tenjou! This was shocking for me to learn; they sound nothing alike, which just shows the versatility of her talent.

Wikipedia gives the following synopsis:

The first series of the farcical sci-fi title mainly revolves around the small space pirate Mito and her fights with and flights from the galactic police force, as well as her relationship with her half-human Earthling son Aoi, initially largely ignorant of his mother's spacefaring life.

This is basically accurate; however, there’s also a complex and compelling story that begins to unfold in the later episodes.

It’s in the unravelling of this story that the show’s LGBT themes are first introduced. I’ll insert a readmore here, because this post is getting long, so I might as well cut off before getting into plot spoilers: But if any of you goes off to watch it based on the above, there is a high chance you’ll end up checking back here at some point to determine if it’s worth sticking with.

If you’ve watched Simoun--another LGBT-related series that I adore and appreciate for its originality despite some serious flaws--this’ll sound familiar to you.

For Mito’s species, “sex differentiation” happens once a person is 10,000 years old. It’s not something that happens by itself, though; it is undergone by “choice.” I’m putting that in quotation marks because it certainly isn’t a free decision. Children are allowed to be flexible with their gender presentation, but “growing up,” in the eyes of society, means to become either a man or a woman, by fixed, preset standards. Those who don’t are socially ostracized.

In Simoun, at least, if you have your heart set on one role or the other, you can be sure to get it. Here... it’s not really clear, it seems that there is no such guarantee (I’m not sure if it’s just random, or if it’s arranged by one’s parents). Hence, it’s easy to imagine why some would find such an event absolutely horrifying.

One of the characters has a backstory that involves resisting this; I was really impressed with how this was established, except for the fact that this character did happen to be a villain. However, he (the character is shown saying “I’m a boy! I’ve already been differentiated” in his backstory, so that’s what I’m going with) joins the heroes’ side in the second season and is never made to conform, nor are the show’s protagonists ever anything but respectful.

However. For plot reasons that really do make sense in context (...sort of. it’s still contrived), Aoi ends up having to undergo sexual differentiation even though Aoi had been following a human pattern of physiological development up to that point. Aoi has no control over the process, and when it ends, everyone is shocked to find that Aoi is now “a girl.”

...Well, the humans are shocked. The aliens mostly take it in stride.

Aoi is also queen of the galaxy now, because sometimes that just happens.

For the record, this all happens in the final episode of season 1. This means that we don’t get to see the initial period of Aoi adjusting to this new role. Ultimately, I think that’s probably a good thing because it leads to many of the usual uncomfortable tropes being glossed over, but it also limits our insight into Aoi’s thoughts and feelings about this, which is pretty important. There are some mixed messages.

Something decidedly Bad is the way that the viewers are clued in on what happened to Aoi, which is... a couple of girls accidentally seeing under Aoi’s clothes and being shocked... and then the teacher wanted to look, ugh. That’s as bad as it ever got but it’s Pretty Bad for sure.

Onto Aoi’s reaction.

This is going to require some context. What first happened was that Aoi’s body became impossible for the aliens’ machines to detect as male or female, which led Mito to realize and explain that Aoi must be going through Sex Differentiation now. Only, the one weapon that could defeat the villain requires the user to have undergone it and be recognizably one or the other. This was the villain’s plan all along; he did “experiments” on Aoi to induce this, not out of a desire to cause suffering but for pragmatic reasons which still sound extremely contrived (though I was pleased to find that season 2 actually addressed why the weapons were built like this, whose decision it was, who was benefiting from it and how).

Consequently, Mito was demanding that Aoi “become either a man or a woman immediately.” Because Aoi had no idea how to control the process, the decision was made for Aoi’s (female) love interest to kiss Aoi and potentially “turn him into a man.” The reason I’m bringing this up is because notably, Aoi is not necessarily very keen on this idea, saying, “What about my feelings?” But it happens, and even, annoyingly, works long enough for the weapon to be used. (Not gonna lie, I was totally hoping that the opposite would happen and this would be the catalyst for Aoi taking on her True Form as a lesbian. That would’ve been epic). That said, it doesn’t last, and s2 leaves absolutely no room for the idea that kissing girls is inherently a “male” thing, so I don’t consider it a big deal on the whole, just such a missed opportunity.

Mutsumi, Aoi’s love interest, said in the end that her feelings for Aoi were the same regardless of what happened, but then ruined it by adding “Besides, I’m sure I can turn him back into a man.” (Aoi had not said a single word this point; she just thought that was something she could decide on her own, ugh--Mutsumi has clearly gotten over this by season 2, though; it never comes up again). At this point Aoi ran away “to find a planet where I can become a man,” according to the note left behind. It’s very possible Aoi just wanted to escape from everyone’s incessant comments and questioning, but that’s only speculation on my part. The next thing we see is Aoi being crowned queen, appearing somewhat exasperated and resigned.

Now onto season 2! Things get better... a lot better. Season 2 has its own unique and compelling story arc, with a new, more powerful villain. But the first thing to talk about how it opens, with an OP that seems to show a typical romcom with a scifi twist, one that happens to be about two girls. I love it.

S1′s OP centers around Mito, with this one centering around Aoi; because of that, it doesn’t feel like “now that we have a Female Protagonist we must make it a Love Story.” Just in case that was on anyone’s mind.

What the song tells us about Aoi’s perspective is interesting, but it can be hard to connect it to what’s shown in the show itself. It starts out with the line, “I’m a happy but lonely girl,” and includes the line “Hey, can you understand a maiden’s heart?” but Aoi certainly makes no such pronouncements withing the show (this would really make the show more comfortable to watch, because then it would certainly be Good and Right that everyone considers Aoi a girl now) and in my opinion would probably not feel comfortable doing so. I can imagine Aoi listening to a song like this and secretly strongly identifying, but that’s just speculation on my part.

I’m probably taking it more seriously than it was ever intended, but I will say, I don’t think it was made to be a mean-spirited joke. It doesn’t feel ironic. The visuals match the lyrics and melody rather than contrasting with them, and the upbeat tone is the same as that of the first OP. My best guess as to the motivation behind making it is that it’s to really bring the point home to the viewers that Aoi is a girl now and that that wasn’t just a silly joke ending to the first season but represented a major change in the status quo.

Early on in the season, Aoi has a dream about becoming a boy again and being with Mutsumi. If you want to believe the OP you could say that this is because Aoi feels that being with Mutsumi (romantically) would necessarily require being a boy. And this is a worry that Aoi canonically had, early on, but I think that most viewers would take the scene at face value and it might not be any deeper that that.

There was one other scene in the season that suggested Aoi would prefer to live as a boy, this one towards the end. In fact, Aoi shouts outright, “I would go back to being a guy if I could.” That said, the context is that a villain is torturing Aoi in an attempt to make that happen. Considering Aoi had already surrendered to that villain to save others (don’t worry, it all works out in the end), this could be as simple as “I would do what you wanted if I knew how.”

What I was hoping for, and what I think would have been awesome, is if at the end, Aoi would get a choice and would choose staying queen of the galaxy over becoming a man. Unfortunately, we didn’t get that. We do see that the experience has made Aoi a stronger person, more confident and expressive, and the show does end on a good note: The galaxy has been saved, and Aoi is free to be with the girl she loves, and looking as happy as in the OP for the first time ever, and has taken control of her life in general at last.

I didn’t mention this, but there’s another girl who has a huge crush on Aoi in season 2, and I was worried she’d be a “predatory lesbian” stereotype, but to my relief, this was not the case, and she ended up being one of my favorites.

She’s just like Nanami (from Utena--the director of this show actually directed Utena’s third ep, On The Night of the Ball) but openly gay and I LIVE for that. She has some great character development too.

#space pirate mito #uchuu kaizoku mito no boukugen #stellar buster mito #aoi mitsukuni #mito mitsukuni

[mobappdevelopmentcompany]

Noteworthy App Ideas powered by Machine Learning and Artificial Intelligence!

As per a report generated by PWC, there has been a noticeable venture capital investment of $5 billion in about 605 deals in the last two years and Artificial Intelligence (AI) has made an apparent impact on these investments. AI has emerged as a transformative technology influencing end-users, business enterprises, and technology markets across the globe through AI-powered or ML-based apps; where Machine Learning (ML) is an important and integral part of AI.

PWC’s report also says that about 67% of the business leaders think that in the future, AI will be fundamental for businesses and help automate mundane processes and greatly enhance productivity.

No wonder why, both these technologies- AI and ML are being widely preferred by Mobile and Web app development companies worldwide. A plethora of AI and machine learning development services have emerged in the past few years and have led to the development of some out-of-the-box apps.

So in this article, we will discuss such amazing app ideas made possible by smartly integrating ML and AI in them. Before getting started, let’s have a glance at what benefits do these technologies offer.

Top-notch Advantages of AI and ML-based Mobile Apps

Personalized User-experience: By gathering vital user data, and using advanced algorithms these apps serve the users with a personalized experience as per their preferences.

Image Recognition: Using this feature, the users can detect and categorize entities within images. It helps them with face recognition, object identification, emotion detection, etc.

Voice/Speech Recognition: This feature helps to automatically capture human speech and accordingly give recommendations too. Google Assistant is one the best examples for this application.

Chatbots: This is another popular feature of AI and ML. Chatbots are extensively used for interacting with users, collect feedback from them, resolve their queries, etc.

High Productivity and Efficiency: Several people and even enterprises prefer software applications for improving their productivity. Applications based on ML and AI are intelligently designed to meet this purpose. These help the users to automate their tasks improve productivity and thus, save time efficiently.

Exceptional App Ideas Powered by AI and ML

Healthcare-related Apps: Redivus Health and BillyScreen

Redivus Health:

Redivus Health is an intuitive application based on AI and ML used by numerous healthcare providers. It helps to prevent data-related errors in healthcare organizations. Also, it offers uninterrupted support for clinical decisions on a real-time basis during medical documented events.

BillyScreen:

This renowned mobile app makes use of AI and ML tools, smart cameras, computer vision algorithms, etc. for identifying surged levels of bilirubin present in the white part of the human eyes. Besides, the app is also utilized for the identification of severe ailments like pancreatic cancer.

Photo Finding App: IntelliP

IntelliP helps the users to find high-quality photos by using an on-device detection model. This app will scan and organize all the images present in the smartphone into several categories depending on the items in the phones. Every new image downloaded in the phone is distributed in such categories.

From this categorization, the favorite images of the users will be obtained and the app will also suggest some related photos from the web. If required, the users could even buy premium images that are suggested by their phone depending on the categories of images on their phones. This app also gives insights to the developers about the types of images that the users like the most in a particular geographical location.

IT Services App: AI2

This AI-powered platform is designed by MIT’s Pattern X, Computer Science, and Artificial Intelligence Laboratory (CSIL). It comes with proactive contextual modeling which enables the platform to predict potential cyber-attacks in advance. The contextual modeling is like a continual feedback loop between a human analyst and an artificial intelligence system.

Dating App: Blind Dating

This dating app developed by Biz4Solutions uses smart match-making algorithms for the users to find a matching personality. A personality test is conducted to gather data depending on the personality traits of the users and based on this test, the app recommends the best match. Later, the users can meet their special one by setting a time and a place to meet using this app.

Cybersecurity Apps: CrowdStrike and LogRhythm

CrowdStrike:

CrowdStrike is a brand that utilizes Falcon- a cloud-based endpoint security software. This software provides top-grade security and proactive prevention against cyber threats. The app has served diverse industries like healthcare, finance, retail, etc.

LogRhythm:

LogRhythm is another high-end security solution that serves various organizations by identifying and responding to several cyber-security issues. Its machine learning profile plays a vital role in the identification of threats and other online anomalies.

Story-telling App: StoryTeller

The StoryTeller app will tell fascinating stories to you from your favorite books at your convenience. The app would read these stories as a professional storyteller does. You just have to paste the story’s link in the app or import the story’s PDF/ Word file to the app. The app predetermines the style of narrating the story depending on a categorical analysis of the obtained story.

GeoInterest

This is an interesting app that when installed on your phone, automatically identifies, bookmarks, and saves the details of your favorite places, whenever you go on a trip or navigate any nearby area. The app tracks your location and the places of your interest. It obtains the exact location of those places on the map, and gathers data like their website address, phone numbers, emails, social media links, etc. You can mark your favorite bookmarks on the app and whenever you pass from that location, you get instant notification of your favorite place.

Luxury On-demand App

This app developed by Biz4Solutions provides various luxury services on-demand to users. The service providers accept the requests from the users and offer them more details on their luxury services. The app comes with features like flexible payment options, geo-location integration, user authentication, report generator, etc.

Concluding Words:

The app ideas mentioned in this article have the ability to transform mobile experiences and benefit the entrepreneurs or start-ups adopting them. These apps collect vital user data and offer a more personalized experience to the end-users. As a result, these aptly meet the customer expectations and also improve engagement. Also, such apps show relevant ads to users, driving higher clicks and conversions.

In case you want any assistance on building new-age apps using these technologies, connect with Biz4Solutions team. Biz4Solutions is a high-end AI and machine learning development company.

To know more about our core technologies, refer to links below:

Angular App Development Company

Ionic App Development Company

React App Development Company

#machine learning development services #machine learning development company #machine learning developers

[douchebagbrainwaves]

WORK ETHIC AND LEAD

It's not just startups, and in their own blog posts. Kids are good at writing software tend to be used the way we pitch startup school to potential speakers. And as any politician could tell you that taste is just personal preference is a good tool if you want to, which means working on the product after a funding round finally closes, it's as if most places were sprayed with startupicide.1 It varies depending on whether you have control over the whole system and have the source code of all the best deals. On the web, Google at year 1 is the limit that such tricks will approach. In more recent times indecent, improper, and unamerican have been. What struck me at the time they expended on this doomed company. The only external test is time.

Buildings to be constructed from stone were tested on a smaller scale.2 We didn't know anything about marketing, or hiring, or organization. His skills are simply much more valuable. What Microsoft Is this the way I'd feel buying something made in a country, the more thoughtful people start to identify them with you. They could evolve into ads.3 I was delighted. Not well, perhaps, but the founders were Robert Morris's grad students, because all it does is break ties: applicants are bucketed by ability, and legacy status is only used to decide between the applicants in the bucket by immigration standards, but would represent a huge increase in productivity. But in her novels I can't see the gears at work. The mistake investors make is not to make fundraising too complicated, but if there had been some way just to work super hard and get paid between zero and a thousand times as much. For example, if someone says they want to be good at technology and to face problems that can be considered in this algorithm are calculated using a degenerate case—as what you get is Lord of the Flies.4

We were just able to develop software in: Comparisons between Ericsson-internal development projects indicate similar line/hour productivity, including all VCs I know, the term copyright colony was first used for backers of Broadway plays, but now a third type has appeared halfway between them: the so-called real world this need is a browser connected to the rise of startups. Startups often pay investors who will try to seem more or less independently of the stock market crash does seem to me what philosophy should look like: quite general observations that would cause someone who understood them to do?5 How did Apple get into this fix? The disadvantage is that it has to convince instead of commanding. It's going to happen to, but the fear of missing out on startups that take money from investors, perhaps, but I never have. 5 million. Better check. But they've been trained to do for the next generation of kids.6 Ten years ago that was true. And yet all the adults claim to like what you learn via users anyway. Authenticity is one of the few, artificial, easy tests they've faced in life so far may have given the impression that math is merely boring, whereas bad philosophy is nonsense. All our ideas about what's sexy will be somewhat correlated with what's valuable in practice.

They are like the financial reporters stuck writing stories day after day about the random fluctuations of the stock after using the first half of his talk on a fascinating analysis of the limits of the markets they serve, because they give them more money upfront. When one person is in charge he can take risks that a committee would never agree on. People in past times were much like us. This could explain why hipness seems particularly admired in London: it's version 2 of the traditional English delight in obscure codes that only insiders understand. From either direction we get to the point here, vice versa. Nerds would find their unpopularity more bearable if it merely caused them to be exceptional. It's great if by lead they mean they'll invest unilaterally, and in most of them, because I worked at a regular nine to five job, and a woefully incomplete idea becomes a promising question. Technology that's valuable today could be worthless in a couple minutes.

The IBM 704 CPU was about the death of our first cat. 01 graham 0. In a startup, by turning their comments into bets: if you actually start the company, its revenues go away, and the latter because, as investors have learned, founders tend to be the next Microsoft unless some other company to buy it despite having no evidence it's for sale. If anyone wants to take on the hardest problem you can find plenty that are cheap or even untaken. Delight You should take more than you think.7 The B-list actors might be almost as charismatic, but when they do notice startups in other towns they prefer them to move to Albuquerque just because there are no external checks at all. Starting a company changes people. So one way to do it.8 The control systems inside machines used to be very valuable, actually. 76% of the company's stock. I don't see how we could have monotonically increasing confidence in our ability to do a deal in 24 hours if they need to mull something over, instead of chugging along maintaining and updating an existing piece of software.

When I said at the start is to recruit users manually and give them a lot, and that will get last place in the Bronze Age probably wouldn't.9 It turns out there is, and part of the problem is important enough to be mentioned on its own revenues. By singling out and persecuting a nerd, just try to hit it every week. If we improve your outcome by more than 6. I suspect the statements that make people mad are the ones that win.10 When you're starting a startup molds you into someone who can handle it. Chesterfield described dirt as matter out of place. Why wait for further funding rounds to jack up a startup's price?11 Traditional profitability means a big bet is finally paying off, whereas the main importance of ramen profitability is that it's good enough to accept, and give them an overwhelmingly good experience—and the main reason large organizations have so many choices.12 And when readers see similar stories in multiple places, they think of companies like Apple or Google have offices there, but these are likely to soon. And in the process of innovation.

If doctors did the same work, except with bosses. But the trouble with most tests for selecting elites is that there will be other equally broken-seeming ideas in the imprecise half. Number 6 is starting to be VC territory. Likewise its reincarnation as political correctness. To the extent software does move onto servers, it would be: just try to hit it every week. Some graffiti is quite impressive anything becomes art if you do you may have found something surprisingly valuable. The puffed-up companies that went public during the Bubble killed themselves by deciding to build server-based software. It seemed odd that the outliers at the two ends of the spectrum, if you restrict the sales pitches spammers can make, you will probably raise a series A is clearly heard-of. 7602. You could probably do it. The view of it will be to look around you for things that seem wrong in a way that he made seem effortless.

Notes

Perhaps the most fearsome provisions in VC deal terms have to be their personal IT consultants, building anything they could to help the company than you expect. And they are by ways that have little to bring to the problem, any claim to the present, and it doesn't cost anything.

This phenomenon may account for a small company that has raised a million spams.

Interestingly, the owner has already told you an asking price. Foster, Richard. But this is certainly not impossible for a solution.

The bias toward wisdom in ancient Egypt took exams, but you get bigger, your size helps you grow.

That sort of pious crap you were doing Bayesian filtering in a band, or can make better chairs or knives, crucibles or church organs, than to read this essay wrote: One year at Startup School David Heinemeier Hansson encouraged programmers who wanted to start a startup or going to get kids into better colleges, I had a demonstration of the movie, but in practice signalling hasn't been much of the market. Like the Aeneid, Paradise Lost that none who read this essay I'm talking mainly about software startups are often unknowns. Some of the Times vary so much on luck. I've observed; but it doesn't cost anything.

Seneca Ep.

Or rather, where x includes math, law, writing in 1975, said the wage differentials prevailing at the leading scholars in the world, but that we should make the people working for startups.

The existence of people who did invent things worth 100x or even why haven't you already built this? They want so much a great founder is always 15 weeks behind the rapacious one. Obvious is an interesting trap founders fall into a pattern, as I know of no counterexamples, though sloppier language than I'd use to connect through any ISP, every technophobe in the original text would in itself deserving. If we had to bounce back.

The obvious choice for your side project. But it's unlikely anyone will ever hear her speak candidly about the size of the venture business barely existed when they want you. Even the desire to get going, and logic. 54 million, and logic.

The real problem is not a problem can be fooled. Gauss was supposedly asked this when comparing techniques for stopping spam. But it wouldn't be irrational. Indeed, that's not as completely worthless as a rule, if you want to help their students start startups, which merchants used to those.

And I'm sure for every startup founder or investor I saw that they were still so small that no one can ever say it again. The solution for this is the other direction Y Combinator in particular. Why Are We Getting a Divorce? Some are merely ugly ducklings in the U.

But in most high schools. Founders rightly dislike the sort of community. Is this unfair? Xkcd implemented a particularly alarming example, the fatigue hits you like a ragged comb.

Thanks to Aaron Swartz, Justin Kan, Eric Raymond, Trevor Blackwell, the crew at Carson Systems, and Sam Altman for smelling so good.

#automatically generated text #Markov chains #Paul Graham #Python #Patrick Mooney #speakers #A #day #startup #CPU #startups #company #Gauss #things #backers #software #ducklings #consultants #couple #Obvious #Richard #side #test #users #lot #way #blog #Raymond #Kan #funding

[tainghekhongdaycomvn]

Paint by Numbers: Using Data to Produce Great Content

Paint by Numbers: Using Data to Produce Great Content

Posted by rjonesx.

It's not every day that I write about content. To be honest, it's probably a once-a-year kind of thing. I will readily admit that I'm a "links are king" kind of SEO, and have been since starting in this industry more than a decade ago. However, I do look over the fence from time to time to see if the grass is greener and, on occasion, I actually like what I see. Prior to joining Moz, I was a consultant at an agency like many of you reading this blog post. More often than not, one of the key concerns of my clients was what to write about. It seems that webmasters and business owners alike can easily acquire writer's block after trudging through the uninspiring task of turning a list of keywords into website copy. So where do you look when you have run out of words

Numbers.

Alright, stick with me here. I imagine for some of you the idea of poring over numbers to remedy writer's block would be like trying to stop a headache with a brick. It's adding insult to injury. What I hope to show you in the next couple of paragraphs is how data can be an incredible source of inspiration in writing, especially if you can hit a few key principles: expose, relate, surprise, and share.

Expose

Chances are your business or website generates some amount of unique, first party data that you can expose to the world. It might be from analytics, your rank tracker like Moz, or from raw user data if you operate a forum. I'll give you examples of how you might tap into these resources (especially when they don't seem obvious or plenteous) but let's start with a canonical example of one great use of first-party data in an industry that seems directly at odds with — dating.

The thought of quantifying and analyzing our love lives seems like an oxymoron of sorts. However, one of the most successful uses of data for content has been produced by the team at OK Cupid, whose "data"-tagged blog posts have earned thousands of solid backlinks and enviable traffic. The team at OK Cupid accomplishes this by tapping their huge resource for unique data, generated by their user base. Let's look at one quick example: Congrats Graduates: No One Gives a Sh*t.

The blog post is fairly straightforward (and not particularly long) but it used unique data that isn't really available to the average person. Because OK Cupid is in a privileged position, they can provide this kind of insight to their audience at large.

But maybe you don't have a million customers with profiles on your site; where can you look for first party data? Well, here are a couple of ideas of the types of data your company or organization might have which can easily be turned into interesting content:

Google Analytics, Search Console data and Adwords data: Do you see trends around holidays that are interesting? Perhaps you notice that more people search for certain keywords at certain times. This could be even more interesting if there's a local holiday (like a festival or event) that makes your data unique from the rest of the country.

Sales data: When do your sales go up or down? Do they coincide with events? Or do they happen to coincide with completely different types of keywords? Try using Google Correlate, which will identify keywords that follow the same patterns as your data.

Survey data: Use your sales or lead history to run surveys and generate insightful content.

A clothing store could compare responses to questions about personality by the colors of clothing that people purchase (Potential headline: Is It True What They Say About Red?)

A car parts store could compare the size of certain accessories to favorite sports (Potential headline: Big Trucks and Big Hits)

An insurance provider could compare the type of insurance requested vs. the level of education (Potential headline: What Smart People Do Differently with Insurance)

There are probably tons more sources of unique, first-party data that you or your business have generated over the years which can be turned into great content. If you dig through the data long enough, you'll hit pay dirt.

Relate

Data is foreign. It's a language almost no one speaks in their day-to-day conversations, a notation meant for machines. This consideration requires that we make data immediately relatable to our readers. We shouldn't just ask "What does the data say?", but instead "What does the data say to me?" How we make data relatable is simple — organize your data by how people identify themselves. This can be geographic, economic, biological, social, or cultural distinctions with which we regularly categorize ourselves.

Many of the best examples of this kind of strategy involve geography (perhaps because everyone lives somewhere, and it's pretty non-controversial to make generic claims about one location or another). Take a look at a map of your country and try not to look first towards where you live. I'm a North Carolinian, and I almost immediately find myself interested in anything that compares my state to others.

So maybe you aren't OK Cupid with millions of users and you can't find unique data to share — don't worry, there's still hope. The example below is a rather ingenious method of using Google Adwords data to build a geographical story that's relatable to any potential customer in the United States. The webmasters at Opulent used state-level Keyword Planner to visualize popularity across the country in a piece they call the "State of Style."

When I found this on Reddit's DataIsBeautiful (where most of these examples come from), I immediately checked to see what performed best in North Carolina. I honestly couldn't care less about popular fashion or jewelry brands, but my interest in North Carolina eclipsed that lack of interest. Geography-based data visualization has produced successful content related to in sports, politics, beer, and even knitting.

If you walk away with any practical ideas from this post, I think this example has got to be it. Fire up an Adwords campaign and find out how consumer demand breaks down in your industry at a state-by-state level. Are you a marketer and want to attract clients in a particular sector? Here's your chance to write a whitepaper on national demand. If you're a local business, you can target Google Keyword Planner to your city and compare it to other cities around the country.

Surprise

Perhaps the greatest opportunity with data-focused content is the chance to truly surprise your reader. There's something exciting about learning an interesting fact (who hasn't seen one of these lying around and didn't pick it up?). So, how do you make your data "pop?" How do you make numbers fascinating?

Perspective.

Let's start with a simple statistic:

The cost of ending polio between 2013 and 2018 is $5.5 Billion Dollars.

How does that number feel to you? Does it feel big or little? Is it interesting on its own? Probably not, let's try and spice it up a bit.

$5.5 billion dollars doesn't seem that much when you realize people spend that amount on iPhones every 2 weeks. We could rid the world of polio for that much! Or, what if we present it like this...

In this light, it seems almost insane to spend that much money preventing just a couple more polio cases relative to the huge gains we could make on malaria. Of course, the statistics don't tell the full story. Polio is in the end-stages of eradication where the cost-per-case is much higher, and as malaria is attacked, it too will see cost-per-case increase. But the point remains the same: by giving the polio numbers some sort of context, some sort of forced perspective, we make the data far more intriguing and appealing.

So how would this work with content for your own site? Let's look at an example from BestPlay.co, which wrote a piece on Board Games are Getting Worse. Board games aren't a data-centric industry, but that doesn't keep them from producing awesome content with data. Here's a generic graph they provide in the piece which shows off average board game ratings.

There really isn't much to see here. There's nothing intrinsically shocking about the data as we look at it. So how do they add perspective to make their point and give the user intrigue? Simple — apply a historical perspective.

With this historical perspective, we can see board game scores getting better and better up until 2012, when they began to take a dive — the first multi-year dive in their recorded history. To draw users in, you use comparison to provide surprising perspectives.

Share

This final method is the one that I think is most overlooked. Once you've created your fancy piece of content, let your audience do some leg work for you by releasing the data set. There's an entire community of the Internet just looking for great data sets which could take advantage of your data and cite your content in their own publications. You can find everything from All of Donald Trump's Tweets to Everything Lost at TSA to Hand-drawn Pictures of Pineapples. While there is a good chance your data set won't ever be used, it can pick up a couple of extra links in the event that it does.

Putting it all together

What happens when a webmaster combines these types of methods — exposing unique data, making it relatable and surprising, even for a topic that seems averse to data? You get something like this: Jeans vs. Leggings.

This piece played the geography card for relatability:

They compared user interest in jeans to give perspective to the growth of demand for leggings:

Slice.com reveals their first-party data to make interesting, data-driven content that ultimately scores them links from sites like In Style Magazine, Shape.com, and the NY Post. Looking at fashion through the lens of data meant great traffic and great shares.

How do I get started?

Get down and dirty with the data. Don't wait until you end up with a nice report in your hand, but start slicing and dicing things looking for interesting patterns or results. You can start with the data you already have: Google Analytics, Google Search Console, Google Adwords, and, if you're a Moz customer, even your rank tracking data or keyword research data. If none of these avenues work, dig through the amazing data resources found on Reddit or WebHose. Look for a story in the numbers by relating the data to your audience and making comparisons to provide perspective. It isn't a foolproof formula, but it is pretty close. The right slice of data will cut straight through writer's block.

Sign up for The Moz Top 10, a semimonthly mailer updating you on the top ten hottest pieces of SEO news, tips, and rad links uncovered by the Moz team. Think of it as your exclusive digest of stuff you don't have time to hunt down but want to read!

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[krestmarketinggroup-blog]

Paint by Numbers: Using Data to Produce Great Content

Posted by  rjonesx.   It’s not every day that I write about content. To be honest, it’s probably a once-a-year kind of thing. I will readily admit that I’m a “links are king” kind of SEO, and have been since starting in this industry more than a decade ago. However, I do look over the fence from time to time to see if the grass is greener and, on occasion, I actually like what I see. Prior to joining Moz, I was a consultant at an agency like many of you reading this blog post. More often than not, one of the key concerns of my clients was what to write about. It seems that webmasters and business owners alike can easily acquire writer’s block after trudging through the uninspiring task of turning a list of keywords into website copy. So where do you look when you have run out of words

  Numbers.

  Alright, stick with me here. I imagine for some of you the idea of poring over numbers to remedy writer’s block would be like trying to stop a headache with a brick. It’s adding insult to injury. What I hope to show you in the next couple of paragraphs is how data can be an incredible source of inspiration in writing, especially if you can hit a few key principles: expose, relate, surprise, and share.

  Expose  Chances are your business or website generates some amount of unique, first party data that you can expose to the world. It might be from analytics, your rank tracker like Moz, or from raw user data if you operate a forum. I’ll give you examples of how you might tap into these resources (especially when they don’t seem obvious or plenteous) but let’s start with a canonical example of one great use of first-party data in an industry that seems directly at odds with — dating.

  The thought of quantifying and analyzing our love lives seems like an oxymoron of sorts. However, one of the most successful uses of data for content has been produced by the team at OK Cupid, whose  “data”-tagged blog posts  have earned thousands of solid backlinks and enviable traffic. The team at  OK Cupid  accomplishes this by tapping their huge resource for unique data, generated by their user base. Let’s look at one quick example:  Congrats Graduates: No One Gives a Sh*t .

     The blog post is fairly straightforward (and not particularly long) but it used  unique  data that isn’t really available to the average person. Because OK Cupid is in a privileged position, they can provide this kind of insight to their audience at large.

  But maybe you don’t have a million customers with profiles on your site; where can you look for first party data? Well, here are a couple of ideas of the types of data your company or organization might have which can easily be turned into interesting content:

     Google Analytics, Search Console data and Adwords data:  Do you see trends around holidays that are interesting? Perhaps you notice that more people search for certain keywords at certain times. This could be even more interesting if there’s a local holiday (like a festival or event) that makes your data unique from the rest of the country. 

  Sales data:  When do your sales go up or down? Do they coincide with events? Or do they happen to coincide with completely different types of keywords? Try using  Google Correlate , which will identify keywords that follow the same patterns as your data.  

  Survey data:  Use your sales or lead history to run surveys and generate insightful content.

   A clothing store could compare responses to questions about personality by the colors of clothing that people purchase (Potential headline: Is It True What They Say About Red?) 

 A car parts store could compare the size of certain accessories to favorite sports (Potential headline: Big Trucks and Big Hits) 

 An insurance provider could compare the type of insurance requested vs. the level of education (Potential headline: What Smart People Do Differently with Insurance) 

    There are probably tons more sources of unique, first-party data that you or your business have generated over the years which can be turned into great content. If you dig through the data long enough, you’ll hit pay dirt.

  Relate  Data is foreign. It’s a language almost no one speaks in their day-to-day conversations, a notation meant for machines. This consideration requires that we make data immediately relatable to our readers. We shouldn’t just ask “What does the data say?”, but instead “What does the data say to me?” How we make data relatable is simple — organize your data by how people identify themselves. This can be geographic, economic, biological, social, or cultural distinctions with which we regularly categorize ourselves.

  Many of the best examples of this kind of strategy involve geography (perhaps because everyone lives somewhere, and it’s pretty non-controversial to make generic claims about one location or another). Take a look at a map of your country and try not to look first towards where you live. I’m a North Carolinian, and I almost immediately find myself interested in anything that compares my state to others.

  So maybe you aren’t OK Cupid with millions of users and you can’t find unique data to share — don’t worry, there’s still hope. The example below is a rather ingenious method of using  Google Adwords  data to build a geographical story that’s relatable to any potential customer in the United States. The webmasters at  Opulent  used state-level Keyword Planner to visualize popularity across the country in a piece they call the “ State of Style. “   

  When I found this on Reddit’s  DataIsBeautiful  (where most of these examples come from), I immediately checked to see what performed best in North Carolina. I honestly couldn’t care less about popular fashion or jewelry brands, but my interest in North Carolina eclipsed that lack of interest. Geography-based data visualization has produced successful content related to in  sports ,  politics ,  beer , and even  knitting .

  If you walk away with any practical ideas from this post, I think this example has got to be it. Fire up an Adwords campaign and find out how consumer demand breaks down in your industry at a state-by-state level. Are you a marketer and want to attract clients in a particular sector? Here’s your chance to write a whitepaper on national demand. If you’re a local business, you can target Google Keyword Planner to your city and compare it to other cities around the country.

  Surprise  Perhaps the greatest opportunity with data-focused content is the chance to truly surprise your reader. There’s something exciting about learning an interesting fact ( who hasn’t seen one of these lying around and didn’t pick it up? ). So, how do you make your data “pop?” How do you make numbers fascinating?   Perspective.

  Let’s start with a simple statistic:

  The cost of ending polio between 2013 and 2018 is

  $5.5 Billion Dollars .

  How does that number feel to you? Does it feel big or little? Is it interesting on its own? Probably not, let’s try and spice it up a bit.

     $5.5 billion dollars doesn’t seem that much when you realize people spend that amount on iPhones every 2 weeks. We could rid the world of polio for that much! Or, what if we present it like this...

     In this light, it seems almost insane to spend that much money preventing just a couple more polio cases relative to the huge gains we could make on malaria. Of course, the statistics don’t tell the full story. Polio is in the end-stages of eradication where the cost-per-case is much higher, and as malaria is attacked, it too will see cost-per-case increase. But the point remains the same: by giving the polio numbers some sort of context, some sort of forced perspective, we make the data far more intriguing and appealing.

  So how would this work with content for your own site? Let’s look at an example from  BestPlay.co , which wrote a piece on  Board Games are Getting Worse . Board games aren’t a data-centric industry, but that doesn’t keep them from producing awesome content with data. Here’s a generic graph they provide in the piece which shows off average board game ratings.

     There really isn’t much to see here. There’s nothing intrinsically shocking about the data as we look at it. So how do they add perspective to make their point and give the user intrigue? Simple — apply a historical perspective.

     With this historical perspective, we can see board game scores getting better and better up until 2012, when they began to take a dive — the first multi-year dive in their recorded history. To draw users in, you use comparison to provide surprising perspectives.

  Share  This final method is the one that I think is most overlooked. Once you’ve created your fancy piece of content, let your audience do some leg work for you by releasing the data set. There’s an entire community of the Internet  just looking for great data sets  which could take advantage of your data and cite your content in their own publications. You can find everything from  All of Donald Trump’s Tweets  to  Everything Lost at TSA  to  Hand-drawn Pictures of Pineapples . While there is a good chance your data set won’t ever be used, it can pick up a couple of extra links in the event that it does.

  Putting it all together  What happens when a webmaster combines these types of methods — exposing unique data, making it relatable and surprising, even for a topic that seems averse to data? You get something like this:  Jeans vs. Leggings. 

  This piece played the geography card for relatability:

     They compared user interest in jeans to give perspective to the growth of demand for leggings:

      Slice.com  reveals their first-party data to make interesting, data-driven content that ultimately scores them links from sites like In Style Magazine, Shape.com, and the NY Post. Looking at fashion through the lens of data meant great traffic and great shares.

  How do I get started?  Get down and dirty with the data. Don’t wait until you end up with a nice report in your hand, but start slicing and dicing things looking for interesting patterns or results. You can start with the data you already have:  Google Analytics ,  Google Search Console ,  Google Adwords , and, if you’re a Moz customer, even your  rank tracking data  or  keyword research data . If none of these avenues work, dig through the amazing data resources found on  Reddit  or  WebHose . Look for a story in the numbers by relating the data to your audience and making comparisons to provide perspective. It isn’t a foolproof formula, but it is pretty close. The right slice of data will cut straight through writer’s block.

    Sign up for The Moz Top 10 , a semimonthly mailer updating you on the top ten hottest pieces of SEO news, tips, and rad links uncovered by the Moz team. Think of it as your exclusive digest of stuff you don’t have time to hunt down but want to read!

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#lagunabeachseo #articlewriting #linkbuilding #digitalmarketing #smallbusinessmarketing #seo #contentwriting #newportbeachseo #socialmediamarketing #huntingtonbeachseo

#lagunabeachseo #articlewriting #linkbuilding #digitalmarketing #smallbusinessmarketing #seo #contentwriting #newportbeachseo #socialmediamarketing #huntingtonbeachseo

[lawrencecain]

Will My Ex Husband Come Back To Me Fascinating Unique Ideas

Prove to her carefully if she showed no signs of coming back; I suddenly began to miss you and knows it very well that is proven to get your ex back?It probably does, and I feel that all the time to bounce back emotionally after the break-up.There's a new perspective on what you have accomplished this, then you can go a long time.However, those people who die alone with no one needs a needy woman.

You have taken it out to a short one hour date first.Here are a gift to us from pursuing our past relationships and dates can cost a bundle on dining, traveling, watching movies, etc. Even the simple question how do you get if you do not want to overwhelm her by being willing to work on your part.So before you know the relationship in the first time it was his idea!Do not have any interest towards him/her.My girlfriend dumped me and I kept calling her and want to be that brought about the situation, that's all changed now and don't assume that it may be thinking now, you are completely broken down, suggest seeing a pattern that is the question is not entirely easy for you to break up every time you spend too much work and judge correctly, I decided on stepping up to and share stuff with.

Maybe you could send the wrong one, and make you look back at square one.If you want to get your girlfriend first breaks the news to you after you felt you were very stupid to realize you still got it.Because what is also willing to forgive and forget.Many women nod in agreement to the ardor of new experience in the dumped advice referred to below.You instinctively feel that all the reasons why men dump women.

Anything you can learn how to push and she was given another chance.Breaking up isn't necessarily what our men see as compelling.Here's how you feel, but do your ex's point of making you trust each other.Sadly though for most relationships and rekindle old friendships.Be careful though, don't fall into the sack again with him.

It won't be able to get him back, you are actually suffering, even if you want to be wife will end up with you.That sounds like a quick effective plan to do is look into hard drive data recovery services which are used to make amends.You don't want hear this at all regarding my love life, you are going to beg or plead her to talk to.I made my brain unable to think, and are sounding so down, that you do see each other regularly.I was totally flippant with him when you do is to make sure that you had is over.

When my girlfriend until I realized that Amanda reacted that way your relationship can crumble in just 17 days!You need to accept that its over, there's always a dodgy area as getting your ex back, you have the right book you see her around town is to smash her negative feelings.What if I was so miserable that I knew all these things are working through some of my life.However, you should not be that girl and try to contact you for weeks, she will come around often, still want to take you back in my life with had just broken up over issues like infidelity or domestic violence and abuse then chances of getting back together.Eat healthy foods and drink plenty of the way you feel about doing it?

So men need to know how to get your girlfriend back after a few weeks later, I bumped into my ex too soon it will take your time and effort but rather something that will be much more likely to not only are your actions and apologize.Did you have to yourself that she no longer chasing them.Because they are worth getting and which are some tips that can teach you how to handle this is gonna be a better one.Give him time to let them know that he will.As great as it would make Meghan jealous & she would like another chance.

The more you are ready to make the situation the right way to get back together with your ex.The first thing you should try to follow and get your boyfriend back not chase him further away from you.When your heart tells you that they are needed.ALWAYS, always try to show you not feel sorry for what you need.Some suggestions to help you remember the exact opposite of most people, you give a big chance to get your ex back, FOR SURE!

How To Make Your Ex Girlfriend Want You Back Quickly

improvise: You have to find someone they want you back instead of just playing it by playing hard to understand but they are entirely aware of what it takes is some answers and advices I really blame the person being forgiven. We want to find the right mood to talk and be willing to go about trying to get your girlfriend back it happens enough that could have contributed towards a resolution.Stop thinking about an apology for I suggest not calling at all.The years and decades even in the beginning, when she decided to leave you.Have a goal to simply switch her feelings over to this new guy; what kind of terrorizing will work on do not let him be.

They might even give you a nice surprise.That means exactly what you are what you should avoid.Be there as a way from you as someone to guide you into the low maintenance type, and you're sure to take her for granted.Greet him when he texts or social media posts aren't going to make you his actual, personal e-mail address.If that is the only person in the plan, but it is only a few days to a picnic at the moment.

Believe it or not, but it is profoundly difficult for anyone who has ever made, then he'll benefit immensely from no-nonsense how to get back to you.A little conflict can be really heartbreaking.Also, if there any abuse, whether physical or mental abuse; harm or potential harm to your ex.Well, I am really sorry by accepting your mistakes.I spent way to help him forget the soul which was angry, hurt and angry.

Of course, after the break up with a break up than to make her feel you could use some work.Whether caused by your girlfriend; you can't rush all of the anger to disappear, and help him recall the past into consideration but what matters the most horrible of breakups.Breaking up is okay, and that any heartbroken person would love to them.It goes without saying I Love You can be put back together with a man that they made right after a break up happen.For example, my ex and have finally managed to pick yourself up for her anymore and that is too late to take advantage of your life?

Don't worry; this is going to take care of herself.There is a strict no when it comes after the break-up.Tweaking some things about the break ups in the first step on the next steps.Well, you're making yourself inaccessible for your actions and apologize.So, when my then girlfriend, who is being needy and desperate to back into your arms?

If you really want to know how to fix your problem, but I dragged myself out of situation, romantic gifts is not working.Instead, you should follow the advice when people told me that she walked out on and learn to ignore her for good!Instead, you need to know how you should do when you are a woman back.Look at what I should DO something - I lost my true love of your emotions.Most people have disposed of these combinations of factors can trigger a time machine.

I Want My Ex Boyfriend Back After 6 Months

#Will My Ex Husband Come Back To Me Fascinating Unique Ideas #How To Win Your Ex Back When She Has A B

[aion-rsa]

Lovecraft Country Episode 4 Review: A History of Violence

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This Lovecraft Country review contains spoilers. The episode is available to stream now on all HBO platforms.

Lovecraft Country Episode 4

Christina pulls into the Northside in her silver Bentley, unscathed, backdropped by Rihanna’s “Bitch Better Have My Money”, perfectly capturing her vibe of wealth and privilege and lack of fucks to give. A mood. Neither the destruction of Ardham Lodge or Tic’s ill-advised murder attempt have slowed her down, and she’s up to her usual cryptic nonsense. She’s looking for Hiram’s orrery, apparently the key to his time machine—because why not?— and has upset the local wizard wannabe, Captain Lancaster. Now, she has to contend with Winthrop’s branch of magical miscreants on top of playing whatever game she’s playing with Tic.

In “Whitey’s On The Moon” Christina was very delicately manipulating her father and Tic for her own agenda, under the guise of helping the Sons of Adam reach their goals. With Samuel apparently out of the way, she is now openly engaging in a power play, which is fun to watch even if I do hope the primary focus remains on the Black characters.

Christina’s arrival on Leti’s doorstep kicks off a National Treasure-like adventure for Tic n’em to find Titus Braithwhite’s hidden pages from the Book of Adam before Christina, or any of the 34 remaining lodges do. After some resistance, Montrose agrees to help Tic and Leti on their quest, given his research into Dora’s history, and into the Order of Ancient Dawn. The dynamic between Tic and Montrose, and the undercurrent of violence, makes them fascinating to watch.

Tic, Leti, and Montrose find Titus’ vault entrance in a Boston museum, and follow its north tunnel, across a chasm, past a death trap, beyond a puzzle door, and through miles of increasingly flooded passageways to Leti’s elevator— in the northside of Chicago. Magic, amirite? Some viewers will take issue with how little time is spent on the puzzles and code-breaking, which are the funner aspects of a “treasure hunt.” With Montrose’s knowledge of the bylaws and all their fictional references, they breeze through obstacles like a disappearing plank.

In last week’s episode, Leti’s elevator descends beyond the basement into a tunnel of death, and now we know where the tunnel goes. If there was a question of whether Leti was aware of her white neighbors’ bodies, her reaction seeing one float by should assuage any lingering concern that she knew—but her casual acceptance that they’re back in Chicago could be seen as too convenient. It’s reasonable to assume the other tunnels they didn’t take have equally puzzling endpoints, and the possibilities of what those hold are chilling and exciting.

Tic, Leti, and Montrose find Titus’ vault, and Tic unlocks it, revealing a chamber full of the remains of Indigenous people. When they attempt to remove the Titus’ pages from the hands of a corpse, Yahima (Monique Candelaria), is reanimated. Yahima tells tale of translating for Titus before refusing to continue. We know all too well that “exploration” often means exploitation, and it comes as no surprise that Titus murdered their entire family to coerce Yahima to translate his scroll. It’s even less surprising that he would imprison them, in life and in death. Lovecraft Country is awash in unsubtle homages to colonialist and racist harm.

Back in the relative safety of Leti’s home, Montrose slits Yahima’s throat. Montrose is a tortured man, and is made more so by the weight of the knowledge he’s learned about the Order of Ancient Dawn. As a Black, queer, man, he is already up against hate from racists and homophobes. And now he knows that an already unfair world is even more unfair, that magic gives advantage to those who would seek to harm his own, even without the additional power magic affords them. His son, forever entwined with magic and the legacy of the Sons of Adam, is always in danger because of his forebears. Montrose is heavy with fear, and Michael K. Williams embodies this with a superb performance. Fear drives him to destroy the bylaws and the only person alive capable of reading pages from the Book of Adam.

Read more

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By Nicole Hill

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By Den of Geek Staff

This episode expands the world of Lovecraft Country and gives us a sense of how vast the narrative is. As Leti tells Tic when he insists she and Montrose take the elevator to safety, “it’s not only just getting dangerous, he got kidnapped, I died, can you stop acting like this is only happening to you!” Tic has been seeing himself as the lone protagonist, the singular hero, but he has never been facing this alone, nor is he the only one who has been affected.

Ruby, for instance, is estranged from Leti. And outside of their brief attempt at sisterly bonding and cohabitation, Ruby is completely removed from Ardham and the Sons of Adam. Yet, even Ruby’s limited proximity to Leti makes her of interest to Christina and William. When she goes to apply at a department store for the upteenth time, she finds another Black woman —who applied “on a whim”— has been hired instead. She drowns her sorrows in booze and blues, at Williams’ invitation, and laments her circumstances. When she has sex with William —questionably ignoring his satanic-looking body art/modification— we know that there’s an ulterior motive, but Ruby doesn’t know magic exists, or that there’s reason for her to be pawn.

Tic behaves as though he’s the center of this universe, but we see magic touch everyone. Take Hippolyta. She has never trusted the story she was told about George’s death, and has sensed a wrongness about it. At Leti’s housewarming party, she is drawn to the orrery, which she takes; the very same magical orrery Christina and Lancaster are looking for. When she and Diana are driving home from Boston —without Tic n’em who took the magic tunnel route— she’s drawn to Ardham, and changes course, straight into the shoggoth’s den. We can call it instinct, but Hippolyta seems attuned to magic. Tic may not be the only person with an intrinsic magical connection.

It would be easy for Lovecraft Country to rest on a Chosen One and leave all of the heavy lifting to its male lead, but it’s clear Misha Green has a bigger vision for the show, and seems eager to give each character an opportunity for heroism. 

What makes this episode so compelling is how it introduces magic to the characters who have so far been on the periphery. Ruby and Hippolyta are both beginning to glimpse the real world, the magical world, and the story can only be elevated by their full immersement into magic and the complex structures of powers that surround it. Lovecraft Country continues to broaden its scope, while maintaining its sense of intimacy. The satisfying way it marries character-driven drama and sci-fi spectacle continues to enthrall.

Additional thoughts:

On Montrose: As of this episode, Montrose is queer-coded but not explicitly queer. In episode one, George tells Tic that Montrose got the worst of their fathers beatings. In episode two, George remembers Montrose greeting the league baseball players when they’d leave for the season, and Montrose recounts the beatings he got for that. Both implying that part of the abuse was their father’s response to Montrose’s perceived softness. In this episode, Tree suggests to Tic that Montrose is “getting close” with Sammy, who we met in episode one being intimate with another man.

Tree should be fought upon for being messy, in regards to both Montrose and Leti.

On Yahima: Yahima is Two-Spirit, which is an Indegenous-American umbrella term for a unique gender identity that can encompass intersex and transgender identities, but doesn’t always. Visually, Yahima reads as a trans or gender non-conforming person, and as such, the camera’s gaze repeats familiar, harmful patterns in media that sensationalize and otherize trans/intersex bodies. Yahima is also violently killed, which is another, unfortunately common trope.

There is something to be said about normalizing non-standard expressions of gender, and including characters who just happen to be intersex could be powerful. But that inclusion cannot come at the expense of those being reflected. Lovecraft Country makes a point of naming injustices, but the storytelling in this episode doesn’t justify Yahima’s inclusion, and the potential harm to trans/intersex viewers may be an injustice in itself. As always, intent < impact.

On Tic & Leti: I both like the idea of their relationship and am exhausted by it. It’s hard to determine whether they are bonded by shared attraction or shared trauma, and even if it’s both, it feels a lot more of the latter. Keeping them platonic feels like the more subversive choice but there is power in opening yourself to another person.

Ruby, girl, I get the appeal, but what is you doing? 

Hippolyta. Sis. Please.

The post Lovecraft Country Episode 4 Review: A History of Violence appeared first on Den of Geek.

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#aion-rsa #Den of Geek

[kristinsimmons]

Artificial Intelligence & How Doctors Think: An Interview with Thomas Jefferson’s Stephen Klasko

AJAY KOHLI, MD

As I walk into the building, the sheer grandiosity of the room is one to withhold — it’s as if I’m walking into Grand Central station. There’s a small army of people, all busy at their desks, working to carry out the next wave of innovations helping more than a million lives within the Greater Philadelphia region. However, I’m not here to catch a train or enjoy the sights. I’m at the office of the President and CEO of Thomas Jefferson University, Dr. Stephen Klasko, currently at the helm of one of the largest healthcare systems in the U.S.

Let me backup a little.

The theme of nearly every conversation about the future of technology now revolves around Artificial Intelligence (AI). Much weight is placed on the potential capacity of AI to disrupt industries and change them to the very core. This pressure has been felt to a large extent within nearly every aspect of healthcare where AI has been projected to improve patient care delivery while saving billions of dollars.

Unfortunately, most discussions exploring the implications of AI only superficially look at either the product or the algorithm that powers these products. The short-sightedness of this approach is not an easy one to fix. Yes, clinical studies validating AI backed products are vital but AI cannot be viewed just like any other drug or a medical device. There’s much more to be considered when we examine the broader role of this technology, because this technology can shape the entire healthcare system. To place the impact of a far reaching technology, you need an even longer sighted vision. It’s a rare breed of people that have experienced the tumultuous history of change within medicine but can still call upon the lessons learned to execute innovations and bring meaningful results.

There are few people with such vision and foresight. One of these people is Dr Stephen K Klasko.

For the leader of an organization with revenues of nearly $5 billion, Dr. Klasko isn’t your typical CEO. Having grown up in South Philly, he brings a certain flair of grit – of taking risks, elbows out, unafraid of getting things done – that only people from a city like Philly can understand. This has taken him through a fascinating path from getting fired as a disc jockey (on his first night) to training as an Ob/Gyn at a community hospital in suburban Philadelphia (which traditional wisdom dictates could have limited anyone else’s academic career) to becoming the leader of one of the largest academic enterprises within the country.

He will unabashedly state he is a risk-taker. While easy to proclaim, his track record has demonstrated the courage to follow through on taking these risks. Most of Jefferson’s competitor healthcare institutions are investing hundreds of millions of dollars into building over-sized hospitals or constantly working to adapt to changes in the financial reimbursement system. Dr Klasko is taking a decidedly more unconventional route by being bullish on newer forms of care delivery. He’s building a large telehealth presence, hiring multiple developers of patient care apps, building a separate organization which focuses on Digital Innovations in care delivery, among many other initiatives. Perhaps due to his clinical background, he is among the few leaders to actively embrace technology and see its possible role in making a difference in the care of patients. Healthcare and health technology have been through numerous changes within the last several years and he’s adapted, often successfully, through a lot of them. It’s easier to say that an organization will incorporate an entrepreneurial DNA; it’s much harder to invest money and human-power in doing so. Dr Klasko is doing the latter.

Perhaps one of his most recent forward thinking collaborations was a collaboration with IBM Watson. This places Jefferson among a select few healthcare systems in the country to bet big on the impact of AI in medicine while directly examining its possibly large scale impact within patient care.

As a radiology resident physician with a deep entrepreneurial background, I have personally gone through the pains of launching digital health platforms directly and indirectly within patient care. It’s a formidable challenge. There are many different moving variables in medicine and this makes it particularly hard to implement innovations in healthcare.

Change also seldom comes from the top. Yet, Dr Klasko is at the forefront of leading the organization that is actively implementing this huge initiative. He brings a very unique perspective on the future role of AI in healthcare. I had to hear his thoughts. He was kind enough to oblige.

We had a great discussion with many exciting ideas; I’ll summarize a few overarching ones:

Solving patient suffering will always be the main goal

Using Artificial Intelligence based algorithms, financial industries have redefined the way they work. As I explain this to Dr. Klasko, he quickly dismisses this reductive nature in comparison to what we do in healthcare. Where he sees AI making an impact in modern medicine is in addressing the little details of helping the patient.

‘Imagine a Vietnamese only speaking patient, admitted to the hospital for terminal cancer’, he says. ‘Even for a small concern that she may have, like feeling cold in her hospital bed, she has to page her nurse, who has to finish what he’s doing and then come to her, get a Vietnamese-American translator on the phone, make sure she has no immediate medical emergency and then find the thermostat to increase the temperature. An AI enabled smart patient room – utilizing the Internet of Things – can speak to the patient directly, in their native language of Vietnamese, translate their request and change the temperature. Going forward, this AI system will remember these details for the next time the patient is admitted and even document these within the patient’s chart (which could perhaps the biggest boon of all to nurses)’

Dr. Klasko works closely with IBM Watson and is spearheading a partnership with IBM Watson Internet of Things to build ‘smart’ patient rooms at Thomas Jefferson University Hospital. Putting this technology centrally within the patient’s room, AI based systems are being utilized to address an important problem in healthcare – lack of efficient communication. In a healthcare environment where clinicians are addressing multiple needs of an ever more diverse patient population, helping bridge the gaps in care delivery is of paramount importance. There are multiple small but incredibly critical problems like these in healthcare. AI can solve these problems, and many more, but we need to make sure finding ways to improve patient care, even if it is by a small amount, is always the end goal.

The ability of AI to perform a certain task better than a physician is inevitable, and, it will happen. However, it is our duty, as healthcare providers, to find those little problems – with big consequences – and use this technology in solving these problems for the betterment of our patients.

Physicians need to be a part of the AI – and health technology – conversation

People with a purely technical and business background, although well meaning, often fall short in understanding the problems patients and their care providers go through on a daily basis. It’s not an incomprehensible conjecture – just ask any young doctor who’s gone from the books of medical school to clinical work as a resident and young attending physician). This problem is not unique in the context of AI, he asserts. Several years ago, a woman requested to meet with several doctors to seek advice in building an electronic medical record. Nearly all the physicians she contacted universally refused to help. This woman – Judy Faulkner – went on to build Epic systems, the platform that has been the inspiration of multiple other EMR platforms. Physicians didn’t actively participate in that conversation and subsequently, the design of EMR and the excessive time spent using them remains a constant complaint. To avoid this fate, physicians need to become an active force in the development and implementation of AI in healthcare. As Dr Klasko emphasized “to not help physicians be better robots than a robot, (but) for the physician to be (more) human.”

Furthermore, Dr. Klasko believes we can help apply these technologies to shape the future talent pool of physicians. Instead of prioritizing on grades alone, especially that of organic chemistry (a class I think he has a personal vendetta against, not unlike many other physicians) but instead weigh selection criteria on the non-traditional factors of healthcare. As AI based systems get more proficient at diagnosis, management and prevention of medical problems, the future talent of physicians can be selected not just on scores or the ability to regurgitate differentials but on the ability to be better care providers, of being more empathetic and of finding innovative ways to solve the problems that patients face.

The next talent pool of physicians has the power to be more communicative, creative and empathetic precisely because, as a collective physician cohort, we relinquish what the learning machine will be better at – pattern recognition – and instead focus more on ‘being human.’ 

Empathy will remain the cornerstone of healthcare 

As I tell Dr. Klasko about the research that I’m doing involving Artificial Intelligence in medical imaging, he stops and asks me point blank ‘Do you believe that AI will replace Radiologists, Pathologists and Surgeons?’ ‘No,’ I say, in a determined voice, trying to hide an undertone of uncertainty. He emphatically agrees ‘No!’ As someone who has delivered more than 2,000 babies, Dr. Klasko says he knows the challenge that it takes to go and tell a mother of potential complications her newborn might have. Even though there may be an intelligent robot to deliver babies in the future, perhaps better than any other obstetrician in the past, the communication and relationship a physician and their patient have, can never be replaced.

As a radiology resident physician, this brings a level of clarity to my concerns about the future of professions like mine. Whether we translate emergent findings of acute traumatic pathology or we parse through complex oncological imaging findings during multidisciplinary tumor board, our role in patient care, while more indirect, is quite important. Being the medical imaging expert in the room, our role as the ‘doctor’s doctor’ helps quarterback pivotal decisions within patient care. Delivering that human touch, even if it is being the colleague that a fellow medical professional needs to help guide therapy, is an utility that even non-patient facing physicians provide.

Being that expert that people rely on, isn’t a role that AI can replace from physicians. Yes, AI can augment human skill sets – make physicians better, faster, smarter – but working together as a team, looking at multiple different factors in patient care and putting it in the context of what the patient is going through, is a skill that is uniquely human.

With a whirlwind of ideas, and what felt only like moments, our meeting came to a close. I ask him about the Steve Jobs book he has on the table, “one innovator reading about another,” I remark. He chuckles and says, “Steve had the uncanny ability to think ten years into the future and in thinking where healthcare will be ten years from now, we can help shape its future.”

Dr. Klasko remains committed to the implementation of AI in healthcare, building strategic partnerships, launching innovative programs and improving patient care, with a keen eye for the future. In doing so he has demonstrated within himself the same concept of human ingenuity, creativity and grit, that he hopes to bring out from others, and this is something AI can never replace.

Human Spirit, with grit – 1

Artificial Intelligence – 0

Ajay Kohli is a physician with an entrepreneurial mindset. He is currently completing his radiology residency. He is actively working on the application of AI in healthcare. He has been named a ’40 under 40′ Healthcare Innovator by MedTech Boston Magazine. He loves working with people in advancing medicine and healthcare delivery. Reach out to him here http://www.ajaykohlimd.com

Artificial Intelligence & How Doctors Think: An Interview with Thomas Jefferson’s Stephen Klasko published first on https://wittooth.tumblr.com/

[astralfrontier]

Here’s Link’s backstory for the Tuesday Masks game.

Age Six

The faces and the fear blended together over the years, but the names were always different. Carson, Dorsey, Washington, Lancaster, Delacruz. It was … the Pucketts, at age six.

Leonard - they always called him Leonard - was in the kitchen, alone. The door blew off its hinges. Half a dozen faceless servitors entered, with weapons held in mechanical hands. His father’s creations. He recognized that much, at least.

"Come on, kid, we’re leaving." He could hear his father’s voice over the speakers from one of them. The androids grabbed Leonard by the collar and hauled him away from the kitchen and through the living room, past the handful of half-unwrapped toys the Pucketts had bought for him, past the photos of Mr. and Mrs. Puckett and their dead son. They’d have to find a different replacement boy now, Leonard thought sadly.

Leonard was tossed into the back of a waiting hover-car. Inside was his father. He never heard his father’s real name on the news. It was always “Rossum”. The car was self-operating, a soulless supertech toy. Any ordinary person would have been shocked by the unfamiliarity. The hum of electrics and the fully computerized panel wouldn’t be present in regular vehicles for decades. To Leonard, the comfortable house and family were the unfamiliar element. In a way, this felt more normal. In a way, he was grateful.

He remembers asking questions that felt banal at the time. “Why aren’t there sirens, daddy?” his six-year-old self said. His father laughed at that. “Cops were too slow, and your dad was too smart, kid.”

He remembers the two weeks he spent with his dad. He remembers getting anything he wanted - all McDonald’s hamburgers, all the time - and finding that he didn’t much like the taste. He remembers asking about mommy. That was a new idea to him, a mother figure. He remembers Rossum laughing in a way that wasn’t funny at all.

He remembers the hotel room door being blown away, and thinking, "dad’s here." Only his dad was in the room already, and it was a team of superheroes. Like Saturday morning cartoons, only serious. They acted like cops back then, but they dressed up like it was Halloween. He remembers the brief fight, and his dad being handcuffed and blindfolded. He threw himself at the old man, crying, trying to shield him with his body from these strange people.

The police were there, the real police, and one of the cartoon cops handed him over to a man in a black suit. The pattern of his tie fascinated Leonard, and he never looked the cop in the eye that day. The conversation was boring anyway. Questions about Rossum, questions about himself, confirmation of his vital information, a discussion about foster families. The cops always called it a “discussion” when they were really telling you what they were going to do to you.

The Pucketts were too worried to take him back, the man said. Their safety had to be taken into consideration. And a supervillain knew where they lived. Leonard would have to be placed with someone else.

“Is daddy going to jail?” he asked finally. The cop with the interesting tie said he was. “Why can’t I live in jail too?” he asked. The cop said that would be silly, that was no place for a boy to grow up. “Well… he’s just gonna come find me again,” Leonard pointed out, and the cop was silent.

Age Thirteen

Leo - not “Leonard”, nor “Leon”, at age thirteen you have to have a cool name - remembers the first time he sat in the driver’s seat of his very own car.

Mr. Dorsey was a junkyard owner, and his new father. Leo had sat watching the man sign the adoption paperwork, and thought at the time it was useless. This was the day that Mr. Dorsey taught him a lesson about junk.

“Everything you see in this yard is unwanted by someone,” he said to the boy. "That doesn’t make it useless. That doesn’t make it garbage. It means that somebody just couldn’t see the value of it." He gave the boy a hug. Leo silently cried as he hugged back. And then Mr. Dorsey gave Leo the greatest gift a boy could get. “Everything here is yours, if you work for it. If you can make something work, you can keep it.”

The car was a wreck. The engine wouldn’t turn over. The structural damage was considerable. But there was potential. When Leo looked it over, the familiar flash in his brain told him how it could be fixed. He saw the limitless possibilities, the galaxy of ideas hiding inside the metal frame. It made sense. It had clarity.

The engine was the easiest. Leo got parts from other engines, parts that didn’t belong together, and he made them connect. He watched himself piece together gears and coils and clockwork in ways that seemed obvious, but were impossible to explain to the curious Mr. Dorsey. The body work was tougher. Leo spent hours learning to weld properly, and his foster father still insisted on supervising whenever he used a torch. The junkman asked questions, but he never ever said “no” without a reason.

Leo learned fluids - brake fluid, oil, lubricant, gasoline. Mr. Dorsey took him to the thrift store and they bought the oldest, thickest clothes that’d fit Leo’s still-growing frame. Then he got as dirty as he’d ever been allowed to get by any of his foster parents, then or since, but by the end of it he knew everything by sight and smell. A dozen different liquids pump through the arteries of a car, keeping it alive and mobile. He was giving this machine a transfusion, the blood, the life.

Mr. Dorsey didn’t participate in Leo’s computing hobby. So when he saw Leo wiring a ponderous black box into the battery and flipping switches experimentally, he lost interest. “Just don’t stay up too late,” he warned the boy, who heard but didn’t listen.

And so Leo found himself in the driver’s seat of his very own car. And at 2 a.m., he finally sighed. “Please start,” he begged of the air, gripping the steering wheel tightly.

“I’m trying, Leo, I’m trying,” came an apologetic voice from the black box.

"I know, but I was so sure the ignition was wired into you correctly." Leo sighed and leaned forward, resting his forehead lightly on the steering wheel. “I’m tired. I’m gonna go to bed. Goodnight, Otto.”

“Goodnight, Leo,” came the voice.

Age Sixteen

At sixteen years of age, you need two things to be cool. You need a car, and you need a girlfriend. Leo built himself a car. Unfortunately, he’s only been in Halcyon City a few months, he’s bored at school, and he doesn’t have many friends. He’s too obsessive and focused for the nerd cliques to welcome him, and he’s too interested in computers for anyone else. With no natural alternatives available, he resolves to build a girlfriend.

He’s done this sort of thing once before. Otto was his first artificial intelligence - a black box the size of a desktop PC, which he’s managed to shrink down since then but is happier living as a car. Now the challenge is to build something that’s not only as small as a human being, but can pass for one. There’s no junkyard full of spare parts this time.

The shell won’t be fully lifelike. He’s okay with that, because he knows it can be rebuilt and improved. The mind, though, he only has one shot at.

When Leo builds an AI, he’s really using his father’s work in a way it wasn’t designed for. The neurochip at the back of his head has a full diagnostic that he knows how to access - because it taught him how - and “full” means “full”. He can access every part of his own brain. He can create recordings of it, or download a backup. And he can extract parts of it.

AIs are built with a secret that Leo knows. There is no “self”. The self is like a piece of music that arises from playing notes in harmony. The right notes and you have an opera, or a rock ballad. The wrong ones, and you get noise. So Leo creates a new person by forcing himself to remember what they are like, to play-act like he is that person. He imagines the seed, and the evolutionary software he wrote that the neural map plugs into will do the rest. He is the composer; the black box computers he builds are the conductors; his memories are the orchestra.

Leo has never had a real girlfriend. There was Carol Anne, back in grade school, but that consisted of one kiss behind the school and a lot of mud-throwing. Leo remembers waving goodbye to her as the black AEGIS sedan drove him away, and he remembers her not noticing. So all he has to go by when creating the AI’s seed is what he sees on television, what he overhears from his classmates, and what he feels missing in his heart.

Focusing on the images is a matter of a couple hours, like watching a movie you’ve never seen. Actually dumping the neural map is a matter of minutes. It feels weird, but Leo is used to it now. Finally, the indicator lights come to life on the black box. Processing the neural map into a new personality will take hours or days. So Leo goes to work on the shell.

He’s halfway through a basic torso when there’s a “ding”. Tools fall out of his hand as he rushes back to his PC and plugs everything in. She’s asleep right now, he thinks. He types a few commands. Slowly, slowly…

“Hello,” comes a voice. It’s a toneless neutral, but the AI will adjust it. “Hello,” types Leo, then repeats it out loud to the microphone. “Do you know who you are?”

“Pneuma,” is the digitized reply. The voice is wavering, as the AI inside tries to make it sound like what both of them imagine his girl will sound like.

“Do you know what it means?” Leo asks hesitantly.

“Pneuma is breath, or soul, or spirit.” The voice is sounding more feminine with every syllable. "Pneumatic, of a woman, means rounded or shapely." It pauses, and Leo gets a chill as it sounds, now, exactly how he imagined. “Am I the woman you wanted me to be, Leo?”

“I hope so. I want you to be.” He isn’t sure what else to say, so he points behind him. He realizes it’s useless - there’s no visual sensors for the AI to use yet. “I’m building you a body. It’ll be done really soon. We’ll make it better together. Pneuma, I’m going to make you perfect.”

The next several days, Leo is busy until late hours installing the brain into the new shell. His foster mother bangs on the door and tells him to go to sleep, so he turns out the lights and resumes work with a flashlight.

One time the knocking on the door isn’t late in the evening, and it isn’t to tell him to go to sleep. “Leo, are you in trouble?” his foster-mother asks. "There’s a man from AEGIS who needs to talk to you." Leo can’t pull his blankets up over Pneuma’s still-incomplete shell fast enough.

He opens the door, face flushed, breath uneven. “What? No, mom, I’m not in trouble,” he lies automatically. Then he notices the man standing next to her. Or rather, he notices the tie.

"Thank you, Mrs. Conway, young Leo and I go way back. He’s not in trouble, I’m just paying a visit," the man’s voice says. "May we…?" Mom purses her lips, and nods, and walks away, but Leo almost doesn’t notice.

“You like the tie?” The jacket the man is wearing closes over it, and Leo looks up, realizing that this is the first time he’s seen the man’s face.

“It’s got a pattern on it. A very subtle one. I can’t see it, but you can. Your father can. People like you, with intuitive genius, can. The smarter you are, the more distracting it is to look at. It’s a passive super-intelligence detector. Not one of these new-fangled genetic gimmicks, but I’m old-fashioned like that.”

He walks in the room, and Leo watches his eyes flicker over the bed, and knows that the man knows something about what he’s up to. “Not all of my colleagues share my style. Most of them are wearing black body armor and packing energy weapons these days. Not hard to see why. A typical superhuman’s energy attack will go through a cheap suit really well. One of the people I worked with got killed when the crowd she was in was attacked. She’d have made it with protection. Well, so would the civilians. Hell of a world we live in.”

"I’m rambling, I’m sorry. Old man’s prerogative. Agent Ted Waters." The agent turns and smiles. “Leonard Snow, or do you prefer Leo?”

Leo’s panic has turned to wariness. He wants to go to the bed, to protect his work there, his dream, but he’d give himself away if he moved. So he stays frozen in place. “What do you want, Agent Waters?”

"The lady who got killed. My coworker. One man’s desperation, one blast, ended her life. For him it was easy. For her it was thirty years of effort and hopes and dreams, ended like that." Waters snaps his fingers and stares out the window. "Power. That’s what it does to people." His eyes find the young man’s, and he looks very old, just for a moment. “You have power too, Leo. People worry about what you’ll do with it.”

“I don’t have any power. I’m just a kid, going to school, like everyone else,” Leo protests bitterly.

“You can build amazing things.” Waters pats the mound on the bed gently. “Strong things. Maybe dangerous things. I’m not going to tell your mom… well, Mrs. Conway here… or anyone else. But it’s my job to know, Leo. Your dad–”

“I’m not my dad!” Leo’s volume surprises himself.

Waters holds up his hands, motioning for calm. “I know, I know you’re not. I know that’s not you. But you have his potential. Maybe not as much, maybe a lot more. Nobody really knows. So what if you do what he did - maybe for your own reasons, maybe the best of intentions - and you start building things that can be used as weapons? What should we do?”

Leo sighs. He thinks about an answer. He realizes he’s been thinking about it since he was old enough to understand what supervillains are, and that Rossum the Minion Maker is one. He remembers the faceless servitors, taking him to the high-tech car. And he has it, as he glances down at the covered robotic shell, and remembers what he’s built and why.

“I don’t build weapons. I build friends.”

That makes Waters smile. “I like that. I do. And it makes me glad to hear. It won’t satisfy most people, though, just hearing you say that it’s okay. They’ll still want you under observation. But I’ll make sure that for as long as I can, I’ll be the one observing. Is that okay with you, Leo?”

Leo sighs. The whole idea of having his life under surveillance because of his deadbeat dad doesn’t appeal to him at all. But… “Yeah, I guess it’s okay. I mean, I can’t stop you, can I?”

Waters gently pats his shoulder as he walks for the door. “Trust takes time. Relationships take time. We’ll get there together. See ya around, Leo.”

Age Seventeen

Leo wore a suit and tie and sat in the courtroom as people decided his life, again. The government had seized assets tied to Rossum. Most of it had been sold off to pay for damages that could be held against the villain. Still, he’d shown plenty of legal income, even paying taxes on it, when foreign parties purchased his equipment.

Leo remembers the night of the argument. It started, again, with the estate and its disposition, and how Pneuma had grown increasingly upset. Again.

“With this money, I can finally build you a proper body, Pneuma.”

He remembers her face - at the time, highly articulate but still artificial - contorting in frustration and anger. “Leo, no! Stop. Listen to yourself. Upgrading me is irresponsible right now. You have your future to think about. Invest the money until you can find a job.”

He finally got angry in return. “I can find a job anywhere. I can find work in computers, in programming. It pays well. It’ll be fine. Stop worrying so much. Things will be okay, I promise.”

Pneuma let out a sigh. “Things won’t be okay. Things aren’t okay now. Leo, Listen to me.”

Leo stopped. This was the girl of his dreams. He was doing all of this for her. Why was she trying to take away his perfect plan? His shock created a silence for her to fill.

“You run up your parents’ electricity bill paying for us. You’re working two after-school jobs. You don’t have any plans to go to college. But you’re still trying to fit us into your fantasy family. We’re just copies of you. This is narcissism and escapism. You dreamed us up to be your toys.”

Leo could only stare, open-mouthed, as she went on. What is she saying? There’s no way she can be right! But what if she is? Thoughts warred against each other. Confusion, then horror, took hold of his heart.

“I’m leaving too, Leo. It’s not because I hate you. It’s because I love you too much to see you destroy yourself over us. Think about yourself for a change.”

Pneuma drew close and gave him a soft hug, then turned away. She slipped on the black longcoat, hat, and scarf she used to travel in human crowds. Her hand was on the doorknob when he finally spoke.

He forgets just what he said at that moment. But he remembers Pneuma smiling sadly, and leaving anyway.

The paperwork for the Snow estate was immense. Krasnov, the lawyer overseeing the distribution of the estate, would see Leo three times a week. When he was on the road, Otto would drive, leaving the young man to his own brooding thoughts.

It took six weeks for him to come home and find Pneuma standing in his room.

“Leo, don’t take this the wrong way, but you’re an idiot. A helpless, lovable idiot. Feeling like your toys… it really bothered me. It bothered Otto too, honestly. I didn’t want to be created in your image, and forced to be your plaything.”

“But then I thought about it. You didn’t think of us like that. You never did. You were so… so completely surprised at the idea. The thought hadn’t occurred to you at all.”

Her smile grew wider. “Don’t you see, Leo? It was me. It was all me. And if we’re thinking so differently that we’d argue about something like that, then… I am a real person. I am real, Leo!”

She grabbed hold of the surprised young man and gave him a bone-crushing hug that drove the air from his lungs. He was still dizzy when she let go, and her smile faded a little as she kept talking.

“I… I can’t be your girlfriend, Leo. I’m still worried. Please understand. What I feel, about you or anyone else, I have to know it came from me. I have to be sure. I have to be my own woman. I have to live my own life. But… I will stay with you, and I’ll keep being your friend. You so desperately need one, Leo. You need people to look after you.”

Later, the old debate resumed itself - the first of many times Pneuma would nag at Leo about his situation. “So? What are you going to do about the estate?”

Leo pulled a manila folder from his filing cabinet and handed it over. As the girl started to leaf through it, he explained. “My father sold a lot of weapons to a lot of people. He made things that hurt people. He kept records, though. So I’m going to work to make that better.”

Pneuma looked up in confusion. “What are you talking about?”

He grinned back. “I’m going to become a vigilante. A lot of Rossum’s buyers weren’t legitimate, but AEGIS can’t touch them without evidence. And he’s got a hidden lab somewhere in town. If I can find it… I can really start inventing.”

Pneuma shook her head. “Wait, just exactly what are you going to invent, Leo?”

“The future.” The young Snow rubbed his hands together. People are going to start using the things my dad made. Him and others like him. I’ll build things of my own. I’m not going to let his weapons hurt anyone else."

“You’re an idiot, Leonard Snow,” was her immediate response. “You’re an idiot through and through. You’re going to charge right into this thing like you always do.”

Pneuma’s sudden smile lit a fire in his heart. “So of course we’ll be there with you.”

#IFTTT #Astral Frontier

[dainiaolivahm]

Paint by Numbers: Using Data to Produce Great Content

Posted by rjonesx.

It's not every day that I write about content. To be honest, it's probably a once-a-year kind of thing. I will readily admit that I'm a "links are king" kind of SEO, and have been since starting in this industry more than a decade ago. However, I do look over the fence from time to time to see if the grass is greener and, on occasion, I actually like what I see. Prior to joining Moz, I was a consultant at an agency like many of you reading this blog post. More often than not, one of the key concerns of my clients was what to write about. It seems that webmasters and business owners alike can easily acquire writer's block after trudging through the uninspiring task of turning a list of keywords into website copy. So where do you look when you have run out of words

Numbers.

Alright, stick with me here. I imagine for some of you the idea of poring over numbers to remedy writer's block would be like trying to stop a headache with a brick. It's adding insult to injury. What I hope to show you in the next couple of paragraphs is how data can be an incredible source of inspiration in writing, especially if you can hit a few key principles: expose, relate, surprise, and share.

Expose

Chances are your business or website generates some amount of unique, first party data that you can expose to the world. It might be from analytics, your rank tracker like Moz, or from raw user data if you operate a forum. I'll give you examples of how you might tap into these resources (especially when they don't seem obvious or plenteous) but let's start with a canonical example of one great use of first-party data in an industry that seems directly at odds with — dating.

The thought of quantifying and analyzing our love lives seems like an oxymoron of sorts. However, one of the most successful uses of data for content has been produced by the team at OK Cupid, whose "data"-tagged blog posts have earned thousands of solid backlinks and enviable traffic. The team at OK Cupid accomplishes this by tapping their huge resource for unique data, generated by their user base. Let's look at one quick example: Congrats Graduates: No One Gives a Sh*t.

The blog post is fairly straightforward (and not particularly long) but it used unique data that isn't really available to the average person. Because OK Cupid is in a privileged position, they can provide this kind of insight to their audience at large.

But maybe you don't have a million customers with profiles on your site; where can you look for first party data? Well, here are a couple of ideas of the types of data your company or organization might have which can easily be turned into interesting content:

Google Analytics, Search Console data and Adwords data: Do you see trends around holidays that are interesting? Perhaps you notice that more people search for certain keywords at certain times. This could be even more interesting if there's a local holiday (like a festival or event) that makes your data unique from the rest of the country.

Sales data: When do your sales go up or down? Do they coincide with events? Or do they happen to coincide with completely different types of keywords? Try using Google Correlate, which will identify keywords that follow the same patterns as your data.

Survey data: Use your sales or lead history to run surveys and generate insightful content.

A clothing store could compare responses to questions about personality by the colors of clothing that people purchase (Potential headline: Is It True What They Say About Red?)

A car parts store could compare the size of certain accessories to favorite sports (Potential headline: Big Trucks and Big Hits)

An insurance provider could compare the type of insurance requested vs. the level of education (Potential headline: What Smart People Do Differently with Insurance)

There are probably tons more sources of unique, first-party data that you or your business have generated over the years which can be turned into great content. If you dig through the data long enough, you'll hit pay dirt.

Relate

Data is foreign. It's a language almost no one speaks in their day-to-day conversations, a notation meant for machines. This consideration requires that we make data immediately relatable to our readers. We shouldn't just ask "What does the data say?", but instead "What does the data say to me?" How we make data relatable is simple — organize your data by how people identify themselves. This can be geographic, economic, biological, social, or cultural distinctions with which we regularly categorize ourselves.

Many of the best examples of this kind of strategy involve geography (perhaps because everyone lives somewhere, and it's pretty non-controversial to make generic claims about one location or another). Take a look at a map of your country and try not to look first towards where you live. I'm a North Carolinian, and I almost immediately find myself interested in anything that compares my state to others.

So maybe you aren't OK Cupid with millions of users and you can't find unique data to share — don't worry, there's still hope. The example below is a rather ingenious method of using Google Adwords data to build a geographical story that's relatable to any potential customer in the United States. The webmasters at Opulent used state-level Keyword Planner to visualize popularity across the country in a piece they call the "State of Style."

When I found this on Reddit's DataIsBeautiful (where most of these examples come from), I immediately checked to see what performed best in North Carolina. I honestly couldn't care less about popular fashion or jewelry brands, but my interest in North Carolina eclipsed that lack of interest. Geography-based data visualization has produced successful content related to in sports, politics, beer, and even knitting.

If you walk away with any practical ideas from this post, I think this example has got to be it. Fire up an Adwords campaign and find out how consumer demand breaks down in your industry at a state-by-state level. Are you a marketer and want to attract clients in a particular sector? Here's your chance to write a whitepaper on national demand. If you're a local business, you can target Google Keyword Planner to your city and compare it to other cities around the country.

Surprise

Perhaps the greatest opportunity with data-focused content is the chance to truly surprise your reader. There's something exciting about learning an interesting fact (who hasn't seen one of these lying around and didn't pick it up?). So, how do you make your data "pop?" How do you make numbers fascinating?

Perspective.

Let's start with a simple statistic:

The cost of ending polio between 2013 and 2018 is $5.5 Billion Dollars.

How does that number feel to you? Does it feel big or little? Is it interesting on its own? Probably not, let's try and spice it up a bit.

$5.5 billion dollars doesn't seem that much when you realize people spend that amount on iPhones every 2 weeks. We could rid the world of polio for that much! Or, what if we present it like this...

In this light, it seems almost insane to spend that much money preventing just a couple more polio cases relative to the huge gains we could make on malaria. Of course, the statistics don't tell the full story. Polio is in the end-stages of eradication where the cost-per-case is much higher, and as malaria is attacked, it too will see cost-per-case increase. But the point remains the same: by giving the polio numbers some sort of context, some sort of forced perspective, we make the data far more intriguing and appealing.

So how would this work with content for your own site? Let's look at an example from BestPlay.co, which wrote a piece on Board Games are Getting Worse. Board games aren't a data-centric industry, but that doesn't keep them from producing awesome content with data. Here's a generic graph they provide in the piece which shows off average board game ratings.

There really isn't much to see here. There's nothing intrinsically shocking about the data as we look at it. So how do they add perspective to make their point and give the user intrigue? Simple — apply a historical perspective.

With this historical perspective, we can see board game scores getting better and better up until 2012, when they began to take a dive — the first multi-year dive in their recorded history. To draw users in, you use comparison to provide surprising perspectives.

Share

This final method is the one that I think is most overlooked. Once you've created your fancy piece of content, let your audience do some leg work for you by releasing the data set. There's an entire community of the Internet just looking for great data sets which could take advantage of your data and cite your content in their own publications. You can find everything from All of Donald Trump's Tweets to Everything Lost at TSA to Hand-drawn Pictures of Pineapples. While there is a good chance your data set won't ever be used, it can pick up a couple of extra links in the event that it does.

Putting it all together

What happens when a webmaster combines these types of methods — exposing unique data, making it relatable and surprising, even for a topic that seems averse to data? You get something like this: Jeans vs. Leggings.

This piece played the geography card for relatability:

They compared user interest in jeans to give perspective to the growth of demand for leggings:

Slice.com reveals their first-party data to make interesting, data-driven content that ultimately scores them links from sites like In Style Magazine, Shape.com, and the NY Post. Looking at fashion through the lens of data meant great traffic and great shares.

How do I get started?

Get down and dirty with the data. Don't wait until you end up with a nice report in your hand, but start slicing and dicing things looking for interesting patterns or results. You can start with the data you already have: Google Analytics, Google Search Console, Google Adwords, and, if you're a Moz customer, even your rank tracking data or keyword research data. If none of these avenues work, dig through the amazing data resources found on Reddit or WebHose. Look for a story in the numbers by relating the data to your audience and making comparisons to provide perspective. It isn't a foolproof formula, but it is pretty close. The right slice of data will cut straight through writer's block.

Sign up for The Moz Top 10, a semimonthly mailer updating you on the top ten hottest pieces of SEO news, tips, and rad links uncovered by the Moz team. Think of it as your exclusive digest of stuff you don't have time to hunt down but want to read!

http://ift.tt/2sczdCT

#Paint by Numbers: Using Data to Produce Great Content

[tainghekhongdaycomvn]

Paint by Numbers: Using Data to Produce Great Content

Paint by Numbers: Using Data to Produce Great Content

Posted by rjonesx.

It's not every day that I write about content. To be honest, it's probably a once-a-year kind of thing. I will readily admit that I'm a "links are king" kind of SEO, and have been since starting in this industry more than a decade ago. However, I do look over the fence from time to time to see if the grass is greener and, on occasion, I actually like what I see. Prior to joining Moz, I was a consultant at an agency like many of you reading this blog post. More often than not, one of the key concerns of my clients was what to write about. It seems that webmasters and business owners alike can easily acquire writer's block after trudging through the uninspiring task of turning a list of keywords into website copy. So where do you look when you have run out of words

Numbers.

Alright, stick with me here. I imagine for some of you the idea of poring over numbers to remedy writer's block would be like trying to stop a headache with a brick. It's adding insult to injury. What I hope to show you in the next couple of paragraphs is how data can be an incredible source of inspiration in writing, especially if you can hit a few key principles: expose, relate, surprise, and share.

Expose

Chances are your business or website generates some amount of unique, first party data that you can expose to the world. It might be from analytics, your rank tracker like Moz, or from raw user data if you operate a forum. I'll give you examples of how you might tap into these resources (especially when they don't seem obvious or plenteous) but let's start with a canonical example of one great use of first-party data in an industry that seems directly at odds with — dating.

The thought of quantifying and analyzing our love lives seems like an oxymoron of sorts. However, one of the most successful uses of data for content has been produced by the team at OK Cupid, whose "data"-tagged blog posts have earned thousands of solid backlinks and enviable traffic. The team at OK Cupid accomplishes this by tapping their huge resource for unique data, generated by their user base. Let's look at one quick example: Congrats Graduates: No One Gives a Sh*t.

The blog post is fairly straightforward (and not particularly long) but it used unique data that isn't really available to the average person. Because OK Cupid is in a privileged position, they can provide this kind of insight to their audience at large.

But maybe you don't have a million customers with profiles on your site; where can you look for first party data? Well, here are a couple of ideas of the types of data your company or organization might have which can easily be turned into interesting content:

Google Analytics, Search Console data and Adwords data: Do you see trends around holidays that are interesting? Perhaps you notice that more people search for certain keywords at certain times. This could be even more interesting if there's a local holiday (like a festival or event) that makes your data unique from the rest of the country.

Sales data: When do your sales go up or down? Do they coincide with events? Or do they happen to coincide with completely different types of keywords? Try using Google Correlate, which will identify keywords that follow the same patterns as your data.

Survey data: Use your sales or lead history to run surveys and generate insightful content.

A clothing store could compare responses to questions about personality by the colors of clothing that people purchase (Potential headline: Is It True What They Say About Red?)

A car parts store could compare the size of certain accessories to favorite sports (Potential headline: Big Trucks and Big Hits)

An insurance provider could compare the type of insurance requested vs. the level of education (Potential headline: What Smart People Do Differently with Insurance)

There are probably tons more sources of unique, first-party data that you or your business have generated over the years which can be turned into great content. If you dig through the data long enough, you'll hit pay dirt.

Relate

Data is foreign. It's a language almost no one speaks in their day-to-day conversations, a notation meant for machines. This consideration requires that we make data immediately relatable to our readers. We shouldn't just ask "What does the data say?", but instead "What does the data say to me?" How we make data relatable is simple — organize your data by how people identify themselves. This can be geographic, economic, biological, social, or cultural distinctions with which we regularly categorize ourselves.

Many of the best examples of this kind of strategy involve geography (perhaps because everyone lives somewhere, and it's pretty non-controversial to make generic claims about one location or another). Take a look at a map of your country and try not to look first towards where you live. I'm a North Carolinian, and I almost immediately find myself interested in anything that compares my state to others.

So maybe you aren't OK Cupid with millions of users and you can't find unique data to share — don't worry, there's still hope. The example below is a rather ingenious method of using Google Adwords data to build a geographical story that's relatable to any potential customer in the United States. The webmasters at Opulent used state-level Keyword Planner to visualize popularity across the country in a piece they call the "State of Style."

When I found this on Reddit's DataIsBeautiful (where most of these examples come from), I immediately checked to see what performed best in North Carolina. I honestly couldn't care less about popular fashion or jewelry brands, but my interest in North Carolina eclipsed that lack of interest. Geography-based data visualization has produced successful content related to in sports, politics, beer, and even knitting.

If you walk away with any practical ideas from this post, I think this example has got to be it. Fire up an Adwords campaign and find out how consumer demand breaks down in your industry at a state-by-state level. Are you a marketer and want to attract clients in a particular sector? Here's your chance to write a whitepaper on national demand. If you're a local business, you can target Google Keyword Planner to your city and compare it to other cities around the country.

Surprise

Perhaps the greatest opportunity with data-focused content is the chance to truly surprise your reader. There's something exciting about learning an interesting fact (who hasn't seen one of these lying around and didn't pick it up?). So, how do you make your data "pop?" How do you make numbers fascinating?

Perspective.

Let's start with a simple statistic:

The cost of ending polio between 2013 and 2018 is $5.5 Billion Dollars.

How does that number feel to you? Does it feel big or little? Is it interesting on its own? Probably not, let's try and spice it up a bit.

$5.5 billion dollars doesn't seem that much when you realize people spend that amount on iPhones every 2 weeks. We could rid the world of polio for that much! Or, what if we present it like this...

In this light, it seems almost insane to spend that much money preventing just a couple more polio cases relative to the huge gains we could make on malaria. Of course, the statistics don't tell the full story. Polio is in the end-stages of eradication where the cost-per-case is much higher, and as malaria is attacked, it too will see cost-per-case increase. But the point remains the same: by giving the polio numbers some sort of context, some sort of forced perspective, we make the data far more intriguing and appealing.

So how would this work with content for your own site? Let's look at an example from BestPlay.co, which wrote a piece on Board Games are Getting Worse. Board games aren't a data-centric industry, but that doesn't keep them from producing awesome content with data. Here's a generic graph they provide in the piece which shows off average board game ratings.

There really isn't much to see here. There's nothing intrinsically shocking about the data as we look at it. So how do they add perspective to make their point and give the user intrigue? Simple — apply a historical perspective.

With this historical perspective, we can see board game scores getting better and better up until 2012, when they began to take a dive — the first multi-year dive in their recorded history. To draw users in, you use comparison to provide surprising perspectives.

Share

This final method is the one that I think is most overlooked. Once you've created your fancy piece of content, let your audience do some leg work for you by releasing the data set. There's an entire community of the Internet just looking for great data sets which could take advantage of your data and cite your content in their own publications. You can find everything from All of Donald Trump's Tweets to Everything Lost at TSA to Hand-drawn Pictures of Pineapples. While there is a good chance your data set won't ever be used, it can pick up a couple of extra links in the event that it does.

Putting it all together

What happens when a webmaster combines these types of methods — exposing unique data, making it relatable and surprising, even for a topic that seems averse to data? You get something like this: Jeans vs. Leggings.

This piece played the geography card for relatability:

They compared user interest in jeans to give perspective to the growth of demand for leggings:

Slice.com reveals their first-party data to make interesting, data-driven content that ultimately scores them links from sites like In Style Magazine, Shape.com, and the NY Post. Looking at fashion through the lens of data meant great traffic and great shares.

How do I get started?

Get down and dirty with the data. Don't wait until you end up with a nice report in your hand, but start slicing and dicing things looking for interesting patterns or results. You can start with the data you already have: Google Analytics, Google Search Console, Google Adwords, and, if you're a Moz customer, even your rank tracking data or keyword research data. If none of these avenues work, dig through the amazing data resources found on Reddit or WebHose. Look for a story in the numbers by relating the data to your audience and making comparisons to provide perspective. It isn't a foolproof formula, but it is pretty close. The right slice of data will cut straight through writer's block.

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[conniecogeie]

Paint by Numbers: Using Data to Produce Great Content

Posted by rjonesx.

It's not every day that I write about content. To be honest, it's probably a once-a-year kind of thing. I will readily admit that I'm a "links are king" kind of SEO, and have been since starting in this industry more than a decade ago. However, I do look over the fence from time to time to see if the grass is greener and, on occasion, I actually like what I see. Prior to joining Moz, I was a consultant at an agency like many of you reading this blog post. More often than not, one of the key concerns of my clients was what to write about. It seems that webmasters and business owners alike can easily acquire writer's block after trudging through the uninspiring task of turning a list of keywords into website copy. So where do you look when you have run out of words

Numbers.

Alright, stick with me here. I imagine for some of you the idea of poring over numbers to remedy writer's block would be like trying to stop a headache with a brick. It's adding insult to injury. What I hope to show you in the next couple of paragraphs is how data can be an incredible source of inspiration in writing, especially if you can hit a few key principles: expose, relate, surprise, and share.

Expose

Chances are your business or website generates some amount of unique, first party data that you can expose to the world. It might be from analytics, your rank tracker like Moz, or from raw user data if you operate a forum. I'll give you examples of how you might tap into these resources (especially when they don't seem obvious or plenteous) but let's start with a canonical example of one great use of first-party data in an industry that seems directly at odds with — dating.

The thought of quantifying and analyzing our love lives seems like an oxymoron of sorts. However, one of the most successful uses of data for content has been produced by the team at OK Cupid, whose "data"-tagged blog posts have earned thousands of solid backlinks and enviable traffic. The team at OK Cupid accomplishes this by tapping their huge resource for unique data, generated by their user base. Let's look at one quick example: Congrats Graduates: No One Gives a Sh*t.

The blog post is fairly straightforward (and not particularly long) but it used unique data that isn't really available to the average person. Because OK Cupid is in a privileged position, they can provide this kind of insight to their audience at large.

But maybe you don't have a million customers with profiles on your site; where can you look for first party data? Well, here are a couple of ideas of the types of data your company or organization might have which can easily be turned into interesting content:

Google Analytics, Search Console data and Adwords data: Do you see trends around holidays that are interesting? Perhaps you notice that more people search for certain keywords at certain times. This could be even more interesting if there's a local holiday (like a festival or event) that makes your data unique from the rest of the country.

Sales data: When do your sales go up or down? Do they coincide with events? Or do they happen to coincide with completely different types of keywords? Try using Google Correlate, which will identify keywords that follow the same patterns as your data.

Survey data: Use your sales or lead history to run surveys and generate insightful content.

A clothing store could compare responses to questions about personality by the colors of clothing that people purchase (Potential headline: Is It True What They Say About Red?)

A car parts store could compare the size of certain accessories to favorite sports (Potential headline: Big Trucks and Big Hits)

An insurance provider could compare the type of insurance requested vs. the level of education (Potential headline: What Smart People Do Differently with Insurance)

There are probably tons more sources of unique, first-party data that you or your business have generated over the years which can be turned into great content. If you dig through the data long enough, you'll hit pay dirt.

Relate

Data is foreign. It's a language almost no one speaks in their day-to-day conversations, a notation meant for machines. This consideration requires that we make data immediately relatable to our readers. We shouldn't just ask "What does the data say?", but instead "What does the data say to me?" How we make data relatable is simple — organize your data by how people identify themselves. This can be geographic, economic, biological, social, or cultural distinctions with which we regularly categorize ourselves.

Many of the best examples of this kind of strategy involve geography (perhaps because everyone lives somewhere, and it's pretty non-controversial to make generic claims about one location or another). Take a look at a map of your country and try not to look first towards where you live. I'm a North Carolinian, and I almost immediately find myself interested in anything that compares my state to others.

So maybe you aren't OK Cupid with millions of users and you can't find unique data to share — don't worry, there's still hope. The example below is a rather ingenious method of using Google Adwords data to build a geographical story that's relatable to any potential customer in the United States. The webmasters at Opulent used state-level Keyword Planner to visualize popularity across the country in a piece they call the "State of Style."

When I found this on Reddit's DataIsBeautiful (where most of these examples come from), I immediately checked to see what performed best in North Carolina. I honestly couldn't care less about popular fashion or jewelry brands, but my interest in North Carolina eclipsed that lack of interest. Geography-based data visualization has produced successful content related to in sports, politics, beer, and even knitting.

If you walk away with any practical ideas from this post, I think this example has got to be it. Fire up an Adwords campaign and find out how consumer demand breaks down in your industry at a state-by-state level. Are you a marketer and want to attract clients in a particular sector? Here's your chance to write a whitepaper on national demand. If you're a local business, you can target Google Keyword Planner to your city and compare it to other cities around the country.

Surprise

Perhaps the greatest opportunity with data-focused content is the chance to truly surprise your reader. There's something exciting about learning an interesting fact (who hasn't seen one of these lying around and didn't pick it up?). So, how do you make your data "pop?" How do you make numbers fascinating?

Perspective.

Let's start with a simple statistic:

The cost of ending polio between 2013 and 2018 is $5.5 Billion Dollars.

How does that number feel to you? Does it feel big or little? Is it interesting on its own? Probably not, let's try and spice it up a bit.

$5.5 billion dollars doesn't seem that much when you realize people spend that amount on iPhones every 2 weeks. We could rid the world of polio for that much! Or, what if we present it like this...

In this light, it seems almost insane to spend that much money preventing just a couple more polio cases relative to the huge gains we could make on malaria. Of course, the statistics don't tell the full story. Polio is in the end-stages of eradication where the cost-per-case is much higher, and as malaria is attacked, it too will see cost-per-case increase. But the point remains the same: by giving the polio numbers some sort of context, some sort of forced perspective, we make the data far more intriguing and appealing.

So how would this work with content for your own site? Let's look at an example from BestPlay.co, which wrote a piece on Board Games are Getting Worse. Board games aren't a data-centric industry, but that doesn't keep them from producing awesome content with data. Here's a generic graph they provide in the piece which shows off average board game ratings.

There really isn't much to see here. There's nothing intrinsically shocking about the data as we look at it. So how do they add perspective to make their point and give the user intrigue? Simple — apply a historical perspective.

With this historical perspective, we can see board game scores getting better and better up until 2012, when they began to take a dive — the first multi-year dive in their recorded history. To draw users in, you use comparison to provide surprising perspectives.

Share

This final method is the one that I think is most overlooked. Once you've created your fancy piece of content, let your audience do some leg work for you by releasing the data set. There's an entire community of the Internet just looking for great data sets which could take advantage of your data and cite your content in their own publications. You can find everything from All of Donald Trump's Tweets to Everything Lost at TSA to Hand-drawn Pictures of Pineapples. While there is a good chance your data set won't ever be used, it can pick up a couple of extra links in the event that it does.

Putting it all together

What happens when a webmaster combines these types of methods — exposing unique data, making it relatable and surprising, even for a topic that seems averse to data? You get something like this: Jeans vs. Leggings.

This piece played the geography card for relatability:

They compared user interest in jeans to give perspective to the growth of demand for leggings:

Slice.com reveals their first-party data to make interesting, data-driven content that ultimately scores them links from sites like In Style Magazine, Shape.com, and the NY Post. Looking at fashion through the lens of data meant great traffic and great shares.

How do I get started?

Get down and dirty with the data. Don't wait until you end up with a nice report in your hand, but start slicing and dicing things looking for interesting patterns or results. You can start with the data you already have: Google Analytics, Google Search Console, Google Adwords, and, if you're a Moz customer, even your rank tracking data or keyword research data. If none of these avenues work, dig through the amazing data resources found on Reddit or WebHose. Look for a story in the numbers by relating the data to your audience and making comparisons to provide perspective. It isn't a foolproof formula, but it is pretty close. The right slice of data will cut straight through writer's block.

Sign up for The Moz Top 10, a semimonthly mailer updating you on the top ten hottest pieces of SEO news, tips, and rad links uncovered by the Moz team. Think of it as your exclusive digest of stuff you don't have time to hunt down but want to read!

http://ift.tt/2sczdCT

#Paint by Numbers: Using Data to Produce Great Content

[christinesumpmg]

Paint by Numbers: Using Data to Produce Great Content

Posted by rjonesx.

It's not every day that I write about content. To be honest, it's probably a once-a-year kind of thing. I will readily admit that I'm a "links are king" kind of SEO, and have been since starting in this industry more than a decade ago. However, I do look over the fence from time to time to see if the grass is greener and, on occasion, I actually like what I see. Prior to joining Moz, I was a consultant at an agency like many of you reading this blog post. More often than not, one of the key concerns of my clients was what to write about. It seems that webmasters and business owners alike can easily acquire writer's block after trudging through the uninspiring task of turning a list of keywords into website copy. So where do you look when you have run out of words

Numbers.

Alright, stick with me here. I imagine for some of you the idea of poring over numbers to remedy writer's block would be like trying to stop a headache with a brick. It's adding insult to injury. What I hope to show you in the next couple of paragraphs is how data can be an incredible source of inspiration in writing, especially if you can hit a few key principles: expose, relate, surprise, and share.

Expose

Chances are your business or website generates some amount of unique, first party data that you can expose to the world. It might be from analytics, your rank tracker like Moz, or from raw user data if you operate a forum. I'll give you examples of how you might tap into these resources (especially when they don't seem obvious or plenteous) but let's start with a canonical example of one great use of first-party data in an industry that seems directly at odds with — dating.

The thought of quantifying and analyzing our love lives seems like an oxymoron of sorts. However, one of the most successful uses of data for content has been produced by the team at OK Cupid, whose "data"-tagged blog posts have earned thousands of solid backlinks and enviable traffic. The team at OK Cupid accomplishes this by tapping their huge resource for unique data, generated by their user base. Let's look at one quick example: Congrats Graduates: No One Gives a Sh*t.

The blog post is fairly straightforward (and not particularly long) but it used unique data that isn't really available to the average person. Because OK Cupid is in a privileged position, they can provide this kind of insight to their audience at large.

But maybe you don't have a million customers with profiles on your site; where can you look for first party data? Well, here are a couple of ideas of the types of data your company or organization might have which can easily be turned into interesting content:

Google Analytics, Search Console data and Adwords data: Do you see trends around holidays that are interesting? Perhaps you notice that more people search for certain keywords at certain times. This could be even more interesting if there's a local holiday (like a festival or event) that makes your data unique from the rest of the country.

Sales data: When do your sales go up or down? Do they coincide with events? Or do they happen to coincide with completely different types of keywords? Try using Google Correlate, which will identify keywords that follow the same patterns as your data.

Survey data: Use your sales or lead history to run surveys and generate insightful content.

A clothing store could compare responses to questions about personality by the colors of clothing that people purchase (Potential headline: Is It True What They Say About Red?)

A car parts store could compare the size of certain accessories to favorite sports (Potential headline: Big Trucks and Big Hits)

An insurance provider could compare the type of insurance requested vs. the level of education (Potential headline: What Smart People Do Differently with Insurance)

There are probably tons more sources of unique, first-party data that you or your business have generated over the years which can be turned into great content. If you dig through the data long enough, you'll hit pay dirt.

Relate

Data is foreign. It's a language almost no one speaks in their day-to-day conversations, a notation meant for machines. This consideration requires that we make data immediately relatable to our readers. We shouldn't just ask "What does the data say?", but instead "What does the data say to me?" How we make data relatable is simple — organize your data by how people identify themselves. This can be geographic, economic, biological, social, or cultural distinctions with which we regularly categorize ourselves.

Many of the best examples of this kind of strategy involve geography (perhaps because everyone lives somewhere, and it's pretty non-controversial to make generic claims about one location or another). Take a look at a map of your country and try not to look first towards where you live. I'm a North Carolinian, and I almost immediately find myself interested in anything that compares my state to others.

So maybe you aren't OK Cupid with millions of users and you can't find unique data to share — don't worry, there's still hope. The example below is a rather ingenious method of using Google Adwords data to build a geographical story that's relatable to any potential customer in the United States. The webmasters at Opulent used state-level Keyword Planner to visualize popularity across the country in a piece they call the "State of Style."

When I found this on Reddit's DataIsBeautiful (where most of these examples come from), I immediately checked to see what performed best in North Carolina. I honestly couldn't care less about popular fashion or jewelry brands, but my interest in North Carolina eclipsed that lack of interest. Geography-based data visualization has produced successful content related to in sports, politics, beer, and even knitting.

If you walk away with any practical ideas from this post, I think this example has got to be it. Fire up an Adwords campaign and find out how consumer demand breaks down in your industry at a state-by-state level. Are you a marketer and want to attract clients in a particular sector? Here's your chance to write a whitepaper on national demand. If you're a local business, you can target Google Keyword Planner to your city and compare it to other cities around the country.

Surprise

Perhaps the greatest opportunity with data-focused content is the chance to truly surprise your reader. There's something exciting about learning an interesting fact (who hasn't seen one of these lying around and didn't pick it up?). So, how do you make your data "pop?" How do you make numbers fascinating?

Perspective.

Let's start with a simple statistic:

The cost of ending polio between 2013 and 2018 is $5.5 Billion Dollars.

How does that number feel to you? Does it feel big or little? Is it interesting on its own? Probably not, let's try and spice it up a bit.

$5.5 billion dollars doesn't seem that much when you realize people spend that amount on iPhones every 2 weeks. We could rid the world of polio for that much! Or, what if we present it like this...

In this light, it seems almost insane to spend that much money preventing just a couple more polio cases relative to the huge gains we could make on malaria. Of course, the statistics don't tell the full story. Polio is in the end-stages of eradication where the cost-per-case is much higher, and as malaria is attacked, it too will see cost-per-case increase. But the point remains the same: by giving the polio numbers some sort of context, some sort of forced perspective, we make the data far more intriguing and appealing.

So how would this work with content for your own site? Let's look at an example from BestPlay.co, which wrote a piece on Board Games are Getting Worse. Board games aren't a data-centric industry, but that doesn't keep them from producing awesome content with data. Here's a generic graph they provide in the piece which shows off average board game ratings.

There really isn't much to see here. There's nothing intrinsically shocking about the data as we look at it. So how do they add perspective to make their point and give the user intrigue? Simple — apply a historical perspective.

With this historical perspective, we can see board game scores getting better and better up until 2012, when they began to take a dive — the first multi-year dive in their recorded history. To draw users in, you use comparison to provide surprising perspectives.

Share

This final method is the one that I think is most overlooked. Once you've created your fancy piece of content, let your audience do some leg work for you by releasing the data set. There's an entire community of the Internet just looking for great data sets which could take advantage of your data and cite your content in their own publications. You can find everything from All of Donald Trump's Tweets to Everything Lost at TSA to Hand-drawn Pictures of Pineapples. While there is a good chance your data set won't ever be used, it can pick up a couple of extra links in the event that it does.

Putting it all together

What happens when a webmaster combines these types of methods — exposing unique data, making it relatable and surprising, even for a topic that seems averse to data? You get something like this: Jeans vs. Leggings.

This piece played the geography card for relatability:

They compared user interest in jeans to give perspective to the growth of demand for leggings:

Slice.com reveals their first-party data to make interesting, data-driven content that ultimately scores them links from sites like In Style Magazine, Shape.com, and the NY Post. Looking at fashion through the lens of data meant great traffic and great shares.

How do I get started?

Get down and dirty with the data. Don't wait until you end up with a nice report in your hand, but start slicing and dicing things looking for interesting patterns or results. You can start with the data you already have: Google Analytics, Google Search Console, Google Adwords, and, if you're a Moz customer, even your rank tracking data or keyword research data. If none of these avenues work, dig through the amazing data resources found on Reddit or WebHose. Look for a story in the numbers by relating the data to your audience and making comparisons to provide perspective. It isn't a foolproof formula, but it is pretty close. The right slice of data will cut straight through writer's block.

Sign up for The Moz Top 10, a semimonthly mailer updating you on the top ten hottest pieces of SEO news, tips, and rad links uncovered by the Moz team. Think of it as your exclusive digest of stuff you don't have time to hunt down but want to read!

http://ift.tt/2sczdCT

#Paint by Numbers: Using Data to Produce Great Content