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#luke pearce icons
rrozeta · 6 months
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LUKE tumblr layouts (self indulgent)
⇄/♡ + credits if use
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aquaritos · 1 year
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⠀⠀ ⠀⠀ ⠀ ⠀ ⌗ LUKE LAY᪤UTS .ᐟ
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waterrr · 1 year
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ⸯⸯ 🍯 + ★ .𓊍ㅤ . 𝗍𝖺𝗌𝗍𝖾𝗌 𝗅𝗂𝗄𝖾 𝗁𝗈𝗇𝖾𝗒 .
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luvrevuearchive · 1 year
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Luke + Icons + Light Academia
rb and credit if using ♡ @seikoary
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samsspambox · 2 years
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listen with the 2nd anni cards the question must be asked
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based on this post
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dilfiesz · 1 year
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further apart, the closer that we are.
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mischiefesse · 5 months
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— Luke Pearce Icons!
Day 2 of @ebiuxxxx 's event:
A random character / song you found out recently and became ur fav
F2U w/ Credit, Interact to save <33
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itzmirasona · 2 years
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Mystery on Bakerlon [CN SERVER]
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I WILL FREAKING CRY
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culxiaa-fn · 1 year
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What does this call??? Lonely??? Bitchless??? Looser??? Or mental illness??? Lmao
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acrispyapple · 2 years
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Tears of Themis: Icons
happy 520~ ♡
*The numbers “520” (五二零 wǔ èr líng) sound like “I love you” (我爱你 wǒ ài nǐ) in Chinese, hence the celebration during May
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aquaritos · 1 year
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hi hi hi! so, im not sure if u take this type of request but if u do, would u have any headers for one of these two icons ? ty in advance!
(SORRY IF THATS THE SECOND TIME I REQUESTED IT!! MY PHONE BUGGED AND IDK IF THEY SENT THE FIRST ONE :((.)
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hii yes, i still take them! even if it seems not hehe... i have these and pls dww it happens sometimes so i understand ^^ anyways, i hope one of these can match
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ELVIS (2022)
Starring Austin Butler, Tom Hanks, Helen Thomson, Richard Roxburgh, Olivia DeJonge, Luke Bracey, Natasha Bassett, David Wenham, Kelvin Harrison Jr., Xavier Samuel, Kodi Smit-McPhee, Dacre Montgomery, Leon Ford, Kate Mulvany, Chaydon Jay, Josh McConville, Patrick Shearer, Adam Dunn, Yola Quartey, Alton Mason, Gary Clark Jr. and Anthony LaPaglia.
Screenplay by Baz Luhrmann & Sam Bromell and Baz Luhrmann & Craig Pearce and Jeremy Doner.
Directed by Baz Luhrmann.
Distributed by Warner Bros. 159 minutes. Rated PG-13.
The story of Elvis Presley always seemed to be an odd fit for the hyperactive filmmaking style of Baz Luhrmann (Romeo & Juliet, Moulin Rouge, The Great Gatsby), a concern that is only partially alleviated in this latest glitzy-but-overwrought take on the life and death of the King of Rock and Roll.
Presley is an iconic character in pop culture – 45 years after his death people still make pilgrimages to his home and his gravesite – who has been often portrayed on film, sometimes well, sometimes not. Elvis has sort of the perfect American story, a dream turned tragedy in which talent, good looks, and raw charisma led a young country boy to unparalleled heights, only to lose it all to drugs, sycophants and mental illness.
Relative unknown Austin Butler (he was previously probably best known for the short-lived series The Shannara Chronicles and The Carrie Diaries) is a revelation as Presley, capturing the man’s essence and swagger.
A little more problematic is the performance of Tom Hanks as his manager Colonel Tom Parker, buried under a ton of makeup and a rather bizarre accent. It is hard to tell how much of this off-puttingness is due to the performance, how much is due to the disguise, and how much is due to the fact that the Colonel was just a weird, inexplicable guy. Perhaps Hanks is nailing the role, but he always feels off, which is a problem because The Colonel is every bit as important – maybe even more so – to this story than Elvis is. (In fact, the film probably should have more accurately been called Elvis and the Colonel.)
A guy I know, who is more of an Elvis expert than I am, has come to the decision that Luhrmann’s quick cuts and flashy graphics are supposed to be visual cues for the story as seen through the eyes of the ill and drug-addled Parker. While I think that may be giving Luhrmann a bit more credit than he deserves, if that is really the case then maybe it does work better.
However, in the second half, when Luhrmann allows the film to actually play out with less of the gaudy cuts and cheesy gimmicks is where the film finds its footing. (Luhrmann has a tendency to front-load his flashier tendencies in his films and then eventually settles into a storytelling groove.)
The story itself is well known and shown in broad gestures, you don’t learn anything here that you wouldn’t have found in any extended article about the King, but still the Presley story is fascinating enough that it’s always worth seeing.
So while Elvis runs a bit too long (two hours and 40 minutes!) and some of the early scenes are a little vertigo-inducing, overall it is a fairly good film with a star-making lead performance.
Besides, both Priscilla and Lisa Marie Presley – Elvis’ widow and daughter – have been very vocal in their support of the film, claiming that it got Elvis more than any previous film had. And I guess they should know.
Jay S. Jacobs
Copyright ©2022 PopEntertainment.com. All rights reserved. Posted: June 24, 2022.
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Luke Pearce Stimboard
Requested by: Mod caff
Icon source
 X  |  X  |  X
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rugbyprime · 18 days
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Challenge Cup - SHA/ASM : Christophe Urios, « Ça ne se joue pas là-dessus »
Christophe Urios est revenu sur l’action litigieuse en fin de rencontre où Luke Pearce refuse l’essai de pénalité aux Clermontois – Icon Sport Défait au Twickenham Stoop Stadium, Clermont a dit adieu a ses rêves de titre européen. Depuis trois ans, le Challenge Cup avait posé ses valises sur le sol français et cette année cela se jouera entre Sud-Africains et Anglais. La défaite auvergnate…
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dilfiesz · 2 years
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just tell us where to go and we'll be there in ten.
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midnight-star-world · 2 years
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#CountryMusic
Academy of Country Music Honors 2022/CMT Artists Of The Year 2022
So today on the MSR (Midnight Star Review), I will be talking about 2 shows in one blog. And those are the Academy of Country Music Honors 2022 & CMT (Country Music Television) Artists of the year 2022. I will be posting my Artists of the year closer to the end of the year. So let's get started with the Academy of Country Music Honors 2022.
This show was hosted by Carly Pearce and aired on Fox. This was the 15th annual edition and originally aired on 9/13/22 at 8pm EST (Eastern Standard Time). Here is what they played first then we will head to the awards after.
Setlist. Kelsea Ballerini - Man I feel like a woman (Shania Twain cover). Hardy & Ernest - Sand in my boots -> Wasted on you -> More than my hometown (Morgan Wallen covers). Vince Gill - You don't wanna love a man like me. Dierks Bentley - Gold. Little Big Town - The house that built me (Miranda Lambert cover). Lainey Wilson - Workin' overtime. Carly Pearce - What he didn't do. Wynonna Judd - Why not me. Dan + Shay - Glad you exist. Tiera Kennedy - From this moment (Shania Twain cover). Avril Lavigne - No one needs to know (Shania Twain cover). Trace Adkins - A country boy can survive (Hank Williams Jr. cover). Morgan Wallen - A rock (Hardy cover). Brooks & Dunn - Kerosene (Miranda Lambert cover). Jordan Davis - What my world spins around.
And here is the awards. What was handed out and who won what.
Awards. ACM Milestone Award goes to Morgan Wallen. ACM Spirit Award goes to Chris Stapleton. ACM Icon Award goes to Connie Bradley. ACM Triple Crown Award goes to Miranda Lambert. ACM Film Award goes to Yellowstone. ACM Service Award goes to Duane Clark. ACM Poet Award goes to Sonny Throckmorton. ACM Poet Award goes to Shania Twain. ACM Songwriter of the year goes to Hardy.
And that's a wrap for the Academy of Country Music Honors 2022, but we are not done here with the awards. Up next is the CMT (Country Music Television) Artists of the year 2022. So let's get started right now on this show as well.
This was a show to honor Artists Walker Hayes, Luke Combs, Carly Pearce, Lainey Wilson, Kane Brown, Loretta Lynn, Cody Johnson, & Alan Jackson. This show was hosted by Martina McBride and was on Friday October 14th, 2022 at 9pm EST (Eastern Standard Time).
Setlist. Walker Hayes & Ciara - Y'all life. Riley Green performs Luke Combs' The kind of love we make. Carly Pearce - 29. Lainey Wilson - Heart like a truck. Kane Brown - Like I love Country Music. Crystal Gayle & Peggy Sue- Coal miner's daughter. Cody Johnson - Human. Alan Jackson - Chattahoochee.
And that's a wrap for both shows. And on the MSR (Midnight Star Review), I do like other artists singing other songs for their friends. So I would give both of these shows a 3 out of 5 stars. They were good to watch but if you missed out, it's okay. I truly got you covered. See ya all next time. And watch out for my Artists of the year 2022 coming soon.
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