Sumeru: a first impression, and my honest opinion
Growing up, I’ve always struggled to find representation.
I’m a second-generation Indian diaspora, born to Australian parents, raised on Western media and Bollywood. I am dark-skinned, dark-haired, dark-eyed - the kind of Indian you don’t see in North Indian media, because fair is the beauty standard. I didn’t really have anything else to turn to, though, and I grew up despising how dark I was, to the point where I avoided the sun in the summertime in attempt to preserve my marginally fairer winter complexion.
For a long time also, to many of my peers growing up, I was the first impression they had of Indians, and I felt in this way, everything I did had to be perfect. Even still, I feel like anything representing India as a country and culture must be perfect, because, intentionally or not, whatever image of a place someone is first exposed to, that becomes the impression people have of the country and people as a whole, and it’s immensely difficult to change that.
So representation ultimately terrifies me. So much Western media has gotten it wrong. We were always painted as the caricature nerd-type character in Western media - I love Phineas and Ferb but look at Baljeet, or Raj from Big Bang Theory. And that was if Indians were lucky enough to be included: more often they were not, which, as a kid, is hard - you can’t really see yourself reflected in many characters on screen - someone who shares the same traits as you.
Now, what relevance does this have to Genshin Impact? A lot, actually.
You see, Sumeru is an interesting case. I recognise the exploration music as Indian - strains of the Sitar and flute, melodies and scales characteristic of Indian music that I grew up listening to, singing and playing. Don’t get me wrong, Indian music is not a monolith by any means, there’s huge variety wherever you turn, but I recognise it. The combat music, too. Honestly, whenever they break out the Sitar it’s heartwrenchingly familiar to me.
I also recognise the region names. They’re Sanskriti, like Gandharva Ville, Chinvat Ravine, Gandha Hill. The chapter title for this part of the Archon Quest is ‘Pages of Purana’. Even the names of the various jades you use to level up characters are derived from Sanskrit - but this is also due to Sanskriti words spanning the Dharmic religions i.e. Hinduism, Buddhism, Jainism and so on. Personally, I am Hindu, so of course Buddhist stuff is immediately recognisable and familiar to me as well, considering that Buddhism originated as an offshoot of Hinduism, and also began in India before it was spread down the Silk Road to take root in East Asia.
The problem is, I don’t recognise the names. I don’t recognise the clothes. I don’t recognise the skin colour of the NPC character models.
Now, you could make the argument that India is a very large place, and the names are very diverse. And they are, to an extent. But I know my culture, I know the kinds of names we have. I don’t recognise it. These names and clothing and whatever else are more Middle-Eastern. And therein lies the problem. To lump together various different regions and cultures and treat it as a monolith, isn’t that in itself breaking from the established tradition? Why couldn’t Sumeru have been dedicated to one region, whether that be India or the Middle East?
And before anyone decries me for being overly sensitive or unfair, I will ask this. Why is it that Inazuma, Liyue and Mondstadt get utmost respect in the handling of their respective regions and cultures? Each region is based on one country - that in itself is immediately recognisable. The names of the characters are appropriate and, again, immediately recognisable. And don’t come at me with nonsense like arguing Enkanomiya isn’t based on anywhere, that’s wilfully obtuse and you know it.
Another thing - the complexions characteristic of both the Middle East and India are dark. Dark, as in the last shades on the cosmetic line dark, as in hair almost-black dark, as in pupils only discernable in the sunlight dark. I want to see that reflected in the kinds of characters that populate Sumeru. The little girl in me that applied ‘Fair and Lovely’ masks in the hopes that she would become fairer is hurting for that kind of representation. I want to see people that look like me populate a region with music and names familiar to me. That, to me, would be the most healing of all.
Genshin Impact is enormous. It is probably the biggest game today. This kind of representation is going to have an enormous impact on how people perceive India and Indian culture, along with Middle Eastern culture, whether they may realise it or not. I desperately want my experience of Sumeru to be positive, but I am absolutely terrified of what I might find. I have been hurt by poor representation enough times before. I'm terrified of playing and being proven right again, and that saddens me, because I love this game.
Ultimately, what I want is for people to see India and Indian culture in its full beauty, and appreciate it the way I appreciate it. If you have time now, why not go watch a Bharatanatyam dancer or Sitar player perform, or visit a nearby temple or mosque and pay your respects, or participate in your local Diwali festival, since it’s coming up soon? After all, Indian culture isn’t just butter chicken, naan and stolen diamonds housed in the British Museum.
That was my first impression of Sumeru, as an Indian. I hope I’m proven wrong.
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