Tumgik
#life series gaslight gatekeep girlboss
minecraftbookshelf · 4 months
Text
Gone Fishing
Mr. InTheLittleWood I know you’re in your tags on here, walk away from this one.
(No, this isn't Marriage of State, that is still with my beta, this is something i started writing for Mermay and then semi-abandoned until these past couple of weeks.)
Mildly Dark Comedy Urban Fantasy Adventures featuring Sleep Deprived Martyn, Selkie!Scott, and Swan Maiden!Cleo and Pearl.
AO3
Rating: T on AO3
Wordcount: ~4k
Characters: Martyn InTheLittleWood, Scott Smajor, ZombieCleo, PearlescentMoon, bonus appearances by JoeHills (with accompanying breaking of the fourth wall) and Rendog.
Relationships: Gaslight, Gatekeep, Girlboss + Martyn (its not quite Divorcee Quartet imo) Background Martyn?Ren and Referenced Past Flower Husbands
Warnings: Off-screen murder and on-screen blood spatter, kidnapping, selkie tropes and the adjacent concepts
-
This is directly inspired by that one tumblr post (I'll link it if i ever successfully find it again) that starts out "swan maidens would be hella built and down for violence, actually" and ends with "a swan maiden and a selkie team up and do violence"
-
3AM calls directly after the full moon are officially Martyn's nemesis. Nonetheless, he listens to the flustered emergency dispatcher stammer through a semi-explanation of the situation. (Murder. Kidnapped mythicals. The usual. He's not even on call this week; how and why is he the only Hunter in the area?) He hauls himself out of bed, knocks on Ren's door on the way out to let him know he is leaving and grabs his keys. He pauses, halfway out the front door and texts Ren because there is no way he'll remember given that he probably didn't even wake up when Martyn knocked, deep asleep and dead to the world in a way only exhausted werewolves can manage.
It's a bit of a drive; some fancy, palace-like mansion outside town on the far side. About as far away as it can get while still being in Martyn's district.
He gets two more calls on the way over, one from the same dispatcher, one from the police on the scene, practically begging him to hurry up with all the usual frantic desperation of humans who've never encountered magic before.
He stops for coffee.
It's a right mess by the time he does arrive; multiple police complete with flashing lights. The press (complete with their own version of flashing lights) a coroners van, at least five ambulances, and an arch-fey lurking by the tree-sized bush sculpted into a pegasus.
Oh no.
Joe Hills gives a jaunty wave that Martyn returns on autopilot.
There's only one reason Joe Hills ever leaves Tennessee.
One cup of coffee is not enough to deal with Cleo.
Much less what they usually drag with them.
Maybe-if Martyn is really, really lucky-Cleo was flying solo when they got mixed up in whatever the hell this is. (Even if they tend a bit more towards arson than murder.) Maybe its just them and not any of the rest of their crew.
He slips through the frazzled crowd of medical and law enforcement personnel, taking note of the battered and sickly looking people sitting in the backs of the ambulances, all of them visibly Not Exactly Human. He recognizes the vampire in the nearest one. Her missing persons case has been sitting on Jimmy's desk at Guild HQ for almost six months now with no new leads. She's sipping on a blood packet while a nervous paramedic hovers just out of her immediate reach.
Now he just has to find someone who knows what's going on-
"Hiyaa!"
Oh no.
Scott Smajor is sitting in the entryway of the stupidly fancy house, wrapped in a shock blanket, practically beaming at Martyn around the paramedic who is very clearly just trying to do their job and is not being paid enough for this.
Martyn can relate.
Scott's smile is wide and bright, his eyes are glassy and feverish, and he's visibly shaking. There is blood spattered on his clothes. And that is just what Martyn can see around the blanket.
He should revisit that offer from the Syndicate. He's pretty sure their annual salary is double what the Guild pays. More than enough to make up for not being a strictly legal operation. Half the stuff Ren brings into their apartment would get them both imprisoned in a pocket dimension somewhere for centuries anyway, might as well go all in.
With a resigned sigh he sucks it up, sticks his hands in his pockets, and strolls up to the front steps.
"Well if it isn't our favorite friendly neighborhood black widow," he says, dry as summer in purgatory. Already piecing together the picture to form something of a complete answer to the question of 'what happened.' "Fancy meeting you here."
Scott actually has the audacity to look offended. "Excuuse you. Most of my husbands are still alive."
Based off the amount of blood spatter on his clothes and the presence of the coroners van, Martyn is going to assume that the most recent one isn't.
'Clothes' is a bit of a generous term. Scott is wearing what most people would consider appropriate-if a bit risque- for clubbing, and what Martyn recognizes as what Scott wears when he's hunting. Most strongly indicated not by what he is wearing but by one very specific and important thing he isn't. This kind of scenario usually ends in at least a week of headaches and several different levels of bureaucratic hell for Martyn that he has to deal with all on his own because Jimmy and Scott are apparently fighting or something and Jimmy reuses to touch anything to do with this nonsense with a fifty foot pole. That could also just be Jimmy deciding to be smart for once and growing a backbone at a time extremely inconvenient for Martyn in particular.
Every day, Martyn regrets getting mixed up in mythical society. If he'd known it outstripped even the smallest of small towns on the 'everyone knows everyone' front he would have run so fast in the other direction. No matter what Grian had to offer. And now he's stuck here.
"Speaking of husbands," Scott purrs, craning to look around the paramedic, ostensibly at Martyn but he's really not as subtle as he thinks in the way he scans the driveway around Martyn's car. "Where is your partner?" He's hiding it well, but his jaw is tense and his eyes pinched. It's probably been hours since he was Separated.
"So what kind of trouble did you get yourself into this time?" Martyn ignores his question and brushes past it, offering an alternate distraction he is actually willing to play along with. He does not have the energy to deal with the drama surrounding his partner and said partner's ex(?)-husband, especially when Jimmy isn't here to give a hard time over it. It already gets brought up way too much every time Scott pops up yet again, dancing merrily back and forth across the line between victim and perpetrator in yet another one of their cases.
"Are you the Guild agent?" A loud voice demands from behind him.
Martyn whirls on his heel, far more ready to trust Scott at his back than some random police. (Not that he would ever admit it.) "I am!" he responds brightly, deliberately irritating in the way he knows best. "What happened here, Officer?"
The policeman, clearly someone important by the lack of wear and tear on his...everything, pulls himself pompously up to his full, rail-thin height and peers down at Martyn over his nose. "Aren't you lot supposed to keep your rabble in check?"
Oh, its going to be like that, is it?
Martyn fixes a blandly polite smile on his face and slips his voice into something a little bit more professional. "That still doesn't answer my question. What happened here?" Behind the officer he can see Joe Hills, still lingering amongst the topiary, eyes fixed on the officer's back. Suddenly it is a lot more reassuring, knowing there is an exit strategy for the people without the protection of a government employee ID. Even if that exit strategy is one of the most dangerously unpredictable beings Martyn is aware of. Which really is saying something.
"That," The officer (Hughes, his nameplate says) jabs a finger over Martyn's shoulder, presumably at Scott. "Has murdered an upstanding citizen and has the audacity to claim immunity!"
Martyn cocks his head to the side. "From where I'm standing, you're pointing the finger at a selkie missing his skin, so yeah, there is probably immunity involved."
"Well first of all," Cleo announces their presence as they emerge from the depths of the house, trailed by a very nervous looking police officer.
They stop in the doorway to drop a bundle on Scott's head, the dark mass makes contact with his bright blue hair and unfolds to drape over him. By the time Scott has discarded the shock blanket to wrap himself in his pelt instead, Cleo has stepped past him to stand shoulder to shoulder with Martyn. They're taller than Officer Hughes, which a very petty part of Martyn appreciates. The crisp white feathers of their own skin tickle his arms as they cross their arms. There is blood spatter on their feathers.
"He didn't kill the asshole," they continue without so much as looking at Martyn. "He physically couldn't. I did. And I'd do it again."
Cleo is hardly new to scenes like this, neither are they squeamish. The combined records of the entirety of their little squad speak to that. But something about this one clearly has them rattled and angry. At least Officer Hughes is here to take the brunt instead of them turning it on Martyn.
"Chapter four of the Magical Coexistence Treaties, Section B, Paragraph 13; 'Should the autonomy of any selkie, swan maiden, or similar being be violated, any and all members of their pod/flock can take whatever measures they deem necessary to right and/or avenge the wrong and secure the freedom of the violated party or, should the victim have perished, obtain were-guild from the one who harmed them.'"  Cleo rattles off the sentences that Martyn knows by heart at this point, from the frequency he's encountered them in more or less this exact context with this exact cast.
They point at Scott. "Selkie." They point to themself. "Swan." They gesture back and forth between the both of them. "Pod, flock, whatever you want to call it. And given I just retrieved his skin from the asshole's locked personal office I think his autonomy was violated enough." Their voice is deeply sarcastic in the way that only Cleo can be. Martyn is half-surprised Officer Hughes isn't on the ground bleeding from it.
"And all that was before we found the dungeon in the basement." They turn to Martyn, brushing Hughes off with as much concern as if he were a fly. "He was a collector, apparently. And he'd been at it awhile."
Martyn looks around the assembled ambulances and their occupants with a new, more critical eye. A starved and weakened vampire, a silver-collared werewolf, two nervous and twitch sirens (wrapped in damp blankets as a paramedic with a lock-picking kit fiddles with the muzzles fitted around their faces. Martyn makes a mental note; someone with flexible skills set like that might work out at the Guild. And they can always use more medical personnel.) an emaciated naga. As he turns back two more paramedics emerge behind them, carefully wheeling out a criminally (literally) small tank containing brackish water and an insensate mer.
Oh this is going to be so much paperwork.
Martyn is very glad the guy is dead. At least that means he won't have to work on a prosecution on top of everything else.
"There's more inside," Scott says behind them. Martyn glances over his shoulder and is glad to see him looking a lot less feverish and pained than before with the return of his pelt. "I got a grand tour. He's got a dragon-hide hanging on the wall in the library and a whole hall of displayed...parts."
So much paperwork.
Jimmy had better enjoy that vacation. They'll still probably be sorting this all out when he gets back.
"He was going to put me in a concrete enclosure, Martyn, he showed me. It's so ugly. Almost as bad as the rest of his house."
Of course that is equally offensive to Scott's sensibilities as his entire free will being stolen. That tracks.
There is still an elephant in the room that Martyn hasn't sen hide nor feather of at all.
"Pearl?" He asks Cleo, almost dreading the answer.
"Left already."
Suspicious, but at least it means he only has to deal with Gaslight and Gatekeep here. Or whatever they call themselves.
This time.
Because this is not the first time The Terrible Honeypot Trio, as they are unofficially referred to at Guild headquarters, have used this exact legal loophole to go after a creep or two. The murder is outside the norm, admittedly. Usually they limit themselves to theft and arson. It's a very lucrative racket for them and they have it down to a science. Dress Scott (its usually Scott; Cleo is scary and Pearl has a stab first ask questions later policy) up, flaunt his selkie status, and dangle him in front of a bunch of rich guys and see who takes the bait.
And every angle of it is legal.
Multiple Guild members are of the opinion that, whatever their (financial) motivations they are also providing a valuable public service. Their trail of victims is also a trail of overall shitty and predatory people that the Guild can make sure get nailed for something else, whether mythical or mundane in nature.
Ultimately, given that all someone has to do to not end up as a target of 'The Three Gs' is, you know, not abduct someone, they've never had a very convincing entrapment case leveled against them. Though a few of their victims have tried.
This one likely won't be, given that his blood is currently smeared all over Scott's clothes and Cleo's face.
Hmmmmm.
Martyn squints thoughtfully at the spatter on Cleo. It's hard to tell, since they've clearly been doing things, he's not going to think too hard about what, and its been smeared quite a bit...but that doesn't look like murder spatter. That looks like adjacent to murder spatter.
Which means, given that Scott couldn't, Pearl was probably the one who actually killed the asshole.
Honestly, that tracks.
Cleo and Hughes are in some kind of stare down now, Martyn would wish the officer luck but honestly, he hopes Cleo eats him alive. He ignores the two of them and turns back to Scott, who's still sitting on the front step, leaning against the door-frame. He looks tired and is shivering a little, but winks at Martyn when he notices his attention. Getting his pelt back has cleared away most of the lingering discomfort or shakiness and as annoying as it is how unruffled he seems after having just witnessed a murder at what was very clearly close proximity, it is reassuring to have him back to his usual demeanor. Despite having made a career out of it, playing the victim really does not suit Scott at all.
"See something you like?"
Martyn snorts a laugh and nudges the discarded shock blanket with the toe of his boot. "You should probably take this back."
"Awww," Scott coos at him, head cocked to the side. "You do care!"
"It's like, 6° out and you're wearing fishnets," Martyn says, somewhat proud of his deadpan and also for resisting making a joke about how fishnets seem a bit on the nose. "It's making me cold just to look at you."
Scott rolls his eyes, but concedes enough to drag the shock blanket over his lap. "You realize I don't really get cold, right? It's like, a whole selkie thing."
"Yeah, when you're in seal form, which you're very clearly not, at the moment."
"It doesn't just go away," Scott grumbles, but tucks the blanket more securely under his knees anyway.
Martyn is going to blame his fussing on still being in post-full moon mode. He'd been throwing blankets and pillows and soup at Ren all afternoon and is going to have to pick right back up where he left off when he gets back home. Ren is notoriously terrible at self-care after a transformation.
"Right," Cleo is suddenly there, looming threateningly over Martyn's shoulder. "Martyn, can you tell this idiot that he's not going to be able to arrest us so we can get on with it all."
God, Martyn hates inter-departmental politics. He leans back to peer around Cleo's shoulder at Hughes. "They're in my custody, you can't have them."
He ignores Hughes' subsequent blustering to give Scott and Cleo his full attention. "Is there anything else either of you needs, or can we get out of here?"
The sun is just starting to peek over the horizon. Martyn has spent the past several days taking care of a worn-out and antsy werewolf he is supposed to be dead asleep right now. He will send a preliminary report into HQ (text his boss a two sentence summary) and then he is done. This can be someone else's problem until he's had a minimum of twelve hours of uninterrupted sleep. The murder part has already been done anyway, what's left sounds like it is much more in Research & Preservation's jurisdiction. And Medical. He'll be sure to add a whole extra sentence to that effect.
Scott and Cleo exchange a glance and shake their heads. "Didn't bring anything," Cleo says with a shrug. "I got what I came for."
Scott kicks at their ankle but also looks kind of touched. For a second and only a second, because those two don't do sappy emotions. He then kicks the shock blanket back off and begins hauling himself to his feet. Cleo gives him a hand up and he wobbles on his high-heeled boots but stays standing. Given how shaky he still looks, Martyn is counting that as a win.
He's starting to think Scott might have been separated from his skin for more than just a few hours this time. He's usually completely shaken off the effects by the time Martyn shows up. He's never seen this level of severity.
The two mythicals wander over, Scott still holding onto Cleo's arm, pacing carefully to try and hide the way he is leaning on them for support. Cleo, being Cleo, blatantly ignores the entire situation but still slows their usually brisk stride to accommodate.
"You'll have to give us a ride."
"What?" Visions of his bed vanish before Martyn's eyes at Cleo's declaration.
"You heard me," Cleo repeats, heading towards the edge of the crime scene, Scott only staggering a little bit as he keeps up. "Now where did you park, I'm ready to be rid of this place."
Martyn opens and closes his mouth a couple of times, "Excuse me?" He looks back at the topiary Joe Hills had been standing by. 'Had been' turns out to be the important part of that sentence. "What happened to-"
"He had to go pick his kid up from school, keep up, Martyn." Cleo yells over their shoulder without looking back. "He has a schedule to keep and you took too long. HE was just here to take down the wards."
"Wards?" Martyn rushes to catch up to them. "This is the first you've said about wards. What kind of wards?"
"The kind that keep people like us out," Cleo snaps back, not slowing down at all. "What kind do you think?"
They beeline directly for Martyn's car, pull open the passenger door, and push Scott into the seat. The entire time Martyn has known Cleo, they have never given up the front seat for anyone.
Martyn wonders just how close their luck came to running out this time.
Cleo closes the back seat door behind themself  and then the two of them are looking at Martyn impatiently through the windows, as if he is the one acting weird.
There are not enough braincells in Sleep-Deprived Martyn's head to untangle all of this. He gets in the car.
He gives both Scott and Cleo a onceover while starting it. Now tthat they are out of sight of the masses, Scott is slumped against the door, face pale and eyes closed. Cleo is being very deliberately casual in a very Cleo way, and their face is pinched and the line that shows up on their forehead when they are stressed is definitely line-ing. The hand they have held up, pretending to pick dried blood out from under their nails, is shaking.
"Can we get chicken nuggies?" Pearl asks, her face very suddenly right in Martyn's.
Martyn does not yell or flail. Just for the record. And he certainly doesn't scream or jump.
Pearl just stares at him, eyes eerily blank behind her usual 'thrilled with violence' sparkle. She must have been laying down in his back seat. She's sitting in the middle now, next to Cleo, spattered with even more blood than the other two, in a way that bears out Martyn's theory on who actually killed the homeowner.
Her expression turns wheedling and she leans forward even more, propping her chin on the back of Scott's seat. "Nuggies?"
How is this Martyn's life.
"Fine," he sighs as he pulls out of the fancy big circle drive, leaving the oversized house and all its horrors behind them. "We can get chicken nuggies."
-
Ren wakes up, for a given definition of "wakes up" at...some point. Checking the clock would require opening his eyes and, between the sandy sensation and general lingering exhaustion, he doesn't really want to do that.
He can feel the sun through the curtains and his window face west. So afternoon sometime.
His stomach rumbles.
Perchance he should investigate the kitchen.
A moment of consideration and he decides it still isn't worth opening his eyes. He wraps his comforter over his head and around his shoulders as if it were a winter cape and stumbles towards the door. It takes a few moments of groping around but he manages to find the doorknob and free himself from his confines.
He can smell coffee.
Coffee and people and fast food and...blood?
Instantly set on edge, the clinging territorial instincts from the moon reaction to unexpected intruders in the home, Ren finally cracks one eye open.
Half of the sofa is taken up by a blurry white mass that, after a few blinks, solidifies into a swan sleeping on a pile of messy blankets, head tucked under one wing. A very familiar swan that is awakened enough by Ren's racket to raise their head and give him a displeased hiss, before going back to sleep, settling deeper into their impromptu nest.
His attention is pulled away from Cleo by a shuffling from the kitchen.
Pearl Moon waves at him from where she is sitting on the floor, leaning up against the partition between kitchen and sitting room, halfway through a tub of Ren's ice cream. Ren blinks back at her.
Major is sitting at the kitchen table across from Martyn, who has his face down on the surface of said table and is giving off the general smell he does anytime his emotions are best summarized as "I don't want to be here anymore."
Major looks back over his shoulder and beams at Ren, "Oh good, you're up! Come take a look at these!"
Ren shuffles closer until he can see what exactly it is the selkie has spread all over the table.
It's quite the variety, all placed carefully on Ren's good tea towels. Several trinkets of questionable origin, a cursed box of some kind that smells of fae magic, some mundane jewelry, and a small collection of potion vials. Major taps one of the un-enchanted necklaces proudly. "How would you price this lot?"
Martyn groans against the table top. "Could you at least not conduct your illegal sales in my kitchen when I'm here?"
Ren pats him on the shoulder and does his best to wake up enough to give the haul a more critical look. "Hard to say without a close examination but at least a couple thousand."
Behind him, Pearl makes a disparaging noise. "Only a couple thousand?" She says around a mouthful of ice cream. "Wow, that's cheap."
She shakes something that makes a jingling sound. "Now come look at mine!"
Martyn groans again and shoves his chair away from the table. "I'm going to go get food, if this is what you are doing now." He heads for the door.
Ren takes his chair as Pearl scrambles to her feet and joins them at the table, pulling things willy-nilly out of the pockets of her bright red jacket. He certainly wasn't planning on business on a day off when he hadn't even opened the shop, but Cleo and friends were always a good source of dubiously obtained items.
Martyn closes the front door behind him and Ren can hear him grumbling his way down the stairwell.
He can smell cheap chicken nuggets and his stomach rumbles. Hopefully Martyn brings some of those back with him.
45 notes · View notes
lemon-bread-slice · 1 month
Text
Tumblr media
guys is this anything- i had a vision
does anyone even remember this meme? it lived in my head rent free in middle school
603 notes · View notes
rozaalright · 7 months
Text
Tumblr media
gaslight gatekeep girlboss
1K notes · View notes
b3l0v3dzz · 1 month
Text
Scrolling through TikTok and these made me think of different life series groups
Tumblr media
Cleo & Scott
Tumblr media
Bdubs & Etho
Tumblr media Tumblr media
Cleo, Scott & Pearl
270 notes · View notes
Text
secret life Ep1, let's go!!
Tumblr media
491 notes · View notes
mirineii · 2 months
Text
I need more people talking about the GGG betrayal. ''Yeah we won't go for eachother!! until the bitter end!!!'' Proceeds to TURN ON PEARL in the end whilst gem and martyn were still alive and available augh sobbing crying uhm yeah
153 notes · View notes
aquinnix · 1 month
Text
Traffic Character Analysis - Scott
Scott is a man of honour. He puts the needs of others above his own. He will do anything for those he cares about, even to his own self detriment. Sacrifice is a concept Scott is very familiar with. He will sacrifice everything, including his own life, to give his allies even just a small chance at survival. But no matter what he does, it’s never enough. Scott always ends up being the one left behind, the one left standing over a grave with wet cheeks. So he tries again, and again, doing everything in his power to force fate into taking him first. Still, he ends up a widow. But Scott is different in that respect, he refuses to shut everyone else out to avoid another heart break. He refuses to stop caring. That’s not the whole story, because there is a reason he only gets close with one, maybe two people. It limits the number of times he has to say goodbye. But Scott tries not to think about that. He exists in his own little bubble away from all the blood and death until it forces itself onto his doorstep. Then Scott will fight like hell to keep those he cares about safe, putting his life on the line for one more chance to see them smile. But there is one Scott refuses to do, play dirty. 
114 notes · View notes
fuedalreesespieces · 8 months
Text
why a love triangle when we could've had:
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
179 notes · View notes
gagehoneymoon · 14 days
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
𝑨𝒑𝒐𝒍𝒍𝒐 𝑮𝒐𝒅 𝒐𝒇 𝑺𝒖𝒏, 𝒍𝒊𝒈𝒉𝒕, 𝒑𝒐𝒆𝒕𝒓𝒚, 𝒉𝒆𝒂𝒍𝒊𝒏𝒈, 𝒅𝒊𝒔𝒆𝒂𝒔𝒆𝒔, 𝒎𝒖𝒔𝒊𝒄, 𝒅𝒂𝒏𝒄𝒆, 𝒕𝒓𝒖𝒕𝒉, 𝒂𝒏𝒅 𝒆𝒗𝒆𝒏 𝒎𝒐𝒓𝒆 🌞🌻💛
𝑳𝒊𝒕𝒕𝒍𝒆 𝒃𝒓𝒐𝒕𝒉𝒆𝒓 𝒐𝒇 𝑨𝒓𝒕𝒆𝒎𝒊𝒔 𝒂𝒏𝒅 𝑺𝒐𝒏 𝒐𝒇 𝒁𝒆𝒖𝒔 𝒂𝒏𝒅 𝑳𝒆𝒕𝒐
25 notes · View notes
featheredenby · 7 days
Text
Smol Guys 24
Tumblr media
I colored in the Gaslight, Gatekeep, Girlboss Cleo.
20 notes · View notes
flashliiqhts · 2 months
Text
Tumblr media Tumblr media Tumblr media
Some fanart for @eternalduos 's fic, "Instructions for Stealing Stars"! The 20s-Era fashion is just really fun to draw
21 notes · View notes
rozaalright · 7 months
Text
Tumblr media
gaslight gatekeep girlboss pt.2
140 notes · View notes
b3l0v3dzz · 1 month
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
I’m back bitches
293 notes · View notes
minimango1234 · 6 months
Text
Bigbs secret life base be like:
Tumblr media
49 notes · View notes
basic-amoeba · 2 months
Text
So I’ve been going back through the different life series to get more perspectives, and I keep collecting more alliances/groups that I want to draw (this has been especially prompted by Gaslight (Cleo), Gatekeep (Scott), and Girlboss (Pearl).
So more art will probably be on the way.
(Also comment any requests)
15 notes · View notes
aquinnix · 20 days
Text
Traffic Character Analysis - Cleo
Cleo is a survivor. She always has a plan B, a way out, a place to go when things get rough. Their trust is hard to earn, and incredibly easy to break, but it is deep and whole. When they make a commitment, she is in it for the long haul until something proves her otherwise. Cleo is not afraid to break ties the second things don’t sit right. Then revenge becomes their top priority. If she trusts someone wholeheartedly, she expects the same from them. Cleo wants to make people pay for betraying them, so much so that they are willing to go down with the ship if the person who wronged her is also on board. They like to make a statement, to show others that she is not to be messed with. But sometimes Cleo gets over confident, they assume things are going to go their way, and when they don’t the only person she has to blame is herself. It is not uncommon for Cleo to play all sides, to keep her guard up, to expect people to betray her. So they make sure they have a place to run away to. Because the thing that truly scares Cleo the most is being alone. While she has them, Cleo will do whatever it takes to keep her allies safe, even if that means keeping them safe from themselves. 
25 notes · View notes