#lala 1903

[lala-1903]

Neyse lala..

#tecrübe #postlarım #lala 1903 #behzatc #behzat amirim

[oluncesevemezsen]

#lala-1903

[mottamadhan]

Full article copy-pasted below

An Indian princess whose pivotal role remains largely forgotten in history, had great influence in the Women's Suffrage Movement, which led to British women acquiring the right to vote. Princess Sophia Duleep Singh was the daughter of Duleep Singh and granddaughter of Maharaja Ranjit Singh. Born in the summer of 1876, she spent the early part of her life in the English Countryside and only first visited India in 1903. This was a turning point in her life as she was alarmed by the treatment of her fellow citizens under an autocratic colonial regime.

The princess was enamoured by the work of many Indian revolutionaries and was especially intrigued by the work of Lala Lajpat Rai who was imprisoned on sedition charges. This discovery first moved Sophia to turn against the British Raj and she returned to England looking for a fight. She actively got engaged in WSPU (Women’s Social & Political Union) and inadvertently became a significant part of the Suffrage Movement. 

As part of the Women's Tax Resistance League, they led rallies with the slogan “No taxation without representation” and "No Vote, No Tax". Known as the most vilified women in England, they garnered a special dislike amongst royals. In November 1910, on the day later known as ‘Black Friday’, Sophia and Emmeline (woman who organised the Suffrage Movement) led a protest with suffragettes marching towards the House of Commons. As noted by the Quint, they were passionate with the hopes of convincing then Prime Minister Herbert Asquith’s government to pass a limited suffrage bill.

However, they were attacked by the police and the princess soon got arrested. This only fueled her fire as she started selling ‘The Suffragette’ newspaper outside the elite area of Hampton Court Palace. She also subverted the census and claimed that if women do not count then they should not be counted either. The rebellious princess threw herself at the prime minister's car, all while screaming slogans and holding onto a banner that read “Give Women the Vote”. 

The suffrage sisters were continuously imprisoned and were brutally fed to put a stop on their hunger strikes. Sophia noted the crown’s ruthless antics that only seemed to get worse at home and in their acquired colonies. At last, her efforts came to fruition when the Representation of the People Act of 1918 was passed which gave women over 30 the right to vote. This further led to women over 21 acquiring the right to vote in 1928. 

The princess turned activist spent the majority of her life in public protests and fighting against the establishment. During the First World War she took to the bedside of wounded Indian soldiers known as ‘Lascars’. Through all her efforts she only ever worked for the upliftment of those who were forgotten by a powerful regime, becoming a part of the most integral movement in human history. Finally being recognised for her bravery, the princess is to be honoured with a commemorative Blue Plaque by English Heritage in London.

#important #desi women #women's suffrage

[brookstonalmanac]

Events 12.17 (before 1940)

497 BC – The first Saturnalia festival was celebrated in ancient Rome. 546 – Siege of Rome: The Ostrogoths under king Totila plunder the city, by bribing the Byzantine garrison. 920 – Romanos I Lekapenos is crowned co-emperor of the underage Constantine VII. 942 – Assassination of William I of Normandy. 1297 – King Kyawswa of Pagan is overthrown by the three Myinsaing brothers, marking the de facto end of the Pagan Kingdom. 1398 – Sultan Nasir-u Din Mehmud's armies in Delhi are defeated by Timur. 1538 – Pope Paul III excommunicates Henry VIII of England. 1583 – Cologne War: Forces under Ernest of Bavaria defeat troops under Gebhard Truchsess von Waldburg at the Siege of Godesberg. 1586 – Go-Yōzei becomes Emperor of Japan. 1718 – War of the Quadruple Alliance: Great Britain declares war on Spain. 1777 – American Revolution: France formally recognizes the United States. 1790 – The Aztec calendar stone is discovered at El Zócalo, Mexico City. 1807 – Napoleonic Wars: France issues the Milan Decree, which confirms the Continental System. 1812 – War of 1812: U.S. forces attack a Lenape village in the Battle of the Mississinewa. 1819 – Simón Bolívar declares the independence of Gran Colombia in Angostura (now Ciudad Bolívar in Venezuela). 1835 – The second Great Fire of New York destroys 53,000 square metres (13 acres) of New York City's Financial District. 1837 – A fire in the Winter Palace of Saint Petersburg kills 30 guards. 1862 – American Civil War: General Ulysses S. Grant issues General Order No. 11, expelling Jews from parts of Tennessee, Mississippi, and Kentucky. 1865 – First performance of the Unfinished Symphony by Franz Schubert. 1892 – First issue of Vogue is published. 1896 – Pittsburgh, Pennsylvania's Schenley Park Casino, which was the first multi-purpose arena with the technology to create an artificial ice surface in North America, is destroyed in a fire. 1903 – The Wright brothers make the first controlled powered, heavier-than-air flight in the Wright Flyer at Kitty Hawk, North Carolina. 1907 – Ugyen Wangchuck is crowned first King of Bhutan. 1918 – Darwin Rebellion: Up to 1,000 demonstrators march on Government House in Darwin, Northern Territory, Australia. 1926 – Antanas Smetona assumes power in Lithuania as the 1926 coup d'état is successful. 1927 – Indian revolutionary Rajendra Lahiri is hanged in Gonda jail, Uttar Pradesh, India, two days before the scheduled date. 1928 – Indian revolutionaries Bhagat Singh, Sukhdev Thapar and Shivaram Rajguru assassinate British police officer James Saunders in Lahore, Punjab, to avenge the death of Lala Lajpat Rai at the hands of the police. The three were executed in 1931. 1933 – The first NFL Championship Game is played at Wrigley Field in Chicago between the New York Giants and Chicago Bears. The Bears won 23–21. 1935 – First flight of the Douglas DC-3. 1938 – Otto Hahn discovers the nuclear fission of the heavy element uranium, the scientific and technological basis of nuclear energy. 1939 – World War II: Battle of the River Plate: The Admiral Graf Spee is scuttled by Captain Hans Langsdorff outside Montevideo.

#Events

[partial-boner]

Jacques Lalaing (attributed to), c. 1903 - 1914        

#Jacques Lalaing

[blackkudos]

Louis Armstrong

Louis Armstrong (August 4, 1901 – July 6, 1971), nicknamed Satchmo, Satch, or Pops was an American trumpeter, composer, singer and occasional actor who was one of the most influential figures in jazz. His career spanned five decades, from the 1920s to the 1960s, and different eras in jazz. Coming to prominence in the 1920s as an "inventive" trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. With his instantly recognizable gravelly voice, Armstrong was also an influential singer, demonstrating great dexterity as an improviser, bending the lyrics and melody of a song for expressive purposes. He was also skilled at scat singing.

Renowned for his charismatic stage presence and voice almost as much as for his trumpet playing, Armstrong's influence extends well beyond jazz, and by the end of his career in the 1960s, he was widely regarded as a profound influence on popular music in general. Armstrong was one of the first truly popular African-American entertainers to "cross over", whose skin color was secondary to his music in an America that was extremely racially divided. He rarely publicly politicized his race, often to the dismay of fellow African Americans, but took a well-publicized stand for desegregation in the Little Rock crisis. His artistry and personality allowed him socially acceptable access to the upper echelons of American society which were highly restricted for black men of his era.

Early life

Armstrong often stated that he was born on July 4, 1900, a date that has been noted in many biographies. Although he died in 1971, it was not until the mid-1980s that his true birth date, August 4, 1901, was discovered by the researcher Tad Jones through the examination of baptismal records.

Armstrong was born into a poor family in New Orleans, Louisiana, and was the grandson of slaves. He spent his youth in poverty, in a rough neighborhood known as the Battlefield, which was part of the Storyville legal prostitution district. His father, William Armstrong (1881–1933), abandoned the family when Louis was an infant and took up with another woman. His mother, Mary "Mayann" Albert (1886–1927), then left Louis and his younger sister, Beatrice Armstrong Collins (1903–1987), in the care of his grandmother, Josephine Armstrong, and at times his uncle Isaac. At five, he moved back to live with his mother, her relatives and a parade of "stepfathers".

He attended the Fisk School for Boys, where he most likely had early exposure to music. He brought in some money by selling newspapers, delivering coal, singing on the streets at night, and also by finding discarded food and selling it to restaurants, but it was not enough to keep his mother from prostitution. He hung out in dance halls close to home, where he observed everything from licentious dancing to the quadrille. For extra money he also hauled coal to Storyville, and listened to the bands playing in the brothels and dance halls, especially Pete Lala's, where Joe "King" Oliver performed as well as other famous musicians who would drop in to jam.

After dropping out of the Fisk School at age eleven, Armstrong joined a quartet of boys who sang in the streets for money. He also started to get into trouble. Cornet player Bunk Johnson said he taught Armstrong (then 11) to play by ear at Dago Tony's Tonk in New Orleans, although in his later years Armstrong gave the credit to Oliver. Armstrong hardly looked back at his youth as the worst of times but drew inspiration from it instead: "Every time I close my eyes blowing that trumpet of mine—I look right in the heart of good old New Orleans... It has given me something to live for."

He also worked for a Lithuanian-Jewish immigrant family, the Karnofskys, who had a junk-hauling business and gave him odd jobs. They took him in and treated him like family; knowing he lived without a father, they fed and nurtured him. He later wrote a memoir of his relationship with the Karnofskys, Louis Armstrong + the Jewish Family in New Orleans, La., the Year of 1907. In it he described his discovery that this family was also subject to discrimination by "other white folks" who felt that they were better than Jews: "I was only seven years old but I could easily see the ungodly treatment that the White Folks were handing the poor Jewish family whom I worked for." Armstrong wore a Star of David pendant for the rest of his life and wrote about what he learned from them: "how to live—real life and determination." The influence of Karnofsky is remembered in New Orleans by the Karnofsky Project, a nonprofit organization dedicated to accepting donated musical instruments to "put them into the hands of an eager child who could not otherwise take part in a wonderful learning experience."

Armstrong developed his cornet playing skills by playing in the band of the New Orleans Home for Colored Waifs, where he had been sent multiple times for general delinquency, most notably for firing his stepfather's pistol into the air at a New Year's Eve celebration (it was only an empty shot, as police records confirm). Professor Peter Davis (who frequently appeared at the home at the request of its administrator, Captain Joseph Jones) instilled discipline in and provided musical training to the otherwise self-taught Armstrong. Eventually, Davis made Armstrong the band leader. The home band played around New Orleans and the thirteen-year-old Louis began to draw attention by his cornet playing, starting him on a musical career. At fourteen he was released from the home, living again with his father and new stepmother, Gertrude, and then back with his mother and thus back to the streets and their temptations. Armstrong got his first dance hall job at Henry Ponce's, where Black Benny became his protector and guide. He hauled coal by day and played his cornet at night.

He played in the city's frequent brass band parades and listened to older musicians every chance he got, learning from Bunk Johnson, Buddy Petit, Kid Ory, and above all, Joe "King" Oliver, who acted as a mentor and father figure to the young musician. Later, he played in brass bands and riverboats of New Orleans, and began traveling with the well-regarded band of Fate Marable, which toured on a steamboat up and down the Mississippi River. He described his time with Marable as "going to the University," since it gave him a much wider experience working with written arrangements.

In 1919, Joe Oliver decided to go north and resigned his position in Kid Ory's band; Armstrong replaced him. He also became second trumpet for the Tuxedo Brass Band.

Career

1920s

Throughout his riverboat experience, Armstrong's musicianship began to mature and expand. At twenty, he could read music and started to be featured in extended trumpet solos, one of the first jazz men to do this, injecting his own personality and style into his solo turns. He had learned how to create a unique sound and also started using singing and patter in his performances. In 1922, Armstrong joined the exodus to Chicago, where he had been invited by his mentor, Joe "King" Oliver, to join his Creole Jazz Band and where he could make a sufficient income so that he no longer needed to supplement his music with day labor jobs. It was a boom time in Chicago and though race relations were poor, the city was teeming with jobs available for black people, who were making good wages in factories and had plenty to spend on entertainment.

Oliver's band was among the most influential jazz bands in Chicago in the early 1920s, at a time when Chicago was the center of the jazz universe. Armstrong lived luxuriously in Chicago, in his own apartment with his own private bath (his first). Excited as he was to be in Chicago, he began his career-long pastime of writing nostalgic letters to friends in New Orleans. Unusually, Armstrong could blow two hundred high Cs in a row. As his reputation grew, he was challenged to instrumental "cutting contests" by hornmen trying to displace him. Armstrong made his first recordings on the Gennett and Okeh labels (jazz records were starting to boom across the country), including taking some solos and breaks, while playing second cornet in Oliver's band in 1923. At this time, he met Hoagy Carmichael (with whom he would collaborate later) who was introduced by friend Bix Beiderbecke, who now had his own Chicago band.

Armstrong enjoyed working with Oliver, but Louis' second wife, pianist Lil Hardin Armstrong, urged him to seek more prominent billing and develop his newer style away from the influence of Oliver. Lil had her husband play classical music in church concerts to broaden his skill and improve his solo play and she prodded him into wearing more stylish attire to make him look sharp and to better offset his growing girth. Lil's influence eventually undermined Armstrong's relationship with his mentor, especially concerning his salary and additional moneys that Oliver held back from Armstrong and other band members. Armstrong and Oliver parted amicably in 1924. Shortly afterward, Armstrong received an invitation to go to New York City to play with the Fletcher Henderson Orchestra, the top African-American band of the time. Armstrong switched to the trumpet to blend in better with the other musicians in his section. His influence upon Henderson's tenor sax soloist, Coleman Hawkins, can be judged by listening to the records made by the band during this period.

Armstrong quickly adapted to the more tightly controlled style of Henderson, playing trumpet and even experimenting with the trombone. The other members quickly took up Armstrong's emotional, expressive pulse. Soon his act included singing and telling tales of New Orleans characters, especially preachers. The Henderson Orchestra was playing in prominent venues for white-only patrons, including the famed Roseland Ballroom, featuring the arrangements of Don Redman. Duke Ellington's orchestra would go to Roseland to catch Armstrong's performances and young horn men around town tried in vain to outplay him, splitting their lips in their attempts.

During this time, Armstrong made many recordings on the side, arranged by an old friend from New Orleans, pianist Clarence Williams; these included small jazz band sides with the Williams Blue Five (some of the most memorable pairing Armstrong with one of Armstrong's few rivals in fiery technique and ideas, Sidney Bechet) and a series of accompaniments with blues singers, including Bessie Smith, Ma Rainey, and Alberta Hunter.

Armstrong returned to Chicago in 1925 due mostly to the urging of his wife, who wanted to pump up Armstrong's career and income. He was content in New York but later would concede that she was right and that the Henderson Orchestra was limiting his artistic growth. In publicity, much to his chagrin, she billed him as "the World's Greatest Trumpet Player". At first, he was actually a member of the Lil Hardin Armstrong Band and working for his wife. He began recording under his own name for Okeh with his famous Hot Five and Hot Seven groups, producing hits such as "Potato Head Blues", "Muggles" (a slang term for marijuana cigarettes: Armstrong used marijuana daily for much of his life), and "West End Blues", the music of which set the standard and the agenda for jazz for many years to come.

The group included Kid Ory (trombone), Johnny Dodds (clarinet), Johnny St. Cyr (banjo), wife Lil on piano, and usually no drummer. Armstrong's band leading style was easygoing, as St. Cyr noted, "One felt so relaxed working with him, and he was very broad-minded ... always did his best to feature each individual." Among the most notable of the Hot Five and Seven records were "Cornet Chop Suey," "Struttin' With Some Barbecue," "Hotter Than that" and "Potato Head Blues,", all featuring highly creative solos by Armstrong. His recordings soon after with pianist Earl "Fatha" Hines (most famously their 1928 "Weather Bird" duet) and Armstrong's trumpet introduction to and solo in "West End Blues" remain some of the most famous and influential improvisations in jazz history. Armstrong was now free to develop his personal style as he wished, which included a heavy dose of effervescent jive, such as "whip that thing, Miss Lil" and "Mr. Johnny Dodds, Aw, do that clarinet, boy!"

Armstrong also played with Erskine Tate's Little Symphony, which played mostly at the Vendome Theatre. They furnished music for silent movies and live shows, including jazz versions of classical music, such as "Madame Butterfly", which gave Armstrong experience with longer forms of music and with hosting before a large audience. He began to scat sing (improvised vocal jazz using nonsensical words) and was among the first to record it, on the Hot Five recording "Heebie Jeebies" in 1926. The recording was so popular that the group became the most famous jazz band in the United States, even though they had not performed live to any great extent. Young musicians across the country, black or white, were turned on by Armstrong's new type of jazz.

After separating from Lil, Armstrong started to play at the Sunset Café for Al Capone's associate Joe Glaser in the Carroll Dickerson Orchestra, with Earl Hines on piano, which was soon renamed Louis Armstrong and his Stompers, though Hines was the music director and Glaser managed the orchestra. Hines and Armstrong became fast friends and successful collaborators.

Armstrong returned to New York, in 1929, where he played in the pit orchestra of the successful musical Hot Chocolate, an all-black revue written by Andy Razaf and pianist/composer Fats Waller. He also made a cameo appearance as a vocalist, regularly stealing the show with his rendition of "Ain't Misbehavin'", his version of the song becoming his biggest selling record to date.

1930s

Armstrong started to work at Connie's Inn in Harlem, chief rival to the Cotton Club, a venue for elaborately staged floor shows, and a front for gangster Dutch Schultz. Armstrong also had considerable success with vocal recordings, including versions of famous songs composed by his old friend Hoagy Carmichael. His 1930s recordings took full advantage of the new RCA ribbon microphone, introduced in 1931, which imparted a characteristic warmth to vocals and immediately became an intrinsic part of the 'crooning' sound of artists like Bing Crosby. Armstrong's famous interpretation of Carmichael's "Stardust" became one of the most successful versions of this song ever recorded, showcasing Armstrong's unique vocal sound and style and his innovative approach to singing songs that had already become standards.

Armstrong's radical re-working of Sidney Arodin and Carmichael's "Lazy River" (recorded in 1931) encapsulated many features of his groundbreaking approach to melody and phrasing. The song begins with a brief trumpet solo, then the main melody is introduced by sobbing horns, memorably punctuated by Armstrong's growling interjections at the end of each bar: "Yeah! ..."Uh-huh" ..."Sure" ... "Way down, way down." In the first verse, he ignores the notated melody entirely and sings as if playing a trumpet solo, pitching most of the first line on a single note and using strongly syncopated phrasing. In the second stanza he breaks into an almost fully improvised melody, which then evolves into a classic passage of Armstrong "scat singing".

As with his trumpet playing, Armstrong's vocal innovations served as a foundation stone for the art of jazz vocal interpretation. The uniquely gravelly coloration of his voice became a musical archetype that was much imitated and endlessly impersonated. His scat singing style was enriched by his matchless experience as a trumpet soloist. His resonant, velvety lower-register tone and bubbling cadences on sides such as "Lazy River" exerted a huge influence on younger white singers such as Bing Crosby.

The Great Depression of the early 1930s was especially hard on the jazz scene. The Cotton Club closed in 1936 after a long downward spiral, and many musicians stopped playing altogether as club dates evaporated. Bix Beiderbecke died and Fletcher Henderson's band broke up. King Oliver made a few records but otherwise struggled. Sidney Bechet became a tailor, later moving to Paris and Kid Ory returned to New Orleans and raised chickens.

Armstrong moved to Los Angeles in 1930 to seek new opportunities. He played at the New Cotton Club in Los Angeles with Lionel Hampton on drums. The band drew the Hollywood crowd, which could still afford a lavish night life, while radio broadcasts from the club connected with younger audiences at home. Bing Crosby and many other celebrities were regulars at the club. In 1931, Armstrong appeared in his first movie, Ex-Flame and was also convicted of marijuana possession but received a suspended sentence. He returned to Chicago in late 1931 and played in bands more in the Guy Lombardo vein and he recorded more standards. When the mob insisted that he get out of town, Armstrong visited New Orleans, had a hero's welcome and saw old friends. He sponsored a local baseball team known as "Armstrong's Secret Nine" and had a cigar named after him. But soon he was on the road again and after a tour across the country shadowed by the mob, Armstrong decided to go to Europe to escape.

After returning to the United States, he undertook several exhausting tours. His agent Johnny Collins's erratic behavior and his own spending ways left Armstrong short of cash. Breach of contract violations plagued him. Finally, he hired Joe Glaser as his new manager, a tough mob-connected wheeler-dealer, who began to straighten out his legal mess, his mob troubles, and his debts. Armstrong also began to experience problems with his fingers and lips, which were aggravated by his unorthodox playing style. As a result, he branched out, developing his vocal style and making his first theatrical appearances. He appeared in movies again, including Crosby's 1936 hit Pennies from Heaven. In 1937, Armstrong substituted for Rudy Vallee on the CBS radio network and became the first African American to host a sponsored, national broadcast.

1940s

After spending many years on the road, Armstrong settled permanently in Queens, New York in 1943 in contentment with his fourth wife, Lucille. Although subject to the vicissitudes of Tin Pan Alley and the gangster-ridden music business, as well as anti-black prejudice, he continued to develop his playing. He recorded Hoagy Carmichael's Rockin' Chair for Okeh Records.

During the subsequent 30 years, Armstrong played more than 300 gigs a year. Bookings for big bands tapered off during the 1940s due to changes in public tastes: ballrooms closed, and there was competition from television and from other types of music becoming more popular than big band music. It became impossible under such circumstances to support and finance a 16-piece touring band.

During the 1940s, a widespread revival of interest in the traditional jazz of the 1920s made it possible for Armstrong to consider a return to the small-group musical style of his youth. Following a highly successful small-group jazz concert at New York Town Hall on May 17, 1947, featuring Armstrong with trombonist/singer Jack Teagarden, Armstrong's manager, Joe Glaser dissolved the Armstrong big band on August 13, 1947, and established a six-piece traditional jazz group featuring Armstrong with (initially) Teagarden, Earl Hines and other top swing and Dixieland musicians, most of whom were previously leaders of big bands. The new group was announced at the opening of Billy Berg's Supper Club.

This group was called Louis Armstrong and His All Stars and included at various times Earl "Fatha" Hines, Barney Bigard, Edmond Hall, Jack Teagarden, Trummy Young, Arvell Shaw, Billy Kyle, Marty Napoleon, Big Sid Catlett, Cozy Cole, Tyree Glenn, Barrett Deems, Mort Herbert, Joe Darensbourg, Eddie Shu and the percussionist Danny Barcelona. During this period, Armstrong made many recordings and appeared in over thirty films. He was the first jazz musician to appear on the cover of Time magazine, on February 21, 1949. In 1948, he participated in the Nice Jazz Festival, where Suzy Delair sang "C'est si bon", by Henri Betti and André Hornez, for the first time in public.

1950s–1970s

June 26, 1950, Armstrong recorded the first American version of C'est si bon (Henri Betti, André Hornez, Jerry Seelen) and La Vie en rose (Louiguy, Édith Piaf, Mack David). When it was released, the disc garnered worldwide sales. In the 1960s, he toured Ghana and Nigeria, performing with Victor Olaiya during the Nigerian Civil war.

By the 1950s, Armstrong was a widely beloved American icon and cultural ambassador who commanded an international fanbase. However, a growing generation gap became apparent between him and the young jazz musicians who emerged in the postwar era such as Charlie Parker, Miles Davis, and Sonny Rollins. The postwar generation regarded their music as abstract art and considered Armstrong's vaudevillian style, half-musician and half-stage entertainer, outmoded and Uncle Tomism, ". . he seemed a link to minstrelsy that we were ashamed of." Jazz publications of the 1950s widely referred to Armstrong's presence among the already emerged contemporary players as they would a dinosaur, and he answered back in his own form of chosen polemic: refraining from a direct epicurean denigration, "Bebop is Chinese music." While touring Australia, 1954, he modified his anatomical references for the sake of the gentle ears of his host country, "Bebop?" he husked. "I just play music. Guys who invent terms like that are walking the streets with their instruments under their arms "

After finishing his contract with Decca Records, he became a freelance artist and recorded for different labels.

Armstrong continued an intense international touring schedule, but in 1959 he suffered a heart attack in Italy and had to rest for a time.

In 1964, after over two years without setting foot in a studio, he recorded his biggest-selling record, "Hello, Dolly!", a song by Jerry Herman, originally sung by Carol Channing. Armstrong's version remained on the Hot 100 for 22 weeks, longer than any other record produced that year, and went to No. 1 making him, at 62 years, 9 months and 5 days, the oldest person ever to accomplish that feat. In the process, he dislodged the Beatles from the No. 1 position they had occupied for 14 consecutive weeks with three different songs. Armstrong made his last recorded trumpet performances on his 1968 album Disney Songs the Satchmo Way.

Armstrong kept touring well into his 60s, even visiting part of the communist bloc in 1965. He also toured Africa, Europe, and Asia under the sponsorship of the US State Department with great success, earning the nickname "Ambassador Satch" and inspiring Dave Brubeck to compose his jazz musical The Real Ambassadors. By 1968, he was approaching 70 and his health finally began to give out. He suffered heart and kidney ailments that forced him to stop touring. Armstrong did not perform publicly at all in 1969 and spent most of the year recuperating at home. Meanwhile, his longtime manager Joe Glaser died. By the summer of 1970, Armstrong's doctors pronounced him fit enough to resume live performances. He embarked on another world tour, but a heart attack forced him to take a break for two months.

Personal life

Pronunciation of name

The Louis Armstrong House Museum website states:

Judging from home recorded tapes now in our Museum Collections, Louis pronounced his own name as "Lewis." On his 1964 record "Hello, Dolly," he sings, "This is Lewis, Dolly" but in 1933 he made a record called "Laughin' Louie." Many broadcast announcers, fans, and acquaintances called him "Louie" and in a videotaped interview from 1983 Lucille Armstrong calls her late husband "Louie" as well. Musicians and close friends usually called him "Pops."

In a memoir written for Robert Goffin between 1943 and 1944, Armstrong states, "All white folks call me Louie," suggesting that he himself did not. That said, Armstrong was registered as "Lewie" for the 1920 U.S. Census. On various live records he's called "Louie" on stage, such as on the 1952 "Can Anyone Explain?" from the live album In Scandinavia vol.1. "Lewie" is the French pronunciation of "Louis" and is commonly used in Louisiana.

Family

On March 19, 1918, at the age of 16, Louis married Daisy Parker, a prostitute from Gretna, Louisiana. They adopted a 3-year-old boy, Clarence Armstrong, whose mother, Louis' cousin Flora, died soon after giving birth. Clarence Armstrong was mentally disabled (the result of a head injury at an early age) and Louis would spend the rest of his life taking care of him. Louis' marriage to Parker failed quickly and they separated in 1923.

On February 4, 1924, Louis married Lil Hardin Armstrong, who was Oliver's pianist and had also divorced her first spouse only a few years earlier. His second wife was instrumental in developing his career, but in the late 1920s Hardin and Louis grew apart. They separated in 1931 and divorced in 1938, after which Louis married longtime girlfriend Alpha Smith. His marriage to his third wife lasted four years, and they divorced in 1942. Louis then married Lucille Wilson in October 1942, a singer at the Cotton Club, to whom he was married until his death in 1971.

Armstrong's marriages never produced any offspring, though he loved children. However, in December 2012, 57-year-old Sharon Preston-Folta claimed to be his daughter from a 1950s affair between Armstrong and Lucille "Sweets" Preston, a dancer at the Cotton Club. In a 1955 letter to his manager, Joe Glaser, Armstrong affirmed his belief that Preston's newborn baby was his daughter, and ordered Glaser to pay a monthly allowance of $400 to mother and child.

Personality

Armstrong was noted for his colorful and charismatic personality. His autobiography vexed some biographers and historians, as he had a habit of telling tales, particularly of his early childhood when he was less scrutinized, and his embellishments of his history often lack consistency.

In addition to an entertainer, Armstrong was a leading personality of the day. He was beloved by an American public that gave even the greatest African American performers little access beyond their public celebrity, and he was able to live a private life of access and privilege afforded to few other African Americans during that era.

He generally remained politically neutral, which at times alienated him from members of the black community who looked to him to use his prominence with white America to become more of an outspoken figure during the Civil Rights Movement of U.S. history. However, he did criticize President Eisenhower for not acting forcefully enough on civil rights.

Lip problems

The trumpet is a notoriously hard instrument on the lips, and Armstrong suffered from lip damage over much of his life due to his aggressive style of playing and preference for narrow mouthpieces that would stay in place easier, but which tended to dig into the soft flesh of his inner lip. During his 1930s European tour, he suffered an ulceration so severe that he had to stop playing entirely for a year. Eventually he took to using salves and creams on his lips and also cutting off scar tissue with a razor blade. By the 1950s, he was an official spokesman for Ansatz-Creme Lip Salve.

During a backstage meeting with trombonist Marshall Brown in 1959, Armstrong received the suggestion that he should go to a doctor and receive proper treatment for his lips instead of relying on home remedies, but he didn't get around to doing it until the final years of his life, by which point his health was failing and doctors considered surgery too risky.

Nicknames

The nicknames Satchmo and Satch are short for Satchelmouth. Like many things in Armstrong's life, which was filled with colorful stories both real and imagined, many of his own telling, the nickname has many possible origins.

The most common tale that biographers tell is the story of Armstrong as a young boy dancing for pennies in the streets of New Orleans, who would scoop up the coins off of the streets and stick them into his mouth to avoid having the bigger children steal them from him. Someone dubbed him "satchel mouth" for his mouth acting as a satchel. Another tale is that because of his large mouth, he was nicknamed "satchel mouth" which became shortened to Satchmo.

Early on he was also known as Dipper, short for Dippermouth, a reference to the piece Dippermouth Blues. and something of a riff on his unusual embouchure.

The nickname Pops came from Armstrong's own tendency to forget people's names and simply call them "pops" instead. The nickname was soon turned on Armstrong himself. It was used as the title of a 2010 biography of Armstrong by Terry Teachout.

Race

Armstrong was largely accepted into white society, both on stage and off, a privilege reserved for very few African-American public figures, and usually those of either exceptional talent or fair skin tone. As his fame grew, so did his access to the finer things in life usually denied to African-Americans, even famous ones. His renown was such that he dined in reputable restaurants and stayed in hotels usually exclusively for whites. It was a power and privilege that he enjoyed, although he was very careful not to flaunt it with fellow performers of color, and privately, he shared what access that he could with friends and fellow musicians.

That still did not prevent members of the African-American community, particularly in the late 1950s to the early 1970s, from calling him an Uncle Tom, a black-on-black racial epithet for someone who kowtowed to white society at the expense of their own racial identity. Billie Holiday countered, however, "Of course Pops toms, but he toms from the heart." He was criticized for accepting the title of "King of The Zulus" for Mardi Gras in 1949. In the New Orleans African-American community it is an honored role as the head of leading black Carnival Krewe, but bewildering or offensive to outsiders with their traditional costume of grass-skirts and blackface makeup satirizing southern white attitudes.

Some musicians criticized Armstrong for playing in front of segregated audiences, and for not taking a strong enough stand in the American Civil Rights Movement. The few exceptions made it more effective when he did speak out. Armstrong's criticism of President Eisenhower, calling him "two-faced" and "gutless" because of his inaction during the conflict over school desegregation in Little Rock, Arkansas in 1957 made national news. As a protest, Armstrong canceled a planned tour of the Soviet Union on behalf of the State Department saying: "The way they're treating my people in the South, the government can go to hell" and that he could not represent his government abroad when it was in conflict with its own people.

The FBI kept a file on Armstrong for his outspokenness about integration.

Religion

When asked about his religion, Armstrong would answer that he was raised a Baptist, always wore a Star of David, and was friends with the Pope. Armstrong wore the Star of David in honor of the Karnofsky family, who took him in as a child and lent him the money to buy his first cornet. Louis Armstrong was, in fact, baptized as a Catholic at the Sacred Heart of Jesus Church in New Orleans, and he met popes Pius XII and Paul VI, though there is no evidence that he considered himself Catholic. Armstrong seems to have been tolerant towards various religions, but also found humor in them.

Personal habits

Armstrong was concerned with his health. He used laxatives to control his weight, a practice he advocated both to acquaintances and in the diet plans he published under the title Lose Weight the Satchmo Way. Armstrong's laxative of preference in his younger days was Pluto Water, but he then became an enthusiastic convert when he discovered the herbal remedy Swiss Kriss. He would extol its virtues to anyone who would listen and pass out packets to everyone he encountered, including members of the British Royal Family. (Armstrong also appeared in humorous, albeit risqué, cards that he had printed to send out to friends; the cards bore a picture of him sitting on a toilet—as viewed through a keyhole—with the slogan "Satch says, 'Leave it all behind ya!'") The cards have sometimes been incorrectly described as ads for Swiss Kriss. In a live recording of "Baby, It's Cold Outside" with Velma Middleton, he changes the lyric from "Put another record on while I pour" to "Take some Swiss Kriss while I pour."

Armstrong was a heavy marijuana smoker for much of his life, and spent nine days in jail in 1930 after being arrested for drug possession outside a club. He described marijuana as "a thousand times better than whiskey".

The concern with his health and weight was balanced by his love of food, reflected in such songs as "Cheesecake", "Cornet Chop Suey," though "Struttin' with Some Barbecue" was written about a fine-looking companion, not about food. He kept a strong connection throughout his life to the cooking of New Orleans, always signing his letters, "Red beans and ricely yours..."

Armstrong was also a heavy advocate of major league baseball and founded a team in his hometown of New Orleans, that was formally known as the "Raggedy Nine" and transformed the team into his Armstrong's "Secret Nine Baseball."

Writings

Armstrong's gregariousness extended to writing. On the road, he wrote constantly, sharing favorite themes of his life with correspondents around the world. He avidly typed or wrote on whatever stationery was at hand, recording instant takes on music, sex, food, childhood memories, his heavy "medicinal" marijuana use—and even his bowel movements, which he gleefully described. He had a fondness for lewd jokes and dirty limericks as well.

Social organizations

Louis Armstrong was not, as is often claimed, a Freemason. Although he is usually listed as being a member of Montgomery Lodge No. 18 (Prince Hall) in New York, no such lodge has ever existed. However, Armstrong stated in his autobiography that he was a member of the Knights of Pythias which is not a Masonic group.

Music

Horn playing and early jazz

In his early years, Armstrong was best known for his virtuosity with the cornet and trumpet. Along with his captivating songs with the clarinet, he also captivated audiences with his iconic rhythmic "swing", which was a complex concept involving upbeats, upbeat to down beat slurring, and complementary relations through many rhythmic patterns. The most lauded recordings on which Armstrong plays trumpet include the Hot Five and Hot Seven sessions, as well as those of the Red Onion Jazz Babies. Armstrong's improvisations, while unconventionally sophisticated for that era, were also subtle and highly melodic. The solo that Armstrong plays during the song Potato Head Blues has long been considered his best solo of that series.

Prior to Armstrong, most collective ensemble playing in jazz, along with its occasional solos, simply varied the melodies of the songs. Armstrong was virtually the first to create significant variations based on the chord harmonies of the songs instead of merely on the melodies. This opened a rich field for creation and improvisation, and significantly changed the music into a soloist's art form.

Often, Armstrong re-composed pop-tunes he played, simply with variations that made them more compelling to jazz listeners of the era. At the same time, however, his oeuvre includes many original melodies, creative leaps, and relaxed or driving rhythms. Armstrong's playing technique, honed by constant practice, extended the range, tone and capabilities of the trumpet. In his records, Armstrong almost single-handedly created the role of the jazz soloist, taking what had been essentially a collective folk music and turning it into an art form with tremendous possibilities for individual expression.

Armstrong was one of the first artists to use recordings of his performances to improve himself. Armstrong was an avid audiophile. He had a large collection of recordings, including reel-to-reel tapes, which he took on the road with him in a trunk during his later career. He enjoyed listening to his own recordings, and comparing his performances musically. In the den of his home, he had the latest audio equipment and would sometimes rehearse and record along with his older recordings or the radio.

Vocal popularity

As his music progressed and popularity grew, his singing also became very important. Armstrong was not the first to record scat singing, but he was masterful at it and helped popularize it with the first recording on which he scatted, "Heebie Jeebies". At a recording session for Okeh Records, when the sheet music supposedly fell on the floor and the music began before he could pick up the pages, Armstrong simply started singing nonsense syllables while Okeh president E.A. Fearn, who was at the session, kept telling him to continue. Armstrong did, thinking the track would be discarded, but that was the version that was pressed to disc, sold, and became an unexpected hit. Although the story was thought to be apocryphal, Armstrong himself confirmed it in at least one interview as well as in his memoirs. On a later recording, Armstrong also sang out "I done forgot the words" in the middle of recording "I'm A Ding Dong Daddy From Dumas."

Such records were hits and scat singing became a major part of his performances. Long before this, however, Armstrong was playing around with his vocals, shortening and lengthening phrases, interjecting improvisations, using his voice as creatively as his trumpet.

Composing

Armstrong was a gifted composer who wrote more than fifty songs, which in a number of cases have become jazz standards (e.g., "Gully Low Blues," "Potato Head Blues," and "Swing That Music").

Colleagues and followers

During his long career he played and sang with some of the most important instrumentalists and vocalists of the time; among them were Bing Crosby, Duke Ellington, Fletcher Henderson, Earl Hines, Jimmie Rodgers, Bessie Smith and perhaps most famously Ella Fitzgerald. His influence upon Crosby is particularly important with regard to the subsequent development of popular music: Crosby admired and copied Armstrong, as is evident on many of his early recordings, notably "Just One More Chance" (1931). The New Grove Dictionary of Jazz describes Crosby's debt to Armstrong in precise detail, although it does not acknowledge Armstrong by name:

Crosby... was important in introducing into the mainstream of popular singing an Afro-American concept of song as a lyrical extension of speech... His techniques—easing the weight of the breath on the vocal cords, passing into a head voice at a low register, using forward production to aid distinct enunciation, singing on consonants (a practice of black singers), and making discreet use of appoggiaturas, mordents, and slurs to emphasize the text—were emulated by nearly all later popular singers.

Armstrong recorded two albums with Ella Fitzgerald: Ella and Louis, and Ella and Louis Again for Verve Records, with the sessions featuring the backing musicianship of the Oscar Peterson Trio and drummers Buddy Rich (on the first album), and Louie Bellson (on the second). Norman Granz then had the vision for Ella and Louis to record Porgy and Bess which is the most famous and critically acclaimed version of the Gershwin brothers' work.

His recordings for Columbia Records, Louis Armstrong Plays W.C. Handy (1954) and Satch Plays Fats (all Fats Waller tunes) (1955) were both being considered masterpieces, as well as moderately well selling. In 1961 the All Stars participated in two albums - "The Great Summit" and "The Great Reunion" (now together as a single disc) with Duke Ellington. The albums feature many of Ellington's most famous compositions (as well as two exclusive cuts) with Duke sitting in on piano. His participation in Dave Brubeck's high-concept jazz musical The Real Ambassadors (1963) was critically acclaimed, and features "Summer Song," one of Armstrong's most popular vocal efforts.

In 1964, his recording of the song "Hello Dolly" went to number one. An album of the same title was quickly created around the song, and also shot to number one (knocking The Beatles off the top of the chart). The album sold very well for the rest of the year, quickly going "Gold" (500,000). His performance of "Hello Dolly" won for best male pop vocal performance at the 1964 Grammy Awards.

Hits and later career

Armstrong had nineteen "Top Ten" records including "Stardust", "What a Wonderful World", "When The Saints Go Marching In", "Dream a Little Dream of Me", "Ain't Misbehavin'", "You Rascal You", and "Stompin' at the Savoy". "We Have All the Time in the World" was featured on the soundtrack of the James Bond film On Her Majesty's Secret Service, and enjoyed renewed popularity in the UK in 1994 when it featured on a Guinness advert. It reached number 3 in the charts on being re-released.

In 1964, Armstrong knocked The Beatles off the top of the Billboard Hot 100 chart with "Hello, Dolly!", which gave the 63-year-old performer a U.S. record as the oldest artist to have a number one song. His 1964 song "Bout Time" was later featured in the film Bewitched.

Armstrong performed in Italy at the 1968 Sanremo Music Festival where he sang "Mi Va di Cantare" alongside his friend, the Eritrean-born Italian singer Lara Saint Paul. In February 1968, he also appeared with Lara Saint Paul on the Italian RAI television channel where he performed "Grassa e Bella," a track he sang in Italian for the Italian market and C.D.I. label.

In 1968, Armstrong scored one last popular hit in the United Kingdom with "What a Wonderful World", which topped the British charts for a month. The single did not chart at all in America until twenty years later, when it was used in the 1987 film Good Morning Vietnam (Ruhlman). Armstrong appeared on the October 28, 1970, Johnny Cash Show, where he sang Nat King Cole's hit "Ramblin' Rose" and joined Cash to re-create his performance backing Jimmie Rodgers on "Blue Yodel No. 9".

Stylistic range

Armstrong enjoyed many types of music, from blues to the arrangements of Guy Lombardo, to Latin American folksongs, to classical symphonies and opera. He incorporated influences from all these sources into his performances, sometimes to the bewilderment of fans who wanted him to stay in convenient narrow categories. Armstrong was inducted into the Rock and Roll Hall of Fame as an early influence. Some of his solos from the 1950s, such as the hard rocking version of "St. Louis Blues" from the WC Handy album, show that the influence went in both directions.

Literature, radio, films and TV

Armstrong appeared in more than a dozen Hollywood films, usually playing a bandleader or musician. His most familiar role was as the bandleader cum narrator in the 1956 musical, High Society, in which he sang the title song and performed a duet with Bing Crosby on "Now You Has Jazz". In 1947, he played himself in the movie New Orleans opposite Billie Holiday, which chronicled the demise of the Storyville district and the ensuing exodus of musicians from New Orleans to Chicago. In the 1959 film, The Five Pennies (the story of the cornetist Red Nichols), Armstrong played himself as well as singing and playing several classic numbers. With Danny Kaye Armstrong performed a duet of "When the Saints Go Marching In" during which Kaye impersonated Armstrong. Armstrong also had a part in the film alongside James Stewart in The Glenn Miller Story in which Glenn (played by Stewart) jammed with Armstrong and a few other noted musicians of the time.

He was the first African American to host a nationally broadcast radio show in the 1930s. In 1969, Armstrong had a cameo role in the film version of Hello, Dolly! as the bandleader, Louis, to which he sang the title song with actress Barbra Streisand. His solo recording of "Hello, Dolly!" is one of his most recognizable performances.

He was heard on such radio programs as The Story of Swing (1937) and This Is Jazz (1947), and he also made countless television appearances, especially in the 1950s and 1960s, including appearances on The Tonight Show Starring Johnny Carson.

Argentine writer Julio Cortázar, a self-described Armstrong admirer, asserted that a 1952 Louis Armstrong concert at the Théâtre des Champs-Élysées in Paris played a significant role in inspiring him to create the fictional creatures called Cronopios that are the subject of a number of Cortázar's short stories. Cortázar once called Armstrong himself "Grandísimo Cronopio" (The Great Cronopio).

Armstrong appears as a minor fictionalized character in Harry Turtledove's Southern Victory Series. When he and his band escape from a Nazi-like Confederacy, they enhance the insipid mainstream music of the North. A young Armstrong also appears as a minor fictionalized character in Patrick Neate's 2001 novel Twelve Bar Blues, part of which is set in New Orleans, and which was a winner at that year's Whitbread Book Awards.

There is a pivotal scene in Stardust Memories (1980) in which Woody Allen is overwhelmed by a recording of Armstrong's "Stardust" and experiences a nostalgic epiphany. The combination of the music and the perfect moment is the catalyst for much of the film's action, prompting the protagonist to fall in love with an ill-advised woman.

Terry Teachout wrote a one-man play about Armstrong called Satchmo at the Waldorf that was premiered in 2011 in Orlando, Fla., and has since been produced by Shakespeare & Company, Long Wharf Theater, and the Wilma Theater. The production ran off Broadway in 2014.

A fledgling musician named "Louis," who is obsessed with Buddy Bolden, appears in two of David Fulmer's Storyville novels: Chasing the Devil's Tail and Jass.

Death

Against his doctor's advice, Armstrong played a two-week engagement in March 1971 at the Waldorf-Astoria's Empire Room. At the end of it he was hospitalized for a heart attack. He was released from the hospital in May, and quickly resumed practicing his trumpet playing. Still hoping to get back on the road, Armstrong died of a heart attack in his sleep on July 6, 1971, a month before his 70th birthday. He was residing in Corona, Queens, New York City, at the time of his death. He was interred in Flushing Cemetery, Flushing, in Queens, New York City. His honorary pallbearers included Bing Crosby, Ella Fitzgerald, Dizzy Gillespie, Pearl Bailey, Count Basie, Harry James, Frank Sinatra, Ed Sullivan, Earl Wilson, Alan King, Johnny Carson and David Frost. Peggy Lee sang The Lord's Prayer at the services while Al Hibbler sang "Nobody Knows the Trouble I've Seen" and Fred Robbins, a long-time friend, gave the eulogy.

Awards and honors

Grammy Awards

Armstrong was posthumously awarded the Grammy Lifetime Achievement Award in 1972 by the Academy of Recording Arts and Sciences. This Special Merit Award is presented by vote of the Recording Academy's National Trustees to performers who, during their lifetimes, have made creative contributions of outstanding artistic significance to the field of recording.

Grammy Hall of Fame

Recordings of Armstrong were inducted into the Grammy Hall of Fame, which is a special Grammy award established in 1973 to honor recordings that are at least 25 years old, and that have "qualitative or historical significance."

Rock and Roll Hall of Fame

The Rock and Roll Hall of Fame listed Armstrong's West End Blues on the list of 500 songs that shaped Rock and Roll.

Inductions and honors

In 1995, the U.S. Post Office issued a Louis Armstrong 32 cents commemorative postage stamp.

Film honors

In 1999 Armstrong was nominated for inclusion in the American Film Institute's 100 Years...100 Stars.

Legacy

The influence of Armstrong on the development of jazz is virtually immeasurable. Yet, his irrepressible personality both as a performer, and as a public figure later in his career, was so strong that to some it sometimes overshadowed his contributions as a musician and singer.

As a virtuoso trumpet player, Armstrong had a unique tone and an extraordinary talent for melodic improvisation. Through his playing, the trumpet emerged as a solo instrument in jazz and is used widely today. Additionally, jazz itself was transformed from a collectively improvised folk music to a soloist's serious art form largely through his influence. He was a masterful accompanist and ensemble player in addition to his extraordinary skills as a soloist. With his innovations, he raised the bar musically for all who came after him.

Though Armstrong is widely recognized as a pioneer of scat singing, Ethel Waters precedes his scatting on record in the 1930s according to Gary Giddins and others. Billie Holiday and Frank Sinatra are just two singers who were greatly indebted to him. Holiday said that she always wanted Bessie Smith's 'big' sound and Armstrong's feeling in her singing. Even special musicians like Duke Ellington have praised Armstrong through strong testimonials. Duke Ellington said, "If anybody was a master, it was Louis Armstrong." In 1950, Bing Crosby, the most successful vocalist of the first half of the 20th century, said, "He is the beginning and the end of music in America."

In the summer of 2001, in commemoration of the centennial of Armstrong's birth, New Orleans's main airport was renamed Louis Armstrong New Orleans International Airport.

In 2002, the Louis Armstrong's Hot Five and Hot Seven recordings (1925–1928) were preserved in the United States National Recording Registry, a registry of recordings selected yearly by the National Recording Preservation Board for preservation in the National Recording Registry of the Library of Congress.

The US Open tennis tournament's former main stadium was named Louis Armstrong Stadium in honor of Armstrong who had lived a few blocks from the site.

Today, there are many bands worldwide dedicated to preserving and honoring the music and style of Satchmo, including the Louis Armstrong Society located in New Orleans, Louisiana. In the 2009 movie The Princess and the Frog, he is referenced by Louis along with Sidney Bechet, in the song "When We're Human".

Home turned into National Historic Landmark

The house where Armstrong lived for almost 28 years was declared a National Historic Landmark in 1977 and is now a museum. The Louis Armstrong House Museum, at 34-56 107th Street (between 34th and 37th Avenues) in Corona, Queens, presents concerts and educational programs, operates as a historic house museum and makes materials in its archives of writings, books, recordings and memorabilia available to the public for research. The museum is operated by the City University of New York's Queens College, following the dictates of Lucille Armstrong's will. The museum opened to the public on October 15, 2003. A new visitors center is planned.

Wikipedia

#Louis Armstrong #08-04 #07-06

[periodicoirreverentes]

Cabernet Sauvignon

Lala González Self-portrait (1903)-Elin Danielson-Gambogi Saben tus labios a maldición divinacomo hechizo pedido a las brujascomo augurio de cuervoscuervos que se silencian con la piel de tu vientreal saberse dueños del hueco que dejaron tus alasLabios malditosbendecidos por el Hades en tus ojosno como la muerte que ronda en forma de golondrinassino como esa que se desborda en mis dedos al…

View On WordPress

#Lala González

[adeelzaidi]

Urdu Literary Criticism | Best Urdu Literary | Adeel Zaidi

URDU LITERARY CRITICISM Abdul Qavi Desnavi Muhammad Husain Azad Altaf Hussain Maulana Hali Shibli Nomani Abdur Rahman Bijnori Allama Niyaz Fatehpuri Rasheed Ahmad Siddiqi Syed Abid Ali Abid Ehtesham Hussain Syed Waqar Azeem Majnun Gorakhpuri Mumtaz Hussain Ali Sardar Jafri Malik Ram Gopi Chand Narang Shamsur Rahman Faruqi Gyan Chand Wazir Agha Waris Alwi Gopi Chand Narang Muzaffar Hanfi Aslam Farrukhi Progressive Writers Movement/ ( ترقی پسند تحریک) According to The Dawn, “Progressive Writers Movement” in Urdu literature was the strongest movement after Sir Syed’s education movement. The progressives contributed to Urdu literature some of the finest pieces of fiction and poetry. Undoubtedly, they were the trend-setters for the coming generation of writers, and their role cannot be denigrated or denied.” [1] Aamir Sohail(Abbottabad Public School,Abbottabad,Pakistan)

Modernism The modernist movement started in Urdu literature near 1960. The two most eminent names in this movement emerged are Shamsur Rehman Farooqui and Gopichand Narang. Eminent poets like Noon Meem Rashid and Meeraji are related to it. Apart from them a number of other poets like Zafer Iqbal, Nasir Kazmi, Bashir Bader and Shahryar are related to this movement. This movement laid more stress on symbolic and other indirect expressions as opposed to direct and clear expressions.Best Urdu Literary

Post-Modernism The post modernism was introduced in a big way by Gopi Chand Narang. There are many other critics in Urdu literature who are also attached to this approach of criticism. The post modernism does not claim to be a movement and does not demand any writer to adopt a particular style of writing. It generally concentrates on a method of understanding the contemporary literature in the light of its content – mostly to the features like feminism, dalit, regional and other types of literature as opposed to a seeking uniformity in the global literature on the basis of internationally established trends.

Independent Writers By the end of the 1980s the atmosphere in Urdu literature became very depressing.The progressive movement was almost dead and the modernist movement had started showing it’s complete infertility. But this was also time for upsurge of new creative forces which was basically rooted in the new life that was metamorphosing the socio-economic and political climate in the sub-continent after the days of partition and freedom. It was under this climate that the a new era of fiction started withthe publication of Paigham Afaqui’s novel Makaan. Almost allergic and fed up with the attempts of various literary movements to influence the styles and thoughts of the writers and the literary politics emerging out of the commitments to the movements which created a vicious circle of promoting chosen writers and misuse of resources and awards for promoting their own brands by these movements,Paigham Afaqui and other writers refused to be identified by any movement and displayed complete independence in using personally developed styles and technique for writing novel and explored their own philosophy and vision of life that suited their need.It was a serious departure from the theme of partition which dominated writers like Qurtul Ain haider and Abdullah Hussain and the theme of existentialism which was the benchmark of modernism. Writers like Ghazanfer and Musharraf Alam Zauqi have further widened the horizons of new themes and concerned.Urdu Literary Criticism

Urdu Journalism The Persian newspapers of West Bengal were fore-runners of the Urdu press. Two prominent periodicals were Jam-i-Jahan-Numa, founded by Lal Sadasukh Lal in 1822 and Mirat-ul-Akhbar (Mirror of News) by Raja Rammohan Roy. After the decline of Persian as an official language, Urdu gained prominence. There was extensive growth in Urdu jurnalism from the 1850s till Independence in 1947.

On 14 January 1850, Munshi Harsukh Rai started the weekly Kohinoor, which had a remarkably high (for those times) circulation of 350 copies. In 1858, Manbir Kabiruddin started the Urdu Guide, the first Urdu daily, from Calcutta. Another important paper founded that year was Roznamha-e-Punjab from Lahore. Oudh Akhbar by Munshi Nawal Kishore was the first Urdu newspaper from Lucknow, also begun in 1858.

The first Urdu newspapers of Delhi were Fawaid-ul-Nazarin and Kiran-us-Sadai, founded by Rama Chandra in 1852. The Urdu press in Delhi became highly critical of the British government. The best example of them is the Urdu Akhbar, edited by Syed Hasan, which highlighted many civic issues like drainage, sanitation, adulteration of food, and corruption.

In 1877, Maulvi Nasir Ali, one of the founders of Anjuman Islamia- the Islamic intellectual and political movement- founded 3 newspapers- Nusrat-ul-Akhbar, Nusrat-ul-Islam and Mihir-e-Darakhshan. All three focused on current civil and political affairs and were valuable aids of Muslim empowerment. In 1877, Oudh Punch, the first humour magazine in Urdu was started by Sajjid Hussain. The first women’s journal in Urdu was Akhbar-un-Nisa.

Urdu journalism took on a strongly nationalistic note towards the turn of the 20th century. Zameendar, was started in Lahore in 1903. It was the first Urdu newspaper to subscribe to news agencies. Zameendar was intensely nationalistic, which boosted its circulation to over 30,000 copies. In 1902, Maulvi Sanaullah Khan started the weekly Watan, meaning motherland. Watan was intensely nationalistic and continued for 33 years. Maulana Muhammad Ali Jauhar started Naqeeb-e-Hamdard in 1912. Another powerful political periodical was the Madina, edited by Hamidul Ansari.

The greatest Urdu periodical that time was Al Hilal, started by Maulana Abul Kalam Azad. (refer notes).

In 1919, the Pratap was started in Lahore by Mahshe Krishnan. It vigorously supported Gandhi’s policies and the Indian National Congress. It was a victim of government harassment and suspended publication several times. It had great influence among the Urdu reading Hindus of Punjab and Delhi.

In 1923, Swami Shraddhanand founded the Tej with Lala Deshbandhu Gupta as editor. It had a wide circulation in Rajasthan, U.P. and Delhi. It was confiscated several times by the government and banned in a number of princely states. In the same year, 1923, the Arya Samaj started the Milap, a daily in Lahore. It was known for its powerful nationalistic editorials. Jawaharlal Nehru founded Qaumi Awaaz in 1945.

Urdu journalism suffered heavily, during and after Partition. Riots in Lahore lead to mobs raiding the office of Milap and burning machines and newsprint. Its Managing Editor, Ranbir was stabbed and the paper was closed for six weeks. It then shifted to Delhi. Due to the unrest, the Pratap also shifted to Delhi.

#Best Urdu Literary #Urdu Literary Criticism #Urdu literature #urdu poetry #Adeel Zaidi

[trekkinginpakistan]

New Post has been published on Trekking in Pakistan

New Post has been published on https://trek.pk/sargodha/

Sargodha

Sargodha (Punjabi and Urdu: سرگودھا‎) is a city and capital of Sargodha Division, located in Punjab province, Pakistan. It is Pakistan’s 12th largest city by population and one of the fastest-growing cities in the country. Sargodha is also known as the City of Eagles. It is one of the few planned cities of Pakistan (others include Faisalabad, Islamabad & Gwadar).

History

Sargodha was established by the British as a canal-colony in 1903 and was initially spelled Sargoda. Sargodha was badly affected by an outbreak of the bubonic plague in 1903 and experienced a milder outbreak in 1904. Although it was a small town, in the beginning, the British Royal Air Force built an airport here due to its strategic location. The term “Sargodha” has its origin in the words “Sar” meaning “pond” and “Godha” meaning “Sadhu”, which means “Pond of Godha”. This city was founded by Lady Trooper by the supervision of Sir Charles Montgomery Rivaz KCSI (1845 – 7 October 1926), a colonial administrator in British India and Lieutenant-Governor of Punjab from 1902–1907.

Location

Sargodha is situated in the Pakistani province of Punjab. It is located 187 kilometers (116 mi) northwest of Lahore, in Sargodha District. It lies about 48 kilometers (30 mi) from the M-2 motorway, which connects Lahore and Islamabad. It is connected to the M-2 by several interchanges at different locations. Sargodha is roughly 91 km (57 mi) from Faisalabad, due southeast. Directly east connected by the M-2 motorway are Lahore and the route to Rawalpindi and Islamabad. Due east is the city of Jhang; toward the west are the city of Mianwali and the Chashma Barrage.

Topography

Sargodha mainly comprises flat, fertile plains, although there are a few small hills on the Sargodha-Faisalabad Road. The River Jhelum flows on the western and northern sides, and the River Chenab lies on the eastern side of the city. The city is located at 190 meters above sea level.

Climate

The city has a climate of extreme heat in the summers and moderate cold in the winters. The maximum temperature reaches 50 °C (122 °F) in the summer while the minimum temperature recorded is as low as the freezing point in the winter.

Demographics

The total population of the city was 458,440 according to the 1998 census. The majority of the people in the city speak Punjabi. According to the 2017 Census of Pakistan, the population of the city was recorded as 872,557 with a rise of 43.94% from 1998. The population of the metropolitan area (City District) reached 3,903,588, in which around 1 million forms the urban population. The population of the Sargodha Division was recorded as 8,181,499 by the 2017 Census of Pakistan.

Economy

The majority of Sargodha’s economy is based on agriculture. Sargodha is considered the best citrus-producing area of Pakistan and therefore is also known as the California of Pakistan. Sargodha is the largest Kinnow-producing district in the world. It produces oranges that are considered high-quality and supply them to the different parts of the country. These oranges are also exported to other countries. Sargodha produces a large amount of wheat, cotton, rice, and vegetables that are transported to other parts of the country and exported to other countries.

There are also Textile mills, Rice processing plants and Nestle and Shezan juice factories.

The Sargodha Chamber of Commerce and Industry monitors industrial activity in the city and reports its findings to the Federation of Pakistan Chamber of Commerce and Industry and provincial government. A dry port is also under construction in Sargodha.

Transportation

Roads and flyovers

The 4 km (2.5 mi) long University Road runs from 47 Pull to Khayyam Chowk. Other main roads include 6 km (3.7 mi) long Fatima Jinnah Road & City Road, Canal Road, Katchery Road, Stadium Road, Club Road, Jail Road, Queens Road, Mushaf Ali Mir Road, Railway Road, Lahore Road, Faisalabad Road, Eid Gah Road, Mianwali Road, Sillanwali Road, Bhalwal Road, and Shaheenabad Road.

There are 3 flyovers located in the city area to regulate the flow of traffic:

Khayyam Chowk’s flyover has a length of 1 km (0.62 mi) that leads to Mianwali Road.

Fatima Jinnah Road’s flyover also has a length of 1 km (0.62 mi).

A 0.4 km (0.25 mi) long flyover is located on Kachehry Road.

Motorways and highways

Sargodha lies about 45 km (28 mi) from the M-2 Motorway, which connects Lahore and Islamabad. The N-60 National Highway runs from Sargodha to Lahore through Pindi Bhattian and Sheikhupura. It is also connected to Faisalabad by a highway.

Buses

General Bus Stand is located on Fatima Jinnah Road that provides bus service from Sargodha to almost every part of the country. Daewoo Bus Service drives regular routes from Sargodha to the rest of the country. Others include Niazi Express, Faisal Movers, Bilal Travels, Islamabad Express, and Skyways, etc.

Taxi and Rickshaws

The online cab services Uber and Careem are available in the city. Many auto-rickshaws are also available throughout the city, which is often used by those who cannot afford the cab services.

Rail

Sargodha is also connected by the rest of the country through rail. Sargodha Junction railway station is located on the Shorkot-Lala Musa branch railway line.

Air Base

Pakistan’s largest airbase, PAF Base Mushaf (formerly PAF Base Sargodha), is situated in Sargodha and hosts the headquarters of the Pakistan Air Force’s Central Air Command. The airbase is also home to the Combat Commanders School (CCS), formerly the Fighter Leader’s School.

[artasnoidea]

POPULATION

Abounaddara Akinbode Akinbiyi Nevin Aladağ Danai Anesiadou Andreas Angelidakis Aristide Antonas Rasheed Araeen Ariuntugs Tserenpil Michel Auder Alexandra Bachzetsis Nairy Baghramian Sammy Baloji Arben Basha Rebecca Belmore Sokol Beqiri Roger Bernat Bili Bidjocka Ross Birrell Llambi Blido Nomin Bold Pavel Brăila Geta Brătescu Miriam Cahn María Magdalena Campos-Pons and Neil Leonard Vija Celmins Banu Cennetoğlu Panos Charalambous Nikhil Chopra Ciudad Abierta Marie Cool Fabio Balducci Anna Daučíková Moyra Davey Yael Davids Agnes Denes Manthia Diawara Beau Dick (1955–2017) Maria Eichhorn Hans Eijkelboom Bonita Ely Theo Eshetu Aboubakar Fofana Peter Friedl Guillermo Galindo Regina José Galindo Israel Galván, Niño de Elche, and Pedro G. Romero Daniel García Andújar Pélagie Gbaguidi Apostolos Georgiou Yervant Gianikian and Angela Ricci Lucchi Gauri Gill Marina Gioti Beatriz González Douglas Gordon Hans Haacke Constantinos Hadzinikolaou Irena Haiduk Ganesh Haloi Anna Halprin Dale Harding David Harding Maria Hassabi Edi Hila Susan Hiller Hiwa K Olaf Holzapfel Gordon Hookey iQhiya Sanja Iveković Amar Kanwar Romuald Karmakar Andreas Ragnar Kassapis Kettly Noël Bouchra Khalili Khvay Samnang Daniel Knorr Katalin Ladik Lala Rukh (1948–2017) David Lamelas Rick Lowe Alvin Lucier Ibrahim Mahama Narimane Mari Mata Aho Collective Mattin Jonas Mekas Angela Melitopoulos Phia Ménard Lala Meredith-Vula Gernot Minke Marta Minujín Naeem Mohaiemen Hasan Nallbani Joar Nango Rosalind Nashashibi and Nashashibi/Skaer Negros Tou Moria Otobong Nkanga Emeka Ogboh Olu Oguibe Rainer Oldendorf Pauline Oliveros (1932–2016) Joaquín Orellana Mejía Christos Papoulias Véréna Paravel and Lucien Castaing-Taylor Benjamin Patterson (1934–2016) Dan Peterman Angelo Plessas Nathan Pohio Pope.L Postcommodity Prinz Gholam R. H. Quaytman Gerhard Richter Abel Rodríguez Tracey Rose Roee Rosen Arin Rungjang Ben Russell Georgia Sagri Máret Ánne Sara Ashley Hans Scheirl Marilou Schultz David Schutter Algirdas Šeškus Nilima Sheikh Ahlam Shibli Zef Shoshi Mounira Al Solh Annie Sprinkle and Beth Stephens Eva Stefani K. G. Subramanyan (1924–2016) Vivian Suter El Hadji Sy Sámi Artist Group (Keviselie/Hans Ragnar Mathisen, Britta Marakatt-Labba, Synnøve Persen) Terre Thaemlitz Piotr Uklański Jakob Ullmann Antonio Vega Macotela Cecilia Vicuña Annie Vigier & Franck Apertet (les gens d’Uterpan) Wang Bing Lois Weinberger Stanley Whitney Elisabeth Wild Ruth Wolf-Rehfeldt Ulrich Wüst Zafos Xagoraris Sergio Zevallos Mary Zygouri Artur Żmijewski

Zainul Abedin (1914–1976) Stephen Antonakos (1926–2013) Arseny Avraamov (1886–1944) Ernst Barlach (1870–1938) Étienne Baudet (ca. 1638–1711) Samuel Beckett (1906–1989) Franz Boas (1858–1942) Arnold Bode (1900–1977) Lorenza Böttner (1959–1994) Marcel Broodthaers (1924–1976) Lucius Burckhardt (1925–2003) Abdurrahim Buza (1905–1986) Vlassis Caniaris (1928–2011) Sotir Capo (1934–2012) Cornelius Cardew (1936–1981) Ulises Carrión (1941–1989) Agim Çavdarbasha (1944–1999) Chittaprosad (1915–1978) Jani Christou (1926–1970) Chryssa (1933–2013) André du Colombier (1952–2003) Gustave Courbet (1819–1877) Christopher D’Arcangelo (1955–1979) Bia Davou (1932–1996) Maya Deren (1917–1961) Ioannis Despotopoulos (1903–1992) Thomas Dick (1877–1927) Carl Friedrich Echtermeier (1845–1910) Maria Ender (1897–1942) Forough Farrokhzad (1935–1967) Conrad Felixmüller (1897–1977) Pavel Filonov (1883–1941) Niccolò di Pietro Gerini (1340–1414) Tomislav Gotovac (1937–2010) Jacob and Wilhelm Grimm (1785–1863, 1786–1859) Ludwig Emil Grimm (1790–1863) Giovanni di ser Giovanni Guidi (1406–1486) Cornelia Gurlitt (1890–1919) Louis Gurlitt (1812–1897) Nikos Hadjikyriakos-Ghika (1906–1994) Oskar Hansen (1922–2005) Sedje Hémon (1923–2011) Theodor Heuss (1884–1963) Karl Hofer (1878–1955) Ralph Hotere (1931–2013) Albert Jaern (1893–1949) Iver Jåks (1932–2007) Sunil Janah (1918–2012) Alexander Kalderach (1880–1965) Tshibumba Kanda Matulu (1947–1981 disappeared) Leo von Klenze (1784–1864) Kel Kodheli (1918–2006) Louis Kolitz (1845–1914) Spiro Kristo (1936–2011) KSYME-CMRC (founded 1979) Anna “Asja” Lācis (1891–1979) Maria Lai (1919–2013) Yves Laloy (1920–1999) Valery Pavlovich Lamakh (1925–1978) George Lappas (1950–2016) Karl Leyhausen (1899–1931) Max Liebermann (1847–1935) George Maciunas (1931–1978) Ernest Mancoba (1904–2002) Oscar Masotta (1930–1979) Mikhail Matyushin (1861–1934) Pandi Mele (1939–2015) Tina Modotti (1896–1942) Benode Behari Mukherjee (1904–1980) Krzysztof Niemczyk (1938–1994) Ivan Peries (1921–1988) David Perlov (1930–2003) André Pierre (1915–2005) Dimitris Pikionis (1887–1968) Dmitri Prigov (1940–2007) Hasan Reçi (1914–1980) W. Richter Anne Charlotte Robertson (1949–2012) Erna Rosenstein (1913–2004) August Wilhelm and Friedrich Schlegel (1767–1845, 1772–1829) Bruno Schulz (1892–1942) Scratch Orchestra (1969–1974) Tom Seidmann-Freud (1892–1930) Allan Sekula (1951–2013) Baldugiin Sharav (1869–1939) Amrita Sher-Gil (1913–1941) Vadim Sidur (1924–1986) August Spies (1855–1887) Foto Stamo (1916–1989) Gani Strazimiri (1915–1993) Władysław Strzemiński (1893–1952) Alina Szapocznikow (1926–1973) Yannis Tsarouchis (1910–1989) Antonio Vidal (1928–2013) Albert Weisgerber (1878–1915) Lionel Wendt (1900–1944) Johann Joachim Winckelmann (1717–1768) Fritz Winter (1905–1976) Basil Wright (1907–1987) Andrzej Wróblewski (1927–1957) Ivan Wyschnegradsky (1893–1979) Iannis Xenakis (1922–2001) Androniqi Zengo Antoniu (1913–2000) Pierre Zucca (1943–1995)

Documenta14, 2017

[lala-1903]

…

#postlarım #leyla ile mecnun #lala 1903 #behzat ç #leyla the band #keşfet

[thechristiancrochetaddict]

Money Matters Happy Monday today I would like to highlight Maggie Lena Walker. She grew up in Richmond, Virginia in the late 1800’s. As a female African American Maggie faced cultural limitations, however she was still able to run a successful charitable organization, advocate for African American women’s rights more importantly she wad the first African American woman in the United States to found a bank. Walker began her career working with the Independent Order of St. Luke, an organization devoted to caring for the sick and the elderly. After serving several positions in the organization, she worked her was to the top position of Right Worthy Grand Secretary — a role she held until her death in 1934. While working with the Order of St. Luke Walker made a name for herself as a woman who was good with money. Under her direction, the organization grew significantly! Yes, folks she knew how to "secure the bag!" Unfortunately banks run by whites were reluctant to accept deposits from black organizations like St. Luke’s, so they slept on Mama Maggie. Walker then established St. Luke Penny Savings Bank in 1903 with money collected from members of the Order of St. Luke, making her the first woman to found and become president of a bank. I know what you are saying, "now that's how you fo it!" I take from this if they don't want to work with you create your own. This rule applies to anyone, anywhere, at any business. Have you ever went into a establishment and felt like the customer service was subpar? I will speak ti the manager in a minute! I have been know to write a letter or 2. Don't get me started! Back to Walker, after the bank merged and changed names to Consolidated Bank & Trust Company. It went on to be the oldest bank continually operated by African Americans in the United States until 2009. YOU HAVE BEEN ENLIGHTENED. Photo credit: People Magazine Archives Distinguishedwomen.com www.thechristiancrochetaddict.com Mrs. Lala is redefining the standard of #allurement by celebrating children of all colors through actual #representation one #crochetdoll & one #childrensbook at a time. #Thechristiancrochetaddict #sistahgirldoll #blackdollmaker https://www.instagram.com/p/BuBd2FVAi0c/?utm_source=ig_tumblr_share&igshid=1i48mezsemln6

#allurement #representation #crochetdoll #childrensbook #thechristiancrochetaddict #sistahgirldoll #blackdollmaker

[juwitalala]

TRIBUN WIKI: Ini 38 Raja dari 15 Dinasti yang Pernah Memerintah Bali Sejak Tahun 882 Masehi

Juwita Lala TRIBUN WIKI: Ini 38 Raja dari 15 Dinasti yang Pernah Memerintah Bali Sejak Tahun 882 Masehi Baru Nih Artikel Tentang TRIBUN WIKI: Ini 38 Raja dari 15 Dinasti yang Pernah Memerintah Bali Sejak Tahun 882 Masehi Pencarian Artikel Tentang Berita TRIBUN WIKI: Ini 38 Raja dari 15 Dinasti yang Pernah Memerintah Bali Sejak Tahun 882 Masehi Silahkan Cari Dalam Database Kami, Pada Kolom Pencarian Tersedia. Jika Tidak Menemukan Apa Yang Anda Cari, Kemungkinan Artikel Sudah Tidak Dalam Database Kami. Judul Informasi Artikel : TRIBUN WIKI: Ini 38 Raja dari 15 Dinasti yang Pernah Memerintah Bali Sejak Tahun 882 Masehi Berikut dinasti dan nama raja yang pernah memerintah Bali pada tahun 882 Masehi hingga tahun 1903 Masehi. UNIKBACA.COM

#Juwita Lala TRIBUN WIKI: Ini 38 Raja dari 15 Dinasti yang Pernah Memerintah Bali Sejak Tahun 882 Mas

[brookstonalmanac]

Events 12.17

497 BC – The first Saturnalia festival was celebrated in ancient Rome. 546 – Siege of Rome: The Ostrogoths under king Totila plunder the city, by bribing the Byzantine garrison. 920 – Romanos I Lekapenos is crowned co-emperor of the underage Constantine VII. 942 – Assassination of William I of Normandy. 1398 – Sultan Nasir-u Din Mehmud's armies in Delhi are defeated by Timur. 1538 – Pope Paul III excommunicates Henry VIII of England. 1583 – Cologne War: Forces under Ernest of Bavaria defeat troops under Gebhard Truchsess von Waldburg at the Siege of Godesberg. 1586 – Go-Yōzei becomes Emperor of Japan. 1718 – War of the Quadruple Alliance: Great Britain declares war on Spain. 1777 – American Revolution: France formally recognizes the United States. 1790 – The Aztec calendar stone is discovered at El Zócalo, Mexico City. 1807 – Napoleonic Wars: France issues the Milan Decree, which confirms the Continental System. 1812 – War of 1812: U.S. forces attack a Lenape village in the Battle of the Mississinewa. 1819 – Simón Bolívar declares the independence of Gran Colombia in Angostura (now Ciudad Bolívar in Venezuela). 1835 – The second Great Fire of New York destroys 53,000 square metres (13 acres) of New York City's Financial District. 1837 – A fire in the Winter Palace of Saint Petersburg kills 30 guards. 1862 – American Civil War: General Ulysses S. Grant issues General Order No. 11, expelling Jews from parts of Tennessee, Mississippi, and Kentucky. 1865 – First performance of the Unfinished Symphony by Franz Schubert. 1892 – First issue of Vogue is published. 1896 – Pittsburgh, Pennsylvania's Schenley Park Casino, which was the first multi-purpose arena with the technology to create an artificial ice surface in North America, is destroyed in a fire. 1903 – The Wright brothers make the first controlled powered, heavier-than-air flight in the Wright Flyer at Kitty Hawk, North Carolina. 1907 – Ugyen Wangchuck is crowned first King of Bhutan. 1918 – Darwin Rebellion: Up to 1,000 demonstrators march on Government House in Darwin, Northern Territory, Australia. 1926 – Antanas Smetona assumes power in Lithuania as the 1926 coup d'état is successful. 1927 – Indian revolutionary Rajendra Lahiri is hanged in Gonda jail, Uttar Pradesh, India, two days before the scheduled date. 1928 – Indian revolutionaries Bhagat Singh, Sukhdev Thapar and Shivaram Rajguru assassinate British police officer James Saunders in Lahore, Punjab, to avenge the death of Lala Lajpat Rai at the hands of the police. The three were executed in 1931. 1933 – The first NFL Championship Game is played at Wrigley Field in Chicago between the New York Giants and Chicago Bears. The Bears won 23–21. 1935 – First flight of the Douglas DC-3. 1938 – Otto Hahn discovers the nuclear fission of the heavy element uranium, the scientific and technological basis of nuclear energy. 1939 – World War II: Battle of the River Plate: The Admiral Graf Spee is scuttled by Captain Hans Langsdorff outside Montevideo. 1943 – All Chinese are again permitted to become citizens of the United States upon the repeal of the Act of 1882 and the introduction of the Magnuson Act. 1944 – World War II: Battle of the Bulge: Malmedy massacre: American 285th Field Artillery Observation Battalion POWs are shot by Waffen-SS Kampfgruppe Joachim Peiper. 1945 – Kurdistan flag day, the flag of Kurdistan was raised for the first time in Mahabad in eastern Kurdistan (Iran). 1947 – First flight of the Boeing B-47 Stratojet strategic bomber. 1948 – The Finnish Security Police is established to remove communist leadership from its predecessor, the State Police. 1950 – The F-86 Sabre's first mission over Korea. 1951 – The American Civil Rights Congress delivers "We Charge Genocide" to the United Nations. 1957 – The United States successfully launches the first Atlas intercontinental ballistic missile at Cape Canaveral, Florida. 1960 – Troops loyal to Emperor Haile Selassie in Ethiopia crush the coup that began December 13, returning power to their leader upon his return from Brazil. Haile Selassie absolves his son of any guilt. 1960 – Munich C-131 crash: Twenty passengers and crew on board as well as 32 people on the ground are killed. 1961 – Niterói circus fire: Fire breaks out during a performance by the Gran Circus Norte-Americano in the city of Niterói, Rio de Janeiro, Brazil, killing more than 500. 1967 – Harold Holt, Prime Minister of Australia, disappears while swimming near Portsea, Victoria, and is presumed drowned. 1969 – Project Blue Book: The United States Air Force closes its study of UFOs. 1970 – Polish protests: In Gdynia, soldiers fire at workers emerging from trains, killing dozens. 1973 – Thirty passengers are killed in an attack by Palestinian terrorists on Rome's Leonardo da Vinci–Fiumicino Airport. 1981 – American Brigadier General James L. Dozier is abducted by the Red Brigades in Verona, Italy. 1983 – Provisional IRA members detonate a car bomb at Harrods Department Store in London. Three police officers and three civilians are killed. 1989 – Romanian Revolution: Protests continue in Timișoara, Romania, with rioters breaking into the Romanian Communist Party's District Committee building and attempting to set it on fire. 1989 – Fernando Collor de Mello defeats Luiz Inácio Lula da Silva in the second round of the Brazilian presidential election, becoming the first democratically elected President in almost 30 years. 1989 – The Simpsons premieres on television with the episode "Simpsons Roasting on an Open Fire". 1997 – Aerosvit Flight 241: A Yakovlev Yak-42 crashes into the Pierian Mountains near Thessaloniki Airport in Thessaloniki, Greece, killing all 70 people on board. 2002 – Second Congo War: The Congolese parties of the Inter Congolese Dialogue sign a peace accord which makes provision for transitional governance and legislative and presidential elections within two years. 2003 – The Soham murder trial ends at the Old Bailey in London, with Ian Huntley found guilty of two counts of murder. His girlfriend, Maxine Carr, is found guilty of perverting the course of justice. 2003 – SpaceShipOne, piloted by Brian Binnie, makes its first powered and first supersonic flight. 2003 – Sex work rights activists establish December 17 (or "D17") as International Day to End Violence Against Sex Workers to memorialize victims of a serial killer who targeted prostitutes, and highlight State violence against sex workers by police and others. 2005 – Anti-World Trade Organization protesters riot in Wan Chai, Hong Kong. 2005 – Jigme Singye Wangchuck abdicates the throne as King of Bhutan. 2009 – MV Danny F II sinks off the coast of Lebanon, resulting in the deaths of 44 people and over 28,000 animals. 2010 – Mohamed Bouazizi sets himself on fire. This act became the catalyst for the Tunisian Revolution and the wider Arab Spring. 2014 – The United States and Cuba re-establish diplomatic relations after severing them in 1961.

#Events

[photochrono]

February 26

François Arago was born on February  26, 1786 in Estagel, France.

Charles Ketcham was born on  February 26, 1813 in Kent, NY, USA.

Joseph LeConte was born on February  26, 1823 in Liberty County, GA, USA.

Daniel B. Covey was born on  February 26, 1827 in Steuben County, NY, USA.

Daniel E. Adams was born on  February 26, 1832 in ON, Canada.

Henry E. Bradley was born on  February 26, 1844 in Florida, MA, USA.

Benjamin Joslin Boyd was born on  February 26, 1881 in Ashley, PA, USA.

Edward Ostrom Jr. was born on  February 26, 1881 in NY, USA.

David Radford Blyth was born on  February 26, 1884 in Galt, ON, Canada.

William Joseph Waterman was born on  February 26, 1886 in IL, USA.

Arville Z. Looney was born on  February 26, 1895 in Deskins, VA, USA.

Alonzo W. Jordan was born on  February 26, 1903 in Sabine Pass, TX, USA.

Sylvester C. Abbott died on  February 26, 1903 in Rochester, MN, USA.

Lala Aufsberg was born on February  26, 1907 in Sonthofen, Germany.

John Henry Putman died on February  26, 1915 in Horr (Isabella County), MI, USA.

William M. Gallagher was born on  February 26, 1923 in Hiawatha, KS, USA.

Frank Mekol Wirtanen died on  February 26, 1926 in Hematite Township, MI, USA.

Frederick G. Wright died on  February 26, 1927 in Detroit, MI, USA.

Richard J. Kelly died on February  26, 1928 in Cook County, IL, USA.

Gustav Klucis died on February 26,  1938 in Moscow, Russia.

William Jenkins was born on  February 26, 1944.

Delmar Driscoll Spellman died on  February 26, 1944 in Detroit, MI, USA.

John Gregory McCurdy died on  February 26, 1947 in Detroit, MI, USA.

Tony Mason Van Deusen died on  February 26, 1976 in Polk County, FL, USA.

#photographers' identities catalog #pic #hbd #rip #otd #nypl #photo history

[lala-1903]

Lala ???

#postlarım #lala 1903 #geceyebirnotbırak #ismailabi