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tudorqueen6 · 1 year
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The Queen’s Mother: Lady Maud Parr
Maria de Salines (Bea Segura), Lady Maud Parr (Natalie Grady), and Katherine of Aragon (Paola Bontempi) in Secrets of the Six Wives (2016) By Meg Mcgath, 22 March 2023 *be kind and if you find info here…leave breadcrumbs. Thanks!* Lady Maud Parr, (6 April 1492 – 1 December 1531) was the wife of Sir Thomas Parr of Kendal, Knt. She was the daughter and substantial coheiress of Sir Thomas Green of…
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cerealbishh · 1 year
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"Think about this: you, me, Jake, Vince, here at the station. It could be fun."
"Yeah, but what about the other guys that don't have my name? You know, Freddy, Charlie?"
"Listen, what I saw today, what I- what I've seen with you and Three Rock, is a crew of very capable firefighters. The transition from Fire Camp to Fire Station has to be easier."
"Wouldn't that be nice? That red tape's pretty crazy."
"Well, what if we change that? You and me."
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thehomeofplatonicfics · 7 months
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Hi I recently discovered your account and I’m obsessed your writing is amazing and I don’t know if you’re still doing Tudor!reader Fics but if you are I have a request. So reader is Anne Boleyn’s eldest daughter and had to watch her mothers execution (for the storyline reader was 12 or so years old) and never forgave her farther so when she’s like 15 (maybe the day after Catherine Howard’s execution) she overthrows him as revenge. I hope you understand what I’m trying to say total understand if you don’t want to right it. Have a good day/night❤️
A/N: I love how kooky the timeline would have to be warped for this to be possible but I absolutely love the idea of this! So sorry for taking so long to write this, real life does enjoy getting in my way :(
Revenge
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Someone had to stop King Henry VII, your father, from his increasingly brutal reign. Lady Mary, your half-sister, seemed unable to do anything without the counsel of her precious Ambassador Chapuys. Elizabeth was of course just a child, too young to rule. Edward was a mere baby. It seemed to you that the responsibility of saving the realm fell solely on your shoulders. It was a burden you were glad to take.
You were grateful that you’d had enough time being raised by your mother Anne Boleyn, that you had learnt how to be as cunning and manipulative as she had once been. Of course, having Mary as an older sister helped solidify those ideals, as Mary was able to inspire a great deal of loyalty in others when she wanted to.
It had been a long, arduous task to slowly turn the King’s courtiers against him. An entire year had passed before the perfect opportunity had finally arisen. Only two days had passed since poor Queen Catherine Howard had been executed on your father’s orders. Though you hadn’t been the greatest fan of the silly child, she was just like you… an innocent girl. Too many young women’s lives had been destroyed on the whims of an undeserving King, and the unrest among the populace seemed at its highest. It was the perfect time to strike.
The foundations you had laid throughout the year, telling little white lies here and there, promising things that you’d never do in order to gain the loyalty of the courtiers, would serve you well. The King had noticed some changes but could never trace them back to you. Often you would have agents loyal to you do the work that needed to be done while you were at home with Elizabeth in the country, creating a wonderful alibi.
Knowing that the King seemed to be favouring Catherine, the Lady Latimer, as his potential sixth wife, you realised that she would be the perfect distraction for your coup. You knew she wanted to be with Thomas Seymour so she would be likely to help you, especially as you had always had a good relationship with her growing up. Elizabeth, of course, was easy to manipulate into playing the part that you needed her to.
You dressed in your most regal black dress, deliberately picking out jewels and a French hood that made you look like a true ruler. You took a deep breath in and out to try to calm your nerves and your trembling hands before you went into the court. You gave a subtle nod to Catherine Parr who, along with Elizabeth, went up to the King to talk to him and distract him.
As soon as the King had begun discussing something with them both, you gave the signal to your loyal people who captured his guards and those you knew were still loyal to him, discreetly dragging them away.
You gave a sly, satisfied smile as you secretly prepared your weapon behind your back. You knew that your father’s greatest fear was getting sick, so you poured a poison on your blade before walking up to him, curtsying, and then holding the blade tightly against his throat. “Y/N! What is this?!” King Henry asks incredulously, clearly not believing one of his daughters could pull this off, his face grew white as he saw all the people loyal to you with their weapons drawn.
“I am now your Queen. You will take orders from me, and no one else.” You call out to the people in the court, who begin to cheer. You smile smugly to yourself as you see your father’s world crashing down around him.
“Why, Y/N? Just… why?” You give an incredulous laugh, sneering at him. “Why, father? For my mother.” You lean forwards, your breath touching his face as you snarl your words.
You turn to your guards, and give a sweet smile. “Throw him in the tower.” You command, pushing your father towards them. You sit on the throne, looking around at your successful coup. Allowing yourself a few moments to gloat in your glory, you immediately turn to your advisors. The Queen had work to do.
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holmesillustrations · 5 months
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Vote for your favourite, the top 9 will proceed in the bracket. Since theyre all different shapes and sizes, make sure to click into the full views!
Paget Eliminations
Other Artist Eliminations
Full captions and details for each illustration below the cut:
All Sidney Paget illustrations are for the Strand Jul 1891 - Dec 1904
"There was no one there." Case of Identity Characters: Cab Driver, Mary Sutherland
"He broke into a scream." Twisted Lip Characters: Bradstreet, Watson, Holmes, Neville St Claire/Hugh Boone
"There," said he." Noble Bachelor Characters: Lestrade, Watson, Holmes
"Silver Blaze" Silver Blaze Characters: Silver Blaze
"A curious collection." Musgrave Ritual Characters: Watson, Holmes
"I was thrilled with horror." Greek Interpreter Characters: Harold Latimer, Paul Kratides, Mr Melas, Wilson Kemp
"He looked over it again with a convex lens" Hound of the Baskervilles Characters: Holmes
"Sir Henry suddenly drew Miss Stapleton to his side." Hound of the Baskervilles Characters: Stapleton, Sir Henry, Beryl Stapleton
"Sherlock Holmes was standing and smiling at me across my study table." Empty House Characters: Holmes, Watson
"An impression like a fine bundle of telegraph wires ran down the centre of it." Priory School Characters: Holmes, Watson
"He insisted on drawing it in his note-book." Three Students Characters: Watson, Soames, Holmes, Gilchrist
"She looked back at us from the door." Second Stain Characters: Lady Trelawney
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english-history-trip · 7 months
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The 16th of October marks the commemoration by the Church of England of the Oxford Martyrs, Anglican bishops Nicholas Ridley, Hugh Latimer, and Thomas Cranmer, who were burned at the stake in Oxford for heresy under the reign of Mary I. Ridley and Latimer were burned together on that day in 1555; Cranmer's execution would be five months later.
They were some of the most high-profile figures executed during Mary's reign, having been respectively Bishop of London, Worcester, and Archbishop of Canterbury under the previous reign. They had also been singled out for their efforts to delegitimize Mary's claim to the throne; Cranmer had made the official pronouncement that annulled Henry VIII's marriage to Catherine of Aragon, thereby removing their daughter Mary from the line of succession, and Ridley had been instrumental in declaring Lady Jane Grey the successor to Edward VI, once again claiming Mary's illegitimacy.
The bishops made the most of the public spectacles of their executions, ensuring their legacy as religious martyrs. Latimer is quoted as having said "Be of good comfort, and play the man, Master Ridley; we shall this day light such a candle, by God's grace, in England, as I trust shall never be put out." Cranmer meanwhile had been pressured into signing a recantation of his Protestantism with a promise of leniency, but this was overruled by Mary herself, possibly because of her long-standing resentment of the role Cranmer has played in dissolving her parents' marriage. Once at the stake, Cranmer renounced his recantation, declared the Pope the Antichrist, and put his "unworthy hand" that had signed his presentation first into the fire.
Commemorations of the Martyrs can be found throughout Oxford; memorials are present in St. Mary's Church where the men were tried and convicted, the spot where the executions were held, and an ornate monument with statues of the three. The door to Cranmer's prison cell is preserved in the neighboring St. Michael's Church, and the Ashmolean Museum houses the key to the cell alongside the metal band said to have fastened Cranmer to the stake.
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fideidefenswhore · 7 months
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♕ #AnneBoleynWeek by @anne-the-quene, Day 3 | Favourite Historical Fact(s) about Anne Boleyn ♕
♕ Anne was eager for her daughter, Princess Elizabeth, to learn Latin, Hebrew, Greek, Italian, Spanish, and French in her upcoming education. ♕
♕ "Anne was known as a protector of Tyndale's readers."
♕ "For her chaplains, ‘lanterns and light of my court’, she chose men won to reform: Matthew Parker, Robert Singleton, William Latimer, Nicholas Shaxton and others."
♕ The French ambassador Du Bellay reported that "none of the other [councillors] have any credit at all [with Henry VIII] unless it pleased the Young Lady to lend them some."
♕ She was a patron of Hans Holbein.
♕ She secured the release of, and later patronized, the poet and reformer Nicholas Bourbon as tutor for Henry Carey, Henry Norris (the Younger), Henry Dudley, and one of the sons of Nicholas Harvey.
♕ "Her London silkwomen, Anne Vaughan and Joan Wilkinson, were fervent gospellers."
♕ "The Act attainting Elizabeth Barton and her supporters of high treason pardoned all those not specifically named in the statute; the King made the decision at ‘the humble suit and contemplation of his most entire and well-beloved wife Queen Anne.’"
♕ "Richard Hilles lamented her loss in 1541 as one of the 'sincere ministers of the word’ who had been taken away.”
♕ "True to Christian humanism, she backed education, acting as a generous patron to students and giving annual subvention to Cambridge and Oxford."
♕ Anne was friends with Princess Renee of France in her youth.
♕ "Of ten bishops appointed during her time as Queen, seven were her own evangelical clients." ♕
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FINAL SHOWDOWN
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I genuinely wouldn't have this any other way.
Rip each other to shreds, ladies.
those who fought valiantly but didn't make it under the cut:
Clive (Rose)
Raffalo from Crespellion (The End of the World)
Jabe (The End of the World)
Gwyneth (The Unquiet Dead)
Toshiko Sato (Aliens of London/World War III)
Cathica (The Long Game)
Suki (The Long Game)
Sarah Clark and Stuart Hoskins (Father’s Day)
Dr. Constantine (The Empty Child/The Doctor Dances)
Nancy (The Empty Child/The Doctor Dances)
Lynda Moss (Bad Wolf/Parting of the Ways)
Unnamed Female Programmer (Bad Wolf/Parting of the Ways)
Novice Hame (New Earth)
Mrs. Moore (The Rise of the Cybermen/Age of Steel)
Zachary Cross Flane (The Impossible Planet/The Satan Pit)
Ida Scott (The Impossible Planet/The Satan Pit)
Danny Bartock (The Impossible Planet/The Satan Pit)
Scooti Manista (The Impossible Planet/The Satan Pit)
Ursula Blake (Love and Monsters)
Nerys (The Runaway Bride)
Thomas Kincade Brannigan and Valerie (Gridlock)
Alice and May Cassini (Gridlock)
Tallulah (Daleks in Manhattan/Evolution of the Daleks)
Frank (Daleks in Manhattan/Evolution of the Daleks)
Jenny (Human Nature/The Family of Blood)
Tim Latimer (Human Nature/The Family of Blood)
Billy Shipton (Blink)
Kathy Nightingale (Blink)
Chantho (Utopia)
Morvin and Foon (Voyage of the Damned)
Bannakaffalatta (Voyage of the Damned)
Caecilius (Fires of Pompeii)
Evelina (Fires of Pompeii)
Soothsayer (Fires of Pompeii)
Ood Sigma (Planet of the Ood)
Miss Evangelista (Silence in the Library/Forest of the Dead)
Proper Dave (Silence in the Library/Forest of the Dead)
Anita (Silence in the Library/Forest of the Dead)
Val, Biff, and Jethro Cane (Midnight)
Unnamed Hostess (Midnight)
Rocco Colasanto (Turn Left)
Capt. Erisa Magambo (Planet of the Dead)
Yuri Kerenski (The Waters of Mars)
Maggie Cain (The Waters of Mars)
Addams and Rossiter of Vinvocci (The End of Time)
The Unnamed Curator (Vincent and the Doctor)
Canton Everett Delaware III (The Impossible Astronaut/Day of the Moon)
Lorna Bucket (A Good Man Goes To War)
Rita (The God Complex)
Brian Williams (Dinosaurs on a Spaceship)
John Riddell (Dinosaurs on a Spaceship)
Emma Grayling (Hide)
Journey Blue (Into the Dalek)
Orson Pink (Listen)
Perkins (Mummy on the Orient Ecpress)
Rigsy (Flatline)
O'Donnell (Under the Lake/Before the Flood)
Cass (Under the Lake/Before the Flood)
Bennett (Under the Lake/Before the Flood)
Heather (The Pilot)
Jenny (The Doctor’s Daughter)
Jake Simmons (Age of Steel)
Katherine (The Girl in the Fireplace)
Ross Jenkins (The Poison Sky/The Sontaran Stratagem)
Eve Cicero (The Tsuranga Conundrum)
Daniel Llewellyn (The Christmas Invasion)
Diana Goddard (Dalek)
Rita-Ann Smith (The Rise of the Cybermen/Age of Steel)
Shona (Last Christmas)
Vivien Rook (the sound of drums)
Unnamed Male Programmer (Bad Wolf/Parting of the Ways)
Dee Dee Blasco (Midnight)
Lee Clayton (fugitive of the Judoon)
Sabra (Time Heist)
Mr. Copper (Voyage of the Damned)
Psi (Time Heist)
Pete Tyler (age of steel)
Ohila (Hell Bent)
Professor Docherty (The Sound of Drums/The Last of the Time Lords)
Hath Peck (The Doctor’s Daughter)
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blanketempress · 9 months
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Kindred of London 1/6 : clan Ventrue
Adonis and Arzel's clansmates
Mithras doesn't need introduction as the Prince, with Valerius his ex Regent and Anne the current regent
Hemsworth is Adonis' mawla, Lady Casper is his "sister"
we barely met Janet but she did help us out after a fight, and Cyril Masters is the only vampire in town interested in keeping the Masquerade apparently
Rory McAndrew is Arzel's dad Sire
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Canon NPCs' designs inspired by the London by Night book, clan design based on Chris Leland‘s designs
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Arzel's opinion on all of them under the cut
Lady Anne : she's the actual Prince right? Efficient, strong willed, and she seems to handle the town very well
Mithras : very old Ventrue so worthy of respect but like a geriatric grandpa at a retirement house. Everyone knows he's not really in charge
Valerius : also a very old Ventrue but half insane like, why would you let in some Tremere in a Tremere-free town? Also he's Ruth's Domitor and that doesn't bode well
Lady Casper : a successful business owner, very good company though he didn't interact that much with her
Lord Hemsworth : didn't meet him
Janet Latimer : they crossed paths at Ventrue meeting times and she gave some help after the mummy fight, a good fellow Ventrue, he will need to send her a little gift and a thank you note
Cyril Masters : one of the pillars of London since he has some control over the kine police forces, so far he looks like a good ally, trustworthy as far as trust can go in kindred politics
Rory McAndrew : that's his dad, he'd do anything for him, he only ever has good things to say about him
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Hey Angel, do you have any good book recommendations for a quick read over the holiday break? Maybe a favorite of yours, if you have one?
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I guess I could recommend "Black Wizards" by Douglas Niles or "Midworld" by Alan Dean Foster, or "The Goblin Reservation" Clifford D. Simak, or "Winds of Gath" by Edwin Charles Tubb, or even "The Lady in the Morgue" by Jonathan Latimer, if fantasy or science fiction isn't your thing! Though I will say that "The Goblin Reservation" is probably my favorite out of the bunch...
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the-fiction-witch · 6 months
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Christmas Meal
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Media Doctor Who Human Nature / Family of Blood
Character Timothy Latimer (Age up)
Couple Timothy X Reader
Rating Cute
Fictional Advent day ten
I hurried myself around our little cottage, rushing around moving pots and pans, trays and bowls, all to make everything for dinner today, little Elis and Oliver playing with their new toys by the fire as I worked to get everyone fed. 
"How's it going, sweetie?" Tim asked as he came over and gave me a kiss
"Uhhhh you know busy" I answered taking the potatoes to the table, 
"Do you need any help?"
"No, I'm fine"
"You sure? nothing at all?"
"Well you could do the dishes, Timothy" 
"No problem" He smiled going and doing the dishes for me so I had one less thing to worry about, and finally I finished with dinner laying the last bowl on the table "Aww looks beautiful"
"Thank you Tim" I smiled "Kids! dinner!" I called and of course, they rushed over excited for their Christmas meal Elis ran to Timothy so he could help her up into her seat so I took my own seat and we all sat in our seats, "Shall we say grace?"
"absolutely bow your heads," He told the kids and they happily did "Bless us for this wonderful Christmas meal, made by the most beautiful lady in the world" He explained 
I opened my eyes to glare at him a little 
"And we are very thankful for all the good work she did, Riht?"
"Yes daddy!" Both kids giggled 
"Good, and we are thankful for our presents?"
"Yes daddy!"
"Good. and we hope the snow stays pretty. Amen."
"Amen" They both giggled 
So timothy and the kids happily opened their eyes and began eating "Adorable" I giggled 
"Thank you mummy, really" Elis smiled
"You're all very welcome" I smiled "Go on before it gets cold."  
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gnar-slabdash · 1 year
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I know some otherwise intelligent people that can't seem to appreciate "Leverage". How can this be?
I mean I feel like mostly the answer is "because different intelligent people naturally have different tastes" and also "one does not control the special interest." But here's a few possible answers just for kicks: 1. If you can't get them to START watching, are you sure you're meeting them on their level? I've been telling my bff about Leverage for years and he's never been interested. Then I remembered that he was never interested in MCR either until I showed him the Danger Days music videos, because what he IS into is apocalypse stories and comics and classic anime. BAM, he was obsessed. So I told him about all the people from STAR TREK who work on Leverage and he was like "WHY did you never tell me this before???" He still hasn't actually WATCHED it because he's just become a full-fledged Ivy League professor and also has ADHD up the wazoo, but now it's actually on his radar because I started where he's at.
2. If they've started watching and aren't getting into it, make sure they're watching in the CORRECT ORDER. As with a certain other halcyon 2000s show, the episodes were originally aired in the wrong order, and that's the order that streaming services usually retain (I believe the DVDs have the intended order). You can just google to find the right order, I usually find it in imdb's trivia section. How big a difference the change makes will vary by person, but for me watching int he wrong order made the emotional storylines make a lot less sense. Episode 3, for example, was SUPPOSED to be the Wedding Job, not the Two Horse Job. So it feels like she's really jumping the gun when Eliot's ex tells him he has a new family now -- really, he's known these people for like a month?? Well, that was supposed to come later. And likewise, this was supposed to be the point where Sophie freaks out because she doesn't know where her relationship with Nate was going. But because they moved THAT to later, it feels like she's happily settled into the status quo and then blows up out of nowhere. I legitimately didn't like Sophie at all when I first watched the first season, and it's NOT HER FAULT -- it's because they fucked up her emotional storyline by putting the episodes in the wrong places.
3. A lot of people fucking hate that the main character is a white male tortured asshole genius trope. Yeah there are lots of other characters they can focus on, but Nate is kind of a lot if that's not what you're into. I will never in my life UNDERSTAND not being into it because that trope is literally what got me into the show, but I realize I'm in the minority there.
4. Gotta get a little more serious now. One thing I appreciate about the Leverage fandom is we usually don't get hung up in arguments about what's problematic about the show and what issues people "should be talking about." We realize it's a show from the late 2000s created by a couple of white guys and it's not perfect, and then we focus on all the great stuff it was able to accomplish anyway. I LIKE that. BUT. It means when we go to recommend it to people, we sometimes oversell it. "It's a queer poly band of thieves trying to take down capitalism!" Well, no, it actually isn't. Just because JR likes to talk about how the OT3 is so totally canon actually doesn't make it true. He says he did everything the network allowed him to do, but now that he's making Redemption the way it is, we can guess that's not entirely true either. I think there are actually no canon gays except that one lady cop. And speaking of cops, there are a lot of those, and they're sometimes corrupt but they're very often good guys and sending the bad guys to jail is very often written as a major win, and that is understandably a problem for a lot of people. And finally, they are not actually trying to take down capitalism. I think it was Latimer who told them that they were actually just trying to REGULATE the system, not take it down -- and HE WAS RIGHT. They're trying to fix the system by taking down the Bad CEOS and replacing them with Good CEOS, which is an easier sell on 2000s network TV than it is to a new watcher today. There are other issues that might be more problematic to some people, I'm just using these ones to make my point that some of the most commonly mentioned selling points of Leverage aren't entirely accurate. So just be realistic when recommending it to avoid some serious sticker shock.
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tudorqueen6 · 1 year
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The Name Game: the title of “Lady”
The mother of Anne Boleyn is often referred to as “Lady Elizabeth Howard”. That’s NOT correct! Why? In those times, if your name was “Lady Elizabeth Howard”, you would have been the wife of a knight with the surname Howard. Elizabeth Boleyn’s mother, born Elizabeth Tilney, was married to Thomas Howard in 1472. At that time, she simply took on the surname Howard. In 1478, Thomas was knighted and…
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jabbage · 7 months
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realcatalina · 1 year
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Catherine Parr’s depictions-part 1: large portraits
Since I’ve been unexpectedly digging in Catherine Howard and Anne of Cleves’s portraits, I’ve decided that I might just as well do same with Catherine Parr.
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The uncertainity lies mainly with her miniatures(which will be in part 3). But before we look at them, we must take closer look at portraits of hers, to establish her basic features. How her features truly looked and then look at the disputed portraits.
For this I will be using mainly larger scale portraits of her. They are either full-lenght or half-lenght portraits. By the way,since 5′10′’ was lenght of her coffin, it stands to reason that she was shorter than that.
What portraits won’t show you is that her hair was probably between strawberry blond and light red, as hair taken from her tomb suggest.
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One lock(and some portraits) suggest it was darker(and more red) around roots and possibly lighter lower towards ends:
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The platinum blond lock is definitely fake.
Queen Katherine Parr, copy done in 1908 by William George Tennick, Kendal Town Hall, UK: 
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Link:https://artuk.org/discover/artworks/queen-katherine-parr-143164/view_as/grid/search/keyword:katherine-parr-959651/page/1
There are several versions of Catherine Parr’s portrait as widow. All of them copies. Imo all of them are mislabelled. Supposedly they are after Hans Holbein the Younger. Yet they Catherine Parr as widow to Henry VIII(hence in 1547/8). Holbein died in 1543!!!  So either wrong painter, or wrong dating or both! Imo, both. 
Because even from copies, you can tell that the style of some strongly suggest we are not looking at Holbein’s workshop but rather at work of Ambrosius Bensen.
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Benson’s portrait lady Stafford is on left. Catherine Parr’ on right adn it is so grossly misdated it makes me wish to cry! 
Supposedly Parr is c.1547/1548, while Stafford is c.1535(imo it is at earliest late 1530s, not mid). No way these are 10+ years apart! Not a chance! These might not even be 2 years apart. But why do I think that? Fashion!
Width of chest, is something Benson tended to overexagerate.  The style of mourning headwear, also points towards 1530s, rather than than 1550s.
The style of folded undersleeves of Stafford is also style which would fit 1538-1543, imo closer to 1538. The most important detail here is the waist-line. It’s horizontal. It’s max early 1540s.  Benson was absent from home (presumably due to work) in between 1539-1543. Perhaps he was in England!
My conclusion? It cannot be Catherine Parr as widow to Henry VIII, but as widow to baron Latimer. And that gives us the most accurate dating you could ask for! Between 2nd March and 12 July 1543. (Between death of lord Latimer and wedding to Henry VIII.) Rarely we have dating this precise. 
Such dating could bring Holbein back as possible maker, but the style imo is not his workshop.
However the painting could be misidentified and not be Catherine Parr at all! Yes, it has features very alike Parr, but that could be the reason why this could then be misidentified as Parr. However this is french-styling of necklace, and suggest that sitter is french. I cannot disprove that possibility. Imo, we cannot be certain this is indeed Parr.
Catherine Parr, 17th century copy after Master John(imo after Scrots), National Trust Collection, , Seaton Delaval Hall, UK:
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Tbh for copy it is very well done. I have actually thought it was original. NTC calls it the Seaton Delaval portrait(because it is there now), but some webpages refer to it as Hastings portrait or Melton Constable(Hall), probably refering to painting’s past location and owners.
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This copy shows vividly red hair(which might have not been on original) and curled up(shortlived fashion). Eyes seem grey or hazel to me, but the discoloured varnish may be playing tricks on us.
Link: https://www.nationaltrustcollections.org.uk/object/1276906
Catherine Parr, the Jersey Portrait(Private Collection?):
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I tried to find more information about it, but these two webpages were basically only sources of information-and I cannot confirm accuracy of either:
 https://tudorqueen6.com/2012/12/12/queen-katherine-parr-the-jersey-portrait/
https://ladyjanegreyrevisited.com/2019/04/01/the-stowe-house-portraits/
 Basically it is in private collection, was concluded to be Catherine Parr and it is 16th century work(but that can still mean it is a copy). Unfortunately these are  the best quality pictures in colour that we have:
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This one is probably the best:
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And to me this one certainly strikes closer to golden strawbery blond than to red, but it can be due to poor quality of picture and due to discoloration of varnish.
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Seaton Delaval and Jersey portrait are almost exactly the same, except colour of overgown and cuffs being in blackwork in Jersey portrait. Even the pillar behind them is in exact same spot. It’s possible they were not ment to be two separate portraits, but rather that one is copy of the other. But not necessarly. Sometimes royals had multiple very similiar portraits made.
Catherine Parr by unknown artist, late 16th century, National Portrait Gallery:
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Link:
https://www.npg.org.uk/collections/search/portrait/mw01147/Katherine-Parr?LinkID=mp00803&search=sas&sText=parr&OConly=true&role=sit&rNo=1
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In closeup her eyes look grey, possibly hazel(grey-brown) and her hair look red, or reddish brown.
I found some webpages refering to this painting as original done in her lifetime atributed to Scrot. But National portrait Gallery which owns it clearly disagrees. It could be done after original by Scrot, but they don’t even mention that on their webpage. Though tbh I think their webpage could do with some improvements.
National Trust Collection( Anglesey Abbey, Cambridgeshire, UK to be exact) has another version of this portrait, 18th century copy. Link:
https://www.nationaltrustcollections.org.uk/object/515505
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It’s too dark to have conclusive say about eye and hair colour.
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The differences with previous version are negligeable-mainly the collar is different and the parlet is in blackwork’with different pattern and its edge is firmer, but today I am not trying to do lineup of Catherine Parr’s portraits. (Unless you’d want me to.)
Catherine Parr by Master John(it is an original!), National Portrait Gallery, UK:
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Link:https://www.npg.org.uk/collections/search/portrait/mw01957/Katherine-Parr?LinkID=mp07168&role=art&rNo=1
The webpage includes videos about its restoration-where they refer to incredible Azurite pigment used for the background. They are talking about real ultramarine(just different name for it).  That alone be expensive as hell, especially given this is full-lenght portrait. But there is also gold-leaf, silver-leaf, fluorite, lots of very expensive materials were used to make it. And the materials alone are enough to conclude sitter is royalty and certainly had more than 9 days to be painted.
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Link to conservation findings it:   https://www.npg.org.uk/collections/search/portraitConservation/mw01957/Katherine-Parr
If we look at closeup in colour-sitter had very fair skin, the eyes are grey, the hair seems as light golden brown, but strawberry blond or light red hair can create such ilusion:
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Nose appears to be flat and oddly shaped. Normally I’d say that is due to pigment instability. However I have dived deep into conservation findings upon the painting and now I am not certain about the cause, but it is an issue.
NPG notes  that ‘the underdrawing is extensive and complex to decipher. The style of the drawing is free and sketchy, only very loosely delineating some of the form and structure of the figure, such as the sleeves. This type of underdrawing, is in direct contrast to the underdrawing found in Mary I (also attributed to Master John) where the key elements of the composition are carefully transferred through a pounced technique.’
Master John didn’t take such care with underdrawing of Parr’s portrait, as he did with Mary’s. Perhaps Mary wanted to sit for it just once or had better idea how she wanted to be portrayed. Parr’s portrait vs underdrawing shows that final design was improved upon. It was changed a lot. They know this due to x-ray and infra-red analysis(bellow):
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Most important changes to the face include:
- the eyes moved slightly to the right,  - hairline has be re-positioned and was originally slightly lower - nostril has been re-positioned
These changes are big problem, because this is the only original painting of Parr and we cannot trust these features 100%. 
However fear not! Under infra-red light(in middle bellow), it is obvious the face looked very alike to majority of the paintings:
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And it is not that different under normal light as well. 
Bigger closeup so you can see it properly. This is Catherine Parr’s face:
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It is. But before  I dive deep into what shape of nose she actually had I want to show you how easy would it be for me to say it might not be her (Mary I on right by same artist): 
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Spoiler alert-it’s not Mary, they just looked more alike then you’d think.
The identification of sitter as royal is no doubt correct. The materials and jewelry certainly are conclusive on that. But assuming that jewel worn by Catherine Howard was then part of collection of Queen’s jewels worn solely by Queens, is very wrong! There are portraits of Mary and Elizabeth in jewelry worn by Queens. Hence Mary should have been included as possible sitter and I am susprised it is not mentioned anywhere that at some point they excluded her.
HOWEVER, some painters had tendency to paint anybody in such similiar way, you cannot tell them appart that well. That could have been case with master John. Both women had similiar colouring and perhaps more similiar features than you’d think, but they didn’t have same height. 
Catherine Parr was not 5′10′’-that was lenght of her coffin! She’d be much smaller, but she wasn’t short for sure(she was probably higher average), unlike Mary who was notably short! If you compare not just face-but lenght of torso and overall shape of figure, you’re realise it it is not same woman.
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However if you compared just infra-red photo of face of Parr, you could easily come to wrong conclusion. I had initial bout of panic, seeing the very similiar face! Then I did my due diligence.
Catherine Parr’s portrait is photographed bit under an angle(I couldn’t find close up which wouldn’t be), however this is properly scaled down to aproximately same size of torso. Even though if you might scream that no-lady in silver dress obviously has longer torso, and I should have scaled it differently.
What you’re not taking into account is different shape of stays. I could elaborate, but long story short check where girdles disappear to the back(front changed, backside didn’t), andn where armits are. Aproximately at same level. Just women with different height, figure and shape of stays.
So imo, it’s Parr. The identification is correct. However, there might have been much bigger similiarities in facial features of Mary and Parr, and we have to take that into account in the future. It will make identifying some portraits more difficult.
Another difficulty is that we can’t tell the exact shape of nose from neither form of painting. 
I have attempted do a ‘nosejob’ upon the infra red photo, using app similiar to photoshop and retouching tool. But I never quite got it correct, so I am nof going to show you even. I thought she was looking more to front, but then there was never enough space for alla on right side, so the nose was more to side and towards left from our POV, just like Mary’s was. It’s exact  shape remains mystery to me.
Problem is the underdrawing truly is complex:
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I give up. I don’t know what her nose was like. Although if you ask me, then the other painting NPG has of Parr, is imo the closest match in all features:
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So perhaps that shape of nose is also very similiar to Parr’s real features. However, it might just be the case that this particular feature(nose) the artist screwed up.
Sadly, the marble effigy of Parr(the sculpture on her tomb) is not original and we cannot use it to decide this matter.
I don’t think we will be ever able to get 100% conclusive idea about the true shape of her the nose. Which is disapointing, however I believe that the nose was at least level if not pointed slightly upward. The undersketch of this original painting supports my theory. Even though due to flatness issue the nose under normal light seems to be against that(misleading us).
It’s never prominently low hanging nosetip with Parr in all copies of her portraits either(those that public agree upon). Except in one! 
I have for long suspected one painting to not be Parr, firstly solely due to hair colour. But after I found out her hair could have been strawberry blond, I let it go, telling myself the painter simply did mistake. It happens all the time! Especially in copies which this painting is. 
So I dismissed it. I can’t do that anymore. I cannot unsee it now. As always, be polite in the comments or reblogging, even if you disagree with me. And yeah, I can see the text labelling it as Catherine, Queen of Henry VIII. But it might NOT be original! Most labels aren’t! They are later add-ons. Don’t trust them-period! Or it could have been misidentified before the copy was made even!
Painting of the English school after a lost portrait by Hans Eworth from c.1548:
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Here is why I can’t let this be. The issue is these particular shape of brows and this shape of nose are nearly exact match for features of Anne of Cleves:
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Read my previous posts, to see why I believe Toledo portrait is her.
Just the brows are bit higher that they are supposed to be.
Since Anne’s eyes were hazel(brown-grey)-based upon portraits and her hair golden(strawberry blond) according to period reports(it just darkened in Holbein’s portraits), I have to conclude-it is could Anne of Cleves instead.
Imo it is. The features are truly great match to Anne.
(They are fairly good match to Parr too. As I say, Henry had a type!)
This is for me bitter pillow to swallow. Not only because I used it in my lady Jane Grey vs Catherine Parr’s post but because it brings to question the assumption that that pearl necklace is unique part of jewels of Queens of England. 
Such necklace would not be worn solely by Queen of England. I was wrong to assume otherwise and I admit that now. 
Now how do I fix my mistake? I have to redo the post with lady Jane Grey and gather all portraits with pearl necklaces of this style and compare them against Catherine Parr, Anne of Cleves, Mary I and Elizabeth I.
Because on one hand, yeah Anne of Cleves wearing it could suggest  that perhaps such necklace was more popular than we thought and some noblewomen could have it.
On other hand it could suggest that royal women at the time had such necklaces, and perhaps they were unique to members of royalty only.
 After all Anne had royal status(King’s sister). Hence comparing to 4 royals.
That will be part 2 (nope, decided on separate posts) and I am not looking foward to it, because some of Parr’s depictions shows small rounded nostrils, others prolonged ones. For that reason alone it will be difficult. 
I hope you’ve enjoyed it.
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hgohd · 3 months
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intheblackofmyroom · 1 year
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