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mymusicbias · 3 months

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#zulu #krewe of zulu #mardi gras #new orleans louisiana #mmb #carnival culture #black culture #black history

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goodpix2021 · 3 months

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Zulu Starts It

The Krewe of Zulu starts it. They lead the procession of parades on Mardi Gras Day. Eventually they meet the krewe of Rex, a bunch of rich white guys. The exchange crowns or something. Really, the sub krewe called the Tramps start the whole thing. They lead the Zulus. The man in the sparkly head dress is a Tramp. You are welcome to join them. Check out the woman’s right eye. However, the…

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#Art #Carnival #Color #Early Morning #Krew of Zulu #Louisiana #Mardi Gras #mardi gras day #Masking #New Orleans #Photography #Post Production #Ray Laskowitz #Season #Tramps

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adventuressclubamericas · 3 months

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The Krewe of Zulu is the oldest and largest predominantly African-American krewes in New Orleans. It was also the first truly integrated krewe. While not without its share of controversies over the century, Zulu is still considered "…the premier black social organization…" in New Orleans and makes a significant impact on the community. Their parade, with over 1,500 riders, makes its way through the French Quarter and into the Treme. Their signature throw is a painted coconut, one of the most sought-after Mardi Gras throws.

To learn more about the Krewe of Zulu, visit

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winebrightruby · 2 months

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hello hello! question for you, hopefully not a bummer: how do you observe Mardi Gras now that you are not living right in New Orleans anymore? (I think of you every year when it rolls around!)

I cry a lot, lmao.

Tbh this year was a bit of a mess because of the single-parenting struggle until husband is back in the country, but I'll answer in terms of general intentions. I start on the night the Krewe of Muses parades, which is the Thursday before Mardi Gras (day). I offer specific hymns and offerings for the relevant deities/spirits as determined by parading krewe:

Muses on Thursday

Hermes and Morpheus on Friday

Iris and Endymion on Saturday

Bacchus (and Okeanos and Athena) on Sunday, Dimanche Gras, the start of my version of Anthesteria

Orpheus and Proteus on Monday, Lundi Gras

Rex and Zulu on Tuesday, Mardi Gras

At this point, I treat it like a semi-festival. I buy king cake and then suffer because it's Not Good. I buy hyacinths; I mix fancy drinks for offerings. In the years to come I'll have our Mardi Gras/New Orleans shrine set up, but right now toddlers render that too risky.

I promised Jo I'll take her to New Orleans next year. She's not old enough to get why it matters, but it's a point of pride for her that "mommy and me are from Louisiana, and I was borned in New Orleans". We'll go for Muses and she can catch shoes to her heart's content.

#alder knight #askbox #Mardi Gras lights up the City #baby Jo #my practice

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jonathanferraragallery · 1 year

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JOHN ISIAH WALTON is a New Orleans artist whose neo-expressionist works are internationally recognized for their commentary on race, class, identity, and current events through his irreverent, frenetic and sometimes absurdist style. His art has been on show at the Art Lab Akiba (Tokyo, Japan); the Atlanta Contemporary Biennial (Atlanta, Georgia); the Ogden Museum of Southern Art (New Orleans, Louisiana); the permanent collection of the New Orleans Museum of Art; the Ohr-O’Keefe Museum of Art (Biloxi, Mississippi); P339 (Brooklyn, New York); and more. His residencies include the Macedonia Institute (Chatham, New York) and the Joan Mitchell Center (New Orleans). In 2022, he will showcase work in Tel Aviv, Israel.

Influenced by internet aesthetics, Black identity, pop culture, and Louisiana history, Walton’s subjects are often unconventional and sometimes shocking. In the tradition of Basquiat, his work frequently has hidden meanings and symbols, and his choppy brushwork endows the work with the energy and intensity that the artist is known for. Rooted in concern about the social, economic, political, and cultural structures at play in contemporary life, Walton’s best-known series sometimes encourage discomfort.

His breakthrough exhibit was 2015’s “Beaucoup Humidity,” curated by the legendary Diego Cortez. A behind-the-scenes exploration of service industry workers of his hometown, the series exemplifies Walton’s signature wit and personal experience to depict the New Orleans underbelly hidden from tourists. The series was preceded by 2012’s “Zulu Portraits,” which featured post-colonial portraiture of Black and white political leaders in blackface to remind us to deconstruct or disentangle an errant white American history. The title is a reference to the Zulu Social Aid & Pleasure Club parade krewe of New Orleans.

In 2016, Walton tackled the carceral state in a series featuring inmates of the Louisiana State Penitentiary known as Angola, portrayed through portraits of bulls and bullfighters. The series aims to examine our complacency with incarceration, and represents a more subdued but no less subversive approach to critical social commentary. The “Black Paintings,” a series Walton began in 2017, address issues of identity including visibility and invisibility, presence and absence, figure, and void. On canvases painted black, layers of neon-hued acrylic and oil stick depict scenes ranging from the mundane to the controversial.

Walton was the first African-American member of the artist collective The Front and a founding member of both The Level Artist Collective and the Second Story Gallery. He has lectured about his work to the graduate program at UNC, Chapel Hill. He attended St. Augustine High School. (1999-2002) and graduated from Sarah T. Reed High School (2003). Walton received an AA degree in 2012 from Delgado College, New Orleans.

#john isiah walton #oil painting #oil on canvas #contemporary art #artist #jonathan ferrara gallery #jfg artist

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afelldemon · 3 months

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"There's an unspoken politics to the Mardi Gras krewe. The Krewe of Mizraim was unique, intended to serve as an umbrella that could include the Creoles both white and gens de couleur libres - so naturally there were only a handful of white members, and they were all involved in the jazz scene. No, the order of the day back then was that black men had the Zulu Social Aid and Pleasure Club or the Indian Tribes, and the white men had their Mystick Krewe of Comus, their Knights of Momus and their Order of Carcosa. Damned Carcosa bastards...."

#{alastor; ic}「on the air」#cw historical racism mention

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tch2023 · 1 year

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February 18-21, 2023

Mardi Gras Throws- ZULU

During Mardi Gras Parades, there is ZULU, the largest African American tribe originating from South Africa. Their famous throw are Coconuts because glass beads were unaffordable for their members back then. What makes the coconuts handmade is the fact that they are customized and painted to the liking of the members. They create different designs that represent their group, as shown in the attachment. Zulu is known for being a marching club and continuously participating in Mardi Gras.

I personally didn't get to experience catching a Zulu Coconut, but I am looking forward to and determined to come across them for 2024. Must be nice to drink from a coconut that represents the culture of Krewe of Zulu :).

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streamingmaniac57 · 1 year

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Article: Mardi Gras was historically socially and racially segregated. Black Americans formed the Zulu Krewe to become a part of the celebration.

Mardi Gras was historically socially and racially segregated. Black Americans formed the Zulu Krewe to become a part of the celebration.

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slidellmandeville · 2 years

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Discover The Charming Lifestyle Of Slidell City In Louisiana

When you visit Slidell City, Louisiana, you'll discover a city with a rich history, a beautiful bayou, and a charming lifestyle. You'll find the historic antique district, Mardi Gras parades, and seafood restaurants. You'll also find several family-friendly attractions, such as Camp Salmen.

Historic antique district:

The Historic Antique District in Slidell City, Louisiana features an array of antique shops, galleries and museums. Situated on First and Erlanger streets, the district also hosts antique street fairs. A visit to the area is an enjoyable way to spend a rainy day or an upcoming holiday.

Besides antique furniture, the area is home to numerous collectibles, antique glassware, folk art, and fine arts. The stores are open daily and offer a seating area and coffee. If you get tired of browsing, you can also watch a movie or listen to music.

For foodies, Slidell is home to many unique restaurants ranging from mom-and-pop places to upscale destinations. Located in the shadow of bald cypress trees, the city's waterfront offers a plethora of fresh seafood options. More than 20 seafood restaurants offer Louisiana favorites like oyster po-boys and blackened specialties.

Mardi Gras parades:

If you're a Mardi Gras afficionado, Slidell City, Louisiana has several Mardi Gras parades for you to choose from. The Eden Isles Krewe, for instance, takes to the waterways of Eden Isles in Slidell. Their parade is filled with beads and cups as they pass by the marina cafe and end at Kensington Boulevard.

Mardi Gras parades in this city start early on the morning of the day of Mardi Gras. The Zulu parade rolls uptown, followed by the Rex parade. The Zulu and Rex parades roll down Canal Street, the border of the French Quarter. After the Rex parade, smaller parades follow down the tree-lined streets.

The City of Slidell is a booming Mardi Gras city, with several parades to choose from this weekend. The French Quarter is home to the green fairy of Krewe Boheme, and there will be several satirical krewes in the Marigny, including the Krewe of Delusion. In Slidell, there will be the first float parade in two years, and WDSU has updated its parade tracker to make it easier for you to keep track of the floats.

The New Orleans City Council has made many changes to the Mardi Gras festivities, including imposing restrictions on participants and spectators. One of the major changes is the addition of a Mardi Gras Fountain, which was inaugurated on the city's lakefront in 1962. The fountain features crests from the ball and parade krewes. The krewes can submit requests to have their crest included in the fountain. However, some real krewe captains were unhappy with the inclusion of imaginary parades in the fountain.

Seafood restaurants:

Whether you're craving Louisiana seafood or simply looking for some comfort food, there are plenty of seafood restaurants in Slidell City. From casual to fine-dining, these restaurants have something to please any palate. The most notable of them is probably Northshore Restaurant, which specializes in crawfish. Crawfish are a healthy and delicious dish that you won't want to miss when visiting Slidell. Other seafood restaurants in Slidell City include Seafood Restaurant Slidell, where you can enjoy fresh seafood and other meat recipes.

Nola Southern Grill: This upscale seafood restaurant is one of the best places to find Slidell seafood, and the menu selection is diverse and delicious. Known for serving some of the best crawfish in Louisiana, this place also features killer Southern sliders, cool drinks, and a mouthwatering dessert bar.

Camp Salmen:

Camp Salmen Nature Park is a 130-acre park in Slidell City, Louisiana, that offers many birding opportunities and natural habitats. It is also a good place to learn about the history of the area. The park's buildings were originally used by the Salmen Brick and Lumber Company, which bought the property in 1901 and used the railroad to extract the clay and timber from the area.

A historic, yet unique place for nature lovers, Camp Salmen is located about an hour outside of New Orleans. The park is an educational resource and living museum that features restored historic buildings and a vast collection of native plants and animals. Its restored properties and extensive collection of plants and animals make it an excellent place to spend a day.

Camp Salmen is a natural observatory:

Camp Salmen is an outdoor observatory that evokes the swampy landscape of early settlers. It is 130 acres large and boasts a variety of natural habitats. It also includes a boardwalk and paddling trail that leads to Bayou Liberty. The park also contains a history museum, located in the old Slidell Town Hall & Jail. It takes visitors back to the town's early days as a railroad camp during the 1880s.

Visitors can explore the park's six nature management areas and explore the various habitats. Hiking trails provide an opportunity to observe various wildlife and birds. There are also educational signs that point out various historical and environmental points of interest. The facility is open to the public throughout the year.

The Salmen Lodge is another historic building located on the grounds. This 18th-century building was once Joseph Laurent's old Indian trading post. It was part of an "ancient" Creole community known as Bonfouca on Bayou Liberty. By the time Slidell came to town, Bonfouca was almost a century old. Today, the Salmen Lodge is undergoing restoration to resemble a trading post. It will also eventually be converted into a small museum.

The Salmen Lodge is an old brick building located at Camp Salmen. Originally, this was a 300-year-old town on Bayou Liberty. This area was home to the La Liberte' tribe, which pioneered the north shore industries.

Northshore Beach:

Northshore Beach is a popular residential area near Lake Pontchartrain, Louisiana. This neighborhood is located about 30 miles north of New Orleans. This community has beautiful waterfront homes that are convenient for commuters. If you're a New Orleans resident, you'll appreciate the easy commute to the Big Easy. To learn more about the neighborhood, visit the homeowners' association's website.

Nearby, Lake Pontchartrain is popular with kayakers, paddle-boarders, and canoeists. This area also offers fishing charters and guided swamp tours. For kids, there are gator rides at Insta-Gator Ranch, and they can get up close to animals at the Global Wildlife Center.

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mymusicbias · 1 year

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#mardi gras 2023 #krewe of zulu #mmb

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goodpix2021 · 1 year

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On Mardi Gras Day

Mardi Gras Day is a day to let everything hang out. To play it colorful. To celebrate. To run into old friends on the line. To start the day early in Central City with the Krewe of Zulu and their coconuts. And, end late at night with sore feet and a happy soul. This is my way. It’s a big test. As you know, I’m ambivalent about AI produced images. I think that it is a logical progression of…

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cometforever · 2 years

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Posted @withregram • @pfcuttin Yesterday’s episode of EastnyRadio is now available, thank you all for patience. 1- ROC MARCI x ALC - Quantum Leap 2- Apathy & Stu Bangas ft. Jadakiss - No Time to Waste 3- Dom Pachino x O The Great - The Formula 4- Supreme Cerebral ft. Ralphiie Reese - Dart Display 5- Your Old Droog - Triple Lindy 6- 100GrandRoyce x Red Inf - Suspenseful 7- D. Goynz & Doza The Drum Dealer - Trouble 8- Danger Mouse & Black Thought ft. Conway The Machine - Saltwater 9- ROC MARCI x ALC - Zig Zag Zig 10- Chayna Ashley ft. Dutch Brown, Dan Bars & Brillo - Dear Lord 11- No Face Krew - The Hate Different 12- Termanology ft. Kay Slay - Determination 13- Snowgoons x The Bad Seed - Funk Flex 14 - Bub Styles feat. Whispers - Lavish Toes 15- Ty Farris x Sebb Bash - Mental Tats 16- Tone Chop & Frost Gamble - This Is What Happens 17- A.M. Early Morning & Original Super Legend feat. Jae Haze, Weasel Sims & The Dutchmaster - Mistakes Make Um Great 18- SCATTA R.Pee - Gimme Di Mic 19- Diamond D - Smoke Sumthin 20- Mr. Ripley Ft. Porta Rok, Zulu#7, Mic Mountain - Sweet Jesus 21- Team Demo ft. Doo Wop and Kurious - Strictly For My People 22- Cappadonna x Stu Bangas ft. Celph Titled - Toss The Blick 23- Danger Mouse & Black Thought ft. MF DOOM - Belize If you want these songs with no fxs, no drops, no scratching, no talking, well, you came to the wrong place, This is a dj mix of various artist for the week of 8-28-22. Please go out and support every artist on here individually. Meaning, go out and buy there singles, Lps & merch. https://www.instagram.com/p/Ch3JPDbri2m/?igshid=NGJjMDIxMWI=

#7

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shadowron · 3 years

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Shadows Across the Big Easy, for Shadowrun (1st Edition), from White Wolf Magazine. Part 1: New Orleans

White Wolf Magazine #31, May/June 1992, $3.50 ($3.95 in Canada).

Contains Batman Returns poster.

Specifically, this Batman Returns poster.

This art style is... something.

I’ve never been to New Orleans.

I almost went, once, in college.

For Mardi Gras, of course. The details are fuzzy, but I think the prospect of carpooling with 6 other smelly students in a cramped van to then spend two nights in a hotel with 6 other smelly students with only a slightly larger than usual chance of seeing naked boobs in public wasn’t worth it.

Bonjour a Nouveau France, mes amis.

Other than Mardi Gras, here’s what comes to my mind when you mention New Orleans.

The article itself is well-written, in the style of the “Seattle” chapter of the core rulebook, split into sections on

History

Facts At Your Fingertips

Entertainment and Tourism

Neighborhoods

Lagniappe (“Extras”)

Overall, they seem to give enough information to start a campaign there, though since I don’t know New Orleans, can’t say how faithful the translation to 2050 is. Of note are the neighborhoods, analogous to the Districts of Seattle. There is:

The Barrens – still probably nicer than Redmond.

The Bayous – home to dwarf fisherman, swamps, and these cute fellas

Corp Sector – the name says it all, though the article pointedly does not list any of the Shadowrun megacorps as having any presence (assuming for copyright reasons?)

Downtown – every town has a Downtown.

Lakefront – the Bellevue of New Orleans.

Orktown – like the Ork Underground, but Aboveground.

Riverfront – The Puyallup of New Orleans.

Zulu Nation – This one I had to do some background reading on, given, you know, how racist Shadowrun was early on. But, while increasing my understanding of New Orleans, I learned about “krewes” – social clubs that were responsible for putting together floats for Mardi Gras parades, and learned about the Krewe of Zulu, a predominantly African-American krewe that’s been around since 1909. Here, that organization has grown to become a semi-sovereign segment of New Orleans with a majority black population. Given that Seattle has labelled Chinese, Japanese, Elven, and Ork Districts, this isn’t a stretch.