#kimiko ueno

[sakugabooru]

#anime #animation #sakuga #studio trigger #dungeon meshi #ryoko kui #yoshihiro miyajima #kimiko ueno #enishiya #aya ikeda #haruki sakamoto #naoki takeda #yuki yonemori #sho oi

[geekcavepodcast]

Delicious in Dungeon Teaser

Well...that's one reason to go dungeon diving.

Studio Trigger's Delicious in Dungeon is based on the manga series by Ryoko Kui. Yoshihiro Miyajima directs the anime. Kimiko Ueno is in charge of story editing. The characters are designed by Naoki Takeda. Music is by Yasunori Mitsuda.

Delicious in Dungeon streams on Netflix in January 2024.

#delicious in dungeon #ryoko kui #yoshihiro miyajima #kimiko ueno #naoki takeda #yasunori mitsuda #netflix #studio trigger #TGCLiz #Youtube

[newsintheshell]

📢 Vi mancano i production shenanigan di Shirobako? Ci pensa Mappa (Zombie Land Saga, Re-Main) con ZENSHU!

La nuova serie originale dello studio, nata dalle menti di Mitsue Yamasaki (Sleepy Princess in the Demon Castle, Tada Never Falls in Love) e Kimiko Ueno (Dungeon Food, Astro Note), avrà come protagonista una giovane, geniale e alquanto stramba regista alle prese con una commedia romantica. Il problema? Lei non si è ancora mai innamorata. Mi sa che ne vedremo delle belle!

#zenshu #anime #studio mappa #animazione #giappone #serie tv #comedy #mitsue yamasaki #kimiko ueno #teaser #trailer #annuncio

[swampjawn]

Dungeon Meshi Episode 7 was super interesting from an adaptation standpoint - this'll be a little different from what I usually write about (though I do still talk about the animation in the full video).

Studio Trigger have never done a straight-up manga adaptation before - and led by Yoshihiro Miyajima, a big fan of the manga who pushed hard for the adaptation to get made, and who has never directed a full series before, it was unclear if they'd be able to find the right balance between a simple panel-for-panel recreation and making something that's completely different.

And in the first few episodes, you could really feel the tension between the influence of a cautious young creative with great respect for the source material, and a studio with a unique established visual style. It kinda seemed like they were ping-ponging willy-nillily between the two sides of that spectrum.

But this episode showed that Miyajima (and series writer Kimiko Ueno) can take 3 chapters, slice them up and rearrange them into a cohesive-feeling episode while taking into account the differences between screen and page, and using them to their advantage.

Starting with the way the water looks. This line from the manga describes a faint magical glow to the water in this lake and you can see that the cavern fades into darkness above, but Kui's illustration style doesn't really define lighting and shadows very much compared to the cel-drawing style of animation. So the animators took the opportunity to use the water as the light source, and make a whole episode that's lit almost entirely from below. It really gives an otherworldly feeling to this area.

Particularly when the Kelpie shows up, that under-lighting works wonders to define its anatomy within the relatively simple line art.

What do you do when you can't show the immense fuck-off scale of a monster with a beautiful full-page spread like this?

Well you use what you do have: the ability to move the camera instead. This is such a great way to communicate the scale of this thing, AND such a great way to show some of Senshi's anime-original butt-cheeks!

This is one of my favorite shots from this episode - this whole sequence is super hectic, cutting quickly from character to character, but they use tricks like this to keep you from getting confused. This is framed much like it is in the manga, but with the moving image, they're able to use the trajectory of the fish head in the background to lead your eye directly from Chilchuck, right to the point where Senshi pops up in the foreground and transition seamlessly from one character to another!

Now, it's not all good - I am a bit disappointed that they removed Marcille's own Senshi-style soap-making montage, which was the perfect visual representation of the culmination of the character development and understanding built between Senshi and Marcille.

It's a shame to see it go.

I get more into that, what else was cut, and much more in this video where I broke down the entire episode!

Check it out if you feel like it. If you don't, jump in a ditch, cover yourself in leaves and jump out at people as they walk by.

Thanks for reading!

#dungeon meshi #anime #manga #laios touden #marcille donato #senshi #delicious in dungeon #video #mini essay #original

[amelikos]

Informative list of Horizons episodes (which I'll try to update as chapters are released).

Below is a list to keep track of who writes what in Horizons for future reference. I'll use Bulbapedia's numbering system.

Chapter 1: Liko and Roy's Departure

Total of episodes written by Dai Sato in chapter 1: 6. Total of episodes written by Naruki Nagakawa in chapter 1: 5. Total of episodes written by Kureha Matsuzawa in chapter 1: 7. Total of episodes written by Muga Takeda in chapter 1: 4. Total of episodes written by Michihiro Tsuchiya in chapter 1: 2. Total of episodes written by Deko Akao in chapter 1: 1.

Chapter 2: The Sparkling of Terapagos

Total of episodes written by Dai Sato in chapter 2: 1. Total of episodes written by Naruki Nagakawa in chapter 2: 3. Total of episodes written by Kureha Matsuzawa in chapter 2: 5.

Total of episodes written by Michihiro Tsuchiya in chapter 2: 3. Total of episodes written by Deko Akao in chapter 2: 3. Total of episodes written by Naohiro Fukushima in chapter 2: 3. Total of episodes written by Kimiko Ueno in chapter 2: 2.

Chapter 3: Terastal Debut

To be added.

---

General stats:

Total of episodes written by Dai Sato as of the end of chapter 2: 7. Total of episodes written by Naruki Nagakawa as of the end of chapter 2: 8. Total of episodes written by Kureha Matsuzawa as of the end of chapter 2: 12. Total of episodes written by Muga Takeda as of the end of chapter 2: 4.

Total of episodes written by Michihiro Tsuchiya as of the end of chapter 2: 5. Total of episodes written by Deko Akao as of the end of chapter 2: 4. Total of episodes written by Naohiro Fukushima as of the end of chapter 2: 3. Total of episodes written by Kimiko Ueno as of the end of chapter 2: 2.

---

General writer notes:

Dai Sato is the main writer and the one who handles the series composition (some clarification here).

Kureha Matsuzawa, so far, is the most prolific writer of individual episodes (12 episodes written as of the end of chapter 2). He is also listed as the script coordinator of the series.

As of chapter 2, two script writers joined (Naohiro Fukushima and Kimiko Ueno).

Chapter 1 has the most episodes written by the core writers.

---

Chapters opening and climax:

Chapter 1's debut episodes (HZ001 and HZ002) and climax (HZ024 and HZ025) were written by Dai Sato (main writer).

Chapter 2's debut episode (HZ026) and climax (HZ044 and HZ045) were written by Kureha Matsuzawa (script coordinator).

Chapter 3's debut episode (HZ046) was written by Dai Sato. ---

Plot-related stuff (Six Heroes, Lucius, Terapagos, Explorers):

The episode with Oliva joining the group and the first Lucius appearance, as well as Liko and Roy reading the story of the ancient adventurer (HZ012), the one with Galar Fire joining the group and Lucius appearing (HZ023), the one which introduced Lapras (HZ031) and with Lapras joining the group and Lucius appearing (HZ032) were written by Kureha Matsuzawa. So far, he seems to be the writer handling the episodes with the Six Heroes joining the group and the Lucius appearances.

However, the build up episodes introducing the Six Heroes can be handled by other writers. The episode which introduced Oliva in the forest (HZ011) was written by Naruki Nagakawa. The episode which introduced Galar Fire in the mines (HZ022) was written by Muga Takeda.

The episode with Terapagos appearing for the first time (HZ001, HZ002), the episodes showing Terapagos's true form in Lucius's memoirs and with Terapagos reacting to Amethio (HZ024), the episode showing Terapagos's Terastal form (HZ033) were written by Dai Sato.

The episodes with Rayquaza coming out of Roy's Ancient Pokeball (HZ006), showing up at the end of the episode in which Lapras joined the group (HZ032), and appearing in the climax of chapter 2 (HZ044, HZ045) were written by Kureha Matsuzawa. The episode with Rayquaza battling Terapagos (HZ033) was written by Dai Sato.

The Explorers episodes (with the characters from the organization physically appearing), so far, are exclusively written by the core writers.

---

Pokemon captures and evolutions:

The episode in which Liko met Nyahoja (HZ001) was written by Dai Sato. The episode in which Nyahoja evolved into Nyarote (HZ045) was written by Kureha Matsuzawa.

The episode in which Liko met Mibrim and caught her (HZ021) was written by Naruki Nagakawa.

The episode in which Roy met Hogator (HZ004) was written by Dai Sato. The episode in which Roy actually caught Hogator (HZ006) was written by Kureha Matsuzawa.

The episode in which Roy met Kaiden (HZ013) was written by Kureha Matsuzawa. The actual capture episode (HZ014) was written by Muga Takeda.

The episode in which Dot caught Kuwassu (HZ016) was written by Naruki Nagakawa.

The episode in which Dot met Kanuchan and caught her (HZ039) was written by Naohiro Fukishima.

The episode where Friede narrates his meeting with Cap (HZ018) was written by Kureha Matsuzawa.

---

Pokemon joining the ship:

The episodes in which Potdeath and Yabacha (HZ030) and Ikkanezumi (HZ038) joined the ship were written by Deko Akao.

---

Last edited: May 7, 2024

#hz masterlist #hz writers #episode notes #i'll try to edit this in the future to organize and keep track of things

[dear-indies]

Hiii! I hope that you're having a day. I won't say good because of all that happens in the world, it cannot be a good day for anyone who cares.

In the midst of all this, between staying informed and sharing what I know, I'm looking for a bit of a temporary solace through roleplay.

Could you please share with me your favorite short-haired Japanese women? Any age, but 30+ would be appreciated! Thanks a lot.

And if you can't, that is perfectly fine.

I hope your day goes on alright, and that everyone you meet masks up and cares as much as you do.

Yo Kimiko (1956) Japanese.

Suzuki Honami (1966) Japanese.

Harada Tomoyo (1967) Japanese.

Suzuki Kyoka (1968) Japanese.

Horiuchi Keiko (1971) Japanese.

Matsuyuki Yasuko (1972) Japanese.

Fukatsu Eri (1973) Japanese.

Yonekura Ryoko (1975) Japanese.

Nakatani Miki (1976) Japanese.

Hasegawa Kyōko (1978) Japanese.

Fukushima Rila (1980) Japanese.

Sato Nori (1984) Japanese.

Ueno Juri (1986) Japanese.

Watanabe Anne (1986) Japanese.

Sonoya Mizuno (1986) Japanese / English, Argentinian [likely including French].

Shinoda Mariko (1986) Japanese.

Nakamura Anne (1987) Japanese.

Kana Oya (1987) Japanese Brazilian / Brazilian.

Takahashi Ai (1986) Japanese.

Toda Erika (1988) Japanese.

Miyazawa Emma (1988) Japanese.

Miyagi Mai (1988) Japanese.

Omoto Ayano (1988) Japanese.

Fujii Mina (1988) Japanese.

Horan Chiaki (1988) Japanese.

Kiritani Mirei (1989) Japanese.

Tricia Fukuhara (1991) Japanese.

Kutsuna Shioli (1992) Japanese.

The fact you were so kind made me want to answer this straight away. I hope these are useful and that you're having a day too. 💌

#fc help #rph #rpc #japanese fc

[rikeijo]

Today's translation #39

Back to Sayo's interviews!

I don't know why I haven't noticed it before but the very first Sayo's interview from Pash! 05/2017 is exactly the same interview that is included in Go Yuri Go!!! official fanbook. There are however two additional questions, so I translated them as an appendix to the fanbook interview.

Q: Please tell us about the live reading event [Yuri!!! on Stage] that is scheduled for April 29th!

Me and Kubo-san has compiled ideas for the story, but I managed to get Ueno Kimiko-san to write the screenplay for us - even among all my colleagues, she's the person who can write the craziest stories. We have worked together on Space☆Dandy (2014), but I heard she's watched Yuri!!! and enjoyed it until the end. I think the event's story is probably going to be wild (laugh).

Q: Please tell us also about what are we going to see from Yuri!!! in the future.

The extra footage added to the last DVD/Blu-ray and Kubo-san's manga, a bonus for those who bought all DVDs/Blu-rays are amazing! You'll hear about the details very soon, but I think especially fans of Yurio and Otabek will be very happy. Also, we added footage of voice over recording of Stephane Lambiel who appeared in the last episode. This is a very precious footage taken by me with an iPad during voice over recording! Hiramatsu Tadashi-san (character design, animation director) and Ito Noriko-san (animation supervisor) are currently working very hard on making revisions to the last two episodes and are redrawing an absurd number of frames. There isn't even a single Victor frame where he doesn't look beautiful in the DVD/Blu-ray version. In general, this version is quite well brushed up! Also, there are moments when the relationships between characters may perhaps seem a bit different in this version. So if you are still wondering if you should get it, I'd say you should! Thank you very much!

(Notes:

Quite funny how much Sayo was avoiding interviews! Her interview from Febri is also used like at least 3 times in 3 different places… xD

Of course she was ultra busy - majority of YoI fandom seems to think Kubo is the main creator of the show, but Kubo herself said that she didn't participate that much in the process of actually animating the final version of the show…

Still, if you ask me it's quite clear Sayo wasn't very thrilled to talk to otaku magazines lol. The longer, more in-depth interviews were published in much more fancy art/culture kind of magazines (Febri, Kikan Esu). The Pash! interview was published in April 2017, and first Kubo interview is from September 2016… It means Sayo managed to avoid giving any interviews for around 7 months XD

I love her sm ✨)

#yuri on ice #yoi translations #yuri on ice translation

[hybridreviews]

TIME of the SEASON Spring 2024 Edition: ASTRO Note

If a poodle tries to attack me twice, they're getting the spray bottle.

*sees first 2 minutes of this* Hmm, this looks like some freaky sci-fi shit going on here. *the middle* Or maybe not. *the near end* Wait…. What?! This is Astro Note. Chief Director: Shinji Takamatsu Director: Haruki Kasugamori Series Composition: Kimiko Ueno Storyboard: Shingo Yamashita (OP) Music: Kōhei Munemoto Original Character Design: Eisaku Kubonouchi Character Design: Maho…

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#Anime #Astro Note #comedy #Crunchyroll #first impression #sci-fi #slice of life #Spring 2024 #Telecom Animation Film #Time of the Season

[tomorrowedblog]

Delicious in Dungeon premieres today

Delicious in Dungeon, the new TV series from Yoshihiro Miyajima and Kimiko Ueno, is out today.

After his younger sister Falin is eaten by a Red Dragon, adventurer Laios and his companions brave the dungeon in a bid to rescue her.

#TV #DeliciousInDungeon #News

[gameforestdach]

Die Anime-Welt ist in heller Aufregung, denn Delicious In Dungeon, basierend auf dem beliebten Manga von Ryoko Kui, wird am 4. Januar 2024 auf Netflix Premiere feiern. Diese Serie, die Elemente von Fantasy, Abenteuer und kulinarischer Entdeckung miteinander verbindet, verspricht, eine erfrischend einzigartige Bereicherung für das Anime-Genre zu werden. Die Handlung In einer fantastischen Welt voller Dungeons und Monster erzählt Delicious In Dungeon die Geschichte von Laios, einem jungen Abenteurer. Nachdem ein Drache seine jüngere Schwester verschlungen hat, begibt sich Laios zusammen mit seiner Raubgruppe auf eine gewagte Mission, um sie zu retten. Doch sie stehen vor einer bedeutenden Herausforderung: Sie haben den Großteil ihrer Vorräte verloren und können es sich nicht leisten, neue zu kaufen. In einer kreativen Wendung beschließt Laios, all ihre Nahrung aus dem Dungeon selbst zu beschaffen, einschließlich der Monster, denen sie im Kampf gegenüberstehen, was zu einigen ungewöhnlichen kulinarischen Kreationen führt. Das Kreative Team Produziert vom renommierten Studio Trigger, bekannt für ihre Arbeit an Hit-Serien wie Kill La Kill und Cyberpunk: Edgerunners, wird erwartet, dass die Serie lebendige und dynamische Animationen zeigt. Zum talentierten Team gehören Regisseur Yoshihiro Miyajima, Drehbuchkoordinatorin Kimiko Ueno, Musikkomponist Yasunori Mitsuda und Charakterdesigner Naoki Takeda. Die Besetzung Die Serie verfügt über eine vielseitige Besetzung, zu der Kentaro Kumagai als Laios, Sayaka Senbongi als Marcille, Asuna Tomari als Chilchuck, Hiroshi Naka als Senshi und viele andere gehören, die diesem abenteuerlichen Märchen Leben einhauchen. Internationaler Simuldub In einem Schritt, der Netflix' Engagement für eine globale Reichweite unterstreicht, wird Delicious In Dungeon in einer Reihe von Sprachen verfügbar sein. Der internationale Simuldub umfasst Englisch, Spanisch, Portugiesisch, Deutsch und weitere, wodurch die Serie für ein breites Publikum weltweit zugänglich gemacht wird. Musik und Themen Die Serie wird einen Endsong "Party!!" von Ryokuoushoku Shakai und einen Eröffnungssong "Sleep Walking Orchestra" von BUMP OF CHICKEN präsentieren. Diese musikalischen Elemente sollen die abenteuerliche und fantastische Atmosphäre des Animes verstärken. Ausstrahlungsplan Die Serie wird in zwei aufeinanderfolgenden Cours von Januar bis Juni ausgestrahlt und bietet den Zuschauern eine ausgedehnte Reise in ihre fesselnde Welt. Fans des Mangas und neue Zuschauer können eine Mischung aus Action, Komik und ungewöhnlichen kulinarischen Erlebnissen erwarten. Fazit Delicious In Dungeon sticht als vielversprechende Ergänzung zum Anime-Repertoire von Netflix hervor. Mit seiner einzigartigen Mischung aus Genres, kreativem Team und internationaler Zugänglichkeit ist es prädestiniert, ein breites Publikum zu fesseln und verspricht sowohl spannende Abenteuer als auch einen Geschmack des Ungewöhnlichen.

[kamenstrikerace]

Episode 84: 働かざる者 – Hatarakazaru Mono (Those Who Don’t Work) “Nice shot!” A basketball hoop shouts out of nowhere. As it turns out, it’s a friend of Mitsuko from the Three-Meter Planet, Kago Tamako, who is also known as Big Sis Basketball Hoop. Both her and Mitsuko are acting strange, so in order to snap them out of it, Yuamu and Epoch challenge them to a two-on-two Duel!

Script: うえのきみこ || Ueno Kimiko Storyboard: 橋本直人 || Hashimoto Naoto Direction: 渡辺純央 || Watanabe Sumio

Episode 85: 時空教室 – Jikū Kyōshitsu (Spacetime Classroom) Yuhi and others wake up in an unfamiliar classroom. Gathered in there are the 39 people who have realized the truth about the Kuaidul Spacetime. Meanwhile, Yudias and Kuaidul are outside the classroom. The two of them begin a Duel, with the freedom of the 39 people trapped in the classroom at stake!

Script: 野村祐一 || Nomura Yuichi Storyboard: ワタナベシンイチ || Watanabe Shinichi Direction: 西村大樹 || Nishimura Daiki

Episode 86: 炬燵の乱 – Kotatsu no Ran (Kotatsu War) Ange, Liem, and Karen are now following Phaser around and calling themselves the Phaser Girls. They’ve been like this ever since the Kuaidul Spacetime was created. Having been robbed of his secretaries, Tremolo challenges Phaser to a Duel, with the MIK Commander position at stake. Thus begins what is known as the Kotatsu War!

Script: 山田健一 || Yamada Kenichi Storyboard: 河本昇悟 || Komoto Shogo Direction: 水野健太郎 || Mizuno Kentaro

Episode 87: どうするユウディアス – Dō Suru Yūdiasu (What Will You Do, Yudias?)

Script: 樋口達人 || Higuchi Tatsuto Storyboard: 高山智也 || Takayama Tomoya Direction: 佐々木雄三 || Sasaki Yuzo

GO RUSH!! Eps 84-86 Summaries + Ep 87 Title

#yugioh #ygo #yugioh go rush #ygo go rush #go rush

[otakunews]

Eternal Boys Tập 9: Bình Minh Của Ishida Naoki

Eternal Boys Tập 9: Bình Minh Của Ishida Naoki

Bộ anime Nhật Bản này, “Những Chàng Trai Vĩnh Cửu,” được lấy cảm hứng từ Manpuku Gein Production. Liden Films và các nhà sản xuất đã sản xuất loạt phim này, với Migimi đạo diễn và Kimiko Ueno viết kịch bản. Phim được công chiếu lần đầu vào cuối tháng 10 năm 2022 trên Fuji TV, một mạng nổi tiếng của Nhật Bản. Người hâm mộ đang mong muốn biết ngày phát hành của tập 9, vì vậy sau đây chúng tôi sẽ…

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#Eternal Boys

[geekcavepodcast]

Delicious in Dungeon Trailer

Eat or be eaten. A group of adventurers are heading to the deepest reaches of a dungeon. Laios' younger sister Falin was eaten by a Red Dragon and he and his companions are trying to rescue her. They will eat delicious meals along the way.

Studio Trigger's Delicious in Dungeon is based on the manga series by Ryoko Kui. Yoshihiro Miyajima directs the anime. Kimiko Ueno is in charge of story editing. The characters are designed by Naoki Takeda. Music is by Yasunori Mitsuda.

Delicious in Dungeon streams on Netflix in January 2024.

#delicious in dungeon #ryoko kui #studio trigger #yoshihiro miyajima #kimiko ueno #naoki takeda #yasunori mitsuda #netflix #TGCLiz #Youtube

[auditory-margarine]

#The Garden of EDEN #Kevin Penkin #Eden #Sara Grace #Yasuhiro Irie #Kimiko Ueno #Justin Leach #エデン

[amelikos]

Some observations on the writers of the upcoming episodes of the anime, to keep track of things. Vague mention of what happens in upcoming episodes but it's nothing we haven't seen in the new year previews. Though if you don't want to know things happen in which order, don't read below!

Two of the upcoming episodes's screenplays (HZ036 and HZ039) are handled by the same person. Naohiro Fukushima had never worked on the anime before and the first episode he worked on was HZ029 (the Orio and Karna episode). Given how HZ036 and HZ039 will have a focus on Dot on some level (or at least from how things look right now, ep 36 seems more about the kids in general, though it's Dot who received a request from a listener) and are written by the same person, I wonder if HZ036 will set up something for Dot that will have a payoff in HZ039? I am interested in seeing how Dot will be in Naohiro Fukushima's episodes though! And I wonder if he'll focus on Orio again in the future.

Also, interestingly, Naohiro Fukushima and Dai Sato (the one who handles the series composition for Horizons and wrote several screenplays for different episodes) both worked on a few similar series in the past (Eden of the East, Mysterious Joker, for example).

Kimiko Ueno will be in charge of HZ037. She has never worked on the anime before either, so this will be the first episode she writes in the series. I am curious to see if she'll be more involved in some episodes in the future! I am familiar with some of her scripts in YGO (Sevens and Go Rush) which have a crack-ish tone to them sometimes, so I wonder how she'll go about things in Horizons.

Kimiko Ueno and Dai Sato also both worked on a series together in the past (Yurei Deco, for example).

Overall, it's interesting seeing new names in terms of screenplay for the anime! Chapter 2 has brought Naohiro Fukushima and Kimiko Ueno as new writers so far.

#episode notes #hz writers

[otakutale]

New Visual & Trailer Revealed for Netflix Original Anime Eden

https://wp.me/p4jiOt-chC

Media streaming platform and publisher Netflix has unveiled a new trailer and visual for their upcoming original anime Eden. The…

#2019 #2020 #anime #CGCG #Christophe Ferreira #Clover Xie #Eden #images #Kevin Penkin #Kimiko Ueno #Netflix #original anime #Qubic Pictures #Toshihiro Kawamoto #trailer #video #visual #Yasuhiro Irie #エデン