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delphinus-dancer · 6 months

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A deep dive into a swan lake and flipping the (metaphorical, sadly) bird:

A Mihaly-centric view of JD 2024 story mode

(because they’re my favorite and I’ve thought about this way too much over the past few days weeks) Spoilers for JD 24 in the almost-essay under the cut, including some images!

Starting off with Mihaly’s first appearance in the story mode in Canned Heat, it seems like not too much time has passed since the end of jd23- Sara seems to be at the same party, Jack still at the tower, etc. (how Brezziana got to the beach that fast and had a workout class is something I’m going to guess was preplanned before everything went down).

We can assume this would be the first time Mihaly’s come back to their room since then (which makes the idea of Wanderlust FaceTiming everyone like 5 minutes after they left even funnier). Of course there’s the shot of Mihaly ripping the poster off the wall, which probably puts their feelings into words better than anything else within an E10 rating. <Side note: I don’t know much on lore but does the setting mean there’s a chance they’re from Eternyx? Both maps started in dark crowd/nighttime so wasn’t sure if confirmed or not>

While Sara has the spot pretty much clinched for a Night Swan’s foil, Mihaly is a really close second. This shot literally puts it into perspective- Mihaly’s color scheme has as many color elements of Master Panda’s (shirt/jacket/foot wraps) as it does Night Swan’s (hair-that-perfectly-matches-the-poster/ gold of headphones and glasses/pants). Their dance style also overlaps moreso with hers than the other dancers, with the precision and technique of their moves, from the footwork and leaps of Rather Be to the dramatic powerful motions of their Swan Lake part. It’s pretty obvious who the song is directed to, and what makes the song so interesting compared to their last story mode one is how loose it feels. This is unlike their usual technical style because of the connection to Night Swan with the control demanded of certain moves that they’ve presumably mastered- maybe they were fueled by a desire to achieve her success. Regardless, the song and emotion fueled, less ‘perfect’ dance lets Mihaly basically flip the bird at Night Swan’s corrupted idea of perfection. Either way, it culminates in them achieving a new high in their training with channeling their ‘true’ inspiration of the (master) panda. Although they retain most of their same costume after sort of becoming a furry?, a noticeable change is that the black leggings are understandably switched to something looser- but to the navy color of master panda instead of Mihaly’s black.

What’s also interesting is that the specific point Night Swan interrupts Mihaly’s song isn’t at the beginning like Brezziana/Sara/Jack’s or the very end like Wanderlust, but at the climax of their journey for the song. Not only does this imply that she may have been watching the entire time but choose to interfere later, but she is also the only character to see the Panda form before Swan Lake.

As Night Swan basically invades Mihaly’s //mind/headspace/flowspace?/no idea on the lore// they initially try to fight her off, but unlike Brezziana in her map, don’t fight until the end. Although Mihaly themselves wasn’t being corrupted like the background coaches in Brezziana’s map, they still let themselves, in a sense, lose a more internal battle to Night Swan as they leave the metaphorical and literal height of their understanding and power in the Flow and come back to the real world.

This then takes us straight into Swan Lake, which is really interesting for the Night Swan/Mihaly interactions and how they compare to the other dancers. Although from a format standpoint it makes sense for the movements in the bridge to be different, there are more differences too.

A big one that I only realized once I watched Majesty again is how the other swan soldiers/minions were turned back- and that was mainly by doing the same moves to ultimately come together and bring the dancers back. Here it’s the opposite for effectiveness- what causes Wanderlust and Brezziana to fail is that they think that’s how to stop Sara. Sara matches the moves in a way that <well> matches, if not surpasses the power that they put in. As a result of meeting them head on and assuming control, Sarah actively corrupts the two of them. She makes motions to bring in the smoke, and both of them also are stationary/surrendering as their color drains.

When it gets to Mihaly, the dynamic with Sara changes completely. While Sara starts off watching with the same expression as when the others challenged her, it shifts as she realizes she can’t emulate what Mihaly does, with the movements almost like Night Swan’s-dramatic and slower. It comes to a head when Mihaly channels the panda again and visibly knocks Sara back, so she’s unable to push any of the smoke towards them.

Sara’s expression also becomes noticeably softer for the rest of Mihaly’s part, and she doesn’t reassert that dominance/control she had earlier- with dancing or the smoke. See how she looks almost pensive in the photos above/below, especially compared to the earlier parts.

Speaking of the smoke, this is the key part about Night Swan seeing the panda earlier. She knows it exists and how to force it off after the earlier song, and as Sara is incapacitated/distracted, she presumably sends down the smoke that starts attacking Mihaly in Panda form.

This attack is why despite having a chance to get through to Sara, Mihaly still ends up failing as they return to normal. However, they are the only character to be so dynamic in their active corruption. Not only does Mihaly manage to send a signal out to Jack, which was a display of power never seen from them previously, but they also do it as they are actively losing their color and control. Unlike the other dances, Mihaly still moves as they lose control, possibly having the strength to continue to fight had they not realized that Night Swan was attacking alongside Sara.

Although the signal is in the shape of a pawprint, its underlying meaning is more than just a plot device to send Jack on a wild goose chase (pun intended that I couldn’t pass up). With the way it opens to form a window into the location from such a distance, it almost seems to be a step away from a full fledged portal. With the sudden appearance of a new power, it’s also an interesting parallel to Night Swan, who here uses powers to create a unique form of control that wasn’t seen in the previous game and who regularly uses portals with her magic.

Another note is the lights that appear for each of the dancers in the upper left corner during the song as they take on Sara. While Brezziana and Wanderlust’s fade out a few moves before they fall, Mihaly’s still goes strong even as they completely turn grey, as seen the the photos above. This could be a possible indication to them having a more stable power than the other dancers, or a form of magic more comparable/competitive with Night Swan’s. Also to note about the lights: looking on the floor during the song, the diamonds flash 3 colors: hot pink (Night Swan), a deep green (Sara, especially while corrupted- her original outfit but darker), and a teal (the exact same color as Mihaly’s flow energy). Like everything else, this is a stretch, but it could possibly mean that Night Swan’s control and magic background could have stemmed from a pure form of flow like Mihaly practices.

This could also be a factor in why they retain the most of their original outfit in the corrupted design- possibly a form of resistance like they displayed during swan lake or general flow magic? Notice that while they have significant changes to their robe/face/accessories, their feather motifs are much less pronounced than the others, simply appearing as marks on the robe that can be mistaken for stripes, rather than overt feathers like Wanderlust/Sara or Sara/Brezziana’s feather tights. Unlike the others, Mihaly keeps their leggings exactly the same (which were notably lost in the panda form, as mentioned earlier), and interestingly enough, their wraps. I initially thought that Night Swan would have changed that to something like ballet slippers with ribbons, so I think it’s really interesting that they are the only dancer who had any details remain exactly the same, especially one that had unique opportunities to be changed.

Going off of that, since they were the last to turn and have (some?) control over their outfit and (some?) magic that may be similar to Night Swan, I could see them being the first/easiest coach for Jack or someone else to turn back when he (hopefully) takes on the coaches.

One last note is the number of maps per story mode coach at this point. Counting Stronger /Survivor, and Treasure/Lose Yourself (hopefully coming soon after that ending!), that seems to be setting a trend for the other coaches to potentially have an additional map as well. If so, maybe that would be one where Mihaly could individually be freed, or a chance for them to further explore their rapidly developing powers (maybe in a confrontation with Night Swan?? a girl can dream).

And there y’all have it! Thank you for somehow reading to the end!! Happy dancing!!

this took forever oh my god

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