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#just because he calls you his consort instead doesn't change that fact
museofvoid 17 days
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I saw someone on tiktok the other day make this completely backwards take about ascended Astarion and I thought I could ignore it but no I need to talk about it, because what????
So if you've romanced Astarion, in the scene you get after ascending him you can get this line if you manage to read his thoughts.
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And what this person was saying, was basically how this means Astarion hates himself so much for what he's done! That he thinks so little of you for still wanting to be with him!
And I just. What?!! NO. That's not! What that means!! Hello??!
It means he thinks himself better than you! It means that he holds the power in the relationship and always will! He knows this, and if you choose to stay with him it means you know it too!
The only reason he's even giving you a choice is because he can't force you into it at that point. If you try to break up with him after you've beaten the game he literally won't let you! Because he has full control over you!
I'm sorry this literally shouldn't be hard to understand????
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darkpoisonouslove 1 year
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Erendor/Samara because I鈥檓 interested 馃憖
And Marion/Oritel purely for self-indulgence 馃槆
Lmao sticking to canon is going to be a challenge considering how little screen time they have. And I mean both couples here.
Erendor x Samara:
1) I'm going to go with an educated guess here and say that they probably had an arranged marriage considering their stance on Sky's engagement to Diaspro and the fact that arranged marriages are totally still a thing as we've seen. I like that about them because they're clearly not head-over-heels in love but they seem very compatible (both in 2x14 and later in s5). Arranged marriage is one of my fave tropes and I think all iterations are interesting. Usually, though, my ships fall into the "hate at first sight that grows into begrudging love later" but they are a more middle-ground version. They're not bursting at the seams with love but aren't also particularly uncomfortable with each other which works very well for them as characters, I think. That would tie perfectly into their insistence on the marriage between Sky and Diaspro because they've grown to feel content in their marriage (so Sky should too) while at the same time they don't understand his passionate feelings for Bloom (because their situation is different).
2) Honestly, I've kind of grown to find how horrible they are funny. Like, Brandon and Bloom (in particular) don't deserve the dismissal and downright resentment that they get from Erendor and Samara but their intolerance and entitlement can also be quite funny. Especially since they've both had a couple more graceful moments which just means that they choose to completely suck about 98% of the time. Those better moments in particular are what makes them work as awful people for me because it feels like it was a deliberate choice made for their characterization. I am aware that it most definitely was not. Their characters specifically are literally just what works for the plot but the show of positive traits makes them feel more nuanced. It feels like there's something that could be explored with their characters instead of them just being hostile to Bloom simply to amp up the drama with Sky's arranged marriage. With good writing you can actually make them feel like complex people.
3) I LOVE the implication in Magical Adventure that Erendor just felt so guilty for betraying his alliance with Domino and the consequences this would have for the relationship between him and Samara. In 2x14 she's actually the one who's more antagonistic towards Bloom so I don't imagine she is fond of anyone from the Domino family. Having Erendor walking around like he's a ghost himself just because of his broken promise to Oritel would have probably annoyed her heavily to say the least. But then on the other hand, there's the fact that Samara is pretty much the only sane person in s5 (which was certainly A Choice) and she's the one who's more understanding of Sky and Bloom's relationship. It doesn't lead to tension between her and Erendor but I love the idea that it could. That is to say, their good character traits seem to be in total disharmony which leads to the funniest fucking implication that the only way they can remain compatible is to be on their worst behavior, always. Which, in turn, supports the idea that they are in love because, as I already pointed out, they are totally awful at least 98% of the time.
Did you expect all three points to come together in an essay-like meta because I did not?
Marion x Oritel:
I'll try to be short here because I put too many brain cells into the previous ship.
1) Love that Marion is the one with the Dragon Fire while Oritel is barely implied to have any magic. Extremely sexy of them. (Also, when the maids referred to them as "Your Majesty" and "Your Highness" in SotLK, they were talking to Marion first and she's who they referred to as "Your Majesty" because Oritel is just a consort even if they call him a king; you can't change my mind.)
2) Having a baby during a magical war? Iconic. On a serious note, though, I'm 100 000% certain that that was extremely hard on them both from an emotional and tactical point of view. It adds a lot of depth to their characters (or would if they had fucking bothered to give them any attention whatsoever) to know that they weathered the stress and dangers during the pregnancy only to then sacrifice themselves to save the Magic Dimension. Like I said, iconic.
3) Okay, this actually pretty directly goes against canon (5x12) but who can tell me that they aren't totally in sync in battle and practically know what the other one is thinking? Just try to convince me that that's not the case. They are totally battle mates and a power couple and their teamwork is pretty much unmatched. They are absolutely NOT each other's weak spot; in fact, the only way to defeat them is to separate them because their love for each other just gives them too much power.
Would you look at that? I can actually keep things short!
send me a ship and I鈥檒l tell you three things I like about it
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horizon-verizon 10 months
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re: Laena and Daemon鈥檚 treatment of her.聽
I think the fandom tends to shift the blame for Laena, Baela and Rhaena being neglected onto Daemon instead of the writers/showrunners.聽
In their quest to make him as irredeemable as possible, the writers severed him from his positive relationships with non-Rhaenyra people. This negatively impacted his relationship with his Black wife and Black daughters.
The writers are quite possibly racist and anti-Black. We see it in the treatment of Mysaria, Laena, Baela and Rhaena.
However, the blame does not rest solely on them, the fandom is also racist, and they enjoy their fantasies about Laena and how she鈥檚 a Black seductress/Jezebel, who could not steal him away from his great white聽love.
They constantly champion the Driftmark scene where Daemon ignores his bruised, bleeding daughters and only moves when he sees Rhaenyra might be in danger, as a sign that Rhaenyra is the only woman he will ever love.聽
Response to this post.
I agree. I'll say something else about a thing I said: about HotD making the Velaryons/their scions Black and even though I do think canon!Daemon had a more passionate regard for canon!Rhaenyra is more than the canon! Laena, it is very true that many white or non-Black ASoIaF fans tend to disregard the dragon twins from just their names and shift it onto Jaehaerys and Jaehaera OR full out calling them "monkeys" and delighting in fantasies of their mistreatment or abuse. Ironic because it still has a different flavor to the fantasies of Rhaenyra's sons dying horrible painful deaths.
Then you may have art leaving them out of what was called "family" portrait as if the twins are not blood-related to Rhaenyra as her first cousins and to-be wives of her sons, and would-be mothers to her grandkids. Stepchildren who she raised alongside Daemon and helped develop into the young girls and women they eventually become, thus are her kids.
And to leave it at how the canon relationship may "support" the idea that LaenaxDaemon was an inferior relationship to Daemyra can effectively encourage racism against show!Laena. Because we already 1) face people mixing canon and show lore, cherry-picking facts, etc., 2) some events and how they went down aren't messed up too much in the show, HotD, and the original stories still yield a collective significance, and meaning to viewers of both book readers and show-only watchers. We're never going to get out of this rut until every person is as dedicated to reading the stories as much as a book reader, pondering for hours about characterizations and implications of some monarchial declarations and actions in the world.
*EDIT (forgot to add this)* Yeah show!Laena is black/PoC unlike canon, but I think that it is not her becoming black and then continuing with the Velaryon-suffering already in the original story (thus making as if there was racism when it is supposedly just the writers overlooking the optics once race is changed). We shouldn't pretend that the show!Velaryons have the exact same treatment or events happen to them in the same ways as in canon.
The writers did make some changes regarding how the Velaryones acted and the events surrounding them:
Laena gets that self-immolating treatment (a common wife-riddance social tool in some cultures' literature and actual history) when dragon riders actually don't die often in fire nor is that even a desired death by anyone in canon. It's simply a flashier way to go and to provoke watchers while giving more pain to an already dying, lonely woman (as she wasn't surrounded by loved ones like in canon, and in Driftmark her childhood and ancestral home).
Laenor got punched up by a Kingsuard while becoming the next Prince Consort of a ruling Queen, and yet doesn't recompense through Criston's exile or death.
Laenor loses his lover to a nonsensically-allowed outburst of rage from Colon in the midst of his engagement feast. In canon, Choler kills Joffrey in what could be reasonably excused, at least, during a melee, where anyone could get killed in a competitive fury. Thus Cholera escaped death and punishment that way.
And then some scenes they should have included. One is Laena bonding with Vhagar in her preteens, which would have provided its own significance being contrasted against Aemond's bonding moment with Vhagar. We get a clue that she used sailing rope to climb onto the dragon's back, but we do not see scenes of her getting to this point using her wits. We do not know how she avoided her caretakers to visit Vhagar or maybe how Rhaenys guided her into approaching Vhagar and teaching her commands or such. (We do not know how she processed possibly being married to a 30+ man, how the Velaryons broached that with her, either, and with Aemma's unnecessarily violent birth scene that centers Viserys' emotions more, this part especially reveals the writers' lack of concern for female character's development as they should writing a woman's story.) Laena's bonding with Vhagar contextualizes and makes real the visible mourning the show makes Vhagar have AND works to show why & how she came to be so loved by Rhaenyra and Daemon on her own merit.
Removing Laena from their lives or subduing that bond really just reduces the emotionality of all three characters, the bonds they had with each other, remove the reason why Rhaenyra announced that her sons would marry Laena's daughters and makes it seem more about politics than a blend of that and genuine love (thus a loss in complexity that is pretty inherent to these characters' family lives)
Which is very much a change. A downgrade and misunderstanding of the canon. The Dance was a war incited by many moments where the respective sides grew more and more suspicious of each other from domestic issues and misogyny-- "small" events of pointed insults or court-group censure, hidden meetings for plots, etc. and then there would be what we had with Laena, Rhaenyra, and Daemon where the life they had for a short while nonetheless created a stronger base not just for rhaenyra but all her kids. why wouldn't we want to see how the blacks/rhaenyra and Daemon's "blended" family operate and how each kid developed over the years to anticipate how they would act during the war itself? (Esp for the non-book readers coming into this story for the first time). *END OF EDIT*
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