sometimes its crazy to think about how wtnv is narrated by a character created to represent the very things it creates satirical commentary about. how cecil functions as an unreliable, and often wrong/problematic narrator.
a man whose emotions/ bias completely effect news/facts, whose strong opinions and narratives are assumed to be fact because he is for the most part all we hear and we as the listener are not given other povs (and when we are they usually discredit/offer insight to only part of the picture cecil has painted), his blatant lack of moral objectivity, how some of his opinions/actions alter depending on who they effect (carlos, janice, steve etc)
his character has been created to be so likable, and YES i know its a show, but its weird to think about whether or not I’d like him if he was a real broadcaster. he is SO biased and Such a brat and yet i love him. And that makes my brain itch. like.. its so interesting that the content AND structure of the show are both commentary. It tricks you. you love and believe man who is constantly lying to you, or at least, you think he is, but you're never really sure, because hes likable, you know? the relaying of information and how that gets distorted? v cool
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okay, so im super tired right now but i need to get these thoughts out. this includes manga spoilers.
i think gojo is a delightfully complex character. like, not only does he have a personality and design that makes him intriguing, but he is also misleadingly overpowered. i genuinely believe that he’s one of the most interesting characters ive read.
now... maybe i spend too much time thinking about him. BUT in that time i’ve spent, i kinda think that while yes... he’s hot and funny... he’s also profoundly sad.
gojo satoru is a tragic character.
i think that because gojo was born with the limitless technique, as well as the six eyes, he has never experienced real humanity. from the moment he was born, he was revered as something more than that. i think that is profoundly tragic.
i mean setting aside the trauma of several attempted assassinations as a child (if we can really even do that), he has also been shown and told time and time again that he is the strongest. gojo doesn’t know what it’s like to lose and as a result, i don’t think gojo knows who he is at all because loss is a fundamental part of identity.
it’s pretty clear his personality is a result of being the strongest, but i think it goes so much deeper than just being cocky. gojo was genuinely born on a pedestal and he doesn’t know anything else beyond that. his confidence is a result of YEARS of adults and peers TELLING him that he’s the strongest. his personality is an amalgamation of all of the things he EXPECTS someone who is the strongest to do. but i think he lacks a sense of self that is necessary for a person. he just is who everyone expects him to be.
i think that gojo says he’s the strongest constantly not only to convince others that they are safe (because i do think he has a good heart in that way), but to convince himself. he’s never lost, but i also don’t think gojo has ever felt like he’s won. purely because he’s been told who he is since birth and it makes his victories feel trivial because of course he’d be able to do that.
i also don’t think its a coincidence that he was such close friends with getou who, like gojo, was strong in a way that set him above his peers. the only difference there is that while gojo sits at the strongest and thus is told who he is / needs to be, getou was given little enough leeway that he was able to form his own idea of self. and that idea of self just happened to be INCREDIBLY warped. it is not purely for emotional value that getou lost his sense of humanity. he is a parallel to gojo because gojo lacks that same humanity. the humanity of loss and weakness. but where getou became warped and twisted, gojo became something of a shell that allows other people to project their beliefs onto him.
it’s important that gojo is conscious (canonically) in the seal. this is the first time he’s ever lost in a fight where he actively stepped in. before this, the only thing we really knew that he knew about himself is that he’s the strongest. now, he gets to sit in a seal and think about that loss with no one but himself. gojo, while in the seal, is essentially being forced to reckon with himself, his emotional losses, and his lack of identity as a result of his upbringing as the inheritor of limitless and the six eyes simultaneously. that is not an easy task.
gojo, as a character, has a bit of a weak mental fortitude. his wishy-washy, non-committal personality is not purely for comedic effect, but for a reason. if he doesn’t commit to something, he cannot lose. you can’t lose a bet you never make. the only thing he consistently “bets” on is what he’s been told by others (ie; the strength of his technique and the way he appears to others). he says very little about who exactly he is outside of being the strongest sorcerer. the fact that he tried in shibuya, that he actively bet on himself and then lost... is a huge disconnect for him (between self and percieved self) and one i think he has tried to deliberately avoid. gojo isn’t preoccupied with letting others down, but rather himself because his entire identity is based around something that he’s been painfully trying to convince himself is true. i (personally) think that’s the reason for his wishy-washy attitude, to avoid thinking about what he lacks. gege himself said in an interview that gojo lacks a personality. granted, gege hates gojo, but he is still the author of the series with a plan for one of his most important characters.
looking into gojo further, it’s obvious that there is something lacking and it becomes even more painfully obvious that it is a personality the deeper you look. the “gojo” we’ve been introduced to is not who he is, but rather a projection of all of the things he worries that he’s not or he’s told he should be. being in that seal, i guarantee, will have a profound effect on who he is or how he presents. we’ll be introduced to a gojo who has been forced to reckon with the fact that he was 1) robbed of a childhood and 2) robbed of an identity by way of jujutsu sorcery. this is where his relationship to getou is so telling. he’s going to come out of that box understanding, for the first time, his own humanity and subsequently, lack thereof within some of his sorcerer peers. we’ve already seen that he detests the current order, imagine what that’s going to look like when coupled with his reckoning that he, despite what they’ve told him his entire life, can lose and that that particular loss resulted in the death and injury of several people he cares about. not to mention that as soon as he does step in fully, the very same society that put him in this predicament turns their backs on him and deems him a traitor because they were threatened by the very power they idolized in him. it’s exceedingly cruel.
i think that as a fandom, we tend to simplify gojo because of his design. which is fine because obviously it’s fun, but as a result he becomes something very 2 dimensional when the fact is that he is not. this is a man who is not insecure but doesn’t have enough of a sense of self to feel secure in the first place.
and this doesn’t even scratch the surface of his emotional losses. ones that he has nEVER been allowed to process. getou especially. the fact that he was forced to kill his own best friend and then expected to be okay after? all because he’s the strongest? what they did to him, the way they put these ideals onto him only to tell him that the person they basically created is wrong... is beyond cruel. gojo was essentially treated as if his power negated his humanity (emotions especially) and now he is sealed with only himself for company by the very people who taught him to be that way. he is an indescribably tragic character.
essentially, gojo is a man without his own sense of self and a dangerous amount of power that he has never truly been allowed to reconcile.
thanks for coming to my ted talk.
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considering his heritage, how well do you think Alucard staves off his blood lust? i know he's a dhampir but he can't use his vampiric abilities without some 'juice' so to speak right? like eventually, would he have to recharge? i dunno just wanna hear you ramble about our boy
Hes going to need to feed regularly. Using his abilities will only speed up the timing of it. I think Alu is big on self control, discipline and slightly masochistic. He'll feed by necessity for the most part. Meaning, he'll drink if he's been in a fight and he's wounded. Or he's been using his abilities often.
Though he can survive on blood there will be times where he'll crave human food and will ravenously devour whatever he can get his hands on. It truly depends on his activities.
But we can't forget. Vampires are predators and that's a characteristic that dhampirs also inherit. The feeding isn't all about the blood only. It's about the hunt. So feeding regularly is easy but he's never truly satisfied unless the game is played all the way through.
But like I said, he's in control and rarely has this kind of opportunity without preying on some innocent which goes against his understanding of right and wrong.
Though, that doesn't fully dictate the different situations where his vampiric nature will show. It's in moments of adrenaline that the desire to feed will arise. Usually, these moments are sexual in nature. Physical pleasure pulls out the most carnal part of a person's psyche and it's no different for a dhampir. At these times, he'll hunger for the essence of the one he's so near. But I doubt he'd give into it unless the intimate relationship he's in is one that is serious and his lover has consented to the experience.
And don't even get me started on the act of bloodsharing 👀👀
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How do you design characters? I want to draw my own characters (or my own versions of existing ones) but I don't know how to come up with design ideas and they all end up with some variations of the same face :c
There are far more qualified people to give you advice, but the four rules I personally follow are these:
1. Embrace the 'ugly'. Make your characters look like people. This is explained very well in this post. I find perfection to be very boring in art and its becoming more and more common bc of social media algorithms and when everyone is sexy nobody is. Things we view as ‘flaws’ often make for unique character design and end up making beautiful and wonderful and sexy additions in making characters feel more authentic and realistic anyways. I always find people who look like people way more enticing than a stream lined perfection. (All v good reads!)
2. Have an idea of who your character is. The personality and story of your character should be enhanced by how they look. Constantly question why you're applying certain characteristics to your characters, and whether or not you’re coding those characteristics as positive or negative. If you’re subverting a trope, give those choices a reason.
Look at your favorite shows and see how this is applied— take Arcane for example. Jayce is supposed to symbolize strength. This is amplified by the fact that he an iron worker. Very classic design. He’s got a square jaw, broad shoulders, and is very symmetrical.
In FMAB, you’re supposed to remember the Edward Elric is a kid — despite having automail, a mean face and scary intelligence, a large part of his design is overall how small he is despite trying to be so grown up, and a big brother for Al. Arakawa pairs Ed with his huge suit of armor brother who amplifies this, while also giving Al the gentle giant trope.
If you subvert a trope, look at ATLA (excellent character designs) — Toph subverts normal characteristics of what ‘strength‘ is and is one of the most beloved characters. This works stylistically because part of her backstory discusses people underestimating her and telling her she needed protecting— she learns from blind badger moles how to earth bend— so her being a tiny blind girl who is the best earth bender who ever lived suddenly works very well. Shes barefoot because she sees with her feet. Choices and reasons.
3. Use Reference images!!! Reference!!! Reference!!!!!!!! Almost every figurative artist works from reference. Compile a big grand reference folder on your computer or phone and actually reference it. Snap a picture of people you see in a magazine, screenshot ads on some recipe website, watch videos of people talking or dancing and pause them, reference comes from everywhere! Train your brain to keep track of the stuff you find visually interesting whether its poses, clothes, settings, a face, palettes of an ad, or even other art! (its so easy now with phones!)
You aren't going to know how to draw something if you can’t picture it. I always go through my reference folder after I have an idea of what I want to draw — then I make the reference image work for me. Reference doesn’t mean you copy the image to a tee, you just use it as reference. I can push and pull features and angles once I have the base down, change positions of limbs, expressions, add or take away clothes, etc.
4. Hate to say it but you just have to keep drawing. Don’t be afraid to fail. Fuck up. Thats what sketchbooks are for. Its why I don’t often post sketchbook stuff because thats for me to fuck around in. You just have to get comfy with failing. Failing is SO important and don’t let social media think you’re the only one doing it. Take a breath, come back with fresh eyes, and try again. It’s your weirdest and most fucked up fails that create the most interesting work more often than not. And your designs might change and will grow and become more of what you want them to be! I love my old designs bc they helped me grow as an artist! I was learning then, and I’m learning now!
I went to school for painting not illustration whatever that means etc. etc. but this is my own personal artist manifesto. Embrace the ugly, give your choices reason, make research part of your art process and fall in love with failing!
I hope any of that helped, at least a little— and take what I offered with a grain of salt. ♥️
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