#it would probably have a fair bit of zoyalina too knowing me

[goblins-riddles-or-frocks]

oooohhh now u got me curious. how do you think an alarkling mentor/protégée focused dynamic a theater au would hypothetically go??

I'd probably just take heavily from a phantom of the opera esque relationship trajectory. though I think vanity or at least pride along with like hard power within the scope of the story is important enough to the darkling's character function that I wouldn't make it an outright poto au where he's like hideous and hiding in the walls lmfao. so he's probably like the artistic director of a theater company, maybe as a retired celebrated performer himself, and she's his favored up and coming actor. (for gothic value and bc there are no powers and I need something to keep me entertained I'd say like Something Happened and he stopped performing and it's a mysterious thing he's broody about. but that's not integral, I just like drama.) the first book already has like the contemporary vibes of a teacher/mentor/someone in power having bad boundaries with underlings despite the trappings of like a fantasy army. so translating that dynamic would be fairly easy, and it'd be simple to just lean into it more, where there's simply a longer period where alina is under his sway and more invested for it. he's likely exacting, again very bad with boundaries lol lmao, and promises her a lot but very conditionally. I'd also highlight the zoya rivalry in this, where she was the former favorite until alina showed up, and translate that into him actively pitting the performers against each other. and alina probably starts out some level of starstruck and apprehensive of like dfgh the red flags but keeps getting in deeper and deeper. something interesting about any sort of professional arts is that it’s SO competitive and alina particularly has like zero ambition. so tho I could see her getting into theater out of an initial genuine interest in it, to an extent, her wanting to like be the best or to just stay in the game on a career level feels like it would probably stem from wanting to keep his favor. but yeah overall trajectory, I'd probably have some sort of phantom esque thing where she does start to make it big and maybe needs him less as a result. he gets weird about it. like maybe the theater itself is seeing more success now because she got overnight famous for whatever reason and she's the one drawing audiences to him? and that threatens the power dynamic in a way that makes him volatile. hm I'd probably throw in some murders dfgh more just because it's fun. if I was planning a full on fic I'd say something related to The Incident that changed his own career trajectory comes back to haunt him. like the renewed interest means someone from the past who like Knows Something shows up and is threatening and he kills them. but the circumstances are such that he can spin it as like alina they were threatening you! this was me protecting you! (lol lmao it occurs to me that the overt connection to alina that circles around to an unknown past connection to aleksander seems most readily translatable to mal since he's the surprise morozova. but on a character level I feel like mal isn't the correct character type for the sort of Problem Causer I was picturing. I was thinking more someone that could function as a weird blackmailing creep in a vasily or apparat sense) and idk now they have to cover up this murder together while their own relationship is fracturing?

idk how I would wrap this up. she def has to learn about the Incident. whatever that is. maybe it was some tragic accident that was actually a crime/murder he committed-- hence there being any opening for blackmail. for more entertaining angst I'd say it's something with a vague degree of justifiability or tragedy. where she wrestles with being sympathetic vs maybe lets not solve all our problems with murder. and it slowly occurs to her over time that he probably did the recent murder for his own benefit too as opposed to the claim that it's all to protect her and her career. and that that's true of everything he does, everything in their dynamic is really about him. anyway uh idk how I'd wrap it up. she'd probably like fuck it and tries to find an out? I'd probably try to achieve that by introducing a fake out suitor to help her (nikolai? mal?) who also dies as the plot spirals in a phantom of the opera esque fashion and then she eventually actually succeeds by reaching out to zoya maybe? okay okay actually sdfghj I would combine the fake out suitor and causes problems on purpose guy. and yes now they can both be mal who shows up seeming like a poto!raoul type but he's actually only really there for blackmail purposes. and then he bites it as planned. alina can help cover up but also freak out about it and have many conflicted feelings. then eventually reach out to zoya? that actually facilitates some sort of option to successfully gtfo. and I think the end would probably hinge on her having a final choice of like deciding to stay bc the fucked up relationship is worth it actually, or leaving for good. which one would probably depend entirely on my mood when hypothetically drafting the last chapter dfghj

#thinking out loud here so this is not organized but also I was not expecting to have that many thoughts #but like what do you expect look at the phantom of the opera url #grishaverse #shadow and bone #alarkling #darklina #it would probably have a fair bit of zoyalina too knowing me #I ramble sometimes #all the bendy punctuations #long post #au corner