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#in the heights obc
poemgender · 9 months
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usnavi y sonny! en washington heights^__^
hiii ! i did a collab with a friend on instagram! their handle is : @prinnylostashoe !
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it was really fun drawing sonny. they drew usnavi!
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ohlenore · 2 years
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It's so sad... That in the movie, i didn't feel that bensnavi-ship kinda vibe, like in the slime from ith
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icarusbetide · 1 month
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in the heights' blackout slaps. makes me feel emotions when they go "we are powerless" god i love good musicals
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felizusnavidad · 7 months
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IN THE HEIGHTS countdown: 23 DAYS!
song for today:
i am usnavi and you prob'ly never heard my name reports of my fame are greatly exaggerated exacerbated by the fact that my syntax is highly complicated 'cause i immigrated from the single greatest little place in the caribbean dominican republic, i love it! jesus, i'm jealous of it, and beyond that ever since my folks passed on, i haven't gone back goddamn, i gotta get on that!
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ermmmmm teehee
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ratscraftz · 2 years
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RESTLESS TO CLIMB. I GOT EVERY SCHOLARSHIP, SAVED EVERY DOLLAR, THE FIRST TO GO TO COLLEGE, HOW DO I TELL THEM WHY, IM COMING BACK HOME?!
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kai-ninjago · 1 year
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Everyone talks abt lmm being piragua guy in movie!In the Heights, but no one mentions how Chris Jackson is the Mr. softee truck owner 💀
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Look at him
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talentforlying · 2 months
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PEOPLE I'D LIKE TO GET TO KNOW BETTER!
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alias / name: oxly!
birthday:  may 1st.
zodiac sign: taurus.
height: 5'4" / 162 cm i think??
hobbies: writing, singing, painting, media ethnography, osteology, learning to speak russian, D&D + star wars TTRPGs.
favorite color: black, a darker shade of cyan, or lavender!
favorite book: tie between inkheart by cornelia funke (i've read the cover clean off my poor copy, it never gets any less beautiful to me) and annihilation by jeff vandermeer (the southern reach trilogy singlehandedly rebuilt the neural pathways in my brain into cosmic horror highways, i swear to GOD).
last song: someone gets hurt - mean girls obc.
last film / show: X - ti west / true detective: night country.
recent reads: fabulosa!: the story of polari, britain's secret gay language by paul baker.
inspiration: tbh other than hellblazer and ethnographic films about the queer community in '70s england, i have a massive list of horror + sci-fi films, books, and punk + orchestral music that i've spreadsheeted alongside which aspects of constantine's personality/history they remind me of, so i can refer back to whatever matches the specific mood i'm trying to touch on in my writing. the cornetto trilogy, disco elysium, and the ritual are common inspirations. also, the mean girls + falsettos + jagged little pill obc recordings have been giving me writing inspo lately??? god knows why.
story behind url: one of my favorite quotes from hellblazer that's always highlighted the real body of constantine's skillset for me: "my talent's for lying. for sticking the knife in when people least expect it. then walking away with a smile and a wave before they even realize they're bleeding."
fun fact about me: i'm trained in broadsword stage combat and shakespearean textual analysis (which i primarily use in combination to defend my many queer opinions on shakespeare lol)
tagged by: @l1sten thank you!! tagging: @4ger, @devilmass, @untilthcyrot, @walkeddeath, @carbondated, @ohsunshine, anyone who wants to!!
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fbfh · 1 year
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rocks at your window pt. 10 - ricky bowen x reader
disclaimer: this series contains smut and chapter by chapter warnings, so as with all nsfw works, ricky is aged up to 18+!! ricky and reader are 18 and in their senior year
additionally, we're working towards a ricky x therapy plot so he's going to start expressing some symptoms of mental illness and bpd but he does get therapy eventually and has a good support system but he gets worse before he gets better yk. Obviously I'm not a professional and this is for entertainment so while I have done my research pls take this with a grain of salt!! or several!! /lh
!! contains some spoilers for season 1 of hsmtmts, and previous chapters of this fic !!
wc: 10.1k
genre: angst, hurt/comfort, more high highs and a lot of low lows, tooth rotting fluff
pairing: ricky bowen x (afab she/her) reader
warnings: saucy flashbacks, nini and ej are very unprofessional, more fake texts, more coping through the arts, ricky realizes he's a real theatre kid, ricky is simping for you, seb being seb/a good friend/an absolute sweetheart, ricky distancing himself from lynne (slay), spilling tea (after getting permission to do so), conflicted feelings, nini (and ej but mostly nini) ruins the show, three seperate nini pick me moments, reader is about to snap, ricky and reader are mvps, one playful 'babe' from reader to ricky, nini is one delusional bitch!, brief mention of reader's trauma (jumpy at loud noises, flinches when someone raises their voice), ricky and big red are bros, big red has good opinions bc he stans dr phil, minor big red x ashlyn, kourtney and ricky do not get along lol, reader DOES snap, nini is terrible idk how else to rephrase it she's just the worst, nini gets yelled at by both you and ricky (slay), realizations happen, jones BIGASS love confessions and neck kisses.html, flowery descriptions, ricky picks you up briefly, making out, ricky is good with kids and it's adorable, nini is the only one who calls it YAC, theatre kids at denny's jumpscare, mike is a good dad, you wear one of ricky's shirts, saccrine amounts of love declarations, tooth rotting fluff
summary: after the disaster that was act one, act two also finds some way to go unplanned, causing you to be completely fed up with Nini's unprofessional behavior. you turn a night of confrontations around as you realize something and ricky finally gets something important off his chest.
song recs: entr'acte (hands clean) - jagged little pill obc, smiling - jagged little pill obc, what am I to you - rm, you stupid bitch - crazy ex girlfriend cast, first - niki and gabi, for a pessimist, I'm pretty optimistic - paramore, I hear a symphony - cody fry, something to believe in - newsies obc, let's go to the movies - annie (1982), sunrise - in the heights obc
a/n: fangz again 2 cici for beta reading, prepz fuk off. I'm watching american horror story murder house so uh. i'll let you know how that goes. it's hilarious so far tbh i love basement babyman. also this is ricky at you
tags @yesv01 @afidiofobia @aliyahsutherland @hopefullhearts @pikzel @demirunner @brinaslittlefreak @girlfriendwhoseawitch @matiere-detoiles @ifilwtmfc @uselesssapphickitten @nxstalgicnxbxdy @ggclarissa @n-slayaaaaa @stormi-ames @thatawkwardlittlefangirl @rainforest-daisies @sunshineangel-reads
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You had heard the first part of their argument from your dressing room. After that it was muffled yelling - most of which you hoped was Ricky’s. When Natalie called for places, they were still going at it. You found Miss Jenn as quickly as you could, worried about Ricky, unsure if he was still okay to perform. 
“EJ is already getting ready to go on.” She tells you. It’s the only answer you need for how ugly things got. She ushers everyone to their places, trying her best to squash their questions and speculations of what’s going on. 
“Nothing you need to worry about, just find you places, get in character, get ready for act two…” she instructs. She pulls you aside before you enter the wings. 
“Mr. Mazzara is escorting her out as we speak.” she informs you quietly. 
“Wait, Mr. Mazzara is here?” you ask. She pauses.
“Uh, yes. He’s been… helping run the lights up in the control booth. It was a last minute-” she shakes her head. “It doesn’t matter. The point is, the… shrew is leaving and Mike is on his way back to check on Ricky.” You’re relieved that his dad is here for him - and Miss Jenn. You look around momentarily. 
“Where is he?” you ask. 
“That dusty storage room we shoved the creepy mannequins in.” 
The one with the piano. The one where he helped you come down from a panic attack your first day at the El Rey, and… 
“...So they’re probably going to wait until the show is over, then head home.” You snap out of the onslaught of memories that stirred up at the mention of that storage room, catching the last half of what she said. “You can keep your phone in the wings to stay in touch, just make sure it’s not a distraction.” 
“Okay,” you agree, already feeling it buzzing in your pocket. She nudges you toward the wings as the intro to I Can’t Take My Eyes Off of You starts playing, Nini and EJ’s voices should be floating through the house. 
“Now, go be Sharpay!” she says with a smile, and you start to turn the corner, then pause. 
“Miss Jenn!” you whisper-yell, and she looks back up at you. “Thank you! For everything.” you say sincerely. She places her hands on her chest, smiling, and you finally find your place backstage. 
“Like, full on screaming,” you hear Zeke say to Martha. You try to ignore them, and everyone else talking and whispering. You knew it would spread like wildfire, backstage drama always does. You pull out your phone, blowing up with texts from Ricky and his dad. You keep switching between the two text threads, trying to figure out what happened, to make sure Ricky’s okay. As you type out replies to both him and his dad, you look out onto the stage. Something doesn’t sound right, the gaps between the dialog are too long. 
Your brow furrows, trying to figure out what’s going on. EJ’s hand comes up to his collar and he leans forward. Nina delivers her next line more stilted and awkward and out of character than anything you’ve ever seen. You watch, confusion turning into disbelief as Nina covers her mic with her hand, and whispers something to EJ. Being so close to where they’re standing, you’re able to catch most of what she says - ‘seriously, EJ, where’s Ricky?’, or something to that effect. 
High pitched feedback whines at the disturbance to her mic, and for a moment you think you must have imagined it. There’s no way, no chance in hell she covered her mic with her hand, broke character onstage, and got EJ to break character too. You take a few breaths, reminding yourself that you’re not the director. Miss Jenn will have to deal with that one. Your phone buzzes as you get more texts from Ricky, and you check it again. 
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Ricky stares at the little gray box on his screen, letting your words sink in. He still has four shows to perform in. He has more than just tonight to look forward to. All of those shows, every single one of them, is going to go just fine. Even now, through the worst possible nightmare of a thing that could have happened, the show is still continuing; the show must go on. And it will. It is, right in front of his eyes, as he and his dad enter the auditorium, taking two empty seats, Ricky’s right on the aisle. EJ and Nini harmonize, dancing around the stage - like he was supposed to. They finish the last verse of Can’t Take My Eyes Off of You, as the audience applauds. He claps politely as the lights go down. 
He mentally runs through what he would be doing if he were back there with you guys. You’re probably getting ready for the scene at Sharpay’s locker with Zeke, standing center stage in the dark, looking at the prop accessories in the pink locker, while Zeke mentally goes over his lines and blocking in the stage left wing. The lights go up, and he’s right. He knows this whole show inside and out, he realizes, and it makes his chest squeeze. Instead of dwelling on that, he leans forward, watching the scene begin to play out. He realizes suddenly that he gets to actually watch you perform. Not just from the wings or during rehearsals or in a grainy camcorder video, but he gets to watch you live. 
He smiles a little, realizing how special that is. You deliver your lines flawlessly, bringing a chuckle from the audience with your attitude right when you want one. It’s crazy how you play the mean girl so well, when it couldn’t be further from your real personality. He figures you’re just that amazing. You let out a shrill, frustrated scream, then storm off stage with Zeke trailing after you. When the lights go down, he claps loudly, letting out a cheer. He lets out a shaky breath, knowing you’ll be in the next scene, too - you’re probably quick changing for it right now. 
He’s right again, and backstage, you pull on your jacket, relieved to be done a little earlier than usual. It’s probably nerves from everything that happened tonight making you go a little quicker, but you’re not complaining. 
“So,” Seb says quietly next to you, bending over to tug on his heels, “what happened earlier? It sounded bad…” You let out a slow, frustrated sigh. He gets the sense it wasn’t just bad, it was really bad. 
“Just…” you search for the words, “some personal stuff. Family stuff, I guess.” 
“Bad enough for him to leave halfway through the show?” he asks, and you can tell he’s concerned. You pause fixing your belt, looking up to the catwalk and praying for the strength to get through tonight. Seb is one of the sweetest people you’ve ever met, and you know he wouldn’t hurt a fly, but the last thing you need to do is add to the whispers, the desire for someone to spill the tea on what happened during intermission. 
“It’s really not for me to say…” you trail off, glancing at the other groups of castmates waiting to go on and techies listening for their cues. ‘Later’, you mouth to him. You have to go on any minute, and you want to text Ricky about it before you tell anyone anything. It’s really not your place to tell anyone what’s going on in his homelife. You pull out your phone, sending him a quick text that says some of your friends are worried about him, and does he want you to say anything or keep it under wraps for now. You turn your phone on silent and hide it in your bra before making your entrance on time. 
Seb lets out a huff, then follows you off stage as the ensemble runs in from the wings and the music for Wildcat Cheer reprise starts playing. As the ensemble begins dancing, Ricky checks his phone again, seeing a new text from you. ‘What do you want me to say?’ He pauses, staring at the screen. What does he want you to say? Nothing, at first. For a painful, fleeting moment, he wishes none of this had ever happened in the first place, he wishes he didn’t have to keep making up excuses and brushing things off. He doesn’t have to, he realizes. He doesn’t have to keep covering for her, and overcompensating for her shitty decisions. He bites the inside of his cheek, then texts you back. 
Backstage, you return to the stage right wing, ready for your next scene. You check to see if Ricky has texted you back, and he did. ‘Tell them she showed up unannounced and we got in a fight. I’m not trying to make her look good anymore.’ You agree, and a part of you is glad he’s not making himself responsible for his mother’s emotions anymore. When your scene is over, you rush to your dressing room to get ready for Bop to the Top. You have a full costume and hair change, and you need to tweak your makeup a little, so it usually takes you the longest to get ready for. Once you’ve applied enough body glitter to choke a bratz doll, you leave your dressing room, meeting Seb on the way to the wings. 
Most of the cast is onstage right now, so it’s not very crowded backstage where you stand, waiting for the current song to end. Seb moves a little closer to you and lowers his voice.
“I know it’s probably not a good time to ask, but what in the Mount Saint Helens happened with Ricky?” He asks in a hushed, worried tone. You bite back a smile at his turns of phrase, and sigh. You think back to Ricky’s text, how he said he’s done covering for her. 
“His mother showed up…” you say slowly, pausing at the shocked expression on his face. 
“She what?” he exclaims quietly. 
“And she tried to corner Ricky during intermission,” he gasps, and you continue, “and they got into a huge fight.” 
“Oh my god.” he says, thinking back to the yelling he’d heard. 
“Mhm.” you confirm, “Miss Jenn had to kick her out so she wouldn’t cause more of a scene.” 
“Oh my god!” he gasps in disbelief that it got that bad. He feels like he’s on an episode of Real Housewives. Or maybe Dance Moms. 
“Poor Ricky… Is he okay?” His mind constructs different images of Ricky’s mother ambushing him while he tries to get ready for act two. He can’t imagine how terrible that must have been. 
“As much as he can be right now,” you say. Seb can see how worried you are about him. This night took a toll on you, and he’s sure Ricky’s dad and Miss Jenn can’t be doing much better. It makes sense, and he’s glad to at least know what happened. 
“That’s pretty much it, but I’ll give you the details later.” you say, noting that you have to go on soon, and walking over to Ashlyn so you can enter together. 
The music starts, and Ricky has never been more excited for Bop to the Top. He’s never had the opportunity to see you and Seb perform full out like this from the audience, he’s always been just out of view before because of the blocking and where he was supposed to stand on stage. But now, he’s front and center, watching the light bounce off the glitter scattered across your chest and arms. You’re in a gorgeous, glittering teal dress that bounces and moves with every step you take. Your silver sparkling heels match your bracelets, and your hair is pinned up with big pink and white flowers on the side. Seb begins to dance with you, wearing a coordinating outfit that’s just as flashy. 
As the music cuts between the basketball game and science decathlon, you and Seb continue to steal the show. Your singing is gorgeous and your choreography is flawless. You harmonize as you spin around, totally in sync. Your attitude, your charisma is overflowing. The two most important events of the show are happening on either side of you, and you’re keeping all eyes center stage. He’s never seen a number with this much energy, this much flare, and based on the way the crowd is reacting, they feel the same way. 
As the tension builds, as the time to score the winning shot runs out and the science questions get harder and harder, as the music builds, Ricky’s breath is taken away. At the climax of the number, the East High Wildcats win the championship basketball game, and the science decathlon at the same moment. You and Seb hit the final note, holding it out as you strike your ending pose. Right as you’re done, Taylor kills the lights. 
Ricky is stunned at how good the show looks from the audience. But in spite of how amazing it’s been, he can’t ignore the gnawing in his chest anymore. He’s been trying so hard to focus on you, to not be jealous of EJ standing up there reciting his lines, singing his parts and doing his choreography. Seeing EJ up there, seeing Carlos struggle to fill in as Chad makes his stomach sink. It’s supposed to be him up there. He’s supposed to be the one scrambling to make it to callbacks on time, just like he did in real life all those months ago. He turns his attention back to you, as you begin your biggest Sharpay diva moment of the show. 
You storm off with Seb at your heels, and you both begin to get changed for the finale. As you get dressed into your white and red outfits, you can’t resist telling him a little more about what happened during act one and intermission. 
“...And she just stormed up to me, demanding to see him. Like, I told her, ‘you’re not cast or crew, you are so not allowed to be back here’, but she didn’t care!” Your voice is intense, but hushed. 
“Are you kidding?” he demands, shock evident on his face. 
“I wish I was…” you laugh softly, just as flabbergasted by the recent turn of events as he is. You inch closer to the curtain, and see Ricky wave to you in the audience - or more specifically in the general direction of where he knows you’d be right about now. His eyes are still a little pink and puffy, and it’s obvious how much everything that happened tonight has fucked him up. Your chest squeezes at the sight, and you wish you could hug him or do something to help. You sigh, trying to think of something encouraging to text him when you get a spare minute to. You snap out of your train of thought when you realize it’s quiet onstage. Your stomach sinks as EJ repeats his line, trying to cue Nina.
“Oh god,” you mutter next to Seb. 
“Did she forget her lines?” he asks. Her head turns, and you see what she’s looking at - who she’s looking at. You’re minutes away from the finale of the show, and she’s staring at Ricky. EJ begins speaking again, reciting his lines, but he just keeps going.
“Is he improving?” you ask rhetorically. “Why is he improving?” 
You have no idea what’s going on, but this show is going off the rails so fast. It’s like a slow motion trainwreck, and you find yourself unable to look away as Nina whispers to him out of character, for the second time in the last hour. You can feel your blood pressure rise as she breaks character too, the both of them floundering onstage and deviating from every rule of theatre Miss Jenn has been drilling into your heads for the last three months. Again, EJ speaks up, not even trying at this point. 
“I’m not the Troy you want,” he says melancholically. 
“What the fuck are they doing?” you hiss, and Seb can tell that after everything that happened tonight, this is really the last straw for you - you’re out for blood. You watch in disbelief as EJ just… walks offstage. And that’s it. You think it’s a really good thing he exited to the other side of the stage, because you sure have some choice words for him right now. 
“What is he doing?!” you question again, more pissed off than Seb has ever seen you. As if things couldn’t possibly get worse, you can’t believe what you’re seeing. Nina picks up her mic and begins to walk toward the edge of the stage, singing acapella. 
“She better not fucking do what I think she’s doing.” your voice is quiet, dangerous, and Seb is momentarily worried on her behalf. Even though you’re like, the nicest person ever, he doesn’t think anyone would want to be on your bad side.
Your hand flies over your mouth in utter disbelief as she walks into the audience and right over to Ricky, signaling for Big Red to follow her with a spotlight. Just when you think this couldn’t be more of an amature hour shit show, she pulls out her phone, turning her flashlight on him. You have no idea what she thinks that’s going to do, and thank god when she puts it away after a minute. She grabs Ricky’s hand, trying multiple times to pull him out of his seat. His heart is pounding, and he can feel himself freezing up. He has no idea what’s happening or why she’s doing this, and he has even less of an idea what he’s supposed to do. 
“I’m… really not at my best right now…” he manages to choke out. She doesn’t listen, and grips his hand, limp in hers. 
“Just look at me, Ricky. Right at me.” She smiles, like that will fix anything. He shouldn’t go up there, he shouldn’t go onstage when he’s like this. He and his dad had a whole conversation about it after intermission. But with everyone staring at him, Nini begins to sing. When she holds out the mic for him to finish the verse, he does, almost on instinct. He can’t leave her hanging, not like this. He panics, and next thing he knows, he’s letting her drag him onstage. He doesn’t know what’s happening, why she’s doing this, but he moves automatically and lets her drag him onstage. 
He’s struggling to keep his voice level, using all his effort to push past the pain, and smile at her. As she finally brings him center stage, taking his shaking hands in hers, he fights with everything inside him to make this work, to make it convincing, and be the finale it was supposed to be. He just has to keep it together for this last number, work through the pain, the ache in his chest and stomach that’s killing him as he stands up there, just for three minutes. As the rest of the cast begins to hit their cues, the energy has never been higher. They’re giving it everything they’ve got to hype him up, give him something to hold onto. He can feel them reaching out to him, singing and dancing their hearts out to lift him up. 
He’s trying so hard to be Troy, to seem convincing, to smile sincerely - not at Nini, but at Gabriella. He holds her hands, beaming, thinking about how badly Troy wants to kiss her. He clings onto this moment, the music, this role like a lifeboat. Troy has a great relationship with both his parents, Troy doesn’t come from a broken home. Troy is okay, he’s never been better, which means that Ricky gets to be okay vicariously through him, just for a little while. Just for a few minutes. He holds onto this catharsis as tightly as he can. He’s not going to let this moment be taken away from him too. The audience is cheering louder than ever as they make their way to the end of the song, incredibly confused at the cast changes and Nini’s actions, but they cheer everyone on - especially Ricky - nonetheless. 
He smiles at her through misty eyes, holding her hands and gazing at her in adoration. ‘This is it,’ Nini thinks, ‘my Ricky has come back to me. It’s always going to be us.’ He caresses her cheek, and looks at her like he really wants to kiss her as they harmonize. She knows he wants to kiss her, he’s always loved her and he’s always going to. They’ve had their ups and downs, but she knows that Ricky will always be hers. She was his first love, his first everything, and that’s what really matters. They have history, and you can’t fake that, you can’t manufacture that. 
The song ends and she drags him into the wings away from you and Seb, shoving his finale costume at him. He fumbles to take off his jacket, desperately trying to stay in motion, to keep moving, keep smiling, keep being Troy. He throws the sparkly white and red tracksuit on over his remaining clothes, and has seconds before he’s going to get dragged back out for the finale of a show he was only able to half participate in. He hates her so much for ruining this for him. He hates Nini for dragging him back up here, for literally putting him in a spotlight in the aftermath of the worst event of his life. He sucks it up, putting on a smile and getting hyped up to sing along to the megamix. 
It takes one look at your face for Seb to know just how bad this is. He can feel the rage, the disbelief radiating off of you, and he has no idea what’s going to happen after this. He thinks it’s nice that Nini tried to include Ricky, but she definitely didn’t go about it the right way. He’s sure you’d feel that’s probably the biggest understatement that could be made about the situation. 
“Are you okay?” he asks quietly, really worried. There’s already been so much drama tonight, he knows your bullshit tolerance is in the negatives right now. You stare at Nina across the stage, watching her whisper something to Kourtney with an expression on her face that infuriates you.
“Not sure yet.” You answer quietly, voice dangerous. Finally, you hear your cue, and you and Seb enter the stage.
He watches you change on a dime, transforming into a sassy, fun, reformed mean girl. You dance with him, and flirt with Zeke effortlessly. He can’t find a trace of your previous rage once you’re past the curtain, singing and dancing as Sharpay. There’s a light, fun, playful energy around you, and it’s infectious, making Seb and Zeke and everyone else around you have even more fun out there. For a moment, he forgets how ugly this is going to get once the lights go down. 
You make your way over to Gabriella, doing a little dance with her, just like you’re supposed to. You flash her a thumbs up, and wink at her supportively when Troy pulls her closer to dance, just like you’ve been practicing at every rehearsal leading up to this moment. Nina smiles at you when you do, interpreting yours and Ricky’s behavior as more than just stage directions. She feels a sense of benevolent camaraderie with you in these fleeting moments. Maybe she will be the bigger person, maybe she will extend her friendship to you, because even though you did try to steal Ricky from her - unsuccessfully at that - fighting over dumb boys is stupid. 
She and Gina run off to pull Miss Jenn onstage so she can deliver her infamous deleted line. It was your idea initially, but you made sure to tell the rest of the cast before tonight so the surprise could be from all of you. The cast and house cheer as she delivers her line, and you can see how much it means to her. You get a minute to dance with Ricky, and make your way over to him as quickly and naturally as possible. You couldn’t seem happier or more care free, but when you speak, your voice is strained. 
“I am so sorry that happened…” you say, barely loud enough for him to hear over the swell of the music and the rhythmic clapping as the audience keeps time. He can see it, the frustration being masked by your energetic, jovial nature. You’re doing the same thing he is, he realizes. You’re using this moment onstage and in character to keep the real world at bay. He doesn’t think he’s ever felt closer to you than he does right now. He wants to say something, he wants to feel horrible - he’s sure it’s justified - but when he looks at you, he can’t 
You’re onstage together at the end of your opening night performance, with a full house clapping and cheering and singing along with you both, with the whole cast. And in this moment, you’re worried about him. You’re worried about him. He’s so overwhelmed by this feeling of being onstage with all his friends, an audience full of people who came here and bought tickets and watched the show and are now cheering them on for this, the penultimate moment of all their hard work and dedication and doubts over the last three months culminating to this. He knows you know this feeling well, that this is the first show you’ve done in so long and how badly you’ve missed it - and you’re still up here, worried about him. 
“There were some… hiccups, but…” he starts, locking eyes with yours, looking at you that way that he does. He doesn’t think he’s ever felt more strongly for you than he does right now. “This is kind of the best, right?” You smile suddenly at his words, relief evident on your face. You feel like you can breathe a little easier knowing he’s doing okay - or at least, better than he was. 
“This is just the tip of the iceberg babe,” you chuckle, nudging him playfully. You’re still livid at that… stunt Nina pulled, that hasn’t slipped your mind. But for now, Ricky is okay. That’s what’s important. You’ll deal with her later, if you get the chance. 
“Just wait till you see what I have picked out for the spring musical!” you both look over at Miss Jenn as she smiles, drawing an excited laugh from you and Ricky. 
Nina looks over, hearing you laughing with Ricky. It makes her stomach sink. She scoffs, figuring it must be platonic. He’s probably just giving you closure, or something. She looks back out into the crowd, and stops dancing as she watches the scout from YAC leave. Her mouth hangs open in disbelief. If she doesn’t get into YAC, the performing arts school of her dreams, what was the point of all this?
After everyone runs forward in groups, then individually to bow in front of the audience, You, Nina, and Ricky are the last to go. He stands between you, lined up with everyone else, holding both your hands as you and all your friends bow as a cast.  He snaps to attention as he hears a certain part of the music, squeezing your hand in warning. Confetti cannons go off from the wings moments later, drawing out a new wave of cheers and applause from the audience. You’re grateful for the warning, and you squeeze his hand back as a thank you. Your heart is warmed that even now, after so many difficult things happening back to back in one night, he still remembered that loud noises can make you jumpy. 
When Nina goes to share a look with Ricky, her smile drops. He’s already looking at you. There’s a certain type of joy in his eye, the kind you can only find amidst the ashes of misery, as he realizes that through everything that happened, he’s still okay. You’re still here. That’s the important part. You’re still right here with him, holding his hand. He made it to bows. Everything is going to be okay. In sharing this eye contact with him, you can’t help but reflect on how pretty he looks in the blue cast of the stage lights as he looks at you that way that makes your stomach twist. 
The curtains begin to draw closed, and you all wave at the audience until they’re out of sight. Sporadic cheers are let out around you as hugs are initiated here and there, and everyone begins flooding to the dressing rooms to get changed. As you make your way to the back, Ashlyn already leading everyone in a very loud, high energy reprise of We’re All in This Together, you squeeze Ricky’s arm. When he looks at you, he seems to be doing exactly as well as you’d expect - okay for now, the massive high from the end of the show keeping him afloat for now, but you know it won’t last forever. 
“I’m gonna go get changed real quick, I’ll say hi to my mom then we can go home, okay?” you say quietly, and he can tell from your tone of voice that you’re here for him, he just needs to hang in there a little longer. 
“Okay,” he says with a shaky breath. He doesn’t really need to get changed since he has his street clothes on under his tracksuit, so after hanging it up in its place, he waits in the hall outside the dressing rooms. A few minutes later, everyone who got changed the fastest are in the halls and on the stairs outside the dressing rooms, talking and congratulating each other before they go to the lobby. There's a silent understanding that you're all waiting just a few more minutes before you have to leave, before you have to acknowledge that the show is over. Big Red runs over to Ricky as soon as he spots him. 
“Are you okay, dude?” he asks quietly, clearly worried about him. Ricky lets out a breathy laugh. 
“Yeah. Yeah, I’m okay.” Ricky realizes how stressed he must be, having no idea of anything that was going on until half way through the show. "There’s a lot to fill you in on." Ricky nods his head, and they move to a more secluded area so Ricky can begin catching him up. He goes over the series of events from earlier tonight quickly, trying not to get worked up over all of it again. Soon he's wrapping up his summary of the horrible things that happened in such a short span of time, and his eyes are much less misty than he was worried they'd be. 
"Oh. My. God." Red states, laughing in disbelief that his mother would do something like that. 
"Yeah." Ricky nods, still in shock. 
"Don't take this the wrong way, dude," Red says tentatively, "but that does sound like something she would do; the guilt tripping, mind games, all of it." Ricky can't help but agree. In retrospect, Red does remember her using a lot of language that read as passive aggressive or guilt  tripping. There’s no way they could have picked up on that as kids, but hindsight is 20/20. Ricky loses Red's attention real quick as Ashlyn walks toward her friends, no longer loitering outside the dressing room she shares with you and Nini - and soon, Gina. She holds up a piece of paper from the mystery bouquet she'd been inspecting more closely. 
“We found a card!” she says excitedly. Ricky nudges Red, encouraging him to tell Ashlyn that he was the one to send the flowers. He looks at Ricky, nervous, and gets an encouraging nod. Big Red takes a breath, steadying himself, then stands up and walks towards Ashlyn. 
"Actually…" he starts. He doesn't need to say anything else, watching the realization hit. They walk a few feet away, talking animatedly and seeming to have a good time. More people start to filter out to see their friends and family, and as they dissipate, he realizes he still hasn't seen you since you went to change. He spots Kourtney passing by a few feet away and runs over to her. 
"Hey, uh," he starts carefully. He knows Kourtney hasn't been too fond of him for a while. "Do you know where Nini is?" He knows where Gina and Ashlyn are, and he really just wants to grab you and get out of here without even more drama. Kourtney sucks her teeth, considering how to respond for a moment. She could say something, she always has something to say when it comes to Ricky, but she knows tonight was hard on him. She doesn't know the details, but she's sure the last thing she'd want in his position is more animosity. 
"The scout left, and she's taking it hard. I think she's with her moms, but I don't know for sure." He waits a beat, realizing there's no other shoe that's going to drop, no glares or snarky comments.
"Thanks," he says quietly, before making his way to your dressing room. You're probably just having trouble getting everything back in your bag. He thought you had way over packed when you showed him the huge tote bag you got ready for tech week, but by the end, every 'just in case you had brought had been needed more than once. You really know your way around a theater, he thinks. 
When you first enter your dressing room, all you want to do is get changed and get out. Ashlyn talks a little - mostly to herself - about how excited she is for the next show. You reply as politely as possible, doing everything you can to avoid Nina, ignore her as much as you can. You just have to get changed and get out. You have bigger issues to deal with, bigger fish to fry than to chew her out for what she did back there. 
"Yeah," she replies, a faux chipper tone to her voice "hopefully we won't have as many last minute cast changes tomorrow night," you pause, gripping the empty plastic hanger so hard your knuckles turn white. "But who knows, right?" 
You've tried your best, you really have, but you can't take her bullshit anymore. The hanger snaps in your hands with a loud crack. Ashlyn's eyes widen in surprise, and now out of costume, she makes her way to the door. 
"I'll give you two a minute…"
The cacophony of voices get louder for a moment as she opens the door to leave, then it's quiet again. You turn away from her to tug on your shoes, praying to god she'll just leave it alone, let you get out of here quietly. 
"Sorry," her voice is dripping with a passive aggressive ignorance that grates on your ears. "Did you have something to say to me?" Before she can scoff and drop a yeah, that's what I thought, you turn, looking over your shoulder at her with a stone cold glare. When you speak, your voice is so deadly, so sharp she feels like she's been stung. 
"Count yourself fucking lucky that I don't have time to hang around right now, but I swear to god, Nina, if you pull shit like that again-"
"Wh-" she sputters, "excuse me? Pull what? Including Ricky, and helping him?"
"You think you were helping him?" You repeat, turning to face her. You roll your eyes scoffing. "Wow." She starts to say something, but you cut her off. 
"Look, I don't know why you're here, but some of us actually take this seriously. This actually means something- this matters to some people, and nobody needs you turning it into a little three ring Nina circus, and ruining it for the people who actually want to be here!" Your voice rises as you continue, driving your point home, and refusing to let her interrupt you. By the time you’re done, her mouth is hanging open.
“I don’t care what you do in your free time,” you continue decisively, “I really don’t, but don’t ruin everything for the people who actually give a fuck!” you say, a humorless laugh at the end. You don’t know who’s been coddling her up until now, but you are sure as hell are not going to let someone get away with a stunt like that. It’s clear from her reaction that no one has ever spoken to her like this, and you think it’s long overdue. “That was the most unprofessional load of bullshit I have ever fucking seen! And I’ve been around the rodeo a few times.” 
Nina blinks hard, fighting tears prickling the corners of her eyes. She feels like she’s just been slapped. Her? Unprofessional? Wow. You’re really reaching now. She’s the most professional person at this whole school, she just… She freezes as it hits her in a split second of clarity, that she doesn’t have a leg to stand on. She broke the cardinal rules of theatre; she broke character, went into the audience, broke the immersion. She ruined opening night. You can see the moment of lucidity where she realizes she’s in the wrong, and it’s gone just as fast. 
“You’re one to talk about being a professional.” She spits. You look at her incredulously. Once again you have no idea where she’s going with this. When you don’t react, don’t instantly get it, she continues. 
“You had a Broadway career handed to you on a silver platter, and you threw it away!” she searches your face for shock that she figured out your secret, continuing, “And for what, so you could slum it at some midwestern high school full of amateurs?” 
You figured it was a matter of time before someone found out you’ve done professional theatre before, so if she’s waiting for a reaction from you, she’s not going to get one. The only reason you didn’t tell anyone, the only reason you kept quiet about it is because you didn’t want to come across as cocky or seem like you were bragging. Plus, with how hard things got towards the end, you don’t really want to go around and dig up memories from that time in your life. Besides, you’re not in New York right now, you’re at East High. You’re here with all your friends, finally getting a little piece of normalcy. You’re exactly where you want to be, so why would you waste it living in the past?
Before you can answer, she continues.
“The point is, you need to stay away from Ricky and stop lying to him. Okay?” she demands. Her voice is muffled through the door, but right outside, Ricky hears her loud and clear. He didn’t hear you two before, but now the halls and dressing rooms are mostly empty.
Is she still seriously going on about that? You let out a breath, trying to regain your composure. 
“I really do not have the time to keep having the same conversation with you over and over - or explain to you that you can’t tell people who they can and can’t date!” you exclaim. You’re about to drop it, but there’s one more thing you need to get off your chest. “And for the fucking record, you don’t know jack shit about what else was going on in my life when I left New York. And I don’t owe you an explanation either.” you say coldly. You’ve said your peace, the only thing you need to do is fucking get out of here and find Ricky. 
“I can’t believe I actually used to look up to you!” she exclaims. “Look. It was cute, or whatever, at first, but this little game of yours has gone on for long enough. He’s mine. Now can you leave him alone, please?” she demands. She’s dripping that passive aggression you’re really starting to get sick of. You look at her in the mirror, illuminated with lights. 
“Seriously? You seriously want to do this right now.” You say, exhausted. She either doesn’t hear you or pretends not to as she continues.
“I knew him first! I dated him first, I kissed him first. Everything he’s done with you, he did with me first.” she states. She doesn’t know how else to get it into your head that she was his first everything, and you’re just a rebound or something. What they have isn’t something you can just get over like that.
“You weren’t… every first, Nini.” You both look over at Ricky, and you wonder how long he’s been standing in the doorway, how much he heard. 
“Ricky… what?” she whips around at the sound of his voice. He stares back at her, teary eyed and serious. 
“You weren’t every first.” he repeats. You both look at him in disbelief. Nina furrows her brow. She can’t believe he’s disrespecting their relationship like this. You stare at him, thinking back, reanalyzing your memories. He can’t be saying what you think he’s saying. There’s no way you were his first time. That couldn’t have been his first time. There’s no way that Ricky Bowen was a virgin before he showed up at your house that night, there’s no way that you took his virginity. ‘Oh god, I did, didn’t I?’ you think, remembering the way he looked at you, how nervous and desperate he was. Heat floods to your cheeks. You have no idea what to do with this information.
“How could you say that?” she demands. She was his first crush, his first kiss, his first date, girlfriend, heartbreak. She was all of it. 
“Because it’s true!” he exclaims. “The only first I care about, the only first that matters, is right there.” he gestures to you. 
Oh yeah, no, you definitely did take his virginity. You did not expect this, much less that it would make you feel so… tender? Flattered? Warm and fuzzy maybe? You hold back a flustered laugh. Whatever warm thing it is, you’re sure feeling a lot of it. You stare at the ground, cheeks hot, butterflies fluttering in your stomach as you process this in the back of your mind. The majority of your attention is still on Ricky. You’ve been so worried, but he seems okay, which is a huge relief. He catches your eye, and your stomach twists. He’s looking at you like that again, and you’re sure you must be looking at him the same way. Anyone could see it. You snap back to attention, remembering Nina is still in the room with you. 
“We should get going-” you start quietly, reaching for your bag.
“Stay out of this!” she snaps, and you recoil at the sudden sharpness to her voice. “This is between Ricky and me.”  She turns to him, continuing, “And we are not done talking about this.” 
“Don’t talk to her like that.” He says quickly, more defensive of you after what happened earlier. He walks over to you, standing in between you and her. “Anything you have to say to me, you can say it in front of her.” Even though his voice wavers with emotion for a moment, Nina can tell he’s not backing down on this. She weighs her options. 
“Okay.” she starts, sucking her teeth. “I think she’s manipulating you.”
He lets out a breathy laugh with a bitter edge. He rolls his eyes, looking away for a second.
“That’s… hilarious, coming from you…” he mutters. 
“What? She’s been lying to you this whole time! She’s been doing professional theatre for years, Ricky, she-”
“That’s what this is about?” He realizes. “Oh my god, I already knew that!” he yells. Relief floods him as it clicks that all the bullshit she’s been spewing is nothing he didn’t know about already. She really was just trying to get into his head. “She’s not manipulating me, Nini, she’s there for me! There’s a difference! She actually cares about me - unlike you, and Lynne, and everybody else.” 
“That’s not fair-”
“She’s actually there for me, and she doesn’t just bail when shit gets hard. Not like you’d know anything about that.” he says the last part quieter, but she still hears it. She doesn’t have a comeback, she doesn’t have anything she can say to that. 
“I don’t have to listen to this.” She grabs her bag, brushing past him. Before she leaves, he turns to her, finally saying something he never thought he’d be able to. 
“I’m starting to think I wasn’t the problem in our relationship.” 
She freezes, turning to him slowly, eyes glistening.
“What?”
“You heard me.” he states. 
“You know what?” There’s nothing she can say, no comeback, no way to defend herself. She lets a single tear fall. “Screw you, Ricky.” She leaves quickly, huffing at what he said. He turns to you, still staring at where she left in disbelief. You exhale for what feels like the first time since this confrontation began, then immediately turn your attention back to Ricky. You’re grabbing your stuff as quickly as you can, desperate to finally get out of here, laughing nervously. 
“I can’t believe this night keeps getting worse. Look, we can just go home, we don’t have to go to Denny’s or anything if you don’t want to, I just want to make sure you’re okay, because obviously a lot of-” 
“I love you.” 
It tears from his throat with more raw emotion than you’ve ever heard, stopping you in your tracks. Your eyes widen as his hands come up to hold your face. He wants to kiss you so badly, more than he’s wanted anything, and you can feel it. He keeps going.
“I love you so much, I wanted to say it before. I’ve wanted to say it since that first amazing night we spent together. Ever since you snuck me into your room, and we talked and watched old episodes of cartoons, and you took me in when I needed you, I have loved you. And then you got those little plastic rings when we were running late for rehearsal, because we stopped for coffee and peach scones, and- and we traded colors, I felt like my heart was going to explode.” 
His thumbs caress your cheeks, and it makes you light headed. 
“I wanted to say it when we were dancing at homecoming and you were so beautiful I thought I’d die, I wanted to say it every time we kissed, and every time you laugh so hard your nose scrunches up, I wanted to say it. You made me fall in love with theatre, and this beautiful place, and with you. You love everyone around you so selflessly,” his voice breaks, “please, let me love you. The way you deserve to be loved. Even if you don’t want to say it back-” 
“I love you too.” You can’t help interrupting him, unable to ignore how true they are any longer. He’s stopped dead in his tracks. “I would have said something sooner, but the last thing I wanted was for you to feel pressured, so I… figured I’d follow your lead.” The room is quiet as he tries to get the air back in his lungs. 
“You love me?” he breathes.
“Yeah,” you confirm, nodding, “I do.” 
He takes one look at you, holding you intensely in his gaze, confirming that you really just said that. In one swift motion, he pulls you close to him, dipping you, and finally connects his lips to yours. He kisses you more passionately than anything he’s ever done. He kisses the air out of your lungs, kisses away the little space between you, desperately kissing everything he feels for you onto your lips. You lose yourself for a beautiful moment in that kiss. You’re not sure how long you stay like that, holding each other as close as you can get, with kissing as the only means of expressing the depths of your feelings, but it’s long enough that your lungs burn when you finally pull away. He barely moves his face away from yours as you attempt in sync to catch your breath. 
“Say it again,” he murmurs against your lips. 
“I love you,” you say, soft and sincere, that beautiful smile on your lips where his ache to be again. He reacts instantly to your words, picking you up, and kissing you again and again. You wrap your legs around his waist, giggling in surprise. He sets you on the table in front of the big dressing room mirror where Ashlyn’s character shoes still sit. The mental note to make sure she doesn’t forget them flies out of your mind as Ricky kisses you again and again, mouth open against yours. His lips are all over your face and your neck, turning you into a giggling mess as he holds you tight. He mutters sweet nothings against your skin that turn sensual very quick, but mostly he keeps telling you how much he loves you between kisses, mumbling the three words into your skin over and over. 
“Ricky…” you trail off as he bites your neck playfully, causing you to let out a flustered noise. “We have to go upstairs…” you start to forget what you were saying as he runs his tongue over your skin. “Our parents are waiting!” you laugh, desperately holding onto the train of thought. 
“Let them wait…” he murmurs, “You said we could kiss after the show, and… it’s after.” The flustered look on your face is too much for him, and he presses his lips to yours again, pushing his tongue into your mouth. You feel so good, your skin is so soft and you smell so sweet, and it’s all so much more now that he’s said it, now that you said it back to him. He squeezes your thigh and bites your lip and moans into your mouth, loving every noise you make, every tug of his hair and grab of his shirt. He’s so desperate for you and your touch, he would fuck you right here if he could. He considers it for a moment. 
After eavesdropping too long for her own good, Nina feels a solitary tear roll down her cheek. Ricky’s words ring in her ears. He loves you. He didn’t just say it back, he initiated it. She didn’t stick around too long, just enough for it to hurt. She reaches into her bag, pulling out her songwriting book. She’s sure this will give her plenty to write about, she thinks bitterly. She could probably get a whole album out of it. ‘At least then the pain would be worth something…’ she muses, taking one last look over her shoulder before leaving the dressing rooms - and Ricky - out of her sight.
Eventually, you and Ricky manage to drag yourselves upstairs and greet people in the lobby. Mike finds him quickly, pulling him aside to check on him. He looks back over at you, accepting flowers from your mom and pulling her in for a hug. 
“Yeah,” he says. “I’m okay.” He doesn’t look away from you, and Mike doesn’t miss this. His son is a lot of wonderful things, but he sure wouldn’t describe him as subtle. Ricky watches you as a girl in a pink dress walks up nervously to you with who he presumes is her sister. He’s too far away to hear your conversation over the chatter from people milling about, but your face lights up after she speaks. You pull a hot pink sharpie out of your bag and sign her playbill before handing it back to her. The sight makes his chest squeeze. He didn’t know you were good with kids, but it makes total sense - you’re good with everybody. 
Mike nudges him toward you.
“Go ahead,” he smiles, so Ricky does. 
“Hey,” he starts, pausing when a woman walks up to him, a little girl hiding behind her leg, looking up at Ricky in admiration. 
“Excuse me,” the woman says, getting his attention. “You were fantastic. She really loves High School Musical, and we wanted to know if you’d sign her playbill…” 
The girl looks up at him nervously, and he smiles, letting out a flustered chuckle. He didn’t expect this, he doesn’t even have a pen - but luckily as always you’re right behind him, extending a sharpie his way. 
“Yeah,” he smiles, “sure, of course!” He scribbles his name across the front before handing it back. “What was your favorite part?” he asks. She considers. 
“We’re All in This Together.” she decides, singing out the song title. 
“No way, that’s my favorite song too!” The way her face lights up is something he doesn’t think he’ll ever forget. She jumps excitedly that someone as cool as Troy Bolton has the same favorite song as her before hiding behind her mom’s legs again. The mom thanks him again before picking up her daughter. Ricky turns to you, not even needing to say anything. 
“I know,” you smile, “it’s the best, right?” 
“Yeah,” he agrees. “It is.” Your eyes light up that way they do when you remember something, and you reach into your bag. You pull out Ashlyn’s character shoes - thank god you remembered to bring them out with you - and gesture down the hall to where Ashlyn is talking to some of her friends that came to see the show. 
“I’m gonna give these back to Ashlyn, and I’ll meet you and our parents by the doors in like, two seconds.” He agrees, and you part ways. 
“Thank you!” Ashlyn gasps when you hand her the shoes. “I was looking everywhere for these.” 
She pauses, remembering how tense things got between you and Nini earlier before she left. 
“Was everything okay with…” she trails off, jogging your memory. 
“Oh,” you start, a little unsure of how to answer. “Yeah. Everything’s fine now.” You look off to the side, and she follows your gaze to Ricky. He’s talking to his dad and seems to be doing a lot better now, and you seem to be doing better too. 
As you make your way down the hall and across the lobby you’re stopped by a woman you don’t recognize, but she seems to know you, addressing you by name as she introduces herself. 
“I’m Kalyani Patel, the dean of the Youth Actors Conservatory in Denver. I’ve been following your career for some time, and I have to say, I’m very impressed. You’re incredibly talented and have a lot of notable credits for someone as young as you are. We have one more available place available for the upcoming semester, and we would be thrilled for you to attend.” 
“Thank you so much, Kalyani. I’ve heard a lot about Youth Actors Conservatory, and I’m so honored by your offer, but I’m not planning on switching schools at the moment.” You say as graciously as you can. 
“Of course, I understand.” She smiles. 
“Thank you again for the opportunity, and I hope we can work together in the future.” You smile back, saying goodbye, and making your way over to Ricky and your parents. 
After returning to the dressing rooms to write sad song lyrics and watch herself cry in the mirror, when Nina finally finds her moms in the lobby, she has a piece of good news for once.
“The dean of YAC!” she exclaims. 
“I thought they were full, sweetie.” Carol says. She and Dana had gotten a rejection letter addressed to Nini a few days ago, and were trying to find the right time to break the news. 
“She said a spot opened up,” she beams, “which means I’m going to YAC!” 
Her moms hug her, congratulating her on the good news, and that they’d discuss it in detail at home. Nina looks over to where you and Ricky are standing. He holds your hands in his while you talk quietly. You have no idea that soon she’ll be out of here, and you’ll never see her again. She was on the fence, but after what he said to you, she’s made up her mind. She’s leaving this town, and going somewhere that she’ll be appreciated, somewhere she’s wanted. If that happens to be a boarding school in Colorado, then so be it. ‘Take a good look’, she thinks, ‘because that’s the last you’ll ever see of Nini Salazar-Roberts.’ 
 After more mingling, congratulations, flowers, and playbill signing, you turn to Ricky.
“You ready to go home?” you ask, walking toward your car. He stops, turning to look at you. 
“You know what? No.” he lets out a breathy laugh. “I don’t want to go home. I… want to go to Denny’s! I’m a theatre kid, and I just finished my first show, and it’s like, tradition to go to Denny’s, so I want to!” You smile at his sudden enthusiasm, laughter matching his. 
“Yeah, okay,” you smile, “let’s go!” 
You both walk over to your castmates, who are trying to figure out a carpool to get everyone there before it gets any later. You nudge Ricky.
“So, does anyone need a ride to Denny’s, or should we just meet you there?” he asks. For what feels like the millionth time, everyone erupts into cheers. You know all your friends were worried about him after what happened, and Seb instigates a group hug, that everyone quickly jumps on to. You think it’s important to end the night on a good note like this, spending time with your castmates, cramming into booths and singing obnoxiously in an empty restaurant. It’s sort of a rite of passage, and you’re glad that Ricky’s able to participate, especially after opening night of his first show. 
You sleep over at his place that night. After everything Ricky’s been through, after he seems to finally be okay again, the last thing Mike wants to do is not let him spend time with someone he’s so close to - especially considering what a good influence Mike thinks you are on him. From what Ricky told him, you didn’t instigate any drama tonight, and spent every spare moment off stage trying to help Ricky through what was going on. It’s not the first time you’ve helped Ricky navigate the ups and downs of growing up in the time you’ve known him, so when Ricky asked if you could stay the night, he agreed. While you’re brushing your teeth, Mike pulls Ricky aside to talk. 
“I spoke to Nini’s moms,” he starts, and Ricky braces himself. “They’re going to talk to her, and I said I’d talk to you to make sure these last shows go smoothly, alright? So, no more fights, no arguing, no more of this… reality tv stuff.” 
“Believe me,” Ricky sighs, “I don’t want any more drama. Especially at the expense of the show.” 
“I know,” Mike agrees. “So just… it’s only a few more shows. Try your best to…” he looks for the words.
“Politely avoid each other?” Ricky supplements.
“Exactly.” Mike nods. “Just politely avoid each other for a few more days, and all this will blow over.” 
When he finally reenters his room, he hands you a t shirt to wear. He knows you probably brought pajamas, but he wants to tell you he loves you in as many ways as he can, like wearing his clothes. When you come back in and sit on his bed in his big shirt and your little shorts, he doesn’t think you’ve ever looked more beautiful. 
“Do you want to talk about anything?” you ask tentatively. 
“Not really,” he chuckles. “I feel like I’ve kind of talked it all to death by now.”
“You know what we haven’t talked about?” you ask, a look in your eye that immediately has his attention. “How Nina and EJ - but like, mostly Nina - ruined the finale of the show.” 
“Yeah,” he starts, remembering how stunned he was. “What the fuck was that?” 
You talk shit until you have nothing else to say about it, and soon you’re curled up under the covers together. You’re laughing and talking, and things almost feel normal again. It’s like every bad thing never happened tonight. He doesn’t know how you do it, how you make things feel so okay again, but he holds you tight, clinging onto the feeling. He was going to say it earlier, but he was so distracted by you, by how beautiful you are. 
“I love you.” he says, pressing a kiss to your forehead. He feels you smile against his chest. 
“I love you too, Ricky.” 
You sound so content, so comfortable with him, and he feels like his heart is going to burst. 
“I love you,” he says again, running his fingers along your waist. 
“I love you too,” you giggle sleepily. Every time you think he’s asleep, he says it again, and again, and again. He can’t help himself, he loves the way you blush and giggle, loves how warm you are against him, loves the way you say it back to him. It’s quiet for a little while, but you feel his hands still tracing little shapes into your skin. You glance up at him to find him staring at you  in that way that makes your stomach twist. 
“Close your eyes,” you mutter, drowsy. 
“But I love you.” he replies quietly, and you can hear the smile in his voice. “I love looking at you. I love everything about you.” 
“I love you too,” you answer groggily, and he doesn’t think he’s ever felt better than he does when you say it like that. “But we have a full day of school in the morning, then homework, then another show to perform in, so we have to get at least a little sleep.”
“Yeah,” he sighs, eyes growing heavy as the day catches up to him. “As long as we have time for coffee and peach scones.”
“There is literally always time for coffee and peach scones.” he chuckles at how quickly you respond. You lean up, pressing a kiss to his nose, then snuggle back into his chest. It’s his favorite time of day again, he realizes, where he gets to sleep next to you, and kiss, and cuddle. Except this time, it’s better than it ever has been, because right before you fall asleep, he gets to say it.
“I love you.” he breathes, kissing your forehead.
“‘Love you too.” you mutter, barely awake. Your words reverberate and replay in his mind as he closes his eyes, finally drifting off. He doesn’t know how the next shows are going to go, he doesn't know what’s going to happen tomorrow, but he doesn’t care. He doesn’t care about what will happen when the sun rises,  he’s just excited for it to happen with you. He sleeps better than he has in a long time. 
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nyomkitten · 2 years
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The climate change discourse then suffers from two key issues. One, we’ve sufficiently learnt by now who to blame, but we disagree on how to do something about it. Two, blaming someone is often seen as the end in itself, rather than a means toward an end. It’s why blame accompanied by action is so contested: it actually involves disrupting the status quo in ways that aren’t comfortable or pleasant.
"Identifying Climate Villains Has Become Mainstream — But It Isn’t Enough." Rohitha Naraharisetty for The Swaddle. 25th July 2022
But there’s a defeatism inherent in the framing of frustration against capitalism that makes the inescapable capitalist reality a self-fulfilling prophecy – if we’re already resigned to the possibility that we’ll live and die under capitalism, we really just might. ... there remains a social media-fuelled sensibility that overemphasizes the doom – almost as if everyone’s in on a secret that it’s all hopeless in the end. It doesn’t mean that people are the problem; it’s that capitalism itself is cannibalizing all the discourse around it.
... it’s hard to know what the resistance looks like – even when it is happening in front of our eyes. Many have begun to posit that rejecting surveillance capitalism itself has to be the way forward. If everything we say and do is watched, it makes our speech and action less radical by default.
"Anti‑Capitalism Is Cool. When Will It Be Revolutionary Again?" Rohitha Naraharisetty for The Swaddle. 3rd September 2022
i haven't caught up with her work in a long while (asshole me) but Rohitha Slays Every Time uffffff
also this EXCELLENT interview with Dr. Sylvia Karpagam—it's so relieving to listen to a nutritional expert recontextualise and properly explain why the “only vegetarian food in schools” position is so hot air–based and disgustingly harmful. here are excerpts but please read the whole thing.
If you compare populations in India that have had good food over generations, they have consistently shown an increase in height. ... The [prevalent] small frame is because of stunting in childhood and because the mother never received adequate nutrition during pregnancy and her adolescent years. ... the “small frame” idea hides a whole system of neglect that the child has gone through.
It’s like someone is drowning in water and then you’re saying no, he’s dying because he has diabetes. First, give people food. We have such a high hunger index in the country and so many nutritional deficiencies.
The majority of children in government schools, however, are children from marginalized Dalit, OBC, and Adivasi communities. What they’re saying to them is, essentially, that “because of your food, you have a tendency to be a criminal.”
[How does t]he exclusion of meat and eggs ... harm children — not just physically, but also in terms of the relationship that they have with food itself?
... I wouldn’t even call it brainwashing — what they’re doing is actually inculcating shame in the child. So this document says that giving different kinds of foods to the children leads to “discrimination” — and their solution is to give them the same type of food. So there is this idea that diversity, variety, or people with differences are bad, and that homogenous is good. ... And the idea that the vegetarian child is someone whose sensibilities have to be constantly protected by everybody else — that is the enforcement of the caste system. It says, “I don’t like your food therefore, I will not eat it — but I will also make sure through any means that you don’t eat it either.”
"Why Is Removing Meat and Eggs From School Midday Meals Casteist? We Ask an Expert." Rohitha Naraharisetty for The Swaddle, 14th July 2022
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jesuisici33 · 8 months
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Tag nine people you want to catch up with/get to know better
Tagged by @eddiediaztho
Last Song:  date your dad-bellah mae, played in the car on my way back home
Last Film: In The Heights - one of the better musical to movie adaptations in recent years. (although i'm still salty that they cut my fave song, sunrise. rip you legend, i still have you on the obc soundtrack)
Currently Reading (or last read): a lot of fic atm, but also Hurts So Good: The Science and Culture of Pain on Purpose by Leigh Cowart. (i'm not too far in this, but so far such a fascinating insight on why we're addicted to inflicting pain onto ourselves - and not just for sexual reasons!)
Currently Watching: Miraculous Ladybug, currently catching up, i just finished the Chat Blanc episode and i need a million years to recover after that ep (jk, i'm continuing after doing hw tonight)
Current Obsession: the love square in miraculous ladybug (It's fucking inSANE!!!!!! JUST TELL EACH OTHER YOUR IDENTITIES HOLY SHIT), also buddie and tarlos always.
tagging @hippolotamus @rmd-writes @apothecarose @mammameesh @alyxmastershipper @monsterrae1 @disasterbuckdiaz @loserdiaz @folk-fae @userdisaster @actual-sleeping-beauty @wandering-night19 @thewolvesof1998 @forthewolves and anyone else who wants to do this!
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god-i-love-theatre · 11 months
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I’m pretty young a feel as if I’m not diving deep enough into theatre. (Like I hardly know any shows other than the classics) Do you have any recommendations? Specifically ones with a good soundtrack as I am very into music and happen to be studying it.
hi! apologies if this has been in my inbox for a bit, i'm not checking in here as often as i used to. i think just listening to musicals and reading about them is a good way to learn a lot (i honestly used to just surf Wikipedia for hours). i don't listen to cast recordings too too much anymore, but here are some of my all-time favorites that i'd recommend as a good starting place (it's good to find out what kinds of sounds you're interested in anyway):
In The Heights (Original Broadway Cast)
Rent (Original Broadway Cast)
Sunday in the Park with George (Original Broadway Cast although I do also like the Jake Gyllenhaal/Annaleigh Ashford recording)
Into the Woods (Original Broadway Cast)
Merrily We Roll Along (Encores! cast recording - this is controversial I KNOW but I like this version a lot)
Next to Normal (Original Broadway Cast)
Avenue Q (Original Broadway Cast)
Fun Home (Original Broadway Cast)
Something Rotten! (Original Broadway Cast)
Legally Blonde (Original Broadway Cast)
Company (2008 revival cast)
Spring Awakening (Original Broadway Cast)
The Last Five Years (Original off-Broadway)
Pacific Overtures (2004 revival cast)
Waitress (Original Broadway Cast)
Dogfight (off-broadway cast)
Bright Star (original broadway cast)
Natasha, Pierre, and the Great Comet of 1812 (both cast recordings are great tbh)
She Loves Me (2016 Broadway revival)
Sweeney Todd (original broadway cast)
The Band's Visit (original broadway cast)
Once (original broadway cast)
Girl from the North Country (i actually love the London OBC recording a lot)
Oklahoma! (2019 broadway revival - okay you should probably listen to a different recording first but i do love this recording)
this is like a pretty random array of shows and definitely ages me in terms of when i was coming up in learning about theater but these are recordings I genuinely enjoy listening to when i decide to listen to showtimes. Also I'd recommend the My Little Tonys podcast which is no longer producing new episodes but they do a really great job explaining theater history in a fun and accessible way.
but yeah from a music standpoint hopefully this helps!!
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this-is-macy · 4 months
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I can't believe I watched 28 musicals this year! And I got to tick so many off of my "to watch" list! (The starred ones are shows that I saw for the first time this year.)
tick, tick…BOOM! (2021)
Newsies (2017)
Newsies (1992)
The Sound of Music (1965)
West Side Story (2021)
Hairspray (2007)
Grease (1978)
*The Last Five Years (2014)
Hamilton (2020)
West Side Story (1961)
*Newsies (OBC bootleg)
Dear Evan Hansen (touring production)
*Little Shop of Horrors (1986)
Dear Evan Hansen (OBC bootleg)
Mean Girls (local production)
Heathers: The Musical (2022)
*Once (2007)
*Sweeney Todd: The Demon Barber of Fleet Street (2007)
Camp Rock (2008)
*Footloose (1984)
*The Greatest Showman (2017)
*Les Misérables (2012)
*In the Heights (2021)
*The Prom (2020)
*The SpongeBob Musical (2019)
The Phantom of the Opera (2004)
*Theater Camp (2023)
*RENT (2005)
This year, I really expanded my musical repertoire and found a bunch of new favorites in the process. It's been so much fun discovering so many new stories and songs, as well as continuing to replay my old favorites over and over and over again! I'm excited to see what shows await me in 2024!
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felizusnavidad · 3 months
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(hi not the hamilton anon but saw the tags i'm taking ith)
fave lyrics from in the heights (the song) ?
bahahaha, thank you so much! i hope you know you're gonna have to come back every day now to ask me about all of the songs... we are going with obc version, because of course, & i'm gonna pick three as well (although this is such a long & fun song, i love it so much):
a lottery ticket, just a part of the routine, everybody's got a job, everybody's got a dream - something about this line always makes me want to scream & i can't even explain
yeah, i'm a streetlight, chokin' on the heat, the world spins around while i'm frozen to my seat - once again, AAAAAAAAAA
cause my parents came with nothing, they got a little more & sure we're poor, but yo, at least we got the store, & it's all about the legacy they left with me, it's destiny & one day i'll be on a beach with sonny writing checks to me - it's just... lin talking about the legacy is something that can be very personal, you know... LOVE IT, i always fucking scream those lines
bonus (you'll be getting a lot of those! cause fun!) - this performance from 2008 tony awards - in the heights/96,000 - & this is of course the original broadway cast (LIN-MAN & C-JACK LOOK AT THEM THEY WERE SO YOUNG & CHRIS EVEN HAD HAIR WHAAAAAAT)... funny thing is that it says HQ but it's probably the worst quality i've ever seen lol.
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manasastuff-blog · 4 months
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ELIGIBILITY FOR NDA CRASH COURSE
Introduction
What is UPSC NDA?
The UPSC NDA (Union Public Service Commission National Defence Academy) is a prestigious examination conducted by the UPSC to select candidates for admission into the Indian Army, Navy, and Air. It aims to recruit young individuals who possess the necessary qualities and potential to serve in the defense forces and contribute to the security and development of the nation.
Importance of UPSC NDA Eligibility
The eligibility criteria for UPSC NDA plays a vital role in ensuring that only the most deserving candidates are selected for training and service in the defense forces. These eligibility requirements help in maintaining the efficiency, discipline, and effectiveness of the armed forces. It ensures that individuals who have the necessary qualifications, physical attributes, and character are given the opportunity to serve their country.
Eligibility Criteria for UPSC NDA
Nationality Requirements
Citizenship Criteria
To be eligible for UPSC NDA, the candidate must be an Indian citizen. This means that the individual should either be:
A citizen of India by birth, or
A person of Indian origin who has migrated from Pakistan, Burma, Sri Lanka,Individuals from East African countries such as Kenya, Uganda, the United Republic of Tanzania, Zambia, Malawi, Zaire, and Ethiopia, or Vietnam, have expressed their desire to relocate to India on a permanent basis.
Foreign Nationals' Eligibility
Foreign nationals are not eligible to apply for UPSC NDA. However, certain exceptions exist for individuals of specific nationalities. Bhutanese and Nepalese candidates, as well as Tibetan refugees and Indian origin migrants from other countries, may be considered eligible under certain conditions. These conditions are subject to specific government policies and agreements.
Age Limit and Relaxation
The age limit for candidates applying for UPSC NDA is also an important criterion. The candidate must be between 16.5 and 19.5 years of age. The upper age limit may be relaxed for specific categories such as Scheduled Castes (SC), Scheduled Tribes (ST), Other Backward Classes (OBC), and other deserving candidates as per government regulations.
Educational Qualifications
Academic Requirements
Candidates must have completed their 10+2 education or equivalent from a recognized board or institution to be eligible for UPSC NDA. The candidate should have passed the qualifying examination with the required academic standards as specified by the UPSC.
Specific Subjects and Marks Criteria
The candidate must have studied certain subjects in their 10+2 education to qualify for UPSC NDA. These subjects include Mathematics and Physics for the Air Force and Navy wings, while Mathematics is not mandatory for candidates applying to the Army wing. Additionally, the candidate must secure the minimum marks required in these subjects as specified by the UPSC.
Certain exemptions exist for candidates applying for the Navy and Air Force wings who do not meet the specific subject criteria. However, such candidates will be required to undergo additional training to bridge the knowledge gap.
Eligibility for Appearing in Final Exam
To be eligible to appear for the UPSC NDA entrance examination, the candidate must fulfill certain conditions. These conditions include restrictions on the number of attempts, the age limit, and the educational qualifications. Only candidates who meet the specified criteria will be allowed to appear for the entrance examination.
Physical Standards
Height, Weight, and Chest Measurements
Candidates must meet certain physical standards to be eligible for UPSC NDA. These standards include height, weight, and chest measurements as per the prescribed requirements. The UPSC specifies the minimum and maximum limits for each parameter, and candidates failing to meet these requirements may be disqualified.
Certain relaxations in physical standards may be provided for candidates from specific regions or categories as determined by the government.
Visual and Hearing Standards
Good vision and hearing are essential for individuals serving in the defense forces. Therefore, candidates are required to meet specific visual and hearing standards to be eligible for UPSC NDA. The UPSC outlines guidelines for vision requirements, including specific visual acuity and color perception standards. Similarly, candidates must meet the specified hearing criteria and should not have any hearing disabilities or impairments.
Physical Fitness and Medical Examination
Candidates applying for UPSC NDA also need to demonstrate a certain level of physical fitness. The UPSC prescribes fitness benchmarks and conducts physical tests to assess the candidates' physical capabilities. Additionally, candidates are subjected to a thorough medical examination to ensure that they are medically fit and free from any disqualifying illnesses or conditions.
Marital Status and Other Criteria
Marital Status Requirements
To be eligible for UPSC NDA, candidates must be unmarried. This is a prerequisite for admission into the National Defence Academy. Additionally, candidates are subject to restrictions on marriage during the training or service period as per the regulations of the defense forces.
Restrictions on Employment or Training During the Selection Process
Candidates applying for UPSC NDA are required to fulfill certain employment and training restrictions. These restrictions may include limitations on employment or pursuing other educational courses during the selection process. The aim is to ensure that candidates are fully committed to the training and service requirements of the defense forces.
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imintoomanyfandomss · 2 years
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List of bootlegs i have i’m willing to trade:
Six:
- Hampton court audio:
Aragon: Jaye’j, Boleyn: Millie O’Connell, Seymour: Natalie May Paris, Cleves: Lexi Mcintosh, Howard: Aimie Atkinson, Parr: Maiya
- West End Bootleg
Aragon: Jaye’j, Boleyn: Courtney Bowman, Seymour: Natalie May Paris, Cleves: Lexi, Howard: Sophie Isaacs, Parr: Danielle Steers
- Australian cast
Rent:
- Hope mill theatre
A new brain:
- 1998
Amelie:
- Broadway
Pippin:
-Pro shot
The Prom:
- Broadway
Grease:
- Us tour
Come From Away:
- Broadway
Dear Evan Hansen:
- OBC
- Jordan Fisher (Evan)
&Juliet
- Original west end cast
- Zara (juliet), tom (romeo), alex ( may)
Others i have but unknown cast:
- Angels in America
- A Bronx Tale
- A Gentleman’s Guide to Murder
- Aida
- Alice by Heart
- Alleigiance
- American Idiot
- Anastasia
- Annie
- Anything goes
- Bandstand
- Bare
- Beautiful
- Billy Elliot
- Be more chill
- Bonnie and Clyde
- Book of Mormon
- Cabaret
- Catch me if you can
- CATCF
- Cinderella
- Evita
- Falsettos
- Fiddler on the roof
- Frozen
- Fun Home
- Godspell
- Hadestown
- Hairspray
- Hamilton
- Heathers
- Hedwig
- Hello Dolly
- Hunchback
- If/Then
- In the heights
- Into the woods
- Jersey Boys
Let me know if you like to trade!! Interested in pretty woman, &juliet, grease (west end), frozen (west end) (aus), etaj (layton williams)!!
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