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#imabelle
kiaraalazulu · 7 months
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10 Characters/10 Fandoms/10 Tags
thanks for tagging me @aluvian 💕💕
Meryl Stryfe ~ Trigun
Mitsuri Kanroji ~ Kimetsu no yaiba
Ianthe Tridentarius ~ The locked tomb
Sokka ~ Avatar: The last airbender
Yang Xiao Long ~ RWBY
Maki Zenin ~ Jujutsu kaisen
Robin Buckley ~ Stranger things
Geralt of Rivia ~ The Witcher
Ghirahim ~ Skyward sword
Kirtash ~ The Idhun Chronicles
Tagging: @imabell @chaoticbuka @volaenii @yormgen @ladymaliwan @f-a-b-l-e @mydetheturk @pawpotato @lnox-shitpost
Feel free to ignore this!!
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craigfernandez · 2 years
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The first of Coffin Ed and Gravedigger Jones series.
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ckwomelsdorff · 5 years
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So good I had to share! Check out all the items I'm loving on @Poshmarkapp #poshmark #fashion #style #shopmycloset #boutique #imabelle: https://posh.mk/YBj6JNo8RZ
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pygartheangel · 4 years
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zonedtine · 6 years
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So good I had to share! Check out all the items I'm loving on @Poshmarkapp #poshmark #fashion #style #shopmycloset #imabelle #coach #hm: https://bnc.lt/focc/EQ83s7O1UP
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duanecbrooks · 7 years
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Media Impact     It's time to once again let you in on what is My All-Time Favorite. And to remind you once again that I am not nor have I ever been a high-culture maven nor an aesthete nor even a real and true intellectual but am and all during my adult life have been a geek of the Meghan McCain stripe.       Got all that? You do? OK, so My All-Time Favorite Media is...Heart and Soul magazine's 2003 cover story on my girl Robin Givens.               Literally everything about said article shines. The cover of this particular Heart and Soul issue features Robin sporting an especially dazzling smile and is emblazoned with a particularly ingratiating headline: "Robin Givens: On Mike [Tyson], Money, and Being Misunderstood." Open up the magazine and flip through a few pages and there's Robin again, again wearing a notably uplifting smile and bent over rightward in a quite fetching manner, with the words "Robin Redux" on the bottom of the page. Flip through a few more pages and on the "Contributors' Page" there's a pic of the (as shall be demonstrated, very talented) writer of the Robin piece, Janice R. Littlejohn, who is shown to be a not-bad-looking woman, probably (then) in her early-to-middle-40s, herself equipped with a highly beguiling smile. In her space she engagingly compares meeting Robin to "[c]oming face-to-face with the most popular girl in high school. 'It was like meeting up with the girl who you thought you knew everything about, but [then] realizing how much you have in common.'" We're then let in on the fact that Littlejohn is "[a] freelance television, entertainment, and lifestyle writer in California" and she appealingly reveals that she's attempting to make her life more pleasurable with "food, travel and trying to find the perfect couch for my new house."             Now to the Robin piece.               Let it be said first off that my lady looks positively stunning throughout, first giving yet another stunning smile while lying upon her stomach with her legs up in the air and outfitted in Maroon pinstripe pants, a beaded Chaiken tank top, and metal Mare olive heels. Turn the page and there's Robin again, this time wearing a L'impasse white floral gown and a Elisabetta bracelet. Turn the page once again and there's my woman once again, this time decked out in an Anja Flint olive jersey dress, a Stephen & Co. gypsy-like necklace, and a Barry Cord cocktail ring. And in all--all--of the photos Robin has an enticingly cheerful expression.           Here's where we come to the actual Robin article.             The aforementioned piece begins with a rather appealing quote from the subject herself ("I feel okay now. I know what I want instead of what you think you're supposed to have. I know what makes me happy"). Then Littlejohn paints a sensitive picture of the two of them agreeing to eat at this one restaurant on the Upper East Side of Manhattan and her expectation that "[s]ince the media has been less than flattering to Givens [that's a considerable understatement]...I expected her to be guarded." (As it turns out, she was all the while "relaxed and friendly"). Eventually Littlejohn deftly captures, as the two of them walk along, "fans [of Robin] beginning [sic] to take notice--gawking, waving and doing random drive-bys, yelling, 'You look good, girl!'" From there Littlejohn skillfully depicts where Robin was at that point in her life ("At 38, Robin Givens is a woman reborn, clearly revelling in a new sense of self outside the Hollywood spotlight--a nascent inner tranquility that comes from embracing life's simpler things. She divides her time between Maryland, Kentucky and New York...fancies herself a connoisseur of fine Italian and French food, frequents American diners and loves chitlins and pig's feet"). Littlejohn proceeds to stylishly sketch where Robin was professionally (the latter "is no longer defined by the trappings of a box-office-driven career. Acting is simply what she does") and offers up some insightful words from Robin's Boomerang/Head of State co-star Chris Rock ("I'm clicking through channels and see Boomerang and think, 'Hey, what's Robin Givens doing? Haven't seen her in a while.' When I met her for lunch, I said, 'You should get back out there.' It was kind of a pep talk. 'Get out there. You can act'").               Littlejohn's article continues. She elicits from Robin some admirably searching words from her subject concerning how it was like for her growing up without a Dad ("[Y]ou just feel this sort of unworthiness, and the pattern begins there...If you're not good enough for the first man in your life to stay, then why should any of them stay?"), incisively delineates what was Robin's public image pre-Tyson ("Givens has long been known for her love life, beginning with a romance with a Saturday Night Live comic named Eddie Murphy. She's had public romances with Brad Pitt and tennis pros Murphy Jensen and Svetozar Marinkovic, whom she married and quickly separated from") and draws from Robin some telling observations regarding Tyson's words during that infamous 20/20 interview they did by Barbara Walters, which was responsible for Robin's 20-year reign--especially, sad to say, as crowned by blacks--as The Most Despised Woman In America ([Tyson told Walters] "'The best punch I ever gave, she went from that wall to that wall...and she was out.' I thought. 'This is definitely not going to be acceptable.'"). Following are some intensely perceptive words from Robin's good buddy Tiffany McLinn, one of the Lifetime network's Intimate Portrait executive producers ("[Tyson] was really popular, and people were completely on his side...[A]t the time he was married to Robin, and so people really vilified her...She didn't have any rep before [hooking up with Tyson]--it's just because of that marriage [emphasis mine]"). From there there is a deftly-done sketch of my lady's professional standing during that period ("She starred in TV projects such as The Women of Brewster Place and The Penthouse, and she was on her way to box-office stardom with critically applauded roles as Imabelle in 1991's A Rage in Harlem and the next year as Jacqueline Broyer in Boomerang").           Going forth: Our portraitist gets Robin to present some genuinely moving recollections concerning her then-emotional/psychological life ("I had gone through hurt, and I mean it really hurt, and it hurt me and it hurt everybody close to me and it was serious for me, the pain that I felt. So it was interesting to have agents going, 'Yeah, but you're on the cover'"). After pointing out--and this is a fiercely individualistic statement, considering the fact that it's being made by a black writer about a black celebrity/entertainment figure in a black-oriented magazine--that Robin realized "that she was just another cog in the Hollywood machine," Littlejohn's probing gets Robin to freely acknowledge: "At that point I realized I wanted to be a healthy, happy human being, not just have a successful career. That's what I realized was the most important thing to me." Littlejohn, to her great credit, also gets Robin to own up to the fact that "I'm not looking for vindication. I'm not looking for people to go, 'Aha!'"                 And there's more. Littlejohn, with laudable journalistic professionalism, paints a picture of Robin as an absolutely hands-on mother, quoting her as asserting: "Nothing makes me happier," then quoting McLinn as contending that Robin and her sons are "like the Three Musketeers...[Being a single mother is not without] its challenges. But [Robin] is first and foremost a mom, not an actor." Robin then movingly tells of her renewed spirituality ("[Y]ou can call it anything. I mean, I now have a relationship with God") and in time laughing and "carefree," (Littlejohn's description) claims: "I have no ambition for a career." (To this Littlejohn adds: "At least not a career outlined by Hollywood's terms," going on to delineate the sporadic work Robin had done around that time [periodic television series like Courthouse, periodic independent pictures like Book of Love, her then-current work producing the Uninvited series for the Heritage Networks]). Following is a quite sprightly portrait of Robin doing a photo shoot, wherein she's "wearing jeans, flip-flops and a white tank top under a black salon cape" and "[h]er hair is in spiral pin curls, and she's wearing no make up." Littlejohn effortlessly captures Robin's admirable good humor during this shoot ("I think we shoot me just like this, whaddaya think?").                 And the conclusion to the article is honestly uplifting. Littlejohn makes the exceedingly perceptive observation that "while Robin Givens may not have always been in fashion, she has always been popular. Now with age and life experience, she has an outlook that matches her newfound confidence." (Robin afterward shares said outlook: "I know that if you hang in there, He'll work it out for you"). And the absolute end of the piece is outright heart-melting. Here Robin "smilingly" says: "I've been through enough to know some stuff, but [I] still have a lot of living to do. You know when little stuff would bother you? Now it's like, 'This is me. Take it. Leave it.' It's feeling comfortable in your own skin. As a woman."             In sum, Littlejohn's Robin profile certainly, definitely proves the aptness of the title this one IMDb-message-board-post writer bestowed upon Robin: "The sexiest black woman in entertainment" (actually, she shares that title with Paula Patton)--and proves that she's a highly articulate, intelligent, thoughtful person to boot.               Heart and Soul magazine has long, long, long since stopped doing cover-making celebrity interviews. Too bad. Janice R. Littlejohn's Robin Givens article should have won the aforementioned publication a National Magazine Award. Hands down.
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I
Ikora Rey Destiny | Imabelle Harlem Detective Series | Imane Bakhellal Skam France | Imani Paladins | Imani Izzi Coming to America | Indigo Rainbow Brite | Indigo Downes Mo Better Blues | Indra The 100 | Inquisitor Reva Kenobi | 
Irene Federic Warehouse 13 | Iridessa Disney Fairies | Iris Cotton Comes to Harlem | Iris Watkins Switched at Birth | Iris West The Flash | Ironheart (Riri Williams) Ironheart/Iron Man | Isabelle Slotter Strange Empire | Isabelle Tyler The 4400 | Isis Bring It On | Izzy Bit |
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topfloor-amiyn · 5 years
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#Repost @iamrjpayne (@get_repost) ・・・ I'm giving 15 of my biggest supporters a chance to be apart of #TheElohim Record a voice drop saying your name ( I.g) where your from & the words #imabel👁ever then send it to [email protected] #E👁mg #rjpaynebrand #rjpayne https://www.instagram.com/amiyn_bizness_beats/p/BwCjLeGBz5X/?utm_source=ig_tumblr_share&igshid=hzcwdnxaua0x
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uwuwuwuwuwu
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joyceebels · 5 years
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yung pinipilit nalang namen maubos kasi malapit na mag 5.30.. padating na daw ang imabels..
catching up din sa kanila..
ano na bang nangyayari..
ano na bang ganap?
kamusta na lovelife..
tara mabundok na tayo.. ahahahah
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sbrown82 · 6 years
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Robin Givens in A Rage in Harlem (1991)
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movies-derekwinnert · 4 years
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A Rage in Harlem *** (1991, Forest Whitaker, Gregory Hines, Robin Givens) - Classic Movie Review 9980
A Rage in Harlem *** (1991, Forest Whitaker, Gregory Hines, Robin Givens) – Classic Movie Review 9980
Director Bill Duke’s 1991 neo noir thriller A Rage in Harlem is based on Chester Himes’s novel and stars Forest Whitaker as clumsy but nice Harlem hero Jackson, who meets and falls for sassy and sexy criminal Imabelle (Robin Givens) who has arrived from Mississippi to deliver a box of gold.
This lovingly made, arty African American thriller is a nice try that catches the eye and periodically…
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bestinflavors · 6 years
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#omw #homealone #callingin #heyboss #imabelate https://www.instagram.com/p/Bo55TAgg6ugx8wK2Rt2ji7j0Y_wyRpUymgjktk0/?utm_source=ig_tumblr_share&igshid=1tq5akhlzgt5y
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veganyogiblog · 7 years
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"Inaction breeds doubt and fear. Action breeds confidence and courage." I can definitely vouch for this one. So many times I get caught up in my head and think for too long about a challenge or circumstance that it becomes scary to do anything about it. This goes for creation or growth too. So, for all of us, myself included, take action. Baby steps even, but just move forward. 🕶 📷: @kylongienger Also, missing Belize and my friends already. lol #Belize #imabelizer (at Kachess Lake)
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ao3feed--destiel · 4 years
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by AngelOfImpala221
They should have known that if it feels too easy, they had done it wrong. Team Free Will is on a witch hunt, that ends easy the first time. It ends easy the second time too, according to Dean and Cas. Little do they know, they have been hexed.
(This is my first fanfic, so sorry if the summary sucks, and if the story sucks even more)
Words: 3714, Chapters: 3/20, Language: English
Fandoms: Supernatural
Rating: General Audiences
Warnings: Creator Chose Not To Use Archive Warnings
Categories: Other
Characters: Castiel (Supernatural), Dean Winchester, Crowley (Supernatural), Castielle, Deanna Winchester, Sam Winchester, Samantha Winchester, Crowlie, Laura (OFC), Gary (OMC), Mabel (OFC), Laurus (OMC), Gari (OFC), Imabel (OMC), Others (Mentioned)
Relationships: Castiel/Dean Winchester, Castielle/Deanna Winchester, Sam Winchester/Sam Winchester
Additional Tags: Genderbending, Alternate Universe, Female Castiel (Supernatural), Female Dean Winchester, Female Castiel/Female Dean Winchester, Male Castiel/Female Dean Winchester, Castiel/Dean Winchester - Freeform, Goofy Sam, Self-Esteem Issues, Jealousy, Jealous Dean, Jealous Castiel, Self-cest, only at the end, Oblivious Castiel (Supernatural), Crackhead energy, Adios bitch (It's Audinos)
via AO3 works tagged 'Castiel/Dean Winchester'
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Archetypal - Analysis Essay
know as the founder of uninflected psychology, Carl Jung revolutionized the way the world looked at the human mind through the creation of the archetype, the collective unconscious mind, and the personality (introverted and extroverted) (Wikipedia.org). Jung created some of the stovepipe known psychological concepts such(prenominal) the archetypes of the conscious and unconscious mind. Jim Thompsons The Killer inner Me (1952) and Chester Himes A Rage in Harlem (1989) argon two works of literature that explore these archetypes. In crop to thrive in society, as presented in Thompsons and Himes novels, characters (such as Lou and Imabelle) are forced to conciliate and change in high society to achieve their goals. Thus, I grapple that archetypal theory is a useful tool to tumble the evolution of both Lou and capital of Mississippis psyche in The Killer Inside Me (1952) and A Rage in Harlem (1989).In special(a) I look at the swelled head, persona, and shadow in Thompsons and Himes novels.\nFirstly, in archetypal theory, the self-importancetism looks at how characters regard themselves, what they start important (or unimportant), and whether or not they share these thoughts with others. As C.G Jung mentions, the ego is a product of the cognisance (1973:7). This suggests that the above decisions are make consciously and not, perhaps, as the offspring of passive amicableization referable to external influences such as religion or the destiny media. It is important to note that the ego interacts closely with its counterparts the id (ones desires and willing needs) and super-ego (ones relation to reality) by acting as a mediator surrounded by the two. Thus, the ego is created from a compromise between a persons individual desires and the dominant social norms of society (or a specific environment).\nAs depicted in Thompsons The Killer Inside Me (1952), individuals in capitalist societies (such as Lou) demonstrate how the ids desires raise be ful filled without business organization of repercussion...
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