#if i was more dramatic i’d start talking now abt how jon really thinks he can get away with talking shit into the mic under his breath | Explore Tumblr Posts and Blogs

bluejayblueskies · 3 years

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Please say more abt how Martin fits the closed off trait I'm begging 👁👁

Okay, so I got a bit carried away with this and it got quite lengthy....

I've put a TLDR above the cut and the details, transcripts, and general discussion below the cut!

TLDR: Martin is at his core a closed-off character who keeps his vulnerable feelings hidden and close to his chest. He instead focuses on caring for others and considering their feelings above his own, particularly in the case of Jon, who he cares for (sometimes to the point of self-sacrifice) throughout the podcast. His arc with the Lonely in season four and his interactions with Jon in season five demonstrate this lack of emotional vulnerability, and it's really only during the moments he spends by himself that we get significant insight into Martin's emotional state and inner thoughts.

Martin, to me, is a character who is very used to hiding how he feels. He tends to care for others at the expense of himself, has low self-esteem, and has a predilection towards the Lonely, all of which go hand-in-hand with somebody who is very used to hiding their emotions--particularly the negative ones--because they either think they're not important or that they're inconvenient and inappropriate for the situation. On a textual level, that's probably due to growing up with a sick (and likely unsupportive) mother who he had to take care of, where there was 'no time' for his emotions to get in the way or for him to prioritize himself in any way, shape, or form.

Martin is self-destructive, dislikes moments of emotional vulnerability, and (I would argue) genuinely struggles when he doesn't have somebody else to prioritize over himself. (His mother at first, but as the series goes on, Jon settles comfortably into this role for him.) Additionally, the biggest way that we, the audience, know anything about Martin's emotional state is when he's alone and self-reflecting (such as in MAG 170 and 186 or when talking to the tapes) or when he's forced to talk about something vulnerable (such as when Jon confronted him about his CV).

We don't get much insight into Martin's character between seasons one and three (at least not as much as we get in four and five), but I find myself drawn to this bit in MAG 118, when Martin is talking to Elias:

MARTIN

So what? I don’t get to be angry? I don’t get to burn things? Just, just run around, making tea, while everyone else gets to actually have feelings?

I think two things are important to note here. The first is that Elias is surprised (or least intrigued) that Martin is acting in this way--specifically, acting on his emotions in such a dramatic way. (And given that Martin is doing this as a distraction, rather than actually acting out because of his own emotions, maybe he's right to be surprised.) The second is that this line very much implies that Martin doesn't talk about how he's feeling, not like 'everyone else' does. He doesn't talk about it, doesn't act on it--just 'runs around, making tea.' And when Melanie comes back in after Elias is done, Martin immediately focuses on the plan and whether it succeeded, ignoring Melanie when she asks if he's okay or not. He closes himself off, and as far as we know, doesn't talk about it at all after that.

And then Jon goes into his coma, and we reach season four.

Martin is incredibly closed-off during season four. He's self-isolating, self-sacrificial, and approaching a state of genuine emotional numbness by the time he's cast into the Lonely. There's a lot to unpack there, but I'm going to focus on a few main things, many of which can be drawn from this bit in MAG 158:

MARTIN

It’s not him! It’s not anybody. It’s just me. Always has been. I…

When I first came to you, I thought I had lost everything. Jon was dead, my mother was dead, the job I had put everything into trapped me into spreading evil and I… I really didn’t care what happened to me. I told myself I was trying to protect the others, but… honestly we didn’t even like each other. Maybe I just thought joining up with you would be a good way to get killed.

And then… Jon came back, and… and suddenly I had a reason I had to keep your attention on me. Make you feel in control so you didn’t take it out on him. And if that meant drifting further away, so what? I’d already grieved for him. And if it meant now saving him, it was worth it.

When you started talking about the Extinction, though… you had me actually, then, for a while. But then – (laughs sardonically) then, you tried to make me the hero. Tried to sell me on the idea that I was the only one who could stop it. And that I’ve never sat right with me. I mean, I mean, look – look at me, I’m not exactly a – a chosen one. But by then I was in too deep. So I played along. Waited to see what your end game was, and here we are.

Funny. Looks like I was right the first time. It’s probably still a good way to get killed?

This monologue is a big insight into Martin's thought process during this season, and I'm mostly going to focus on two parts: the self-sacrifice and the prioritization of Jon.

Self-sacrifice

There's quite a bit of discussion about Jon's self-sacrificial tendencies, but less so about Martin's, both in this season and in season five. In my opinion, Jon's self-sacrificial tendencies originate from (among other things) survivor's guilt from his traumatic childhood experience with Mr. Spider, his increasing belief that he's less than human, and the fact that he prioritizes the lives of others over his own. Martin's self-sacrificial tendencies, while very similar, come from the fact that he thinks he only has worth if he can help and care for someone else and the fact that he doesn't think he's important enough to live. (For example, he says in MAG 158 that he's 'not exactly a chosen one' and says in MAG 198 that he's 'not important enough to kill.')

It's a subtle difference between these two things, and I would argue that while Jon's tendencies are more rooted in the 'help' (ie, 'I want to help other people and I will sacrifice myself to do it'), Martin's tendencies are more rooted in the 'hurt' (ie, 'I will sacrifice myself and other people will be helped in the process'). There is, of course, overlap, and it's not a black-and-white distinction between the two, but ultimately, I think Martin is so used to prioritizing others' emotions and needs above his own that when he's left mostly alone as he is at the end of season three, with the only person left to hold onto being in a coma (possibly forever), he falls back into the same patterns of self-destruction and closed-offness, only without the 'help' to go along with the 'hurt' because there is nobody left to help (especially after his mother dies). Ultimately, he joins up with Peter because he thinks it 'would be a good way to get killed.'

Prioritization of Jon

But then Jon wakes up from his coma, and now Martin has justification for his self-sacrifice again, because he can protect Jon by continuing to work with Peter!

... Maybe.

Jon isn't harmed by Peter during season four, sure, but he does climb into the coffin and visits Ny-Ålesund and is tracked down by Julia and Trevor and struggles emotionally and morally with his own humanity and is hurt, in a way, by the distance Martin puts between them. And I hesitate to place blame for the apocalypse on anybody but Jonah, but if we're going to argue in-canon that Jon was responsible for the apocalypse (he wasn't, but that's not the point of this post), then Martin contributed to that blame and responsibility because it was his actions and decisions that ultimately drew Jon into the Lonely and resulted in him getting the 14th and final mark. (Again, I don't think Jon or Martin are at fault for the apocalypse, but if we were to blame Jon, we could blame Martin as well.) It was only after getting that mark that Jonah was able to use Jon to end the world, something that was hugely hurtful for Jon. So did Martin really protect Jon at all by staying away from him and continuing to work with Peter? Or was that just a convenient excuse to keep self-destructing?

Jon and Martin, in my opinion, had very similar arcs in season four. Martin was sinking further into the Lonely and Jon was sinking further into the Eye. We hear a lot more about Jon's emotional struggle with this given that he's the POV character, sure, but Jon also talks about this with other people. He talks about it to Helen (MAG 152):

JON

…

When does it stop?

HELEN

(impatient) What?

JON

The guilt. The misery. All the others I’ve met, they’ve been – cold, cruel. They’ve enjoyed what they do. When does the Eye (inhale) make me monstrous?

And to Daisy (MAG 136):

JON

My – (large sigh) My memories of the coma are not clear, but I know I made a choice; I made a choice to become… something else. Because I was afraid to die. But ever since then, I – I don’t know if I made the right decision; I’m stronger now, tougher, I can – (he cuts himself off) If I do die, now, or get sealed away somewhere forever? I don’t know if that’s a bad thing. And I don’t want to lose anyone else, so if I can maybe – stop that happening, and the only danger is to me, I – I’ll do it in a heartbeat; worst case scenario, the universe loses another monster.

But all we really get from Martin are the things he tells the tapes when he's alone and the monologue he gives in MAG 158. It makes sense that he wouldn't be as open, yes, given the nature of the Lonely, but I can't help but think of (MAG 154):

JON

The Lonely’s really got you, hasn’t it?

MARTIN

(no hesitation) You know, I think it always did.

Jon was always curious and hungry for knowledge; the Eye amplified it. Martin was always closed-off and isolated; the Lonely amplified that as well.

But then Jon pulls Martin out of the Lonely, they flee to the safehouse, and three weeks later, the apocalypse begins. Martin isn't as consumed by the Lonely as he was in season four, he's with Jon--the person he loves--for extended periods of time, and they're in an extremely stressful situation that's sure to be incredibly emotionally charged. There's a lot to be said about Jon's emotional vulnerability during season five and how Martin both pressures him for it and rejects it in different ways, but for the purposes of this post, I won't go too far into detail about the motivations behind how Jon is feeling and acting.

I will say, however, that in season five, Martin still continues to place a lot of focus on asking Jon how he's feeling, encouraging (or pressuring) him to share, and getting frustrated when Jon can't or doesn't (MAG 167):

MARTIN

Okay, so how exactly would you describe your current emotional state regarding all of this?

JON

I –

MARTIN

(overlapping) Go on, I’m all ears.

JON

I feel…

MARTIN

(go on) Mhm.

JON

(sigh) I feel… sad.

[Brief pause.] MARTIN

(flat) Sad.

JON

Very sad.

MARTIN

(*very* flat) Very sad.

[He sighs slightly as he says it. Their bags jangle.]

A few moments prior to this, Martin expresses displeasure that Jon is Knowing things about him, specifically pointing out his emotions (MAG 167):

MARTIN

It’s just – it’s weird knowing that you can know literally everything I think and feel. E-Especially since you’re not exactly the most open of people – emotionally, I mean.

I think Martin is making an effort to open up more to Jon. But I still think it's difficult for him to talk about how he feels so openly, and while he is completely in the right for not wanting Jon to Know things about him without his permission, I think it's interesting that the focus is on his feelings and that he brings up how Jon isn't emotionally open immediately after. It scares Martin to think that Jon could know, at any given moment, how he's feeling, and I think it's partially because he's not used to that level of vulnerability. He turns the focus on Jon, away from himself, and doesn't really make an effort to talk about how he's feeling about all of this, instead prioritizing Jon's feelings and mental state like he's grown comfortable with.

And when Martin bottles up his emotions--of which there are a lot, in such a stressful environment, they can explode out in hurtful ways:

MARTIN

(overlapping) I know! I know, okay, I just – (bracing exhale) Look, I j,just – don’t want to get burned, all right? It’s, it’s like my least favorite pain ever.

JON

Is that – a joke?

MARTIN

(a bit faster, a bit shaky) No, no, okay? I, I legitimately hate burns, alright? They’re, they’re awful, and they scar horribly, and they just – it – it just makes me sick; I, I hate it. Hate it!

I don't think Martin really thought about what he was saying when he told Jon, who has a large burn scar on his hand, that burn scars make him sick, and I don't think he meant it maliciously. But he'd spent the greater portion of the conversation talking around the fact that he didn't like burns and that was why he didn't want to go into the building, and so when it finally ended up coming out, it did so in an explosion of emotion rather than a conscious decision to share. Martin doesn't have a good handle on his emotions, and he doesn't have a good handle on sharing them.

(Is it too much for me to say that Martin was more emotionally vulnerable with himself in MAG 170 than he was with Jon when Jon finally found him?)

Throughout season five, Martin asks Jon questions, he expresses frustrations with Jon, he shows discomfort or fear at times, but for as much as Martin feels frustrated that Jon isn't talking about how he feels about their situation, Martin really isn't doing so either. The most he talks about his feelings is in MAG 170 and MAG 186, when he's by himself, and I remember MAG 186 in particular because before that, we really didn't know what Martin was thinking about for the majority of the season! And in this episode, we find out a lot of very important things about Martin's character. Like (MAG 186):

ALSO MARTIN

Look, I know what you know. Maybe I’m just a bit more… open about it.

Also-Martin acknowledges that Martin often doesn't say what he means and hides what he really feels, telling him that it's 'hard to be vulnerable,' and Martin is initially very resistant to the idea. And then, when Also-Martin suggests that Martin wants to stay so that he can be 'quietly sad,' we get (MAG 186):

MARTIN

We could talk to Jon about it.

ALSO MARTIN

We could. But we both know that loved ones make the worst therapists. They’re too wrapped up in trying to stop you hurting to actually help. But hey, we know all about that, am I right?

MARTIN

There’s nothing wrong with comforting people.

ALSO MARTIN

A cup of tea isn’t a resolution. At best it’s a… a plaster. At worst… a muzzle.

This is very interesting to me, because for all that Martin tries to help other people, he also believes that comfort doesn't always help and that you can't be your loved one's 'therapist.' I think this gives a lot of insight into why Martin doesn't share his emotions with the people he cares about, especially Jon; he doesn't want to put Jon in the position where he'll become his 'therapist,' and he doesn't necessarily think Jon can help. So instead, Martin just chooses not to be vulnerable at all, because he doesn't want to burden the people he cares about. But, when it's just him (MAG 186):

ALSO MARTIN

Don’t lie. You don’t need to. Not here. It’s just us.

He doesn't feel like he needs to pull his emotional punches. He can't accidentally hurt somebody or put them in an awkward position; it's just himself. But what's said to himself remains with himself, and (at least on tape), he doesn't discuss any of this with Jon. Not even the bit about, if it came down to it, Martin would have rather had Jon smite him than continue to rule over a domain. He goes right back to being closed-off around Jon, but now we, the audience, know what lies underneath, and how little of it reaches the surface.

In fact, the thing Martin's probably most vocal about is how Jon's feelings about himself bother him (MAG 199):

MARTIN

I guess that’s why it really bothers me, you know? I try, but I can’t actually imagine ever making a decision that I knew meant losing you.

And it… It hurts to know you can.

And I think he has a tendency to use anger and frustration to cover up hurt, shying away from the admission that something Jon's done has hurt him (an incredibly vulnerable thing) and instead relying on the less-vulnerable and more external anger to cover it. This is more speculation than true analysis, but I think that's a lot of what's happening in MAG 200, when he discovers that Jon has already assumed the position of the pupil and has, in Martin's eyes, broken his promise.

#tma #the magnus archives #martin blackwood #tma meta #jonathan sims #(because i do talk about jon a bit in this too)#i actually think martin isn't good with emotions at all #both his own and others'#i think he doesn't quite know what to do with them so he puts on a mask and defaults to things he knows will work #*thinks about the low empathy autistic martin high empathy autistic jon post with love in my heart*

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achieveandhunt · 4 years

Text

live typing extra life 2019

warning: this a fucking LONG post. if you plan on reading it all, godspeed.

i typed all of this as it was happening on stream so this gets progressively less coherent as i grow more sleep deprived. prepare yourselves. i may or may not go off topic at some points

larry vehemently vomiting pure malic acid. we’re off to a great start

what the fuck the soggy ass popcorn in that ranch jesus christ

lindsay in the song from AH the musical. i love her so much

jeremy going YAAAAAAY after someone eats a cursed oreo

matt getting AGGRESSIVELY kissed by larry

“this kiss this kiss” before geoff and jack kiss

geoff “i’m from alabama” ramsey

THIS FUCKING RANCH SEGMENT HAS ME GAGGING

jeremy “the alcohol demon the whiskey goblin” dooley

alfredo “you wont believe what the white people did today” diaz

DUSK BOYS DUSK BOYS DUSK BOYS GET THAT DICK ESSENCE

wait why does it sound like wonderwall

they look like characters from the matrix

the speaking parts. make my teeth hurt

in conclusion: they weren’t kidding abt the tight pants

okay everyone get ready for eric soundboard spamming YEAH BABEY

“hi i’m from broadcast and i don’t want to be here” they represent themselves well

also, let’s take a second to appreciate broadcast here!! they have a really tough job and don’t get a ton of credit. lots of love to all of broadcast!!! you guys are awesome

i am: foreseeing problems with this eric sound board

which one is eric?? will the real eric please stand up?? was the real eric the one we found along the way??

“i’m... just really worried that i won’t ever find love-” “i really don’t care”

WHY DO THEY HAVE THAT ON THE SOUNDBOARD (what does that apply to? whatever it is you’re thinking of, but mostly “daddy wants some”)

ooh someone’s about to get a fReE tongue piercing from a pineapple

god dammit i went to the bathroom for thirty seconds and now they’re eating chad’s chest hair

owie the shock collar and belly slap look painful, but drinking natty light from a shoe? that’s a true punishment

“and this roast was brought to you by meundies”

ah yes what better way is there to end a segment than people throwing up

“man action” oh no

THROBERT MULVEINY

K A R B is blind in T W O of her eyes

“my last name is cottagecheese”

I HAVE A PIECE OF METAL SHOVED UP MY A S S

chris has somehow managed to lose 23 years of age and roughly 412 pounds

“just open throat like baby bird” who the fuck is writing this and why is it jeremy

jon. jon you’re breathing in adam’s ass fumes

a summary of this segment: ass and cottage cheese

BARB IS HERE I REPEAT BARB IS HERE

“to fitness” -starts choking-

final fitness coach: tad, here to workout your issues so they can beat you into submission

“will you buy my wet” well i don’t see that on the raffle items

we’re back folks & i’m loving this walk around segment

moonball wall and gavin&michael will soon be reunited can we get an F in the chat

jeremy getting a borderlands tattoo is very on brand

what’s extra life without a little satan

“starvation army, putting lead back into paint, increasing childhood obesity” people in chat: TAKE MY MONEY

chris “i’m doing a different hole” demarais

ah yes. the game we all play in hell: twister

nobody edit chris getting mustard shot down his throat. i’m scarred enough from the original clip

oh fuck. oh god. the mayo. oh god what the fuck is up with the misuse of condiments this year

this just in: a human soul costs roughly $12,700

D̷̯͑̆̈́͝Õ̸̲͎̥̬͈̬̙͕̲G̸̢̧̠͉͚̙̲̙̓̔̀̇S̷̥̀́͆̈́̇̀ ̶̣̞̗͚̬̭̖̦͇̈́̎̈́̿̓̈́͆̒̋D̷̙̟̩̫͉̺̐̊̚Ö̶̥́̋́̓ͅĜ̵̞̌͋̏̉̌̕͝͝S̵̤̹̣̫̮̻͛̍̑̕͝͝ ̷̧̨̞̙̥̟̜͍̉̍̑̏̇̀̾D̴̻̮̩̯͓͉̖͎̘͐̒͋̓̉͝ͅỎ̶̰͓̳̥͑̅͛͊̒͐͊͘̚G̵̩̻̦̥̠̃̔Ş̶̹͚̩̱͖̀͆͘ ̸̢̢͇̻͔̗̺̼͖̱̏̾̔̚D̴̨̨̫̙̃̾̋̾̆̓̓Ớ̷̡͓͎͊G̶̱̣̣̰̝̖̰̗̓͐̐̊͋̀͊̀̕͝Ş̷̩̺̬̖͙̺̟͗̈́͒͗̀̑́́̕͠ ̷̡͈̼̲͈̳̫̺̝̈́̋͌͗̒ͅD̸̨̬̞̪̗̘̄̑͆̿̈́͘͠͝O̸̡̡͇͕̻͎͍͉̅̌͗̄͌̑̉̔͂̎Ḡ̸͙̟̪̞̬̬͕͐̈̏S̶̝̪̼̮̠̜̭̳͖̘̑

urine: to help with aerodynamics

jon: maya, speak! maya: *the smallest arwoo*

today’s mvp: any dog. pick one. no matter which you pick, you’re right

how the fuck did blaine change back from satan so quickly

barb as a cat is... my new sleep paralysis demon

blaine: barbara speak! barbara: climate change is real

#dogsforkids

this just in: extra life killed my wifi

we’re back & kdin is in the business of killing people with spice. she is the spice queen

queue six thousand well-timed 1337 donations

HOLY SHIT THAT’S COLIN FROM WHOSE LINE IS IT ANYWAY

hmm “questionable liquids” is very... questionable

trevor: oh there’s four of them! we all get to join in the Fuckkkk

“what’s your favorite kind of candy” “any meat”

i like pickles and i would rather rip my eyebrows off than drink the juice so i feel for trevor

the only thing worse than drinking apple cider vinegar is shooting it out of your nose

“can you feel the love tonight” “i used to and that’s the problem”

“flubs every word man” damn, really missed the chance to say captain hair

jeremy not being able to intentionally flub his words is so fucking funny

OK BOOMER

wow i can feel my blood pressure spike just watching these shots

Xavier Woods is here and he wants to know if it’s Christmas

miles doesn’t know what a question is

WHERE’S YOUR HAIR

oh no. oh no helping hands is next. everyone clear a splash zone

CHEF MIKE CHEF MIKE CHEF MIKE

miles bossing around chef mike is priceless

“you leave that fucking dough on the floor”

“you wanna slam your hands down on the table” *pizza sauce goes flying everywhere*

HOEDOWN HOEDOWN HOEDOWN jesus why do i keep doing that

“If Colin Mochrie is listening, I’ll see you here next year” OH FUCK YEAH

--- this is when i take a break so my soul can return to my body (aka i have work to turn in. college will never not be a pain in my ass) ---

oh god dammit i missed all of Always Open. fuck college who needs a medical degree

so... we have some very interesting things happening in family feud and i’m not sure if i like any of them

hmm. is now the time to get drunk

oily twist feels very... ominous

what do you mean you don’t remember gandalf having a taser in lord of the rings?

someone in the chat said “big stupid sleeping thing is what my parents called me in high school”

i think i’m blacking out what’s going on i don’t remember the past two hours

ah yes. voldemort and snape having a talk show together sounds exactly like something J.K. Rowling would make a spinoff book or show or porno of

can we just talk about how much shit chris has been doing this year? what a guy. what a dude

“coldy with voldy” actually means getting knocked the fuck out cold because you only got three hours of sleep last night and you don’t want to miss chef mike and lindsay cooking

this snape poem is summarized by one phrase: “that was terrible sit the fuck down” (sorry chris)

“let’s destroy a weasley” enter chad

fucking called it

“you smell poor” i need a caffeine drip

heh the wheel spins are at 69 heh nice

i’m a grown ass woman

welcome to a section called: we torture chad for your entertainment

“who wants us to kill weasley?” *massive cheers from the audience*

“wait weasley step away from the wideshot so i can masturbate to this later”

“i’m not gonna rub my eye mom”

oh they’re really gonna kill chad on stream huh

i felt that chest slap in my soul

i think i felt my own ribs crack

oh fucking

tumblr deleted my thoughts on the fanfic section

alright. fine. brief summary: my teeth are burning

my mom lindsay is on next and i’m so excited but i’m nearing the point of loopiness so things will go downhill dramatically from here

this is my fucking fourth extra life, you would think i’d be smart enough to sleep the night before

LINDSAY LINDSAY LINDSAY THAT’S MY MOM

JEREMY JEREMY JERE- wait a second... did jeremy get taller

oH CHEF MIKE CHEF MIKE CHEF MIKE

i hope Xavier comes back next year because he’s funny as fuck

m y a t t

oh god the mcdonald’s shade i’m rolling

lindsay “who’s the chef here” jones

chef mike mentioned mayo and i involuntarily gagged

chef mike clowning the big mac. i’m crying

he made the right choice with ryan bc i’ve seen his cooking stream(s) and it’s nothing if not great content

i heARD A MICHAEL JONES

“lindsay you haven’t done anything but warm up cookies so far” “yeah and?? you’re welcome”

you know that classic snack. slightly warm oreos

JEREMY THE LIQUOR GOBLIN DOOLEY IS BACK

oh god him screeching across set is making me cry laughing

why does it remind me of trevor’s voice cracks in the one minecraft ep where they’re singing the lion king

the biggest spoon for the smallest shot glass

i just realized we’re not even halfway through yet and i’m scared for the length of this list i’m gonna end up falling asleep involuntarily at some point

lindsay no your teeth are going to errode from that shot in your mouth

well timed leet donation #1829495

this gorden ramsey bit is so fucking good

jack: what do you think of the arugala? matt: i don’t even know what you said

iT’s NoT jUsT tWo CoOkIeS miCHeAL

jeremy and michael just chillin amidst the choas is exactly my demeanor at any party i’ve ever been to

lindsay scores: ryan = 7 because diet coke, matt = still eating lindsay’s meal so it’s a 10, xavier = also still eating it so it’s an 8. total: 25

“deep fry everything but a remote control”

chef mike scores: ryan = 9 for no death, matt = greens are present, words were said, score is 8. xavier = Gourmet Mcdonald’s, food is edible, score is 8. total: 25

oh fuck it’s a tie

now they fight to the death. death = doing as many shots as possible

i think we’re all going to need liver transplants after tonight

no jesus please don’t vomit oh goD oh fUc k please- oh thank god

okay i’m making a part two this is too much

#extra life 2019 #i’m going for full 24 hours this year #rooster teeth #achievement hunter #jeremy dooley #michael jones #lindsay jones #jack pattillo #geoff ramsey #gavin free #ryan haywood #matt bragg #alfredo diaz #trevor collins #fiona nova #i regret everything in my life that has led to this moment

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