Tumgik
#if anyone disagrees that's fine
anti-ao3 · 4 months
Text
i still hate the "activists" that throw tomato soup or whatever in artworks at museums. like what are you even trying to do other than force workers to clean your mess. i also don't get the relationship between art and the right to eat good food or to protect the environment, which is what these ppl advocate for. maybe i'm just not seeing the logic here but it doesn't make sense to me.
and by the way, i totally support acts like burning down statues of colonizers. yet that is not the same thing as white ppl (from what i've seen) throwing food at art, imo.
11 notes · View notes
poorly-drawn-mdzs · 26 days
Text
Tumblr media
Unsolved Mysteries.
[First] Prev <–-> Next
989 notes · View notes
kaladinkholins · 3 months
Text
Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
Tumblr media Tumblr media
And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
Tumblr media
Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
Tumblr media Tumblr media
And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
Tumblr media
Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
Tumblr media
Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
Tumblr media
And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
Tumblr media
But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
Tumblr media
On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
Tumblr media
Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
Tumblr media
And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
Tumblr media Tumblr media
But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
Tumblr media Tumblr media
So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
Tumblr media Tumblr media
This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
720 notes · View notes
doccywhomst · 13 days
Text
okay so i understand that daleks are one of the main brand icons of doctor who, and that they represent a certain breed of fascist thought that can never be fully stamped out, but. :/
i think im ready for the daleks to die.
daleks have been central to doctor who from the very beginning (the second ever episode, the daleks, and season 2’s the dalek invasion of earth), embodying fear, hate, imperialism, and the darker sides of our own nature - but it seems that, for a while now, their continued existence has been maintained solely by the doctor’s mercy and/or ineptitude ??? which sucks as a theme imo
a great example is remembrance of the daleks, a seventh doctor story from 1988 - yes, the one where the doctor blows up skaro. or, davros fires a device the doctor boobytrapped at skaro’s sun, which goes supernova and destroys every dalek in that region of space. it’s pretty baller. anyway! davros and a few daleks hop in an escape pod and fuck off, and the doctor just lets them. k.
(skaro’s destruction was later ‘corrected’ by widely-detested EDA author john peel in war of the daleks, which is unhyperbolically the worst book i’ve ever read, and thus disregarded! but this heretical text explains that the planet was a decoy named antalin. it’s awful yeah. i tried to warn you)
exhibit b: evolution of the daleks (2007). ten confronts dalek caan, the sole survivor of the cult of skaro, at the top of the empire state building. the daleks have just created and annihilated a slave race of pig people, and it’s horrible to watch. you get the feeling that they’ve done this millions of times all across the universe, because they canonically have. they are inherently imperialist, racist, and genocidal. the doctor knows this.
and the doctor’s response is basically “killing you would mean that I commit genocide, so let’s just hang out and have a conversation.”
dalek caan gets away.
and you’ll never guess where he goes. that’s right! he hops the time lock and grabs davros, who escaped in remembrance of the daleks!!! and they make a bunch of new dalek babies together, out of davros’ gross old flesh. it’s a tentacle fest.
so he was right. killing dalek caan would’ve been a genocide- but because he didn’t, now there are ten thousand genocides. a clear improvement!
exhibit d: victory of the daleks (2010).
after a couple of false starts, the daleks manage to make more daleks after tricking the doctor into confirming their species to open their own device (??? okay sure)- but then they trick him again with a robot scientist bomb that he failed to detect even after talking to the guy, and it’s just like…. fool the doctor once, shame on you, fool them twice? damn, you must be on the merch.
exhibit e: the witch’s familiar (2015).
the iconic ‘only other chair on skaro’ scene where twelve and davros chat on the rebuilt dalek home world - super fun, so fun i forgot how the doctor folded like a house of cards. davros, the genocidal maniac, wants to live another day to see a pretty sunrise, so the doctor *checks notes* gives him some artron energy? that can’t be right, wh- oh- oh, but it’s fine because it affects all daleks, and through some contrived science magic, they all ‘learn the concept of mercy.’ on accident.
and it changed nothing. later stories retcon this. i’m too tired to even think about resolution, revolution, or eve of the daleks right now, but those episodes only further cemented my malaise regarding the doctor’s apparent complacency.
again and again, the daleks depend on the doctor’s mercy, and they get it, and they WIN- and it feels like the moral is that they should be eliminated like an unthinking, unfeeling virus, but the doctor is just too compassionate or inept for the job. certainly not the first doctor to lose to a virus, but perhaps the first to do so willingly.
beyond a loss in revenue, i can’t imagine why the doctor couldn’t destroy the daleks, or why they wouldn’t want to - there was a point when, allegedly, “the time lord’s continuity could not survive without the daleks” (“neverland” audio), but i think the weight and relevance of that harry potter type threat has long since passed.
so… it might be time to put the daleks away, for now. sure, they can come back as a concession to the persistence of fascist ideology, but watching the doctor lose or win to fascism for seemingly arbitrary (always sentimental) reasons isn’t really satisfying. the show addresses that daleks cause untold suffering, but again and again the only obstacle to no suffering is the doctor, who can’t get their shit together! it’s killing me.
87 notes · View notes
taolaoo · 15 days
Text
There are a lot of things that make me despise dudebros. One of them is when Abigail and Arthur's relationship becomes the object of their stupid jokes.
So, Abigail and Arthur's relationship. If you ask me, I really don't think Arthur was head over heels in love with her. Absolutely not. The way he describes her and Jack in the journal is more like grieving for what was taken from him. It's so painfully obvious that he's comparing them to Eliza and Isaac in his mind. It's not love, it's just a glimpse of a lost feeling. But even if it is love, it's not in a healthy way.
An important clarification, but I also don't think Arthur ever slept with her. How could he if he had women of his own at that time? (Eliza and Mary, we don't know for sure which one he got into a relationship with first). Arthur doesn't seem to me like a man who can sleep with someone when he's already in a relationship, you know.
Bill's words in rdr1 about Abigail sleeping with everyone sound very funny coming out of his mouth in my opinion. Because first of all, it's Bill; secondly, he's a bastard who always likes to say things to piss others off; thirdly, why do you expect me to take him seriously after he said he slept with her too? I'd rather believe in flat earth than that Abigail, strong woman that she is, would let this smelly boykisser too close to breathe next to her.
What is certain between Arthur and Abigail is trust. From the way Jack is very friendly with him and not afraid to ask for his help, you could tell that Arthur has always been there for him and Abigail, especially after John left. And that's totally understandable. Because Arthur is the only man in the camp who seems normal, kind, and good enough to look after a child. (Hosea too, I'm sure he and Arthur were that strong support for Abigail when she was having a hard time, but that's a bit beside the point right now).
Because Abigail is careful and smart, maybe she even saw something in Arthur that he didn't want to tell anybody (you always know that a man can only be gentle and caring to a child when he has one of his own). That's why they have such a strong friendship, that's why Abigail can ask Arthur to take Jack fishing without a problem.
And yeah, it may be hard for Arthur because he sees ghosts of his past around them, but he doesn't say no. Because he's kind, selflessly kind to those he cares about no matter how hard he tries to deny it.
Their friendship is so underrated, I wish for once it was talked about in terms of strong friendship and trust, not some dumb pseudo romance that doesn't exist.
62 notes · View notes
nebulouscoffee · 11 months
Text
The thing about Kai Winn's storyline ultimately being a tragedy is, it's not only a tragedy because her fate (in the eyes of the non-linear Prophets) was already known and nothing she did or said was ever going to make them acknowledge her- not only because she wanted so badly to have a big role to play in the grand, historic story of the newly independent Bajor and just couldn't handle the fact that she was never meant to- not only because the Prophets spoke to Sisko and Bareil and Kira and literally even Quark but not her- not only because she was deceived and raped and killed in the end- but most of all because, it was partly her love of Bajor that killed her.
Think about it- her whole regression during that final arc with Dukat is so tragic precisely because she was THIS close to redemption! Throughout the show, we see that her brain processes information in very rigid, binary ways: if you are not my ally, then you are my enemy. If you disagree with even one of my opinions, you are my enemy. If you refuse to endorse and support me in this mission, you are my enemy. That's part of why she's so easily swayed by fascist rhetoric, I think- she's just unable to cope with nuance. (This is foreshadowed in 'Shakaar', where she puts the whole of Bajor under martial law just because Shakaar disagreed with her over how she was handling soil reclamators.) Her personal narrative is I am the one who will save Bajor -> anyone who gets in my way is my enemy and therefore an enemy of Bajor -> I must stop them using any force necessary for the good of Bajor because I am after all the one who will save Bajor.
But when Sisko discovers the city of B'hala in 'Rapture', she is for the first time forced to accept the truth that he really hasn't been faking this whole "talks to the Prophets" thing- he's the real deal. We learn later on (when she tells "Anjohl" about how she honestly felt nothing the first time she saw the wormhole open) that a small, small part of her actually always doubted the existence of the Prophets. Now, she is faced with definitive proof that they are not only very real, but they also really do have a bond with Sisko. And for a while, she even comes to terms with this! In fact, at the end of the episode, she and Kira have possibly their first completely honest exchange:
KIRA: Maybe we're the ones who need to trust the Prophets. For all we know, this is part of their plan. Maybe they've told Captain Sisko everything they want him to know.  WINN: Perhaps. I suppose you heard that Bajor will not join the Federation today. The Council of Ministers has voted to delay acceptance of Federation membership.  KIRA: You must be very pleased.  WINN: I wish I were. But things are not that simple. Not anymore. Before Captain Sisko found B'hala, my path was clear. I knew who my enemies were. But now? Now nothing is certain.  KIRA: Makes life interesting, doesn't it?
Like, YASS babygirl- you too can learn to handle nuance!! I believe in you!!💪💪
And later on, at the onset of the Dominion War, she comes to Sisko for advice herself. She doesn't want to see her planet colonised again, and she's even willing to put aside her desire to be the main character to ensure it doesn't happen. Driven by pride and the need for power as she is, she is also driven by the desire save Bajor (and preferably be the one saving Bajor, which is the subsection of this desire that ultimately ends up being her downfall) - and she does briefly decide that cooperating with the Emissary is the best way to do this! I think about this scene from 'In The Cards' so much:
WINN: ... I have asked the Prophets to guide me, but they have not answered my prayers. I even consulted the Orb of Wisdom before coming here and it has told me nothing. So I come to you, Emissary. You have heard the voice of the Prophets. You were sent here to guide us through troubled times. Tell me what to do and I will do it. How can I save Bajor?  SISKO: You want my advice? Then this is it. Stall. Tell Weyoun you have to consult with the Council of Ministers, or that you have to meditate on your response. Anything you want, but you have to stall for time.  WINN: Time for what?  SISKO: I don't know. But I do know the moment of crisis isn't here yet, and until that moment arrives we have to keep Bajor's options open. I'm aware that this is difficult for you, given our past, but this time you have to trust me.  (Winn holds Sisko's left ear.)  WINN: Very well, Emissary. We put ourselves in your hands. May we all walk with the Prophets.
In the earlier seasons, Winn would often casually make claims that the Prophets had "told her" something, or that she was just "doing what the Prophets asked"- and her political position as Kai always allowed her to just lie about being in contact with them all the time. Now, you can see the sheer humility- the embarrassment, even- on her face as she (for the first time) openly admits to Sisko that she has never actually heard them speak before; and that they clearly "prefer" him. Yes, there's some (understandable imo) bitterness here- but not at him, at THEM. And when she tries to read his pagh at the end- something she probably does to dozens of people every day, most of whom would unquestioningly believe anything she declares afterwards- she doesn't even try to pretend she felt anything there. It's one of her most genuine moments in the whole show, you can just SEE the redemption arc in reach and it's so heartbreaking!!
I think 'The Reckoning' is a huge episode for her too, for many reasons- but let's talk about how it sets up this fascinating parallel between her and Kira (who Odo describes in this episode as having "both faith and humility"). The Prophets choose Kira as their "vessel" because she was "willing"- meanwhile, Winn was right there just begging to be a part of this! Here she is, with a Prophet right in front of her face- and she prays and postures and begs and prays some more, all just to get ignored. Kira's brand of faith is very, "I am ultimately insignificant and I surrender my power and my body and pagh to the Prophets"- Winn's is more, "if I do all the right things, then I will be able to prove to the Prophets that I am worthy of their attention, worthier than everyone else, and maybe then they'll appoint me the saviour of Bajor! It's My Destiny, You See!! (Why Isn't This Happening For Me??)" And the events of this episode are kind of a big slap in the face to her honestly, because they sort of prove beyond a shadow of a doubt that the Prophets have no interest in her. Maybe stopping the battle was also an attempt at regaining some kind of agency with them- I DID THIS, I pulled a switch and it had a direct effect on the Prophets, so there!! (Whatever that effect entails). She does care about Bajor. Of course she does. But her ideal configuration of Bajor involves her being a major player in its salvation, which she was just never meant to be. And this is why she's so tragically susceptible to Dukat's manipulation- he was the first person ever to tell her everything she always wanted to hear.
And the intriguing thing about Dukat's deception is, it doesn't all fall apart at one go. It falls apart in layers. And this makes for some excellent, excellent Winn characterisation imo.
First, she thinks the pah wraiths are the Prophets- and they tell her, hey, The Sisko has faltered, Bajor needs you, and only you can fix this. Good lord, imagine finally getting to hear those words after a lifetime of silence! And it's very telling that her first reaction isn't to gloat like she would've in the earlier seasons, but instead to humbly- even anxiously- pray. Bajor needs her, the "Prophets" have asked her to do something, this is her moment! Then, this random lovely Bajoran farmer comes in and tells her even more things she has always wanted to hear- that her activism during the Occupation (ignored by Kira and Sisko alike) saved lives, that he always wondered why the Prophets would choose an alien as their Emissary, that surely Sisko and his followers were mistaken- and finally, "our world will be reborn- with YOU as its leader". Sounds good, right? But THEN she finds out she's been speaking to the pah wraiths and the lovely farmer is a devil worshipper actually. And she tries the "wash away my sins" approach- she wants some kind of quick fix ritual that will "purify" her, so she can continue to be Kai the right way. She even admits to Kira that she's always been power hungry and she wants to change- and I believe her! Unfortunately, Kira then tells her something she doesn't want to hear- that she has to step down as Kai. And surely that can't be, right? She's the saviour of Bajor! She's so complex... it's not simply her love of power that this scene reveals imo, but more significantly, her inability to see herself as not a vital part of Bajor's history; of this whole larger narrative. Like-
WINN: I'm a patient woman. But I have run out of patience. I will no longer serve gods who give me nothing in return. "GIVE ME"!! ADAMI MY BESTIE MY GIRL MY BUDDY THEREIN LIES THE PROBLEM!!!
So, okay, fine, now she's swayed over to the side that maybe the Prophets aren't that great, and maybe the pah wraiths are the true gods of Bajor (because they were willing to talk to her), and maybe she's okay working with the devil worshipper. But then it turns out he's DUKAT- and at this point, she's literally murdered someone, she's ready to stop this, to go back to Sisko and set things right- but then the book of the Kosst Amojan lights up because of the blood she spilled. She did that. It happened as a direct result of her actions. She's just so desperate to be acknowledged... to have a role to play in all this, no matter who offers it to her. So the pah wraiths actually giving her a reaction isn't something she can resist. And here's where things get even more tragic.
WINN: But the prophecies! They warn that the release of the Pah wraiths will mean the end of Bajor.  DUKAT: The old Bajor, perhaps. But from its ashes a new Bajor will arise and the Restoration will begin.  WINN: Who will be left to see it?  DUKAT: Those the gods find worthy. It will be the dawn of paradise. And you, Adami, are destined to rule it.  WINN: You're sure of that?  DUKAT: It is meant to be.
Again with the ease at which she's swayed by fascist rhetoric! Let's be clear, she was (and is) absolutely against the Cardassian Occupation. But her worldview is built on the pursuit of being "worthier" than everyone else, of being "closer to god" than everyone else- her expectation of faith is that it's some sort of determiner of who's doing it The Most Effectively, rather than it being a practice- and she just completely misses that any sort of plan that executes masses and spares whoever is deemed "worthy" is... literally exactly what people like Dukat did to her planet. Something something faith as competition, faith as determiner of inherent superiority, faith as a way to gain power via proximity to god… never faith as submission. And the worst part is she’s self-aware. It’s heartbreaking.
And it's about to get even more heartbreaking, because she truly believes she has arrived at her girlboss moment in the finale (I think the tragedy of her being a rape victim and knowing this and having to hide the body of the one (1) person who was looking out for her while being stuck with her rapist speaks for itself.) After kicking Dukat out on the street (lol), she studies the eeevil texts and realises that to set the pah wraiths free, you need to make a sacrifice. So now she gets to deceive him in return. And she does! The look of shock on his face when he discovers she poisoned him is priceless imo, and her triumph as she taunts his dead body, the sheer joy on her face as she casts off her Kai robes, when she recites those incantations and something actually happens- and that too such a large pyrotechnic spectacle- is so sad knowing what's coming. Because ultimately, the pah wraiths want to destroy Bajor, right? And Winn just doesn't. Of course they don't choose her. Of course they choose Dukat over her! She really thought that by tricking and murdering him, she'd made him the unimportant piece of the puzzle, that she was stealing back his thunder- but tragically, it turns out even the pah wraiths see her as disposable. Of course they resurrect Dukat (a man who's proved time and time again that he wants to see Bajor & Bajorans destroyed) and turn her into the sacrifice. The way she screams "NO!" here breaks my heart- she's betrayed her planet, and it was all for nothing. (Dukat's "are you still here?" is particularly devastating.) I think it's very significant that her final words are "Emissary, the book!"- it shows that in her last moments, she's owning her mistakes- she's stepping away from power and putting Bajor first, and leaving her own fate in the hands of the Prophets. Who, of course, once again ignore her, and choose to save Sisko instead. God.
The utter tragedy that even in the pah wraiths' plan, she was just a pawn. That she died at the hands of the gods she thought chose her, but used her, all while the gods she'd coveted her whole life stood by and did nothing. The Prophets chose Sisko because they believed he would put Bajor's interests over even his own- and now they ensure he will be back one day to see the new Bajor. She never will.
Yes, it was her pride that got her here. Her mean streak. Her inability to cope with nuance. Her inability to see herself as ultimately insignificant. Her inability to surrender to a higher power in any way that didn't involve becoming more powerful herself; more relevant, more "close to god". But it was also her love of Bajor. Because if she'd cared about Bajor less, then maybe the pah wraiths might have chosen her- or at least spared her, or taken her to their realm after she burned, the way they did with Dukat. Now, she ends up being the one thing she never wanted to be: insignificant.
Honestly if I had to summarise the tragedy of her arc in one sentence, it would probably be Kai Winn: Too Evil For The Prophets, Not Evil Enough For The Pah Wraiths. She and Dukat are not the same! She is a perfectly pathetic, sad and wet blorbo and I am holding her gently in my hands while apologising for her crimes <3
315 notes · View notes
oceanwithouthermoon · 2 months
Text
i think its weird that i have to make this disclaimer but the internet is crazy so wtvr,, anyway,,
if i say i dont like something, that doesnt mean "that thing is bad and nobody should post it.."
i swear literally every time i even mention that i dislike something, people will go "wow does that mean u fucking hate me cuz i post that thing? ur a fucking stupid bitch and all ur opinions r wrong" LIKE ?? er.. no. just because i say i dont like certain characterizations of certain characters (the saiki k fandom is CRAZY about this cuz i can state an opinion on literally any character and a group of people will still go 'well only we're allowed to post our opinions about them because we're always right!1!1!'), or certain ship tropes (mentioned my hatred of toxic yaoi maybe once or twice on here months ago and people STILL get mad at me as if i said toxic yaoi lovers r evil or something), or certain ships, or WHATEVER, does not mean that i HATE the people who are posting them or that i think they shouldnt post them at all, NO, im just posting about my personal tastes on my personal blog and it would be extremely weird and hypocritical if i decided that i was the ONLY person that was allowed to do that,,
i think the only reason people assume that is because there are a lot of other people on here who ARE like that, and a lot of people toe the line between posting that they dont like something and posting that they think everyone who likes that thing is stupid, annoying, and wrong,, so i guess all i can say is, sorry for whatever made you make these assumptions but they arent true about me so plz leave me alone ʘ‿ʘ ur doing the same thing to me that ur accusing me of but i didnt do it in the first place so ur just actively being a dick for no reason
#crazy that the mindset some people on here have is that theyre the only ones allowed to post their opinions#ive repeated this a lot on this blog but i rlly think people forget that the person on the other side of the screen is in fact a person#if ur harassing people and publicly making fun of them then ur just as bad as any real life bully#that shit isnt as funny or harmless as u like to pretend it is#not once have i ever targetted anyone or went on someones blog to harass them over my opinion#yet people think its fine to do the same to me and treat it as if its like. revenge or something#like ? me saying 'i dont like toxic yaoi' is not equivalent to someone going on someone elses page and going 'how tf do u like toxic yaoi'#I DONT CARE !! all ive ever done is sit in my own little bubble and had opinions and that makes people mad#honestly though the people who will publicly talk and post abt it are significantly meaner#and i want to act like im not bothered by it because i know most of them r just angry that someone has a different opinion#and they want all their followers to bandwagon off of them (idk why maybe for validation or whatever-same reasons anyone would bully)#but seriously if u actually do think that something i said was out of line and crossed thise boundaries- just fucking tell me ?#im a person bro. ur solution to disagreeing with me shouldnt be 'lol im gonna post abt this and make everyone harass them'#have a conversation with me dude i dont bite ? if u cant talk to me like a person then just dont fucking say anything wtf#its so cowardly to be like 'well no i didnt wanna say anything to u cuz i didnt wanna be rude.. so instead i publicly made fun of u!'#LIKE WHATTTT STOPPPPP </3333#ok anyway this post wasnt supposed to get THAT serious.#MY POINT IS just be considerate of other people and dont base ur hatred off of assumptions#ur deflecting the blame onto someone else because u dont want to admit that ur just a fucking bully lol#being inconsiderate on here is something ive also been guilty of back when i first joined the fandom and was clueless#but grown ass adults who have been on here way longer r still doing that shit which is crazy#and i cant say anything because they have so much leverage over me and idk if its on purpose or if they dont even realize#ok im putting fandom tags cuz i want people to see this sorry. this is my one post thats actually targetted but its at a lot of people#so if u look at this and think 'hey i do that' pls evaluate urself<3#i mean its also targetted at everyone who does this anonomously so i dont know who it is OKOK IM DONE BYE SORRY HOPE THIS IS UNDERSTANDABLE#watch nobody read this fr#saiki k#tdlosk#the disastrous life of saiki k.#meows post
48 notes · View notes
wqnwoos · 8 months
Text
seventeen as jane austen characters
because i’m self-indulgent & rereading pride and prejudice for the 739482837th time
seungcheol as captain wentworth (persuasion) — if you haven’t read it, you just have to trust me. if you have, you will get it.
jeonghan as henry crawford (mansfield park) — slick charming dude with like. very mischievous undertones (no spoilers but jeonghan is better than this man it just fit him the most)
joshua as henry tilney (northanger abbey) — omg. charming and sweet but also a little witty and sarcastic.
jun as colonel fitzwilliam (p&p) — ok this is odd bc this character is barely present in the story but i was just reading the part he’s in and he just. seems like a really nice guy. in a jun type of way.
hoshi as mr bingley (p&p) — just a cheerful joyous lil fellow. happy to be here.
wonwoo as anne eliot (persuasion) — “elegance of mind and sweetness of character” YESSIRRR. (alternative could be colonel brandon from sense & sensibility?? idk i feel like anne is just my self indulgence running wild because i’m in love with her and also with wonwoo)
woozi as georgiana darcy (p&p) — she’s super good at music & just always described as “highly accomplished” and that reminds me of him. talented ass people.
dk as jane bennet (p&p) — a sweetheart who can do no wrong ever. and i mean ever.
mingyu as catherine morland (northanger abbey) — a little bit of a scaredy cat. but we love her still. v sweet & caring.
minghao as mr darcy (p&p) — he has nice hands.
seungkwan as emma woodhouse (emma) — gossip queen. also i feel like seungkwan would play matchmaker.
vernon as mr bennet (p&p) — THIS ONE IS. idk it makes sense but it doesn’t but it DOES okay like he’s so funny. and u know what it doesn’t have to make sense to YOU. it makes sense to ME.
chan as marianne dashwood (sense & sensibility) — very passionate and maybe a little bit impulsive but very loving & loyal.
52 notes · View notes
captainjonnitkessler · 3 months
Text
You hate communists because you have fallen for decades of propaganda and because you cannot envision a world in which you would not be allowed to exploit other people's labor for money. I hate communists because they are constantly in my notes being annoying as fuck. We are not the same.
41 notes · View notes
squash1 · 11 months
Note
THANK YOU FOR ALSO LOVING GREYWAREN that book made me go from slightly obsessed with this whole little universe to being VERY obsessed, and I suspect I'll never stop being a menace about it <3 it did THINGS to my psyche
i know u just said some favorite scenes from greywaren, but as a fellow lover of that book, I just have to know: what are some other things u really love about it?
THANK YOU FOR ASKING. FINALLY. SOMEONE ASKING THE IMPORTANT QUESTIONS
declan lynch autistic child core. as a child i was exactly like child declan and it warms my heart.
jordan and declan are the best couple and if anyone tries to say they’re not u should shut up. (i love all the couples equally but i love them more).
hennessy is so fucking funny like what an icon. her hatred of pennsylvania is so special to me. i don’t even hate pennsylvania i just admire her commitment to the cause.
the thing with declan’s moth. enough said
also declan and adam bonding and (this is mister impossible but whatever) meeting up to have a Ronan Lynch Support Squad Consultation….yes.
THE MATTHEW-BRYDE DYNAMIC. “YOU ARE THE SADDEST DUDE IVE EVER MET!”
the juxtaposition of niall and ronan in the chapters at the barns. aghhhhhh. and the glimpses into niall’s past like…..i wouldn’t call it a redemption arc but the careful way he is humanized WITHOUT being redeemed. and seeing what ronan saw in him. but also what declan saw
DECLAN LYNCH GANGSTER ERA
on the seventh day the lynch brothers became friends again. BECAME FRIENDS AGAIN
but basically. if trc is a coming-of-age series where you see these kids delighting in and struggling with the magic on the edge of adulthood. the dreamer trilogy is like the loss of childhood innocence. cdth and mi are ROUGH at points. it’s much harsher feeling than trc, more heavy and sad and action-packed and suspenseful. and greywaren is like…the tentative peace you make at the end of the transition to adulthood. ronan’s finding his feet, seeing old friends, proposing. declan is settling down, letting go of his childhood wounds. it’s not an ending really but it’s where things start to be okay. and that’s how it feels. and that’s why (for all the plot holes and rushed pacing blah blah blah) it’s so. fucking. good.
AND CAN I JUST SAY. all the ppl who say that post-TRK pynch became “bad” and “toxic” and “isn’t as good as in trc” and “they shouldn’t be together anymore”……..i hate those ppl w my whole heart bc. i’m sorry, but if you read the scene in greywaren where their, like, celestial soul energies found each other in dreamspace and reconciled and apologized and forgave (in. disembodied dream soul form…whatever) and WERE WANTED THEY WERE WANTED THEY WERE WANTED and decided to love and help and heal one another and you STILL think that???? i just don’t know how to help you!!! sorry u can’t enjoy mature healthy relationships where people have gone through bad periods and so the relationship suffered for a while and then they recalibrated and decided to continue to grow together, but i’m built different :))
105 notes · View notes
allthoseotherworlds · 6 months
Text
I think what's actually bothering me about the way some people are talking about the "Isaac Newton is hot" thing is like.
Headcanons aside. I need to know that you understand that asexual people can still call people hot and it doesn't mean we're experiencing sexual attraction to them.
Because I understand and appreciate people's excitement and joy and the ways they might want to read into this line,
But when people say that it's canonically confirming that the Doctor is attracted to men (in ways that imply sexual/ romantic attraction), rather than just that they're choosing to read it that way,
It makes me feel like people are under the impression that anyone who calls other people hot is attracted to those other people.
Which makes me feel misunderstood and frustrated, because it's not that uncommon for asexuals to be able to tell when someone is hot. It's just that sometimes it's easier to avoid actually saying that for precisely this reason-
The fear of being misunderstood.
37 notes · View notes
daz4i · 8 months
Text
the cool thing about headcanons is they're all correct. there's no point in arguing over them because we all bring ourselves and our own lives into our perception of characters and stories. peace and love on planet earth
35 notes · View notes
muchcelebrated · 6 months
Text
Full transparency based on the marketing I went into this knowing a miracle will need to occur to make a second season happen and I was a little worried about getting too attached and dying over the ending.
But even though it’s open ended I’m actually pretty chill about it because in my mind Fagin uses his pardon and Jack gets out either because the governor pardons him for saving his daughter or because Fagin makes him his convict servant lmao. Sneed has realized Jack is the better surgeon so he relinquishes the head surgeon position to him. Thus, Jack has enough social standing for Belle’s mother (also again the fact that he saved her life) so they can be together and all is well.
And I’ve basically accepted that as canon and don’t need anything to contradict it.
42 notes · View notes
pacificgasandelectric · 6 months
Text
Current Events in Silm fandom rlly reinforce my feeling that, despite claiming an ethos of acceptance/tolerance of anything that doesn't hurt ppl, a lot of ppl in the section of Silm fandom I frequent do follow a set of socially-agreed-upon mores about what concepts are "not acceptable" to discuss or propose (or the ways in which certain topics must be discussed to be acceptable), that you all seem to have agreed on despite the things those mores restrict not being harmful to anyone.
And when someone does say smth that violates those mores, the response is disproportionate to the amount of harm done (which is typically none, imo). I know it's tempting to say "but we just want people to be comfortable and safe", but treating ppl badly for the sin of sharing thoughts you dislike is NOT the same as preventing people from doing things that are harmful. The former is much more of a harmful behavior than the sharing of the thoughts that sets it off. Fannish etiquette, people: you shouldn’t act like someone’s meta makes them morally suspect just because you disagree with it; save the “this is morally bad” for things that are ACTUALLY harmful. We're all stuck on this website together & if you want to have any sort of community, you need to ACT like you're in a community, and that means letting other people say things you dislike. Block them if you need to! I block people all the time because i know it's better for me AND for them if we can both blog in peace.
I am not particularly comfortable with the young-queer-on-tumblr silm fandom rn due to this tendency to rebuke things that are uncomfortable rather than harmful. Maybe that's fine with you. But if your goal is to make all fans feel comfortable and accepted, you need to actually do that. If your goal is to make people who share your unwritten rules comfortable in your space, you need to admit that, and write those rules down, and curate your space so it follows them.
Edited 8:10am PST to clarify the specifics of the behavior I find concerning.
#mine#if there had been Actual Harm done i'd feel differently#but when ppl are this worked up over 'what if [female character] was Also a bad person in a way that's reprehensible to our current morals'#and start going ‘hm this person is morally suspect for their Taste In Fiction’ im like. yikes! and you do this in the War Crimes Fandom?!#and like listen i Get that esp in this fandom there's a high incidence of like. ppl who are genuinely bigoted and stuff#and it can be stressful to see stuff that reminds you of that bigotry and the way those ppl use the work to justify their own worldview#but that STILL doesn't give anyone the right to police stuff that Isn't Bigoted. that's just not how this works.#and then in terms of 'well it's not policing it's just disagreeing' i have to say. that's where Etiquette comes in and i'm frankly#unhappy & annoyed that so many ppl in my age group seem to care more about being Right than being comfortable to share a fannish space with#but again whatever maybe they don't want me in their space. that's fine! i don't want to be in your space if it doesn't want me.#but i wish they'd fucking ADMIT THAT instead of going 'ooooh we accept everyone' and then turning around#and censuring ppl whose ideas they find icky. you can't have it both ways is all i'm saying. pick one and actually do it. for all our sakes#haha i might regret this tomorrow but i'm sooooo sleep-deprived and so annoyed#sorry to my non-silm followers it's just that i'm right and i should say it
21 notes · View notes
catoscloves · 6 months
Text
crazy how back when book!tbosas first came out everyone was discussing and analyzing each character, especially l.g & sejanus, and calling out snow for the selfish narcissist he was... then the movie comes out and everyone's like "oh wait young snow is hot" and suddenly the fact that he's a creepy future fascist that used other people to achieve his own goals goes out the window and the fandom becomes obsessed with young!snow
21 notes · View notes
myfandomhalf · 8 months
Text
Season Finale
Sick and tired of reading about people say that Dazai knowing about the plan beforehand somehow takes away from the genuineness of the skk moments
You mean you WANT Dazai to choose to kill Chuuya for the greater good and then not give a shit immediately after?? Ignoring the speech for a second, the reason he was able to be so carefree after “killing” Chuuya is because he KNEW Chuuya was gonna be okay.
First of all, Dazai knowing Chuuya wasn’t gonna die doesn’t take away from his speech. He replayed all those memories for himself, nobody else was seeing what was happening in his head. He was GENUINELY upset at the idea of losing Chuuya and having to put Chuuya through that, DESPITE knowing Chuuya would be okay. He was STILL upset. That’s way better than him thinking he just killed Chuuya, sparing him a thought, not even crying (bc no that wasn’t a tear) and then just moving on being silly as if nothing happened.
And then the other speech him saying that they’re destined to - do you seriously think he’d just make that up for shits and giggles? He was being serious. If he was gonna play it up for Fyodor’s sake he would’ve said the most emotional out of pocket line to ever be written, which to them would be related to him leaving Chuuya behind. But no he just said they’re destined to do something.
Dazai talks a lot about the past to Chuuya (Chuuya does not participate) but those two are clearly emotionally constipated bc they never have a conversation about what they mean to each other (which I think is bc Asagiri is not ready to reveal that yet). This was clearly Dazai taking his opportunity to say what he REALLY thinks / feels forcing Chuuya to listen without the commitment. Bc if anyone gets the ick later he can use the convenient excuse of “oh I didn’t mean that” which is bullshit.
And I do think an element of this idea that it’s worse that Dazai had everything planned comes from the misunderstanding that Dazai has completely changed since he was in the port mafia. Dazai just tends to make “better” (as in more objectively good) choices, but he very much still puts on a front. You guys do realize that his silly persona is just that right? A persona? He’s literally being fake every time he’s silly. That’s not his real personality. He’s a morally gray character. He never became a purely good person and he never will. It makes MUCH more sense that he planned everything out with Chuuya beforehand.
He met up with Akutagawa before getting arrested, he probably did the same with Chuuya.
And yes, this means he DID use and manipulate Sigma the entire time. Why wouldn’t he? Sigma has an ability Dazai needed. I’m sure Dazai planned for sigma to not die bc in his role as a detective it’s part of his job to mitigate losses of innocent lives, he knows this, but also bc Dazai needs to know what sigma learned. I genuinely hope there isn’t anyone out there thinking Dazai wouldn’t manipulate sigma bc he cares about him? He just met him. He has no personal investment in him. But he WILL make sure sigma is alive bc of the aforementioned reasons.
27 notes · View notes