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#i’ve seen their weaknesses being described as weird or arbitrary
acrobattack · 3 months
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not to regurgitate something obvious as if it’s a special theory i came up with but I’ve always thought the boys’ weaknesses are tied entirely to their emotions and it’s just easier to exploit with them because their chemical makeup isn’t as stable + they are also very intense and mood swingy in general because they never anticipate being challenged. so just literally and figuratively being a bit volatile
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What are other books/series that you'd recommend that are in the same vein as Animorphs?
Honestly, your ask inspired me to get off my butt and finally compile a list of the books that I reference with my character names in Eleutherophobia, because in a lot of ways that’s my list of recommendations right there: I deliberately chose children’s and/or sci-fi stories that deal really well with death, war, dark humor, class divides, and/or social trauma for most of my character names.  I also tend to use allusions that either comment on Animorphs or on the source work in the way that the names come up.
That said, here are The Ten Greatest Animorphs-Adjacent Works of Literature According to Sol’s Totally Arbitrary Standards: 
1. A Ring of Endless Light, Madeline L’Engle
This is a really good teen story that, in painfully accurate detail, captures exactly what it’s like to be too young to really understand death while forced to confront it anyway.  I read it at about the same age as the protagonist, not that long after having suffered the first major loss in my own life (a friend, also 14, killed by cancer).  It accomplished exactly what a really good novel should by putting words to the experiences that I couldn’t describe properly either then or now.  This isn’t a light read—its main plot is about terminal illness, and the story is bookended by two different unexpected deaths—but it is a powerful one. 
2. The One and Only Ivan, K.A. Applegate 
This prose novel (think an epic poem, sort of like The Iliad, only better) obviously has everything in it that makes K.A. Applegate one of the greatest children’s authors alive: heartbreaking tragedy, disturbing commentary on the human condition, unforgettably individuated narration, pop culture references, and poop jokes.  Although I’m mostly joking when I refer to Marco in my tags as “the one and only” (since this book is narrated by a gorilla), Ivan does remind me of Marco with his sometimes-toxic determination to see the best of every possible situation when grief and anger allow him no other outlet for his feelings and the terrifying lengths to which he will go in order to protect his found family.
3. My Teacher Flunked the Planet, Bruce Coville
Although the entire My Teacher is an Alien series is really well-written and powerful, this book is definitely my favorite because in many ways it’s sort of an anti-Animorphs.  Whereas Animorphs (at least in my opinion) is a story about the battle for personal freedom and privacy, with huge emphasis on one’s inner identity remaining the same even as one’s physical shape changes, My Teacher Flunked the Planet is about how maybe the answer to all our problems doesn’t come from violent struggle for personal freedoms, but from peaceful acceptance of common ground among all humans.  There’s a lot of intuitive appeal in reading about the protagonists of a war epic all shouting “Free or dead!” before going off to battle (#13) but this series actually deconstructs that message as blind and excessive, especially when options like “all you need is love” or “no man is an island” are still on the table.
4. Moon Called, Patricia Briggs
I think this book is the only piece of adult fiction on this whole list, and that’s no accident: the Mercy Thompson series is all about the process of adulthood and how that happens to interact with the presence of the supernatural in one’s life.  The last time I tried to make a list of my favorite fictional characters of all time, it ended up being about 75% Mercy Thompson series, 24% Animorphs, and the other 1% was Eugenides Attolis (who I’ll get back to in my rec for The Theif).  These books are about a VW mechanic, her security-administrator next door neighbor, her surgeon roommate, her retail-working best friend and his defense-lawyer boyfriend, and their cybersecurity frenemy.  The fact that half those characters are supernatural creatures only serves to inconvenience Mercy as she contemplates how she’s going to pay next month’s rent when a demon destroyed her trailer, whether to get married for the first time at age 38 when doing so would make her co-alpha of a werewolf pack, what to do about the vampires that keep asking for her mechanic services without paying, and how to be a good neighbor to the area ghosts that only she can see.  
5. The Thief, Megan Whalen Turner
This book (and its sequel A Conspiracy of Kings) are the ones that I return to every time I struggle with first-person writing and no Animorphs are at hand.  Turner does maybe the best of any author I’ve seen of having character-driven plots and plot-driven characters.  This book is the story of five individuals (with five slightly different agendas) traveling through an alternate version of ancient Greece and Turkey with a deceptively simple goal: they all want to work together to steal a magical stone from the gods.  However, the narrator especially is more complicated than he seems, which everyone else fails to realize at their own detriment. 
6. Homecoming, Cynthia Voight
Critics have compared this book to a modern, realistic reimagining of The Boxcar Children, which always made a lot of sense to me.  It’s the story of four children who must find their own way from relative to relative in an effort to find a permanent home, struggling every single day with the question of what they will eat and how they will find a safe place to sleep that night.  The main character herself is one of those unforgettable heroines that is easy to love even as she makes mistake after mistake as a 13-year-old who is forced to navigate the world of adult decisions, shouldering the burden of finding a home for her family because even though she doesn’t know what she’s doing, it’s not like she can ask an adult for help.  Too bad the Animorphs didn’t have Dicey Tillerman on the team, because this girl shepherds her family through an Odysseus-worthy journey on stubbornness alone.
7. High Wizardry, Diane Duane
The Young Wizards series has a lot of good books in it, but this one will forever be my favorite because it shows that weird, awkward, science- and sci-fi-loving girls can save the world just by being themselves.  Dairine Callahan was the first geek girl who ever taught me it’s not only okay to be a geek girl, but that there’s power in empiricism when properly applied.  In contrast to a lot of scientifically “smart” characters from sci-fi (who often use long words or good grades as a shorthand for conveying their expertise), Dairine applies the scientific method, programming theory, and a love of Star Wars to her problem-solving skills in a way that easily conveys that she—and Diane Duane, for that matter—love science for what it is: an adventurous way of taking apart the universe to find out how it works.  This is sci-fi at its best. 
8. Dr. Franklin’s Island, Gwyneth Jones
If you love Animorphs’ body horror, personal tragedy, and portrayal of teens struggling to cope with unimaginable circumstances, then this the book for you!  I’m only being about 80% facetious, because this story has all that and a huge dose of teen angst besides.  It’s a loose retelling of H.G. Wells’s classic The Island of Doctor Moreau, but really goes beyond that story by showing how the identity struggles of adolescence interact with the identity struggles of being kidnapped by a mad scientist and forcibly transformed into a different animal.  It’s a survival story with a huge dose of nightmare fuel (seriously: this book is not for the faint of heart, the weak of stomach, or anyone who skips the descriptions of skin melting and bones realigning in Animorphs) but it’s also one about how three kids with a ton of personal differences and no particular reason to like each other become fast friends over the process of surviving hell by relying on each other.  
9. Sideways Stories from Wayside School, Louis Sachar
Louis Sachar is the only author I’ve ever seen who can match K.A. Applegate for nihilistic humor and absurdist horror layered on top of an awesome story that’s actually fun for kids to read.  Where he beats K.A. Applegate out is in terms of his ability to generate dream-like surrealism in these short stories, each one of which starts out hilariously bizarre and gradually devolves into becoming nightmare-inducingly bizarre.  Generally, each one ends with an unsettling abruptness that never quite relieves the tension evoked by the horror of the previous pages, leaving the reader wondering what the hell just happened, and whether one just wet one’s pants from laughing too hard or from sheer existential terror.  The fact that so much of this effect is achieved through meta-humor and wordplay is, in my opinion, just a testament to Sachar’s huge skill as a writer. 
10. Magyk, Angie Sage
As I mentioned, the Septimus Heap series is probably the second most powerful portrayal of the effect of war on children that I’ve ever encountered; the fact that the books are so funny on top of their subtle horror is a huge bonus as well.  There are a lot of excellent moments throughout the series where the one protagonist’s history as a child soldier (throughout this novel he’s simply known as “Boy 412″) will interact with his stepsister’s (and co-protagonist’s) comparatively privileged upbringing.  Probably my favorite is the moment when the two main characters end up working together to kill a man in self-defense, and the girl raised as a princess makes the horrified comment that she never thought she’d actually have to kill someone, to which her stepbrother calmly responds that that’s a privilege he never had; the ensuing conversation strongly implies that his psyche has been permanently damaged by the fact that he was raised to kill pretty much from infancy, but all in a way that is both child-friendly and respectful of real trauma.  
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devildove-blog · 7 years
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Twelve Wizard Paths Outside of The Nine Worlds (Poem)
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I'm a wizard, baby, meaning a very powerful magickian. I'm a jack of many trades, so this poem details what and how. Here I'll write about a few magickian's trades that apply to my position. After nearly two decades learning magick I'd better know a lot by now. Gaining the magickal power to claim this title takes time to reach in transition.
On my path were many adventures to have and lessons to learn. From reading books to meeting others and exploring the occult therein I figured it out for myself and in time the title of Wizard did earn. Years of learning religious teachings helped me understand being otherkin. Since I was a young boy defying my upbringing for magickal power I did yearn.
The power I have is a result of many factors I don't need to explain. But putting in time and energy to my craft for a long time played a key role. I have thick skin so I don't mind if you view my pride here with disdain. Yet the poetry's here to explain my path not to brag or to try to save your soul. The 12 paths of Wizardry explained here are more obscure to people mundane.
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I'm a yogi, baby, and this is some kind of ancient Pagan stuff. This is a time honoured tradition taking more time to apply than to learn. This path requires much patience, time and energy to master well enough. Years of chakras, mantras, mudras, meditation and more will in time power earn. In time weakness fades and strength is gained, and a wise Yogi hides being tough.
Learning from a Koga ninja this Kuji Kiri psychic yoga is how my path will start. Spending years meditating with these mudras, in time I grow strong. Yoga has many uses, and magickal and psychic power gained is just one part. Ignore the doubters and mockers calling my religion fantasy who string you along. Muggles can foolishly assume it all comes from cartoons like Naruto's ninja art.
I can do more than I'll say here; let it an enigma be. Not everything I experience happens while I'm in my body, you see? This transcendentalist religious belief in time proves itself a rational reality. Muggles often just assume others foreign sounding religious beliefs are fantasy. Letting the muggles think it's not real is often a wise strategy.
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I'm healer, baby, and more advanced than many. I can fix medical problems other healers and sometimes even doctors can't fix. Hold my hand, feel the energy, and let me free you from any suffering you have with real healing magick, not illusionary tricks. Unlike con artists making money with tricks healing has never earned me a penny.
Empath healing magick described next may be misunderstood too. Speak of your heart's pain, and let me feel an intense amount. I'll cover my eyes to hide my tears, and I could do well to hide that I'm paying a price of pain on your account. If you felt guilty about hurting me you'd never let me heal you, would you?
Now words of wisdom I can speak guiding you on a path new that the energy of your pain gives me the inspiration to share. Now your pain is forever less or gone, because I paid a price of pain for you. The price empath healers pay is much less than the great suffering it can spare. Once this price is paid, there's no more pain for either of us to go through.
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I'm a magus, baby, part priest and part mage. I don't preach to the masses; I'd rather use magick to help others. Here we go and here we go again as my pen sets the stage. I'm rollin' with muggles here I for some reason call sisters and brothers. I'm using my magick for some cause here, as life's book turns a new page.
You can call me The Fool, and I can wear many a mask. I live to serve, and my joy is to create joy for others, you see? The deities I work with can help me with many a magickal task. Being a magus is also the path of self, and there's much power in just me. For what reason do some deities help me, but not most humans who ask?
Magi is plural for Magus, and implications of royalty are here. American citizenship requires denouncing royal ranks. Yet the Magus's path is a religious construct, so have no fear. I ain't here to rule and reign.  I just want to earn some thanks. With teamwork muggles can help me fix problems, and happy endings are near.
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I'm a necromancer, baby, so don't tell 'em what's true. Don't stab me in the back by being seen publicly expressing to me your love and gratitude for how I used magick to help you. People value my discretion, so don't prove to Fools my power's validity. I'm happy to meet a fan, but I don't desire the public credit that seems due.
In a necromancer's trade being misunderstood is often how it goes. If I show up after sunset in a graveyard I'll bring my tools. Be cool, man.  All I got here is a stick of incense, a bloodstone and a rose. Signs and wonders performed here are kept hidden from the Fools. If you hear the dead hiss or moan as I wake them, stay on your toes.
Muggles, necromancers and the dead all are not very forgiving when some Fool sacrifices an animal in a graveyard. That newb shit pisses off the dead even more than the living. Those Fools piss off necromancers too, making our work hard. I'm there only once to offer any dead willing the contracts I'm giving.
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I'm a warlock, baby, an ancient term misunderstood but real. I'll use my power for a good cause and call it doing the thing. The power of war is implied in this word, and I'm the real deal. Let me be occult as I'm guided under a Red Dragon's wing. Tattooed on my back of my left hand is an modified AGLA hexagram seal.
Separation of church and state is a Masonic ideal as is the freedom of religion allowing warlocks to operate. Yet in the occult world there's much hidden in this religious ordeal. As time goes on interpretation of these ideals are open to debate. These balances lacking harmony result in Nobody caring how minorities feel.
To work well with others a warlock needs harmony found working on common ground. The warlock's path has traps, education, judgment and more. If warlock means deceiver does this even mean as it may sound? Who would ever suspect deception to be a humble protector's moral chore? Whether good or evil, eventually every warlock's karma comes back around.
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I'm a creator, baby, and like the Ace of Wands I've got the power of fire. Watch me burn bridges faster than you may know with this poem like a pro. My divine, holy, infernal, celestial and gothic flames make creation transpire. I move these flames through 5 primary elements and through more than you know. Fools take a stranger's word unwisely, but fans of my work learn I'm no liar.
When I posted my non-hermetic psychopian elemental system theology online I clearly cited Plato as the source inspiring what I'm parroting thereof. When I don't fit into other mages' labels so called experts pop up to whine. Baby I have access to elements most mages don't, and many aren't even aware of. When it seems wise to do so from time to time I share created power of mine.
Be cool, man, and let the doubters and mockers doubt and mock all they want. Muggles do it most, but it's all arbitrary until they create danger and fear. Interpret my pride on these wizard paths as you will as my talents I flaunt. If you think I'm earning respect by bragging you don't see what's happening here. It's easy to misunderstand the reason behind my rhyme and what I really want.
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I'm an occultist, baby, and I study things hidden. The occult hides the magickal, religious, esoteric and things of earthly power. Only so much is found in books, and Fools don't understand the forbidden. I have a couple cards to play, still surprising many by never facing The Tower. Fools rush in where wise men never go for reasons they don't know, no kiddin'.
I've got a weird way of speaking here understood clearly by a few. I'm not the first occultist to be intentionally obscure to most of you. I've got that occult fame in secret circles for better or worse.  Who knew? If you're a fan of my work don't ruin the show explaining this path I go through. Don't judge a book by its cover; in time an occultist's work is paid karma due.
I'm The Fool, The Magus, The Devil and even the Hierophant from time to time. The Magus card comes from the THOTH deck, used by me for reasons unsuspected. If I call myself The Devil would you just assume I live an evil life of crime? The Devil is Rider Waite though, so my chains are often with gratitude accepted. I deal these tarot cards as the lesson of my occult strengths in this rhyme.
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I'm a Dog of Reason, baby, so named in the memory of harmony true. We've got memes and shit, and things we do to build a New World. From chaos comes Order, a lesson taught and learned in time and time again too. The occult can be a dangerous thing, yet we've no banner to be unfurled. These wizard-dawgs work for one love for humanity to do the thing we do.
This ain't no criminal organization or some kinda terror shit. This is one of many parts of my greater dreams and ambitions. Membership is by invitation only, so if you're motivated prove it. We ain't thelemites, baby, and with great power comes some terms and conditions. Some want more time to work, and others want more time to Fool around a bit.
I'll share some magick and theology online from time to time. The gospel of figure it out for yourself is dogma as my theology already shew. Dogs of Reason have two commandments in this religion, besides avoiding crime. Seemingly a joke if unexplained, yet truth is hidden in plain site to you. Is the illusion of a joke as real dogma even dispelled to most with this rhyme?
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I'm a cyber-mage, baby, like these chaos mages in a way. I've had training and practice on this path I've been on since 2003 when I joined the TIAMAT Cyber-Magick News-list back in the day. I've spent years evolving my craft, and now have things to share for all to see. My joy is to bring you joy so follow me and I'll lead the way.
My cyber-magick is all safe and fun to use, and there's nothing to be afraid of. Free Magick Enterprises gives two projects of cyber-magick. Let my star evolve your heart chakra, and experience new love. Take the red pill, and this devil can even remove your unwanted chains so tragic. No money will be accepted, so forget about the price tag from this devil dove.
Here come the doubters and mockers; Thinly veiled saying: "I'm better than you." I don't have time to be lectured by these Fools that Cyber-magick isn't real. Participate or don't, but Bhakti Yogi say the proof is in the pudding if you do. We did lots of experiments and testing with group input in this TIAMAT deal. I learned a lot and had years of practice to develop cyber-magick that's new.
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I'm an alchemist, baby, and I got the mad transformation skills for the physical and spiritual nature of substances, souls and magick too. Sure, man, let the weaker mages brag about the power to destroy and their kills. Alchemy's sacred transformation art is beyond what they know how to do. Like Yoga, this power's about time and effort on this path not cheap thrills.
I'm on a quest to not just learn new magick, but to make it evolve. I'll purify forbidden black magicks citing the great work of the ages as my cause to create that which before did not exist and otherwise unending problems solve. Alchemy's art of creation may come with a price, so beware of that because. To purify the corrupt may corrupt the pure, but balance a price paid to absolve.
With Alchemy I can create joy and harmony, and I like to work for free. Alchemists of old claimed they might turn lead to gold as part of their plan so a King would protect their right to practice and pay their research's fee instead of explaining occult arts involved that matter not to the common man. This misunderstood art involves more and includes transformation spiritually.
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I'm left hand path, baby, and yes it's really true. Different people, mostly mages, find different meanings therein. The left hand path most simply put means just to be taboo. What hand is my tattoo on then?  Baby, that's secretly a Talisman. Let's turn back the clock of time to understand meanings old and new.
This term comes from India if you'll study history that far. Originally this insult started to describe Tantric Yoga when first created. The dark ages belief explaining its meaning that left handed people are morally and intellectually weaker than the right has since become outdated. The more things change the more they stay the same until someone raises the bar.
In modern times the left hand insult resurfaces metaphorically. Now embraced by many eager to be shunned by society the left hand path evolves into its own mentality. From a religious reference to basic views on morality the devil is implied on this path either literal or symbolically.
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I'm a trickster, baby, and that's an occult magick path. I'll teach you lessons mostly harmless so don't take them personally. If I see chaos I may create order; see my results to do the math. I'm an educational experience; I guess I'm like this inherently. Mistake my kindness for weakness and will you get forgiveness or wrath?
I was born this way, and I'm not going through a phase as others are. When I started calling myself The Fool, that would have been your first clue. I've got metaphors like dark disguises and masks that take me far. I live to serve, and there's a method to the madness; it's true. Pride and humility working together in harmony help trickery raise the bar.
In the occult only so much is learned online or in a book. As an occultist trickster this rule applies to me the same. I'll capture the essence of my story in the poems for those who look. Here lies the story of my path as a Wizard and why this title I claim. These 12 titles of magickal paths explain why the 13th title of Wizard I took.
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I'm a Wizard, Baby, just like I said before. I'm a wordsmith here sharing this path with you. As the tale comes to the end of this rhyme's chore the tip of the iceberg has been revealed to view. Muggles may take interest in this poem, or was it just a bore?
I guess doubters gonna doubt and mockers gonna mock. In the end it's always what I do and not what I say that shows my true strength. If you've walked the paths I walk you may better understand that of which I talk. I've got dreams and goals hopefully soon reached at arm's length. In Chinese Astrology not surprisingly I'm born in the year of the cock.
My story doesn't end with this poem, and my life goes on still. There's still more adventures to have, power to gain and knowledge to learn. There's still people to meet, places to go and things to do as I wilt and will. This poem describes the path, but is not in itself how a Wizard's respect I gain. If you wanted to understand my magickal path, this poem shall your wish fulfill
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bluetinge · 7 years
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It’s been a year... more thoughts on the ending of Homestuck
  Okay, so, I just rewatched Act 7 for the first time in forever, had a couple revelations, and I felt the need to post my thoughts. 
   The last time I did this, I feel like I didn’t fully articulate myself? Like, I have had a whooole bunch more thoughts since then and they need to be free... most importantly, I spent most of this year getting down every time I thought of Homestuck because I immediately thought of the ending... I was kidding myself when I said it wasn’t disappointing. It was! Homestuck has been at a consistently sky-high level of quality since its inception (Imo, might be a side affect of reading 3/4 of the thing through archives) and the ending was just... good. not great. not what I expected. And I mean, I can understand that! Hussie obviously didn’t intend to sink this much of his life into this comic (remember it was originally planned for one year, somehow) and not to mention he has obviously had some serious crazy stuff happening with hiveswap... I should be able to forgive him for maybe not sticking the landing.
   And yet, I feel like there’s a little more to this whole thing than that. Out of every webcomic and piece of media I’ve ever consumed, Homestuck is still the most unique, and the void it left behind in my left /still/ hasn’t been filled. I mean, Paranatural is funny, Erfworld has intricate plots, Dumbing of Age has high-quality updates every day- these and more are all outSTANDING webcomics! But you /really/ can’t beat Homestuck. Nothing I have ever seen can replicate Hussie’s cutting humor, nothing has pages upon pages of zany characters trading intensely well-crafted dialogue, and absolutely nothing has that same level of RESPECT for the reader that Homestuck has. Hussie just throws you into the comic headfirst- it starts off with a kid screwing around in his room with a data-structure-based inventory system of all things (did I mention homestuck is also ridiculously creative and so wonderful in the best ways) and then dives head-first into the increasingly convoluted plot, complete with a time-traveling narration and children who don’t waste time being surprised at things like, “Oh, this game can MODIFY the world around us? This is totally crazy and I need to have several pages worth of incredulity and explanation!” Homestuck provides you with enough to understand it- although I admit I somewhat relied on my brother’s explanations for the first few acts- and if you can’t keep up then Hussie will not slow down for you! (”You can talk to the hand!”)
   I’m sure not explaining things isn’t exactly a novel technique- and many people would consider it a flaw- but its so refreshing to read something where the author allows the plot to get this complicated and different and doesn’t try to bog it down with explanations! It almost feels like stretching out your mind, allowing yourself to seriously use your brain for once, and god it feels /so good/. And for the parts where you don’t understand- yes, there were plenty of these for me at least- the humor is unique and crazy enough to keep you going!
   Okay, I’m actually digressing horribly here. What I’m building up to is that I was expecting, as Caliborn would say, my “shitty twist.” I wanted it, and I /needed/ it. That revelation in Cascade that [spoilers] the Tumor was creating the Green Sun all along? Astounding. The end of act five (a1) when it was revealed S***b was creating a new universe all along? Blew my mind (although maybe it was obvious to non-archival readers). 
   Anyways, that was my major disappointment. I had been following BKEW for about two years now, and while I didn’t buy into the plausibility of many or most of his theories (c’mon, all that “evidence” for classpects was pretty arbitrary) I did learn to appreciate the vastness and interconnectedness of Homestuck, and Andrew Hussie’s genius. Most importantly of all, I caught his excitement for the update- I was really looking forward to whatever mind-blowing revelation Hussie cooked up for us.
   Of course, as we came closer and closer to the end of the comic, more and more doubts filled my mind. Vriska described (dictated?) the battle plan and... in collide, everything went according exactly according to that plan. I was afforded a brief respite of hope with that creepy static-y ending, but as soon as the interlude panels went up I knew something was fishy. I dreader it in the back of my mind- I even joked about it (what if the twist is that there is no twist)- but, well, I had faith in Hussie. And then when Act 7 came out- I knew there was a pretty goood chance it would only be a few pages. Act 7 actually was pretty confusing, in a way, and at the very least it provided more to think about than Collide- I had to re-watch it a few times, before I finally formed an opinion on what was going on- but I was left closing out of that video with an uncomfortable feeling.
   So the shitty twist, well, it didn’t really exist as such. There were a couple important plot revelations- LE was immortal and infused with rainbow-majjyks because he cheated, stopping and breaking his own god-tier resurrection clock so he couldn't be killed, inhaling the rainbow-dust to get that colorful, epileptic aesthetic- and it also explained why the cue balls were his weakness- since the all-knowing cue balls act as the judgment pendulums, attacking him with a cue ball weapon that kills him could conceivably stop the resurrections as well. So, I felt, well, partially satisfied- more weird plot shit had been explained, and the house bits were hella ambiguous but still more mysteries to crown over. Still, I was left feeling a little shaken up, but I was able to convince myself I liked the ending.
   That... didn’t last. There were just too many problems I had. I went online, searching for people with the same deep-seated dissatisfaction as me, and I found plenty of upd8 h8. Some of it- a lot of it- I agreed with, some of it I did not, but it helped me understand. When Hussie announced the epilogue, this was a turning point for a lot of people, giving them hope- but for me it just made me mad... like, I wanted an ENDING, yo! I had been riding the homestuck train for over four years, and I was actually looking forward to an exciting conclusion! I mean, this might sound strange to some, but for me an epilogue just confirmed for me that homestuck was ending in a very mundane way, and maybe it would tie up lose ends but I think it more likely it might just tie up one major end (cough cough masterpiece) and leave the rest out...
   Okay good godde a lot of those words were unnecessary... let me just sum up my findings from the past year or so of exploration: I didn’t like the ending because it was missing what made Homestuck great. From the very beginning and almost to the very end, Homestuck has had three major things going for it:
- The humor. Again, Hussie’s humor is just incredible. Collide had plenty of it, but the ending as a whole, including all the panels before and after collide? Not much narration, quite a bit of dialogue that didn’t really have too much of a place for it (more on that in a sec), and lots of serious, single-image and guest art panels. In other words, there simply wasn’t very much room for it! That wry, poking-fun-at-the-reader tone of Hussie’s was gone, and the comic didn’t quite feel like Homestuck because of it.
- The plot. I’ve already said a bunch about this above so I will try to keep this to a minimum, but I feel like the story just, well, stopped expecting very much of us. It told us what would happen... and then it happened. A reset and developed-offscreen version of Vriska fixed everything (as did an alternate timeline Calliope with no clear origin.) And that’s not even mentioning the myriad of other plot holes that Hussie left open! (Where did the special frog of Jade’s come from? Why did the Condesce have a second Gl’bgolybs? Did Dave ever drink his own piss in a bottle of apple juice?) Many of these aren’t particularly important questions, and can be excused on their own- and there are of course plenty of foreshadowed events that never come to fruition- but it would be nice for there to be some resolution on some of these!
- And lastly, the characterization. There, was, like, none of this in the “Ending” as we think of it, which I think is fair... or would be if it wasn't for what I consider the most physically painful part of Homestuck: the Game Over timeline reset. It... oh my god, the pain I feel thinking back on it. I respect that Hussie tries to break story traditions, but oh god why! These characters, that we’ve been following for years- that we’ve watched grow- that we LOVED- all suddenly had their backstories reset, and replaced with new ones we barely saw. I just... I have physical trouble thinking about it. John may be the same John, but to be frank he’s always been (to me) one of the less interesting characters in Homestuck. Roxy, Jasprose, and the Davesprite half of Davepeta all came from the “original” timeline, and probably Aradia remained unchanged. Everyone else? All got reset and had their own character development, the most we saw of was a slideshow! There’s so much we don’t know about what remained the same and what was different... so much of it happened offscreen. Even minor things, like Karkat and Meenah’s friendship, got retconned out of existence- and it extended into the alpha kids as well with their sprites. We spent so much time reading this material, enjoying it, theorizing about what would happen next, and that was apparently all for naught. Maybe the ending would have been more palatable had we actually, you know, known the kids who got the happy endings frolicking on the revived Earth! Had they solved their problems, had they earned it! Maybe if we had more time to really get to know them... but we didn’t, at least not for me. Parts of them seemed familiar, but parts of them were not, and the kids who won the game didn’t feel like the same ones that started it- because they weren’t.
And through this all, what I ask is: why??? and how??? Collide and Act 7 were dissapointing, sure, but it wasn’t a fundamental problem with them- they simply came too soon. The story wasn’t finished- in fact, it had recently gone backwards and gutted itself. Hussie HAD to have known this. Right? He’s an extremely smart man, and I can’t possibly see him not foreseeing this issues or at least noticing them. Maybe these really WEREN’T issues to him- after all, the characters are his own. He knows exactly what he wants to know about the new characters and, except for a few Striders, couldn’t share it with the rest of us. Either that, or the errors were too late to fix. 
And THAT’S why the ending feels hollow to me. That’s why I can’t sleep some nights, staying up reading Homestuck and Homestuck-ending-hate, trying to reclaim some of what I lost. The ending we got was hollow because everything post- Vriska return was empty, and even though I had faith at the time that this magic man would work it all out somehow, he didn’t. 
Actually, it’s occurring to me now that this “Ultimate Self” business may have been an attempt to cover for it. Of course, it doesn’t fix it- you can tell me that it’s okay because Terezi can remember her past selves, or that pre-GO Jade and post-GO Jade are the same Jade all you want, and I won’t believe it- I CAN’T believe it, because they aren’t. The Jade I knew is dead in the ground. 
Anyways, I had been unable to watch the Act 7 flash for some time now. Collide I can actually enjoy, but for some reason Act 7 was untouchable- until, well, I listened to some of the music and got the urge to watch it again for the first time in so many months. Like, just a few hours ago.
And here’s the thing: I thought it was amazing. I forgot how good it was. And I think the last piece of the puzzle has fallen into place, at least for me and for now.
Hussie isn’t clueless- he wanted this flash for a reason. And as much as the fans might complain, he chose to focus on that flashing tadpole for a good third of the video (not as long as people have been claiming!). And I realized something:
Homestuck really deserved this ending. This was, maybe, the best ending I could ever hope for.
Homestuck has been gradually building in art quality and scale, and as much as people (like myself) might complain that the anime-ish finale was totally unnecessary, upon reexamination a year later I think Homestuck nailed it. It couldn’t end in any way less than this.
Okay, I admit the music might be so good I got a little emotional and very persuaded. But really- it was so majestic. Seeing that frog? We knew it was coming- we have known since year two. But in order to truly go out with a bang, Homestuck needed this- it needed to reach up and touch the very highest potential it could reach. 
And ultimately? It was an amazing and incredibly fulfilling ending to Homestuck. Besides the frog (my only complaint is the lack of an audible vast croak!) we got to see lord english approach a mystery demise- yes, frustrating for some that we don’t even see what happens to him, but I think Hussie is telling us something by not being explicit, and by focusing more on Caliborn than Caliborn’s adult (sort of) self.
Hussie is trying to tell us about the power of people.
Passionate people, he shows us, can cause huge events, be at the crux of huge turns of events, and they don’t even have to be particularly nice. Vriska apparently redeemed herself some off-screen- maybe she just naturally got more mature- and was able to single-handedly ensure the heroes’ success in Collide and her own fate as the one to put a stop to LE. John, a more passive person, went from the self-hating narrator’s punching bag in Act One to a leader of heroes- granted, with plenty of help along the way, but he was passionate about making friends all the same. And Caliborn- he may be a terrible person, but he worked through his tedious punishments and learned the rules of the world and got what he wanted- ultimate power, even if he was ensured an ultimate fate in the same moment. 
Compare, then, to Griska, who became so passive and vulnerable she was completely unrecognizable to her younger self, or Tavros, whose one self was carried through to the new world on the achievements of others, a sleeping instrument of Vriska’s, versus his other self that saw his dream of being a badass hero with self-confidence come true. 
Okay, I’m not really sure if this was Hussie’s intended meaning or not- the last three paragraphs of mine reek of speculation. The point I’m apparently writing a fricking essay trying to make, though, is this- when taken as a whole, I think there were some serious problems with the ending. But, if you just look at the achievements of the final two flashes? If you zoom out a bit, and see that maybe the “Masterpiece” was the shitty twist all along, and will seem just as much a part of the ending as Collide? That, yes, characters were changed, HUGELY- after all, Hussie always likes to change things up, never get too predictable- but maybe it was for a real reason, and people were so deliberately changed on purpose? I still think it was a mistake to go as far as he did, but I see another side now- I see how the Vriskas and the Tavroses and the Terezis and the Roses and the Daves are changed, on each side of the line, some for worse but some for better. And maybe three and a half minutes of frog animation really was necessary for completing Hussie’s vision? For completing his Homestuck?
I may still have problems with the ending, but I think I learned today I need to take it all in perspective. I actually, think, somehow, I’m at peace with Homestuck now, and that I think I might be able to see Act 7 not as a random disappointment but as a greater part to a whole. 
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