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jillianallen14 · 9 months

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Dear Baby Bats - Goth Band Recommendations

As a middle sibling goth (I’ve been in the subculture for close to 10 years now, so not a baby bat but not an elder goth either), let me turn you on to some bands because we do not gatekeep in this house!! Also, if you want consistently good lesser-known & brand new goth band recs, go follow Awfully Sinister on TikTok and Instagram. He’s a DJ & has great recs. I've found so much music through him because it's really hard to keep up with all the new bands cropping up every year. You want to avoid the goth subreddit because they are extremely gatekeeper-y and argue over labels constantly. It’ll just confuse you, and they are not nice over there.

If you’re very new to the subculture, and you haven’t yet listened to all of Bauhaus, Siouxsie and the Banshees, The Cure, Sisters of Mercy, Christian Death, Cocteau Twins, Clan of Xymox, Joy Division, and Depeche Mode, go do so now. You'll want to know which of them you really enjoy the most because it will help you know which sub-subgenre(s) of goth you want to watch out for, and it'll tell you what to look for to find it. For example, Sisters of Mercy is the gothic rock subgenre, Christian Death is deathrock, Cocteau Twins is ethereal wave, Clan of Xymox is like the original darkwave, Joy Division is classic post-punk, etc.

I’ve bolded some of my absolute must-listen to goth bands, and I've put monthly Spotify listeners for each band so you know which ones deserve WAY more love. And in my pre-list ramblings for each OG band, I've given you some key terms to look up so you can more easily find music that's similar to what you enjoy. Okay, here we go:

If you like Bauhaus:

Bauhaus is a hard one because honestly, nobody really sounds like them, and they aren't really that closely associated with a specific sub-subgenre of goth. They have an extremely unique sound. They’re my favorite band of all time (I even have a tattoo for them, like I am devoted lol), but even I have a difficult time finding other bands that scratch their particular itch for me. These bands I’ve listed are as close as you’re gonna get imo.

Virgin Prunes (80’s band that has absolutely unhinged music in the way Bauhaus has unhinged music; one of my favorites; no one else does it like them and no one else ever will; I would actually give my left foot to see them live); 13.2k monthly listeners (this is actually physically painful to me, how is it this low!!! don't walk, RUN to go listen to them)

Alien Sex Fiend (80’s classic unhinged goth); 77k monthly listeners

Sextile (modern band that has some very Bauhaus-sounding guitar work at times); 147k listeners

The Danse Society (80’s unhinged goth; has similar experimental vibes to Bauhaus imo); 36k listeners

Sex Beat (80’s band); not even really on Spotify

Ritual Howls (modern band; I don’t know why it gives Bauhaus, but it does; one of the few modern bands that scratches that particular itch for me); 45k listeners

The Agnes Circle (modern band; one of my favorites; they have the right Bauhaus-like atmosphere for me); 52k listeners

Traitrs (I can’t explain why they remind me of Bauhaus, but they do; another one of my fave modern bands; they make me want to start levitating and doing the Ian Curtis dance in the same way Bauhaus does lol); 239k listeners

Paralisis Permanente (underrated 80’s; they have a lot in common with Bauhaus’s sound actually, def give them a try!); 54k monthly listeners

If you like Siouxsie and the Banshees:

Siouxsie is another one that's hard to pin down sound-wise because again, they don't really fit into one specific sub-subgenre, so all of these recs are just goth bands with female vocalists who have the same kind of powerful vocals that Siouxsie does.

Second Still (modern band; singer sounds a lot like Siouxsie to me at times); 69k listeners

Skeletal Family (80’s band; has the same “women in punk” vibes that Siouxsie has); 55k listeners

Xmal Deutschland (80’s band; has the same powerful vocals that Siouxsie has; makes you wanna go stupid go crazy the way the Banshees do); 73k listeners

Secret Shame (modern band w/ w woman singer; has the same rage that Siouxsie songs have to me, especially early Siouxsie); 6k listeners (let's get those numbers up, folks!!!)

Rosegarden Funeral Party (modern band w/ a woman vocalist); 57k listeners

Mephisto Walz (90s & 2000s; sounds so much like the Banshees at times); 56k listeners

If you like Depeche Mode:

For Depeche Mode enjoyers (which DM is kind of on the fringes of what’s considered “goth,” but they’re so entrenched in the subculture that I included them anyway), you’re gonna want to delve into modern goth playlists that have a lot of EBM (electronic body music) and modern goth that leans towards synthpop/synthwave. So those are the kinds of playlists you’ll want to search up for similar sounds to DM.

Nuovo Testamento (modern band; combines post-punk and pop elements in a way that’s very similar to Depeche Mode; lots of fun live, and they have a good sound); 25k listeners

Boy Harsher (modern band; relies heavily on synth; feels like it should be playing at every goth club); 558k listeners

ULTRA SUNN (modern band; singer sounds like Dave Gahan); 217k listeners (they just blew up on tiktok recently, which explains why this just skyrocketed since the last time I was on their Spotify page lol; good for them, good for them, they deserve it)

Ministry's first album, which was synthwave/synthpop before they went industrial (this is one of my all-time favorite albums)

French Police (modern band); 252k listeners

Closed Tear (modern band); 152k listeners

Night Sins (modern band); 33k listeners

Panic Priest (modern band; vocals sound decently similar to Dave Gahan & there is a lot of reliance on synth; In All Severity is a gorgeous song); 5k listeners

Fad Gadget (underrated 80’s band; I just feel like if you like DM, you’re also gonna like this band); 58k listeners

If you like The Cure:

You'll be hard-pressed to find a goth band that wasn't influenced by The Cure, so I really can't give you any key terms for what to look up lol. They also changed their sound so frequently that it entirely depends on what era of The Cure's music you're looking to find similar music for.

Vision Video (modern band; combines post-punk and pop elements like The Cure does; one of my fave modern goth bands; they are INCREDIBLE live); 52k listeners (I'm gonna need y'all to get a song or two of theirs to blow up on tiktok expeditiously lol)

Urban Heat (modern band; great live); 36k listeners

The Chameleons (80’s band; very underrated; they are also very good live); 167k listeners

House of Harm (modern band, very new; also very good live; has pop elements); 44k listeners

Deceits (modern band, another very new one); 28k listeners (it's crazy how much this number has grown the past two months because it was in the single thousands not that long ago; everyone say thank you, tiktok)

Drab Majesty (modern band; their instrumentals remind me of The Cure); 172k listeners

Double Echo (modern band; their instrumentals also remind me of The Cure); 15k listeners (let's get these numbers up!!!)

The Bolshoi (underrated 80’s band that combines new wave and goth elements in a similar way to The Cure); 114k listeners

The Essence (underrated 80s band that sounds so much like The Cure it’s actually insane, but they’ve got their own sound too; they’re like a perfect blend of all of The Cure’s different sounds); 25k monthly listeners

Miss Teen America (brand new band from NYC! They only have one single out right now, and it’s well worth listening to); 940 monthly listeners (y’all know what to do!!! Let’s get those numbers up, up, up!) link to their single: https://open.spotify.com/album/4nvdZeUVLLrMv3tEziCqm7?si=2WVS7-eYQLGR7Id3wLiKhg

If you like Clan of Xymox:

Most of these bands will be modern ones because Clan of Xymox was honestly way ahead of their time. (They are also amazing live, so go see them before they eventually call it quits!) For playlists that are full of their vibe, you’re gonna want to look up “darkwave” playlists and also some EBM. Clan of Xymox pioneered darkwave, so any darkwave band you listen to is gonna be influenced by their sound in some way or another.

Harsh Symmetry (modern, very new; very heavily relies on synth); 29k listeners

Ssleeping Desiress (modern band; instrumentals similar to Xymox); 55k listeners

Twin Tribes (probably my favorite modern goth band; they are fucking incredible, and I’m dying to see them live); 276k listeners

ACTORS (modern band; heavily relies on synth); 86k listeners

Mareux (modern; heavily relies on synth); 4.8 million listeners (this is wild!!!! everyone say thank you, tiktok)

Sixth June (modern); 23k listeners

Plastique Noir (modern); 40k listeners

Rendez Vous (modern); 160k listeners

Minuit Machine (modern); 97k listeners

If you like Christian Death:

All of these recs will be deathrock recs or goth bands that heavily leaned on punk sounds. So if CD is the OG goth band you’re most fond of, you’re gonna want to delve into deathrock playlists for similar sounds.

Asylum Party (80’s band); not on spotify

45 Grave (80’s band); 47k listeners

Voodoo Church (80’s band; probably my favorite out of this bunch; I actually like them more than Christian Death); 7k listeners (let's get these numbers up immediately!!!!)

Ausgang (80’s band); 2k listeners (WHAT; they deserve so much more, damn)

Corpus Delicti (90’s band; they are very good; they sound the least like Christian Death on this list imo); 26k listeners

13th Chime (80’s band; very underrated); 6k listeners

The Birthday Party (80’s band; very unhinged sound); 54k listeners

UK Decay (you know, I actually don’t know what era they’re from; unhinged sound); 1k listeners (omg)

Super Heroines (underrated 80’s band); 2k listeners (you see what I meant about underrated?)

Specimen (80s band; this one could have just as easily gone under Bauhaus tbh, but the vocals are generally higher pitched than Peter Murphy’s, so I put them under this category); 102k listeners

Sex Gang Children (80’s band; just so unhinged & I love them for it); 27k listeners

Suspiria (90s, I think? I don’t actually know); barely on Spotify but 27k listeners

Theatre of Hate (80s); 7k listeners

Bloody Dead and Sexy (2000s, I think); 44k listeners

If you like Cocteau Twins:

Cocteau Twins’ early sound is usually categorized as “ethereal wave” goth, so those are the playlists you’ll want to look up if you enjoy their early sound. If you like their later sound, you’re gonna want to lean more towards shoegaze for similar vibes.

Dead Can Dance (80’s band; NO one, and I mean NO ONE, was doing it like Dead Can Dance; so fun to dance to in the goth club); 332k listeners

Lycia (90’s band; their music is very transcendent); 20k listeners

Linea Aspera (modern band; gorgeous woman vocals; honestly, their music is just very beautiful); 67k listeners

This Mortal Coil (formed in the 80s; some songs feature Elizabeth Fraser & Robin Guthrie from Cocteau Twins, but even the ones that don’t still have an ethereal vibe similar to CT; Sixteen Days/Gathering Dust is just like the best song ever); 310k listeners

If you like Joy Division:

All of these bands will be ones that sound very classically post-punk, so those are the playlists to search out; emphasis on "classic" because post-punk is a very broad term that gets applied to a lot of music. I would argue that Joy Division has had the most influence out of all the OG goth bands on the current goth sound/goth renaissance we're going through right now, so there are a LOT of bands out there for you if you’re a JD fan.

Molchat Doma (modern band); 2.5 million listeners (wow lol, they've grown so much over the past two years, it's actually insane; good for them)

Soviet Soviet (modern band); 152k listeners

Fearing (modern band; very good live); 30k listeners

Ploho (modern band); 146k listeners

Pink Turns Blue (criminally underrated 80’s band; they are SO good live); 98k listeners (this is an actual travesty, this band is way too good to not even be in the hundred thousands)

The Sound (another incredibly underrated 80’s band); 119k listeners

This Cold Night (modern; has the deep vocals of Joy Division and the driving bass); 150k listeners

Bleib Modern (modern); has very similar vocals to Red Lorry Yellow Lorry, which is a band listed under the Sisters of Mercy section of this post, so if you end up liking this band, you should also listen to Red Lorry Yellow Lorry & vice versa; 36k listeners

Lebanon Hanover (modern; has the existential angst that Joy Division always ignites in me); 936k listeners (this is crazy, holy shit!!!!!! go, Lebanon Hanover, go!! now if only they would tour the damn US)

She Past Away (modern; deep vocals); 226k listeners

Belgrado (modern; woman vocals!); 18k listeners (they deserve better than this!!)

Leonora Post Punk (modern; Mexican goth band w/ Spanish vocals, so support them! They’re amazing! They have those deep vocals you want when you’re looking for a similar sound to Joy Division); 56k listeners

O. Children (modern; has the deep vocals & interesting bass lines that Joy Division was known for; great band); 29k listeners

If you like Sisters of Mercy:

This is one of my least favorite goth subcategories, which is odd because I actually love Sisters. But if you’re looking for a lot of music that sounds like SoM, I’d suggest delving into the 90’s and early 2000’s goth music scene. Search out those playlists.

Rosetta Stone (90’s band); 54k listeners

Miazma (modern); 10k listeners

Red Lorry Yellow Lorry (another criminally underrated 80’s band; one of my fave goth bands); 40k listeners (THEY!! DESERVE!! BETTER!!)

Dreamtime (modern); 65 listeners (ouch lol, please go show them some love)

Fields of the Nephilim (80’s, I think; if you’re a metalhead, you’ll probably appreciate this band); 95k listeners

The Merry Thoughts (80s); 19k listeners

The March Violets (underrated 80s; might be a controversial opinion to put them under SoM, but I’m standing by it); 69k listeners

Horror Vacui (modern; it’s kind of a stretch putting them here tbh, but I couldn’t figure out what other category to put them under); 44k listeners

Also, if you want a 1500-song, 105-hour goth playlist that’s constantly growing, here you go. The name of it is a dig at my ex lol: https://open.spotify.com/playlist/6jCV530pMmOEmDHj4CLNka?si=cEVKiyAwQpaieGiV2pMyqw

#goth music #Bauhaus #the cure #Christian death #Siouxsie and the banshees #goth #post-punk #baby bats #music recs #Joy division #Depeche Mode #clan of Xymox #sisters of mercy #Cocteau twins #Spotify

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headspace-hotel · 11 months

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Researching herbicide resistance in weeds.

A decade ago, everyone said rotating applications of different herbicides was key to stopping herbicide resistance.

Then, around 2015, evidence from a large study emerged saying that this actually causes weeds to be MORE resistant, so the best thing to do is to spray a combination of multiple herbicides mixed together at once.

Now that is being called into question too. Whoda thunk it...

Herbicide resistance among weeds is only getting stronger. Recently, scientists found an annual bluegrass (Poa annua) on a golf course that was resistant to seven herbicide modes of action at once. Seven. SEVEN. Amaranth plants been found with resistance to six herbicide modes of action at once. Twenty years ago, the narrative was that resistance to glyphosate (Roundup) was unlikely to become widespread; today it's the second-most common type of resistance.

What's more, plants are developing types of herbicide resistance that are effective against multiple herbicides at once and harder to detect. Instead of changing the chemical processes within them that are affected by the herbicides so the herbicides don't work as well, they're changing the way they absorb chemicals in the first place. Resistant plants are producing enzymes that detoxify the herbicides before they even enter the plants' cells.

It took Monsanto ten years to develop crop varieties resistant to Dicamba (after weeds made 'Roundup Ready' crops pointless). Palmer amaranth evolved Dicamba resistance in five years.

So I asked, "Why are all the proposed solutions dependent on using more herbicides, when we know damn well that this is going to do nothing but make the weeds evolve faster?"

The answer is that chemical companies have the world in a death grip. They can't make money off non-chemical solutions, so chemical solutions get all the funding, research, and outreach to farmers.

But why do chemical companies have so much power?

One of the biggest reasons is the U.S. military.

In the Vietnam war, all of Vietnam was sprayed with toxic herbicides like Agent Orange, which was incredibly toxic to humans and affected the Vietnamese population with horrible illnesses and birth defects. Monsanto, the company that made the herbicides, knew that it did this, but didn't tell anyone. The US government didn't admit that they'd poisoned humans on a mass scale until Vietnam veterans started dying and coming down with horrible illnesses, and even then, it took them 40 years. (My Papaw died at 60 because of that stuff.) And the soldiers weren't there for very long. As for the Vietnamese people, the soil and water where they live is contaminated.

Similarly, during the "war on drugs," the US military sprayed Roundup and other chemicals on fields to destroy coca plants and other plants used in the manufacturing of drugs. This killed a lot of crops that farmers needed to live, and caused major health problems in places such as Columbia. The US government said that people getting sick were lying and that Roundup was just as safe as table salt. (A statement that did not age well.)

So chemical companies make money off arming the USA military. The American lawn care industry, and the agricultural system, therefore originates in more than one way from the United States's war-mongering.

The other major way is described in this article (which I highly recommend), which describes how after WW2, chemical plants used for manufacturing explosives were changed into fertilizer producing plants, but chemical companies couldn't market all that fertilizer to farmers, so they invented the lawn care industry. No exaggeration, that's literally what happened.

This really changes my perspective on all the writings about fixing the agricultural system. The resources are biased towards the use of chemicals in agriculture because the companies are so powerful as to make outreach and research for non-chemical methods of agriculture really hard to fund. All the funding is in finding new ways to spray chemicals or spraying slightly different chemicals, because that's what you can actually get ahold of money to look into. It is like the research has to negotiate a truce with the chemical companies, suggesting only solutions that won't cause lower profits.

Meanwhile my respect for Amaranth is skyrocketing.

Who would win: The USA military-industrial complex or one leafy boi

#military industrial complex #plants #agriculture #environment

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jymwahuwu · 16 days

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Hi! Really love your stories they always scratch my brain (*≧∀≦*)❤️, so I got an idea and wanted to ask what you think about it

I got this question with Sunday on the minigame/event (idk what to call it lol)

"Just as you're about to pull a dusty hard-leatherback book, you hear a gentle whisper within earshot, "Averoy Rosewood's works are notorious for their obscurity," the Oak Family Head Sunday faintly smiles at you. "Perhaps you need more elaboration."

(I couldn't put the image since anon asks don't allow me to put images😮‍💨, but it's from a Board Encounter in Cosmodyssey)

and when I read it my brain immediately went WHAT IF SUNDAY FILLS THE READER WITH A VIBRATOR ON THE LIBRARY, and him just watching in amusement as he talks about books and asking her questions about them while he plays with the levels of vibrations with a control on his hands and she just struggles to make sentences, so he goes and asks "What's wrong? Are you not feeling well?" To tease her and remind that she's in a public space and can't make much noise unless she wants everyone to know about what they're doing.

Hmm... I wrote this about Sunday, but I feel like maybe it could be about Jing Yuan or Aventurine 🤔, anyways sorry if it sounds weird my brain sometimes goes into unga bonga mode when I think about these men.

Sincerely,

An unhinged anon.

Thank you for telling me. I experienced this event and read the content of Sunday helping us in the library!! Wrote a little bit, I hope you like it 💗🫶

cw: yandere, non-con, abuse of power, abuse of credit, vibrator, harassment

How about you being the librarian at The Family Library? A nerdy librarian. The Family claims that this is a library open to everyone to read and borrow, covering a variety of books and hologram collections.

Sunday, the leader of the Oak Family noticed you. He can accurately talk to you about your interests, hobbies and ideals, and encourage you…but one thing is that you are not religious enough in your belief in harmony. You are too withdrawn…and cannot integrate into The Family. Sing hymns, participate in activities, and protect The Family, others can do it, but what can you do? He cannot allow you to continue in this position under these circumstances. You panicked, grabbing his sleeves and pleading with him through tears. "W-what, I really believe Lord Xipe…I need this job badly! Please Mr. Sunday…"

He offered a plan. He used his gloves to push a delicate small box in front of you. You must put two vibrators in your underwear while on duty to test your professional abilities. If you can tolerate sinful sexual pleasure, you qualify for this position.

"But… Mr. Sunday, can I-can I take a break?"

"Of course. I'm not here to torture you. This is for your and everyone's happiness and harmony, I hope you understand." His words ignited the hope in your heart. "You have 2 hours a day to take them down. Allocate your own time. After get off work, you head to my office and I will check on your progress. You must do this every working day."

"Check?" Your heart sank into the starry sky and was crushed. "Okay. Mr. Sunday..."

These two vibrators… are pearl white and have an angel wings pattern on them. It's silent, but it delivers a surge of pleasure to your private parts, sometimes fast and sometimes slow down. It's not much better when it's slow - it's a long, quiet torture that gives you no relief. You kept your legs still and sorted your books and documents, your underwear getting wet. Every half minute, you check like a hawk to see if you have wet your clothes, fearing that it has become a joke in the eyes of others…

He occasionally wanders into the library to check on your work and ask you to recommend books in a certain category or answer questions about the collection.

"What's wrong? Are you feeling uncomfortable?" Sunday approached you with caring eyes and ruthlessly pushed the controller frequency to the highest level. You lowered your head, holding back tears, your legs trembling. "I-I'm fine. Mr. Sunday. Thank you for your concern."

This kind-hearted gentleman and leader offers to take you to another secluded corner of the library to rest. On the road, Sunday dials down the vibration frequency and doesn't crank it up until you get to the corner. The intense ecstasy immediately hits you to the extreme and stimulates your nerves. You endured your moans, trembling in Sunday's arms as you reached orgasm. His hands caressed your hair like a lovable pet. He commented that your ability to endure needs to be improved.

After you get off work, Sunday asks you to take off all your clothes in the office and fold them on the table. He uses white gloves to inspect and rub your private parts, circling them with his thumb. In the watery light, those fingers slowly inserted between your legs and twitched. He clicked his tongue in disappointment when he realized that his fingers were already wet enough to slide into the inner walls before being inserted. "Not religious enough, are you? What are you thinking about? You're letting pleasure take over your body."

"...I'm sorry!! Mr. Sunday, Please give me a chance…" you begged with a sob, then cummed hard at his disappointed sigh.

#honkai star rail x reader #hsr x reader #sunday x reader #yandere honkai star rail #honkai star rail x you #yandere hsr #yandere hsr x reader #honkai x reader

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redslug · 5 months

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Helping Neuroslug help me

Admittedly it took me an embarrassing amount of time to figure out and start using inpainting, but now that I've had a taste of it my head is spinning with possibilities. And so I'm making this post to show the process and maybe encourage more artists to try their hand at generating stuff. It really can can be an amazing teammate when you know how to apply it. For those who didn't see my first post on this, I've trained an AI on my artworks, because base Stable Diffusion doesn't understand what anthropomorphic insects are. That out of the way, here we go:

I noticed that a primarily character focused LoRA often botches backgrounds (probably because few images of the dataset have them) so I went with generating a background separately and roughly blocking out a character over it in Procreate. Since it was a first experiment I got really generous with proper shading and even textures. Unsurprisingly, SD did it's job quite well without much struggle.

Basically masked out separate parts such as fluff, skirt, watering can, etc. and changed the prompt to focus on that specific object to add detail. There were some bloopers too. She's projecting her inner spider.

Of course it ate the hands. Not inpainting those, it's the one thing I'll render correctly faster than the AI does. Some manual touchups to finish it off and voila:

The detail that would have taken me hours is done in 10-20 minutes of iterating through various generations. And nothing significant got lost in translation from the block out, much recommend. But that was easy mode, my rough sketch could be passed off as finished on one of my lazier days, not hard to complete something like that. Lets' try rough rough.

I got way fewer chuckles out of this than I expected, it took only 4-5 iterations for the bot to offer me something close to the sketch.

>:C It ate the belly. I demand the belly back. Scribble it in...

Much better. Can do that with any bit actually, very nice for iterating a character design.

Opal eyes maybe?

Lol

Okay, no, it's kind of unsettling. Back to red ones. Now, let's give her thigh highs because why not?

It should be fancier. Give me a lace trim.

Now we're talking. Since we've started playing dress-up anyway, why not try a dress too. Please don't render my scribble like a trash bag. I know you want to.

Phew

I crave more details.

Cute. Perhaps I'll clean it up later. ... .. . SHRIMP DRESS

#neuroslug #slug's experiments #ai assisted art #moth #I need to retrain neuroslug on a more artsy checkpoint #base model leans more to realism and it affects the style a lot #not complaining but i want it to mimic my usual style better

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rthko · 16 days

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please define camp. I see it said so much to describe anything.

@sougeeee Camp is an an aesthetic sensibility most famously described by Susan Sontag in her 1964 essay, Notes on Camp, where she disclaimed that "to write about camp is to betray it." The term has long been popular in queer circles, but exploded in popularity online with the 2019 Met Gala, themed and named after this essay.

Here are some characteristics of camp:

Camp is failed seriousness. I think a lot of uses of camp lately emphasize the silliness and lightheartedness but play down the melodrama and passion. Sontag writes here that camp "finds the success in certain passionate failures." Failure is a common theme in queer aesthetics and worldviews; as Quentin Crisp said, "If at first you don't succeed, failure may be your style." Writing about performance artist Dynasty Handbag, José Muñoz described the "failure" of her work as "not an aesthetic failure but, instead, a political refusal."

Camp is innocent. The camp that is most satisfying to Sontag is not trying to be bad on purpose but dead serious in its grandiose intentions: "naive" camp. To do it on purpose is what she calls "camping," and this is what the Met Gala in 2019 ended up being. As it's been said on here, Karlie Kloss's claim that she was "looking camp right in the eye" was accidentally closer to camp concept of fabulous failure than the look itself. Admiring camp is not to point and laugh but to sincerely appreciate it. Sontag writes: "Camp taste is, above all, a mode of enjoyment, of appreciation - not judgment."

Camp is artifice. It involves a love of the unnatural and exaggerated, and this explains why most drag is not simply female/male impersonation. There's an undue association between femininity and artifice, especially when it comes to trans women, lesbians, working class and racialized women (Julia Serano most famously writes about this as part of the basis for transmisogyny). While it's important to challenge this, some have taken the approach of playing with this in a tongue-in-cheek way. In her essay "Rogue Femininity," Elizabeth Marston writes: "let's say that femme is dispossessed femininity. It's the feminity of those who aren't allowed to be real women and who have to roll their own feminine gender."

Camp is apolitical? One of the first points in Sontag's essay is that "To emphasize style is co slight content, or to introduce an attitude which is neutral with respect to content. It goes without saying that the Camp sensibility is disengaged, depoliticized - or at least apolitical." In a way I agree. This sort of detachment is why George Santos the right wing politician was obviously abhorrent, but George Santos the former drag queen and fallen diva was, unfortunately, very entertaining. Since Sontag wrote this essay before Stonewall, it must have been hard at the time to see any overlap between camp and politics. But as the examples I've chosen so far might show, I do see a political angle, and a political discussion to be had over which expressions of art and being are considered unnatural or unserious. For instance, Black queer art like the bejeweled collages of Mickalene Thomas and the exuberant sculptures made of trinkets by Nick Cave address the racial angle in the demarcation of high brow and low brow.

There's a legacy in queer politics that calls for a sort of hedonistic, bejeweled extravagance for all. Jules Gill-Peterson writes about the transfeminine travestis in Latin America, and a term they use,mujerisima. The English translation is less glamorous--"extremely woman" or "the most woman"-- but to Gill-Peterson this represents a vision of racialized, working class anti-austerity and anti-assimilationist sensuality and glamour. In A Short History of Transmisogyny, she asks: "What's wrong with being extra? Abundance might be a powerful concept in a world organized by a false sense of scarcity."

So for an in-depth description of camp, I still recommend Sontag's essay for its insight and cultural impact. She's right to address the association between camp and homosexuality, but the association between failed seriousness and excess with marginalized subjects doesn't stop there. So I hope people realize camp is not an irony-poisened, "doing it ironically" hipster thing, but a perspective and way of life to find real joy and freedom in.

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octuscle · 21 days

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I'm on a flight to Tokyo, and I'm definitely going to stand out amongst the locals... what should I do?

I always have the greatest respect for visits to Asian countries myself. So it's more than natural that you need support. I myself have had very good experiences with a preset that I am sending you. I recommend that you activate the preset as soon as possible, the transformation is set to last 12 hours.

Okay, it's exemplary that you had your cell phone in flight mode, so the message only reaches you after the plane is already on the tarmac on its way to the terminal. With your seatbelt still fastened, you activate the default setting. After the first few seconds, the first effect becomes apparent. The tension is gone. This is not the first time you have landed in Haneda. Only tourists and fools jump up and open the luggage compartments before the seatbelt signs have gone out. You are disciplined. Discipline is the only way to survive a juggernaut like Tokyo. You know that. The idiots around you don't.

You say goodbye to the person sitting next to you. You say goodbye to the flight crew when you leave the plane. In broken Japanese. You struggle with the language. Even though you've been learning it for over a year. At least you recognize a few of the characters at the airport. At least you can understand fragments of the conversations around you. And you know your way around the airport. Even if you're not the first to jump on, you're one of the first at the baggage carousel. It pays to have a Japanese ID card. Wait a minute! A Japanese ID card? Sure, you've been living here for years. Tokyo is your second home. Naturalization was only logical. You have a Japanese great-grandmother. That made it easier. You inherited your black hair from her.

You look at the people with the big suitcases with pity. They're either going to waste a fortune on cabs now. Or they'll have real problems on the train during rush hour. You've packed efficiently. And your advantage is that you stand out from the crowd. 190 cm… That makes you a giant in Japan. And a colossus at 120 kg. When you finally take the steps from the subway into the open air, the default setting has already been active for three hours. You walk the last few meters to your hotel. It's so nice to be back here. Yes, you actually live in London. But you spend as much time as you can in Tokyo for business and pleasure. For years now. You speak the language very well, you're up to date with all the fashions and gossip. And a regular guest here at the hotel. The concierge addresses you by name. You greet him back by name. Nevertheless, you exchange business cards. Tradition is tradition. The building trembles. A slight earthquake.You don't know how many earthquakes this is in your life. It's not even worth mentioning in your conversation.

Now a quick bowl of noodle soup. And then to the gym. You've spent too much time motionless on the plane and in the subway. You need action now. The feeling that your body has given its last. And then a hot bath and a massage. Your buddy at reception has already arranged everything. You just quickly take your luggage upstairs and get changed. And then you run down the stairs to the gym. The earth has just shaken a little again. The last thing you need now is to get stuck in the elevator.

Two hours later, when Atsushi presses his elbows into your back, all is right with the world again. Atsushi is a master of his trade. And you've known each other for ages. In fact, you played baseball in the same club as children before you moved to Europe with your parents. It was a real coincidence when you found each other on one of your visits here on Grindr. It's one of the biggest and hardest reasons why you're staying here at the hotel. Rarely have you experienced a better masseur who is both good for your back and offers a first-class happy ending. He stands behind you and massages your neck. And his hard-on sticks out in front of your face. Shit, if he doesn't suck you off right away, you'll cum without him laying a hand on you.

You two spend the evening at karaoke. Unfortunately, Asushi can't stay in your hotel room tonight. But he will take you upstairs. And you fuck him as a thank you. Asushi thanks you with a deep kiss goodbye. He says that your education in Europe has paid off. Nobody fucks like real Japanese men who learned to fuck in Paris. You grin. Well. An almost real Japanese man. Your one grandmother was English. You owe your blue eyes to her.

Get up, go to the gym, take a hot bath. That's how your next morning starts. Not easy with the jet lag. But you have to get back into the rhythm of the city of your ancestors quickly. The first meeting is at 07:30. Time is money. And life in Tokyo is not cheap. "それで、侍よ？よく眠れましたか？" Asushi sent a picture of his morning wood. You return the favor with a selfie, freshly showered. "よく眠れたよ！しかし、私には硬いものと柔らかいものがある。疲れ果てた夜に備えよ," you reply. "はい、侍よ！" You're looking forward to the end of the day!

#male tf #muscle tf #reality change #chronivac #inked man #race change

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datcravat · 26 days

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HI HELLO I love your art So much,,, do you have any tutorials on how you render your stuff? For example, the colors you use & how you pick them, how you get that pink tone around the Lineart (I think) (it's just rly cool). I would love to see stuff like that, cuz your art is Such visual candy (⁠◍⁠•⁠ᴗ⁠•⁠◍⁠)

Hey! Thank you so much, I'm glad you like my art, I worked hard to make it what it is!! Means a lot you appreciate it!!!!!!

I've had no professional art training, I seriously don't know what I'm doing and struggle making tutorials. But will try here!!

For me the colour work is really situational on the drawing! I find myself experimentally attempting to weaponize colour theory and there's a lot of instinct involved that I can't figure out how to verbalise yet. Here's an example of some thought process I have:

My main advice is to play with sliders a lot and really experiment (that's what I do for every drawing)!

To get the pink glow around your lineart, copy your lineart layer, fill the copy in with a pink of your choice (sometimes I do a gradient), blur the layer (experiment with how much blur you'd like), put it directly below the lineart layer, and set the layer to multiply (or any mode you think looks pretty)!

You may want to adjust your piece's brightness/colours after applying it and sharpen the image after exporting.

A lot of colour gradients are involved and on their own they can eventually compromise the gritty/punchy style, especially the ones that are between extreme and subtle. A good way to combat this is with screentones/haftones!! You can use them to diversify colours and imply shading/texture.

I recommend going nuts and having a lot of fun with it to find what works for you!

I often add a lot of small lens flares as they satisfyingly cut through the piece, imply flash photography (which goes well with the strong black shading), add visual noise to areas you don't want to be your main point of focus, are a great way to show speculars, and idk man sparkles are just pretty haha.

Go nuts with them and have fun!! When you get them to look good, think to yourself why that is.

I made a tutorial ~1 year ago on how I shade with black. This simple trick will really help it look good, 3D and rendered - it just requires a lot of knowledge about shadows to start with. I have a lot of experience rendering "normally" which helped me learn how to use black in an experimental way.

Minor correction that the shadows labelled "ambient occlusion" in the tutorial are actually just normal shadows, ambient occlusion is total lack of light.

I hope this is useful to you!! You have a knack for art, your work is very inspired. Please keep drawing!! I am still learning too, let's keep going baby.

-Cravat x

#ask #tutorial #my art #art tutorial #thank you for the ask!!

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jakeyp · 1 month

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GRID + TORN PAPER + RAINBOW LAYOUT TUTORIAL (yeah, i'm sorry, but that is the title i came up with)

Hi everyone! This tutorial was requested by an anon, and we're going to make a gifset like this. You need, as usual, basic gifmaking skills and basic photoshop knowledge, but i'll try to explain this as easily as possible!

You'll also need a torn paper brush, which you can download here.

And here are the links to download the fonts used in my gifset: x, x

Okay let's start!

→ First you're going to create a new canvas, and it will be 540x540 px. Make sure to click on create video timeline (if you dont have a timeline, go to window > timeline. We'll leave this canvas there waiting for us :)

Then, onto our first gif. We're going to make the small square gifs first. All i do is resize the image and make it 120 px high, and you'll see why in a moment.

Make sure to remember the number of frames of this gif!! All the gifs we're going to put in the same canvas should have the same amount of frames.

Okay, so we have our first small gif:

As you can see it's a smart object, and I added some brightness, but so far that's all. You can sharpen it, but i like to sharpen until i've colored it. Now onto the important part:

Most of the gifs i worked with were mostly blue (aside from the skin color), which is recommendable, because you can create lots of colors starting from blue, using the hue/saturation adjustment, or camera raw filter. I also recommend you to use a gif that doesn't move a lot, so it'll be easier to color the background:

For the tutorial, we have our predominantly blue gif, but we are going to make it yellow, which is the opposite color, so it's the hardest to get. I hope you can see how i manipulate colors, and do it yourself :)

Here, you can use camera raw filter (filter > camera raw filter) to turn the blues and purples greener, like this:

And click ok to exit the camera raw filter. Then, we're going to use hue/saturation (image > adjustments > hue/saturation) to turn it yellow:

Since it was cyan, i changed the cyans, but if you got a much greener result you'll have to use green (duh, right? i dont know i just dont want anyone to get confused akjsdhs)

And you can also add a selective color adjustment to make those yellows more yellow:

The reason i don't directly use hue/saturation is cause it might look ugly and lose quality, or it wont pick up all the colors i want it to but they're also very small gifs so if you wanna do that, do it :)

I sharpen it until this point, but if you already have that's okay.

Now we're going to color the background! For that, you just add a new layer, and set the blending mode to color.

Then you'll use your brush, set it to 20px and 0% hardness, and pick the color you're using for this gif, you can use the eyedropper tool. This is why it's important that the gif doesn't move a lot, so you can color the bg like this:

I colored carefully around the edges, and that's the result. In some gifs from my gif set I colored Jake's jacket too because i was too lazy, but this looks cleaner :)

You might want to select the color layer and the gif layer to convert them both to a smart object, just to make everything easier. So, be careful, because after that you won't be able to change anything!

But let's say you have a scene that you want to include, and it moves too much and has no blue and it's going to be a nightmare to color it.

Well, don't worry, you can! Simply, instead of manually coloring everything, you can just choose to add a gradient map to it (image > adjustments > gradient map), like this:

And this is the result:

Just remember, it has to be the same amount of frames as the other ones!

You repeat the process, until you have 10 small gifs. I made around 5 manually colored gifs, and 5 gifs with gradient for each gif. That's a confusing sentence but i hope you get it.

We are going to start pasting the small gifs on our first canvas.

(You can paste them one by one but i did this so you can see my 10 gifs)

You're going to create a square that has to be 108x108 px, using the rectangle tool. You can remove the default white background.

And you may be wondering, why did we not just crop the small gifs into those dimensions? Well, you can do that, but to me it's much easier this way, because sometimes cropping isn't accurate, or it's tedious.

Place the small square on top the gif you're going to crop, right where the face of the character is (or whatever objects you're giffing), and while holding ctrl, click on the square. It will select it:

You're going to create a layer mask:

And then drag that layer mask to the gif:

And voila! It's now the same size as the small square. Once that's done, right click on the layer and convert it to a smart object, because we have to remove that mask. Make the square layer invisible, and start placing your gifs where you want them:

You're going to repeat that process with the rest of the gifs, and then place them all together. Don't forget that if you're making the first gif, they will all be at the bottom of the canvas, if it's one of the middle gifs, one row should be at the top and the other one at the bottom, and when you're making the last gif, they should all be at the top. Here we're making the first one, so they will all be at the bottom:

If you forgot to check that all the gifs had the same amount of frames, you can fix it here, just make sure no gif is past this little guy:

Okay! Now, to create the gutter, we're going to add a layer mask to each small gif, so that we can cut some of it.

The gutter has to be 4 pixels, (i recommend you to REALLY zoom in). What i do is make sure the width of the gutter takes 2 pixels from the edges of the gifs, since they are all together. As you can see in the image above, there's no a single empty pixel between the gifs.

This is a close-up of what i'm talking about. I select two pixels from each gif, and go all the way down to create the gutter:

(I hope I'm not over or underexplaining)

I usually use this tool when i have to make so many selections:

But that was just an example :)

(Another way you can do this, is by changing the size of the small square from the beginning and make it be 104x104 px, but i don't know why that seems more complicated to me ajsdks)

Anyway, this is what we have so far:

Now we're going to create the big gif. Its normal dimensions are usually around 1920x1080, unless you have different dimensions and have to crop it, but whatever it is, we're going to resize it and crop it to be around 550 px wide, and 400 px high:

We'll do the same thing of adding an adjustment of gradient to it to make it the color we're using. For this, i usually add a brightness layer before, because sometimes the gradient is a bit dark.

And using a 600px brush with 0% hardness, you can add some "light" on a new layer, like this:

Selecting all the layers, right-click on them and convert them to a smart object. Again, be careful, because once its a smart object, you wont be able to change any of it!

Then we paste our big gif on the canvas with small gifs, and add a layer mask to it. Using the torn paper brush at 600px, remove some of the gif to shape it like the torn paper. Make sure you're using black, otherwise it won't work correctly:

To make the effect better, add a layer UNDER the big gif, and using the torn paper brush, with the same size, you can paint under it:

Yeah, I covered some of jake's face, but that's how it supposed to look so the effect works!

And finally for the text! I used Granesta, at 150 px, and at -10.00º to make it a bit askew.

We're going to double click on it and give it a color overlay, set to normal, and give it a solid shadow if you want, then place it right here on the corner:

But as you can see, it's too big for the gif. So we're going to add a layer mask to it, and again, shape it the same way that we did with the gif. Make sure they're exactly the same shape, like this:

And that's it! This is our final result:

As always I'm sure there are easier ways to do many of these things, this is just how i do it but if you know an easier way to do it, go ahead. I hope this was at least understandable enough so you can apply the logic of it any way you want :)

If you have any questions you can send me an ask and i'll clarify!

If you found this helpful i'd really appreciate it if you left a tip on my ko-fi!

Happy giffing!

#will i ever learn how to properly explain things 😭#tutorials #uservivaldi #userraffa #userbuckleys #userhallie #tuserheidi #usertina #userfern #usersole #usercera #userzaynab #userisaiah #usernik #userpriyas #usertj

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rad-roche · 1 month

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Pulp Covers And How To Paint Them

With the rise of cheap printing in the early twentieth century, mass-marked paperbacks swept the world, each offering lurid thrills for obscenely low prices. Sex, sadism, and incredible violence for as little as ten cents. An easy purchase to slot in between fifty cigarettes a day and enough bourbon slugs to kill a small garden.

Pulp fiction is where some of the greats of American literature cut their teeth, including the big three, Raymond Chandler, Ross MacDonald and Dashiell Hammett. The contents of these stories, both the dizzyingly good and astoundingly terrible, have been absorbed and digested and remixed and regurgitated in nearly every permutation imaginable, fuelling pop culture some one hundred years on. This isn't an essay on that. Nobody likes to open a tutorial and be greeted with a wall of text. The history is for another time.

But it is about how to paint it.

Don't let the pre-amble intimidate you, it's not as hard as it sounds. You will need:

Painting software with some image editing capabilities. You don't need all the bells and whistles of Photoshop, but I wouldn't recommend something like MSPaint, at least not to start with. I'm using Clip Studio Paint.

A really beat-up paper texture. The grungier, the better.

A lightly-textured brush. Here are the specific brushes I use, 99% of which is the well-named rough brush. Try and avoid anything with any impasto elements.

Go to your colour-picking tool and use the 'select from layer' option. Doing all the painting on a single layer is going to make your life easier.

A complete willingness to make mistakes and, instead of erasing, painting over them. It generates much more colour variation and interest! Keep your finger off the E key.

Good reference! That painting is a master copy of Mitchel Hooks' art for Day of the Ram. Find a style you really love and want to learn? Have no clue where to begin? Do direct studies!

Let's not worry about whatever is happening in the background. It's probably fine. Let's get started! Pulp magazine art is a lot more varied than you might first think, so don't agonize over having a style that 'fits' or not. I'm also specifically aiming for something you'd see on the cover after printing, not the initial painting they would use for printing. The stuff I'll show here is a pretty narrow band of it, but here are some general commonalities. This is a painting by Tom Lovell.

Let's dig into this.

The colours are very bright and saturated, but the actual values, the relative lightness and darkness of them, are actually grouped very simply! You can check this by filling a layer full of black, putting it on top and setting its mode to colour. If the value of a painting looks good, you actually get a lot of leeway with colour. But here's what I think is the most important thing to keep in mind.

The darks aren't that dark, and the lights aren't all that light! Covers are paintings reproduced on cheap paper. Anything you wouldn't want to happen in the printing process, you lean into. Value wash-outs, lower contrast, colours getting a weird wash to them, really gritty texturing. So let's get painting! Here's my typical setup.

That bottom folder is the painting itself. The screen layer is the grungy paper texture. To get the effect you want, put it down, invert its colour, then set it to screen. That washes out your painting far, far too much, so to compensate, I put a contrast layer up on top. Fiddle around with the settings, but this is where mine ended up sitting.

Note I'm saying this before even starting the painting: you want to do this as early as possible. This is where the 'select from layer' colour picker comes in handy. You can paint without worrying about the screen or contrast layer. Something not looking right? Enable your value check layer and keep painting. When you turn it off, it'll still be in colour. Here's a timelapse so you can see what that looks like.

And when you check the values...

They're pretty simple! This isn't a be all and end all, but I hope it serves as a decent primer. I want thirty dames on my desk by Monday!

#rochedotpng #art tutorial #art resources #couldn't find a thing online about this style so here's how i do it #pulp #it's how i did the death shroud one more or less

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katamaricule · 6 months

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What is dmbj? I've googled it but idk if it's one of those 'I love it and recommend it' shows or a 'I love it - pls never watch it <3' kinda show yk lol

Is there an answer somewhere in the middle? Because that's where it should go.

DMBJ is a franchise based on a set of novels by an author we'll call NPSS. These are mostly first-person tales narrated by a spoiled little dipshit named Wu Xie, as he and his friends go on tomb-raiding adventures, encounter supernatural obstacles, and learn about all the ways snakes don't work. The series has several giant holes in it, as NPSS tends to get bored and wander off mid-story. Several dramas and movies have tried to adapt various pieces of this gap-ridden, wholly unresolved saga, to varying degrees of success.

So to answer your question: There are installments of DMBJ that are a hoot that you should watch, and then there are installments of DMBJ that are also a hoot but you shouldn't watch before you have an affection for the franchise as a whole, and then there are installments of DMBJ that you should not watch even if you are a fan of the franchise because they are just not worth your time.

The problem is, not everybody agrees on what goes in which category. But if you're interested and want to give it a go, these are my personal takes on what's what, in chronological order of events as they happen in the series:

The Mystic Nine

Good starting place: Yeah, actually!

Requires prior knowledge: Nope

Actual ending: No resolution whatsoever

Wu Xie: He's not in this one

Best part: Charming characters you love or love to hate

Warning: Very cheaply produced, with cuts that render significant parts of the story incoherent

Worth watching: Yes, if you're willing to accept the jankiness

The Lost Tomb

Good starting place: Weirdly, no, considering that it's the first series they made

Requires prior knowledge: Not really

Actual ending: Oh, heavens no

Wu Xie: Cardboard twerp, kinda cute

Best part: There's ... some antics, I guess?

Warning: Makes some bizarre additions, condenses several books, just ... isn't very good

Worth watching: Not especially

The Lost Tomb 2

Good starting place: You could do worse

Requires prior knowledge: Some, but who knows if it helps?

Actual ending: Ha ha ha you're funny

Wu Xie: Breathtaking idiot twink street-parking a Maserati

Best part: Wu Xie and Pangzi are in love

Warning: Interminable bronze tree plotline, incomprehensible timeline especially at the ending

Worth watching: Sure, but bring a book for the long stretches

The Lost Tomb 2: Explore With the Note

Good starting place: It doesn't matter, because you're not going to watch this one

Requires prior knowledge: It can't save you

Actual ending: Nothing of the sort

Wu Xie: Shove that whiny nerd in a locker

Best part: There is no best part

Warning: Don't do this to yourself

Worth watching: What do you think

Ultimate Note

Good starting place: It seems like no at first, but it actually is!

Requires prior knowledge: It helps, but you can get by without it

Actual ending: Complete cliffhanger

Wu Xie: Precious muffin

Best part: Everyone is so cute, also heihua

Warning: Tonally way goofier than the other series

Worth watching: Yes! This one's so fun

Tomb of the Sea/Sand Sea

Good starting place: If you like things on Hard Mode

Requires prior knowledge: The main character doesn't have any, so why should you?

Actual ending: It thinks it does, but it's stupid and slapdash and leaves a million loose ends

Wu Xie: Mafia widow (also he's not the main character)

Best part: Seeing from the outside how fucked-up the whole Tomb Raiding Industrial Complex is

Warning: A hot mess, but occasionally a beautiful one

Worth watching: Yes, but maybe save it for later

Reunion: The Sound of the Providence

Good starting place: Shockingly, yes

Requires prior knowledge: No, though it recontextualizes everything once you know more

Actual ending: Yes! Holy shit! We got an ending here!

Wu Xie: Consumptive angel with a gun

Best part: Some truly impressive performances from Actual Actors, Wu Xie and Pangzi are married

Warning: Honestly, just watch this one first so you don't know what you're missing, because once you do, you can't unsee it

Worth watching: Definitely

I hope that ... helps? Or at least doesn't make your confusion worse?

#dmbj #lost tomb #lost tomb reboot #i made this

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secret-subject · 8 months

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How does it feel like to be hypnotized?

I find this question to be a hard one to answer. Loaded with subjection and people get very hung up on the details sometimes. It's funny because everyone experiences it differently, we know this. Everyone is different and responds to different things and ways to play with hypnosis. But what I also find interesting is how trance can feel different:

With different people

On different days

At different times

Let me explain.

So lately I've gotten back into listening to files, (recs later if you ask nicely) because after getting on medication for depression back in 2019 it felt weird to be hypnotized myself and I didn't really need it as much as I had previously. Now I've been off those meds for a long time and am now on stuff for my adhd instead so I thought I would give it another try and, it feels very different. Pre-2019 trance for me felt like a mixture of "blacking out" and "being really drunk", everything got really hazy and I would just sort of fade into the void. I've had experiences which felt more like an out of body situation. I dissociated so hard I just wasn't in there anymore for a little while, I had others that were just light and I could easily come up at anytime and chose not to. Because of my general training I was very easy, super suggestible and with the right people a lot of fun apparently. It has never been super consistent and it took years of dedicated practice to be like this. I think a lot of the time when people would see me hypnotized before people would assume that's just how I am, but I've been doing this stuff for years to get any result. Especially in skills like amnesia, body catelepsy, and even getting thoughts out of my brain and basic in and out of trance, getting "deeper" each time. But coming back with a proper diagnosis on my neurodivergence and the right meds changed the feelings I used to have ans has evolved them.

So right now, I've noticed a few things. The trance is less consistent and this is good? It's good because it tells me that well the conditioning is now less "overall brain is getting more sticky" like it would before and now "brain is very much more sticky but only for the ones who put work in or who I listen to a lot". I have a bit of a voice thing and I'm very picky so this works out when now adays I tend to also listen to my hypnosis creators friends work, it's easier and it could also be a rapport thing. I know them so I know that I can trust them to be safe and also I know I can back out when I need to. I've also worked a TON on subject agency since when I was younger I was very much a pushover when it came to hypnosis. Being a dominant full time now for the last three years after my switch era helped with this. I've gotten very good at saying no and highly recommend this is a skill we all learn, even though it can be a hard one to get started with. So yes, I know I can wake up any time (with most people) but I just don't want to. So when I'm listening to files I now notice the different people feel different. Some I find more relaxing, others I find more of that focus depending on what they say and how targeted the audio seems to be at me and my brains working mechanisms. If you tell me to "focus" and "listen" it's like a switch goes off in my brain and I'm there, versus a more permissive, relaxing vibe which tends to take more time to really get to me. This also changes on a day to day basis, but I think it's like compounding conditioning that clearly is building over time with practicing and training to certain voices.

The feeling started as what is very similar to my hyperfocus mode I go into on the daily with my adhd. It's intensely focused to the point where nothing else matters, and sometimes my eyes don't close on their own and almost wait to be told to "drop" or to close them on instinct. I'm very bad at relaxing into trance. I now notice my body flopping (being so relaxed I just flop over somewhere) a bit like it used to but not all the time. Sometimes this feeling is more like I'm frozen in place. I've even dropped into trance holding my phone lately and when I woke up i was still holding it in perfect place or practiced sitting up in trance, it's like a freeze trigger no one had to impliment. I've learned I can be just as "deep" of not "deeper" with my eyes open and in a sort of mid/waking trance state. I also noticed sometimes my eyes do still roll, so that's kind of cute.

Yesterday, I had a really intense trance experience, probably the most intense I've ever had in 12 years of doing this. It was literally seconds of it, the words happened and they hit me, my eyes were open the whole time but super blurred and I couldn't see anything clearly. I just sat there but it literally felt like a giant wave of pressure hit me and I was just in it. This insanely incredible force washed through me and I just went down so fast I didn't have time to think about it and it was just a couple words. It was like being just frozen in time with the pressure encapsulating you and it wouldn't let go. Normally I would have forgotten this (because my memory play is very well trained and I have a brain like a sieve because adhd) but I could remember it clearly, the feeling I mean, the stuff outside of how I felt is very blurry. I don't know or am able to remember what was said to do it, it just was and that was very interesting to know that in my years of doing hypnosis from both sides, that these feelings are still evolving for me.

Anyway, what does trance feel like for you? Does it change for you? And what kind of practice are you doing to get those feelings? I'd love to hear from people!

#hypnosis #hypnok1nk #hypnosis community

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circus-clangen · 10 days

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Hey! Just sorta asking around to my fave Clangen blogs since I'm interested in starting my own-Do you use classic mode or expanded mode? I feel like w/ classic not enough happens, and with expanded TOO many cats die. But w/ classic I also face the problem of my Clans becoming so overpopulated so quickly that it's hard to make a story and choose what to focus on. Maybe I just need to turn off the ability to have kits w/ an unknown partner? Idk, just looking for ppls opinions/preferences for a story-centric Clangen run!

Hey! I don't know if the way I do things is the BEST way but here's how I do things: I play on expanded mode! And while you're right, a lot more cats can die on expanded mode, it's a lot more interesting to me. A good idea is to decide which cats of yours you DON'T really want to die, and just reset the moon if they DO (for example, Tigertoe died MOON ONE and I had to reset IMMEDIATELY).

If you don't plan on having main characters in your clangen like I do, then I would recommend turning "mass extinction events" on if you're going to have "unknown second parent" on! The main reason I don't have mass extinction events on even though I do have unknown second parent on is because my main characters (like Tiger and Clown) were as likely to die as the side characters I didn't care so much about. A good rule I like to use is--if you're going to have "unknown second parent" on--decide which cats you DONT want to have kits, for plot reasons (Ringstar), and turn their ability to have kits off. I also turn kits off on characters that have ALREADY had kits with an unknown parent, so they don't just keep having MORE. I've also seen people manually/randomly kill off cats when they start getting too many and make up lore to explain it! (Whisperingclan does this for example!)

Hope this sort of helps! The bottom line is, RNG is really just a starting point. You have control over the lore and how you want to use it!

#circusclan #circusclan ask

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smovs · 1 year

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Notes to make Clip Studio Paint's 3D model posing tools a little less overwhelming

SET HOTKEYS

first thing to do is to set keyboard shortcuts. To interact with the 3D models you need the Operation > Object tool.

(I'd also recommend the Move Layer tool if you haven't already hotkeyed it)

BRING IN THE MODEL

grab a default model from the 3D Materials window, drop it onto your canvas, & set the scale to your liking.

TIP: you're gonna wanna use the MOVE LAYER tool to adjust the model's position on your canvas. If you start dragging it around with the Object selection tools, it'll move the model relative to its own ground plane & camera. Recipe for a headache.

Move Layer tool = no more tears

CUSTOM BODY SHAPE

You can adjust the model's body proportions on the fly by opening up the sub tool window as shown below.

I recommend this 60 second video by Iron Circus for more detail: youtu.be/zrtAyY3Qqmo

As they suggest, start at the feet & work your way up.

and you're ready to start posing!

...don't know dick-all about 3D software? it works like this:

translation / rotation are often shortened to trans / rot, which is coincidentally the name of my new band.

it doesn't matter which mode you use, and you'll be bouncing back n' forth most of the time. don't even worry about remembering what they're called.

just let it wash over you 🌊☮️

SWITCHING BETWEEN FK & IK

it's so easy to do this that you're probably gonna do it on accident constantly.

Click once on the model for IK, click again for FK.

POSING BREAKDOWN

now we're ready to pose. generally, I start from the center of the body and work outward.

1 Pelvis

2 Torso

3 Neck & Head tilt

4 Clavicles

5 Upper arm > Forearm > Wrist > Fingers // Thigh > Shin > Ankle > Foot Arch

[my posing timelapse gif is too big for tumblr- you can see it on my website if you’re so compelled. or this tweet]

TOUCHUPS

Now it's blocked in, you can go back in for tweaks. I find it's good practice to click away & deselect the previous joint before going in to select the next one. Helps avoid misclicks.

[yeah, same thing]

WINDOW > ALL SIDES VIEW

for more camera angles.

Good for when you're struggling to select a control cause it's hiding behind the other body parts.

The arm range is a bit limited, it can be tough gettin the hands/elbows to reach behind the body. don't sweat it too hard, these models are just for reference after all.

But if you've hit a wall, I got one last cheat for ya tonight:

LIQUIFY TOOL

when you've posed as best as you can and it's still not close enough, flatten the layer (right click > rasterize) and hit it with the liquify tool.

Good luck out there!

#lemme know if i can clarify anything better #getting emotional about how far technology has come & how utterly efficient these processes are now #we're living in the future #clip studio paint #csp tutorial #kinda #long post #tutorial type shit / behind the scenes

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packetpixie · 5 months

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pro tip for programmers - how to alias

hey, so you know that annoying thing that happens when you're coding, and you need to run/test the same program 100 times in a row, so you end up typing "python3 testScriptWithASuperLongName.py" into the terminal about 80,000 times?

well, there's a better way! it's called aliasing :D

in your bash shell (or zsh, or whatever shell you use, but bash is the default on VSCode and most people on tumblr use VSCode, so I'm using bash as the default to explain this concept) you can set an alias, essentially a shortcut command, that runs longer commands.

(yes you can just use the up arrow key to re-run the same command, but sometimes you're typing other things into the terminal too and you don't feel like hitting the up arrow key four times in a row, and also this is just a cool and useful tip to get comfortable with aliasing so shhhh)

so, in your terminal shell, just type this:

alias run="python3 testScriptWithASuperLongName.py"

now, you can run that entire super long command, just by typing the word "run" into your terminal. Here's a screenshot of an example on my computer to make it make more sense:

in this example, i just created a simple python file that contains one line of code: print("it works!")

then, as you can see, by setting the alias to run, i can now run that file, runningatestscript.py, simply with the command 'run'.

the best part is, this alias is temporary - it only lasts as long as your shell session is open. so once you close the terminal, the run alias is cleared and you can set it again next time to any file or task you're currently working on, to save yourself a lot of typing, typos, and time.

so if you want to, you can get in the habit of always setting a run alias in the VSCode terminal for whichever file you're working with as soon as you get everything open. that way, when you need to run the same file 50 million times, you have a super easy way of doing it! you can even set it to a single letter if you want to go for maximum speed, but i prefer to use whole short words, because they're easy for me to remember.

note: if you do want to set an alias to work for all sessions, you can simply add it to your ./bashrc file. this is a common way to automate repeatable tasks, and simply to set easier-to-remember commands for terminal commands that are really complicated/confusing/hard to remember.

for example, i saved the alias checkboot="[ -d /sys/firmware/efi ] && echo 'UEFI mode' || 'BIOS mode'" into my zshrc file (zsh equivalent of bashrc file). this way, no matter how many times i rebooted my machine, i would always be able to quickly check which boot mode was running by simply typing 'checkboot'.

yesterday i was updating my boot mode from BIOS to UEFI on my very old machine that is technically compatible with UEFI, but not configured for it by default. So it was extremely helpful and saved me the time and headache of having to remember and type that long-ass command a thousand times in between many different reboots and new shells.

if you have any tasks like that, or terminal commands that you know would be useful to you, but you can never remember them when you need them, i highly recommend getting comfortable with aliasing! it can be super useful to simply set custom aliases for all the commands you don't want to remember, so that you can automate things away and not have to worry about so much linux syntax all the time when you're tring to focus on programming.

i know this may seem like a simple tip to some, but i only learned about it recently and it's been extremely helpful to integrate into my workflow and customize my OS with! so i thought it might be worthwhile to some people if i share :) hope it helps!

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neo-trinity · 4 months

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gif tutorial

@bakedbakermom requested a tutorial on how i made the gifs in this set, so i've put together a little walkthrough of the process for this gif under the cut!

(disclaimer: this tutorial assumes that you already have basic photoshop/giffing knowledge - i.e. how to make and colour gifs using correction layers, how to use things like layer masks, etc. if you don't, i recommend these tutorials, they're very comprehensive)

alright! so as stated before, i'm not going to go in-depth here on the basics of gifmaking. for this one in particular, i blended three gifs, but we'll get into the third one later.

(i should also mention that blending gifs as i did here is usually easier if you have scenes with shadowed/dark areas like the ones above, so to keep that in mind when picking your scenes! i also find it easier to use scenes where there isn't a whole ton of movement going on- again, not a requirement but it's easier to plan and position gifs if the characters aren't moving across the whole canvas)

first, i started by making the base gifs of mulder and scully in "paper hearts". both are cropped to 540x540 px, and the same length (around 50 frames). i did some standard sharpening, brightening, and adding contrast (my usual process is curves, a b/w gradient map set to "soft light" at around 20% opacity, and messing with the levels a bit) before using selective colour and hue/saturation layers to highlight the teal and peach colours in the gif. sometimes this is enough colouring on its own, depending on the gif and the look you're going for, but in my case i wanted to add more.

so, on top of my colouring, i used a combination of layers set to "colour" and "hard light" to paint over the background of my gifs in teal and peach. on mulder's gif i also used a gradient fill layer in the two colours set to "colour" and used a layer mask to erase anywhere i didn't want the colour to be. the opacity levels for all of these layers again just depends on how vibrant you want your colours, i just mess with that on a gif-to-gif basis.

so we have our two gifs, cropped and coloured to fit the palette we want. next, i converted each coloured gif into a smart object, by selecting all my layers, right clicking, and hitting "convert to smart object."

once that's done, you should be able to click and drag one of the gifs onto the other gif's canvas, so that it's sitting on top. then change the blending mode of the top gif- most people use lighten or screen, this again depends on the look you want and the gifs you're using. for this one, i used screen. it'll probably look something like this:

at this point you can move your gifs around and position them as you like. for mine, i just moved scully a little off to the right, as you can see. in order to get rid of the part that's covering mulder's face, i added a layer mask to the scully gif and used a large, soft brush set to black to erase it.

(another note: i didn't need to do it here, but if you want to move/erase parts of your bottom gif, add a layer of solid black underneath both gifs.)

usually i would stop blending here, but for this set i decided to add a third gif, so i made and coloured the gif of mulder and scully holding hands, using the same methods as the first two. this one was cropped to 540x405 px to make it fit better on the canvas, since i knew i only wanted it to cover the bottom part.

i converted it to a smart object and dragged it onto the same canvas as the other two gifs. this time i used "lighten" as my blending mode, positioned it in the bottom right corner, and again used a layer mask to brush away the parts i didn't want.

on top of all three gifs, i then used layers set to "normal" and "hard light" to brush some extra colour onto the gif. this part i also just play around with on a gif-to-gif basis, but for this set i mostly used a combo of colour, hard light, and normal layers at varying opacities until i got the look i was going for. i generally just like to use big soft brushes to add colour around the edges, as i did here.

now, i have a bunch of texture/grain pngs saved on my laptop that i like to add to gifs for some extra flair, so i opened one of those and cropped it down to 540x540px. i then added a gradient map to give it that peach colour. (any textured png/jpg should work fine for this, as long as you have your gradient map set to black and white/your accent colour)

like i did with my gifs, i converted the texture + gradient map to a smart object and dragged it onto the shared canvas. i set the blending mode to "screen", with the opacity at 70%. i like to put these textures underneath the extra colouring i've done on the gif, as seen here. i don't always do this, but i feel like it sometimes helps the texture blend into the finished gif. you can also use a layer mask if needed to erase any unwanted parts of the texture.

now for the text!

for these gifs i used the font "IM FELL DW Pica" in both regular and italic, in black, at 16px. i didn't do anything fancy with the text itself besides adding a drop shadow in the blending options (right click on the text layer and hit "blending options).

then, underneath the text layer (i was working one word at a time) i used the rectangle tool to draw a small rectangle around the text- i wasn't too picky about the size or evenness since i was going for a collaged look. i set the colour of the rectangle to a light cream colour, and added a drop shadow in the blending options.

then i just selected both the text and rectangle and duplicated them using ctrl+j, changing the text for each word and adjusting the size of the rectangles as needed. once i had all of the words on my canvas, i just moved them around until i found a positioning i liked. again, since i was going for a purposefully scrapbooked look, i didn't overthink this part.

i exported my gif the way i usually do, with these settings:

and that's it! i used pretty much the same process for all the gifs in this set, give or take. hopefully this little walkthrough made sense, but i know i'm not always the best at explaining my process, so if anything needs clarifying feel free to shoot me an ask or dm!

#lily talks #gif tutorial

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