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#human centered
caittaylor · 4 months
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Visual Diary 3: Human Centered Design
Fitbit is clear on letting the user know that their products are all about them. They state that their products are “designed to keep you close to your goals, boost motivation and show your progress on your health and fitness journey.” Keeping track of calories burned, and steps taken is complicated and can take time, so having a product that can easily do it for you is definitely a human centered design. It works with the user in mind. 
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poorly-drawn-mdzs · 7 days
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License to Kitty.
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lecklect · 1 year
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Cover girl - cover stories I have penned down over the last 12 months.
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fumifooms · 14 days
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I don’t like minimizing the importance and gravity of Laios and Toshiro’s fight into just being a childish squabble, even if to a degree it is framed that way, because to both of them it has a lot of personal significance and emotional weight and runs very deep to their characters… The fight isn’t nothing it’s a LOT, they made up but it’s not something easy to express and to get over for either of them which makes it all the more meaningful! I’m on both sides but there very much are sides, there’s no "they’re both having a ball, Toshiro and Laios hand in hand yay" side to the fight, that comes after
The fight with Toshiro WAS very scary to Laios, almost existentially so, but it’s moreso the "I thought I’d made a friend!!" bit and my god. My god actually
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Like it’s not "just" about oh his friend liking him less than he thought, THAT IS SO MUCH. It’s a bond he thought he had being a lie it’s all the time and moments spent together either being a lie from his perspective or marred now looking back. It’s not only being upset at Toshiro for lying but upset at himself that he’s so easy to fool, it’s being upset that there’s something so wrong with you that you can’t even tell if your "close buddy" even actually likes you or not, it’s like. Holding my head. He can’t trust his own vision of events that happened do you see. There’s always this film of distrust that it could be a lie that should be there when he interacts with people there’s always this sense of cloak and dagger to expect backstabs out of nowhere because you CAN’T see it coming you CAN’T you CAN’T there’s something about you which makes it impossible so you CAN’T-
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He’s so scared of not being able to read people. He knows it’s a weak spot he has, he’s always known. All of these bits are centered around social expectations and betrayals, the assumption that he doesn’t belong either in society or with other humans.
And Laios’ level of awareness is actually sort of complex to analyze, but it’s there, there’s how out of him and Falin he was the one sensitive to the ~aura of hatred~ he felt from the townspeople, there’s of course his nightmares whispering to him about the mocking looks, and how yeah actually he realizes that his gold stripper coworker was taking advantage of him. There’s of course the Winged Lion speech about his trauma and how he fundamentally mistrusts/dislikes humans to some deep seated degree, this distrust that he still keeps under control always. There’s how pre-canon he often wanted to suggest eating monsters but never worked up the courage to bring it up with the others. There’s how he gets across as stoic when he isn’t being enthusiastic…… We don’t know how aware and wary he is exactly in the moment but we do know he has some anxiety around social stuff, and looking back he does notice and aughh augh, the sense you have to hide yourself to not get hurt and be on your guard and shit and.
When you don’t know what to look out for and when to look out for it, the general ‘common sense’ of not always trusting people or noticing when someone’s messing with you becomes hypervigilance in social settings
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"Man they really know what you hate huh". Being socially unaware literally plagues him, he knows, he knows it so well.
It’s so quick that it’s almost hard to digest how literal and blatant Laios summoning his monster to crush all the people who’ve hurt him is. His literal go-to coping mechanism for comfort in his literal monster-induced emotionally intense nightmares, saving him by taking away the upsetting element (the humans)
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"Monsters are his coping fantasy, where they can whisk him away from humanity, all the hurt it’s caused him and its arbitrary rules" with the subtlety of a brick. Monsters are his comfort safe zone "because they kill humans" yes but no it’s because he pits them as the guardians against humans who to him are in the role of the agressors. To him they represent freedom from the shackles of what it means to be part of humanity, a fundamentally social species
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xx-sketchy-xx · 2 months
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@lizaisdrawing I just really love your style, and your ideas for welcome home. Like, absolutely obsessed.
you are so amazing, and I’m inspired by your stuff! 💜✨
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naamahdarling · 4 months
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Sudden and hard. Felt like a small explosion, like when the compressed gas factory a few miles away from my house exploded years ago, but with no sound besides the soft, faint thunder of a dozen nearby houses shuddering.
And our house shaking, obvs.
Cats were/are not happy.
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odinsblog · 2 months
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“This brutal war is not only mass murder of people and destruction of the infrastructure, economy, and cultural sites of Ukraine, but also a severe blow to the future of Russia, a country that is now pushed back into totalitarianism, but this time into a fascist totalitarianism.
We are being punished for daring to criticize authority.” —Oleg Orlov
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haggishlyhagging · 1 year
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I see so many women arguing with men. Trying to convince men that women are capable. Trying to convince men that women have suffered. Trying to convince men to see women as human.
You can spend your teens, your twenties, your thirties, and even your forties desperately trying to prove your worth to them. Trying to earn their respect. You will not get it. You will never get it.
Stop arguing with them. They don’t see you as anything but an exploitable object. They don’t care about you. They don’t love you. They are the definition of an energy vampire. Every millisecond you spend arguing with them is that much less time and energy that you could be using to enrich yourself.
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willowser · 8 months
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one thousand lonely stars, hiding in the cold—
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android!shouto x reader
wc: 2k+
tags: angst, cyberpunk dystopian setting, financial vulnerability, explicit language, minor mention of sex work + sex workers, reader has strong/conflicting feelings about their situation, and — as always — the question of true humanity.
notes: what a great opportunity this was for me to continue exploring this idea !! tysm to @shoto-brainrot for not only giving me the chance, but also for being such a support and helping me to figure out all this commission jazz !! i so appreciate you, and i hope you enjoy it ! 🩷
original post
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You’ve yet to find out what caused the damage to Shouto’s faceplate.
By the time you discovered him outside the credit exchange, he had been busted open and left for—whatever the equivalent of dead is for an android. A gaping hole in the left side of his disturbingly human face exposed his inner circuitry to the rain and you think that should have finished him off, truly, but—he's still kicking. 
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Technology in the lower district is distinct. The most careful hands could have crafted him down in the best underground salvage yard and he still wouldn't have lasted half an hour with his face submerged in a shallow mud puddle like that. Wiring would have been shot, fuses blown.
Even if the Todoroki Corporation symbol on his wrist wasn't glowing, a blinking light in time with his would-be heart, you'd know what he is. You'd know he didn't belong down here, beneath the smog, in the industrial bones of your dying city.
And yet—
The left side of Shouto's face took the brunt of whatever blow he'd been dealt, and the scarring—if it's even called that?—has extended down over his cheekbone and backward, so violently that his ear had only barely been hanging on. Without the bandage you've wrapped him up in, he's quite a sight: half a tangled mess of wires and pins, a dull cyan light glowing in his orbital socket. With the wrapping, however, he’s almost exactly as he was meant to be: seamless.
The fate of his detached ear had been unknown. Until this morning.
It still works, much to your surprise, learning so only after wondering aloud the whereabouts of your data docket and hearing Shouto answer from across the apartment. Whoever put him together, you realize, took great care to make him durable, adamantine; the carbon nanotubes and polymer arrays that make up his cochlea were hardly affected by the assault.
Someone—or something—meant to harm him, and you know that for certain, now. Such wreckage couldn’t have happened naturally, not to a Skin-Puppet like him.
(When you look at him, you can’t help but consider his creator. How far he is from them and why. If the hands that made him and the hands that ruined him are the same, if he meant to leave or if he was cast out. You haven’t asked, but it’s odd that a machine could keep such information to himself—itself.)
(Given the brutality behind his mutilation, perhaps it’s best you don’t know the answers.)
Working tech from the richer district—KōkyōLuxuria, above the smog, built high into the clouds—could not only earn you enough to eat this week, but also to pay off all your debts to the League. Maybe even finance a decent apartment a few stories up.
And that’s why you’re here: racing through the slums in the rain, doing your damndest to make this sale before time runs out and you’re forced to find another buyer. Coming across a Hack with 1,640,254 credits in their docket is rare; who knows when you’ll find someone from the Trade in Musutafu sector again? You’re likely to sooner perish—either from your empty stomach or that broker that demanded payment two days ago.
Shouto, however, doesn’t see the urgency.
“Hello, handsome! Awful cold out tonight…care to warm me up?”
“Oh, hello.”
At the even, all-too-friendly lilt in his voice, you halt your sprint again, and spin around with a hiss. “Shouto!” You snap—but it comes too late; the Entertainers have struck like lightning, already scrambling his code. 
Out of habit, you’d pulled the hood of his sweatshirt up over his head before leaving the apartment, and now the material separates his image from view—though you can easily imagine the pleasant expression showing on his face, illuminated in pink under the NanotechNymph advertisement.
At his easily captured interest, two women strut from the open doors of the low-lit den, all allure and swaying hips, mirage flickering beneath the heavy rain. They only meet him halfway—too far from the emanator deep within the club—and you dash forward to stop him from wordlessly accepting their offer. You can’t afford to owe anyone any more than you already do.
“Shouto,” you say again, mouth twisting when he looks at you simply. Despite the hood, his bandage grows dark from the rain and—despite his framework, worry fluxes in your stomach at the thought of him getting too wet. “We have to go.”
“Aww,” an Entertainer says to you, girlish pout pulling down her full lips. “You don’t want to come inside and play with us?”
“No,” you try not to look at them any longer, just in case that racks up a charge, too. Rock solid as he is, Shouto allows himself to be steered away, much to your relief. “Buzz off, holo-ham.”
“I’d like to play.” Shouto pipes up, peeking behind his shoulder when the girls squeal in excitement. “Can we come back once we’ve finished?”
“Not for that kind of play.” You put a hand on the back of his head and swivel it, all while shoving him down the sidewalk. You almost remark on how man-like he’s acting, before chasing the thought away.
“What other types of play are there?”
“Just—hush.” 
And he does, finally, when you loop your arm through his: a presumably innocent gesture that draws his attention fully back to you, as physical touch seems to do, with him. Beneath the material of the jacket, he feels natural, all muscle and bone, even leaning into you as if the weather has made him cold. You can feel him tracing your face with his one-eyed gaze—scanning you—and you pretend not to notice.
“Your heart rate has gone up. Have I made you angry?”
“Yes,” you tell him, though he hasn’t, really. “You and your curiosity are gonna make me late, and then we’ll be in some serious shit.”
He looks away then, down to the soaked pavement, a mimicry of disappointment. From the corner of your eye, you can see his manufactured Adam’s apple bob, and the muscle beneath your hand shifts.
“They seemed nice, the holograms.” He says, and you can’t help the soft snort such a comment merits. 
“Yeah, they’re nice, alright, until you can’t pay them.”
Shouto looks at you once again, stride threatening to falter until you tug him along. “Do you know them?”
You already know where he’s going with his question, and the corner of his lips quirk up when you cast him a filthy look. “Well, no, but—”
“Then how do you know—”
“I just do, alright?” You frown at him and he accepts it in full, studying once more. Whatever he finds in your expression amuses enough that he’s placated for the moment, though you know it won’t be long before he’s piping up again.
He does it often—studies you: body language, physiological changes, speech patterns, vocal cues. Human behavior he catalogs and streams to someone back at the Corporation headquarters, finding the miniscule details he can use against you, some day. Whatever the reason behind his damage, he is still a product of his evil overlords, made for reasons you can only imagine. 
This is what you tell yourself. 
As his fingers shift until their smooth pads are brushing the delicate veins in your wrists, as he tightens his arm around yours when another stranger on the streets knocks your shoulder, as he leans into the warmth of your humanness: this is what you tell yourself.
You’re overcome with a sense of loss and you don’t know why, and you clear the strange lump hardening in your throat. “Life lesson number six, Todoroki,” you murmur it closely to him, nearly into the fabric at his shoulder, though he doesn’t react to the name. “Everybody wants something from someone, holo-hams included.”
Shouto seems to process your words, for a moment, and his face is expressionless when you steal a peek up at him. Technicolor rains down on your both, swathing him in a wild array as advertisements dance on the buildings that tower above you, and again you think of his creator. The careful hands that crafted his smooth cheeks, the sharp line of his nose, the leanness of his body. You wonder if he’s ever been deemed precious.
Nearly all of the residents relegated to the lower districts owe the Todoroki Corporation in some way. Be it through credit loans or applied interest rates on subsidized housing or hidden costs and high premiums on mandatory, shit insurance—Enji Todoroki sits in the lap of KōkyōLuxuria, has probably never even stepped down from his pedestal. 
There’s no good reason a product of his could have found its way to you: this is what you tell yourself.
“And you want my ear.” Shouto says, looking back down at you as your shoulders tense. There isn’t a byte of hostility in his voice, but he must understand the sharpness to what he’s saying.
“Yes,” you admit with a nod, and some underlying, rogue streak of guilt has you pressing into him, as if your proximity could make up for your selfishness. “The sensors in your ear are gonna pay for our dinner tonight, handsome.”
His stride falters once more, and despite the time clock ticking in the back of your mind—you let him stop you. Maybe you want him to. Nothing ever goes unnoticed by him and you know that and maybe it’s cruel of you to say such a thing, to offer a comfort you can’t admit to, but Shouto looks down at you in all his ruination and—
Before he can say anything, a fat drop of water hits the tip of his perfectly manufactured nose. It makes him flinch, delayed, and the surprise he wears and the scrunch of his brow seem so—human, there before you. Shouto tilts his face to the dark, smoggy sky, and again that worry bites you, about too much water trickling into his core.
“We’re going to be late,” you repeat, though it’s much weaker than it was earlier. This is one those moments in which he overrides all your defenses, uploads something warm and hopeful and frightening into your chest cavity; you can’t tell if you want to run because you have to, for the sale—or if it’s a result of watching him now, haloed in neon.
He’s not one to ignore you, but he doesn’t respond, instead retracting his arm from your grip in order to push the hood back off his head. Raindrops soak into his bandage and the excess pools, dripping down over the line of his jaw and the column of his throat. So close to him, you can see the goosebumps that break out across his skin.
(You wonder if he’s ever been deemed precious. You wonder if he meant to leave, or if he was cast out. You wonder if he was created for continued corruption—or if someone out there wanted him to experience life, no matter how rusty.)
(You wonder if he feels as human as he looks. If he can blush, or if the soft skin below his ear can bruise.)
A small sound bubbles out of him, like a light laugh of disbelief. 
You found him face down in the rain; you’re not sure why it could cause such a reaction now, but he turns to eye the commercial playing behind him, before watching the path of a man walking by the two of you. Rain collects in his perfect cupid’s bow until he licks it away, and his hair slicks to the side when he pushes it out of his face. 
Shouto turns his attention back to you rather plainly, though the edges of his smile pull up a little higher than they usually do, enough that the apples of his cheeks round. He asks you, “What’s going to be for our dinner?” and the question is oddly worded, but each one is intentional. 
Maybe it’s not the rain that amuses him—and maybe it is. Maybe it really is that simple, that innocent. Maybe it’s the microtremors in your voice and your increased heart rate, all the little details that could never go unnoticed. 
There isn’t a way that this could end well: this is what you tell yourself.
You nod once and turn to face back the way you came, resigned, before looping your arm through his again. You trace the delicate veins on the inside of his wrist, careful not to cover the slow-blinking symbol embedded there, and you decide it doesn’t matter what his creator did or didn’t want. Because he has wants of his own, just like anyone.
“Okay,” you sigh, and when you slosh through the puddles collecting on the sidewalk, Shouto seems happy to follow along, this time. “I can probably sweet talk Toyomitsu into buying us some takoyaki, but you’re gonna have to play it cool.”
“Is this the kind of play you were talking about?”
That lilt has returned to his voice, even and friendly and amused.
“No,” you swat at him to hear his little huff of laughter, “now stop asking about that.”
Of course he doesn’t.
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annabelle--cane · 4 months
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this comment was made in response to a bunch of terf bs and I don't tend to like sharing their stuff directly but I desperately wanted to preserve this line on my blog. sorry for stealing your post ms doubleca5t.
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magnusbae · 1 year
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On the rare occasions when Hob is actually mad at Dream— he refuses to sleep. Coffee, energy drinks and the God forsaken awakeness pills? All fair game. If he has to inject caffeine directly into his vein, he would. Hob doesn't often get mad, but when he does, he likes to make a point. Dream and Hob match in more than one ways, really, they do. And so it is that the Dream Lord must come out of his realm personally to sprinkle sand into his lover's eyes because he'd be damned if Hob refuses his gift for more than two nights in a row. Not speaking for 100 years? Easy. Hob refusing sleep? Unacceptable.
#Dreamling#Fixed tags:#Dream creating Hob an entire GALAXY in the Dreaming to placate him but Hob has none of this— he refuses to enjoy it.#Dream getting offended that his lover does not appreciates his good graces is like— Well I can also give you a nightmare :|#And Hob just:#'Maybe just don't say that I will eventually stop loving you 🙄🙄🙄 Hob about that- huh.'#Dream: I meant not to insult you— it is merely how humans /are/. Most entities cannot stay with me for long. (The will not is unsaid)#Hob: You're such an idiot.#Hob would cross his arms and try to stay mad with him but he simply CANNOT.#Dream is being genuine— perhaps a genuine idiot— but genuine nevertheless.#He would sigh and finally come over to Dream and he'd take his hands into his and pull him close to himself.#He has to stand up taller— because here in the Dreaming his lover is taller than in the waking.#It's nearly at his tiptoes that he lands a soft kiss at Dream's lips.#Hob: Just because you had /shitty/ exes doesn't mean /I/ have to be#For the matter— I rather not be your ex at all.#Dream attempts denying all his exes being bad but Hob just keeps on kissing him insistently#Like hell he's allowing his lover dwell in the feeling that no one stays— EVEN IF HE DID SPIKE HIS ANGER METER LIKE HELLA#Dream: You will leave me because you're human Hob's anger: 📈📈📈📈#But he's not really mad he just wishes Dream to trust him is all.#I mean Dream is JUST the center of his entire world#but you know#anyways those tags are meant to be read separately I was just having some crack fun#the original tags gotten horribly out of order and were an absolute mess so I had to rewrite it for it to make any sense at all#so some of the chaotic insanity been lost XDDD#anyways yes XD#buns.hc
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caittaylor · 4 months
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Visual Diary 1: Design Leadership
“Design Leadership takes a human-centered approach to making our lives better, faster, more convenient, and future focused…” We read that “human centered” means to develop and create solutions that are empathetic to the human needs; products that will benefit humans and our daily lives.  
The first product that came to mind was On Running shoes. They create change for humanity, civic engagement, innovation, and for the world. Their goal with their products is to get people moving, and they are constantly working and creating products that benefit the human body while having a positive impact on the environment. When it comes to innovation their main three focuses are fossil-fuel materials, design for clarity, and circular business materials. 
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little-pondhead · 1 year
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After Danny is crowned Ghost King, Amity Park becomes detached from the mortal realm and is suspended between the two realms, much like Danny is. In an effort to combat this isolation from the rest of the world, Danny opens up his castle to the residents of Amity. (Not his Lair, just the castle he earned via conquest.)
Now the castle is more like a community center, and it’s constantly filled with both humans and ghosts coming and going. The Amity Parkers are already liminal, so visiting the Zone is actually healthy for them! The school takes the kids on regular field trips, ghost vs. human competitions get very heated, and overall everyone bonds over their shared freakiness and comes to terms with the fact they’ll never venture out into their world ever again.
But just because they’re detached from their world, doesn’t mean the residents of Amity can’t visit other worlds. :)
And it just so happens that their new community castle is filled to the brim with magic doors and ancient treasures to help aid on their noble quest of inter-dimensional grocery shopping.
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jennnifersbody · 1 year
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you guys ever watch brother bear (2003) and there's that scene when koda and kenai are looking at the cave paintings and both of them are filled with awe at the beauty of them until kenai sees the handprints and cannot longer make his own hands fit among them and then they see the painting with the bear and the human hunter and koda says "those monsters are really scary. specially with those sticks" and you see kenai see himself as human and monster at the same time and he's seen bears as monsters before but he's also felt like a monster himself for his part in brother's death. but then you look at the paintings and it's like. could a monster do this? paint these animals and these hands and this proof of life? and it's like. are any of us monsters? or is it just the same capacity to hurt but to also care and love the world around us? and maybe monster is just what you don't know? and maybe we owe each other the grace of seeing each other and learning to love each other in our monstrousness so it's simply part of the good and the bad we all are? all alike? do you guys ever? think that?
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lilpuffyart · 2 months
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Feeling annoying tonight so I also share Maddie and Goji comic page wip
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samaspic31 · 11 months
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My growth as an artist was heavily stifled by the dogmatism in the online art community I was subjected to as a teen (aka by rhetoric implying or straight up saying art has to be made a certain way to be valuable, which discouraged me from experimenting and developing for my own methods, customising my artistic process felt illegal) and i will forever be mad about it
Anyways if any young artist follows me : the only good art advice is get weird about it and fuck around a lot. Also be honest
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