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mowu-moment · 3 years

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i feel controversial & i care too much, so here's my des rocs complete tierlist

ranked list & reasoning (ish) under the cut

1. WAYNE: hoholy shit wayne. can hardly put into words how explosive this one is to me. the intro sets a Whole Mood before swiftly (& cleanly) smacking it down into an Absolute Banger and i don't use the term lightly. very hard not to scream along with it. only detriment is that wayne the person is kinda an ass in the mmc video but that's no qualm

2. POS: basically the same thing as wayne (oh both have great lyrics btw, this one more so), only gets points knocked for being 2 minutes long and having 30 seconds of that being intro & outro. go danny give us nothing

3. WHY WHY WHY: there's a theme among my top picks--they're all hard-hitting w/ killer guitar. the lyrics are absolute batshit in a good way, but the chorus is a lil flat & i feel like in general it just needed a touch more spice to score the top spot. or maybe it's just seniority & it'll have a coup a few months out idk

4. DEAD RINGER: similar killer guitar & lyrics but this one is Groovy as Hell. don't particularly like his singing in this one & it's too repetitive if i'm feeling grumpy but there's something so magic about after the bridge. top 10 songs to twirl a flag to

5. NOTHING PERSONAL: the minute long outro irks me & it's a little bit empty but plays into that well. groovy, great lyrics, the Sexiest Guitar Solo of the lot, the screaming's a minus but it does have an emotion there. not entirely sure what one but it's there.

6. LET ME LIVE / LET ME DIE: his first time being all over the goddamn place, history was made. amazing guitar, a little worse lyrics than 1-4 i'll admit, the intro Slays me both in a good and bad way. must be a joy to play live where he can just drag out that intro & bridge as long as feels right. at least i liked it in the digital concert like that. would actually kill me in a physical concert, imagine how much stomping gets going to that beat. bonus points for presumable cowbell

7. PIECES: for once not this high for the guitar & lyrics, they're both kinda basic. idk what's about this one but it just takes me to a separate dimension & i love it so much for that. really fills those earholes. also a bit of personal meaning, heard it for the first time on the day we moved into the house i'm currently split-custody-living in (is that tmi?) & the first music video of his i saw. man i love some spaghetti on the wall

8. SLO: basically the same as dead ringer, but knocked points for a kinda lame outro & the subject matter being a little less interesting to me. still lovely.

9. HANGING BY A THREAD: not my normal fare really & the way that the ends of the verses don't really fit in the pacing of them is bleh, but it's just so reminiscent of the songs my brother puts on whenever we hang out together that it just makes me all warm & fuzzy. it's also nicely put together which is something i'll have to start saying for. the later list.

10. SUICIDE ROMANTICS: this is where i start griping about head voice & higher pitches in general. don't like em so the pre-chorus is a lil annoying. also not my normal fare but it's tender & the ending is awe-striking. imo better live where he's loud on that last line before the final chorus. not enough to bump it up though. shoutouts to love and a smoking gun, i still am dying to hear that one

11. THE PAST HAS PASSED AWAY: my favorite lyrics out of the first 2 ep's. only thing wrong with it really is the bridge getting kinda repetitive. love that last chorus heehoo. same schpeel as the Banger Category

12. MMC: this one's lower than the rest of the Bangers for being pop punk which is something the radio has made me dislike, i guess. that trope with the guitar in the second half of the chorus just kills me so much. improves greatly during & after the bridge, love that lil ragtime piano. generally the same bit as before but i do love him doing something un-romance-related. yeah fuck the establishment!

13. THE DEVIL INSIDE: reminds me A Lot of the electronic-ish cassettes i've got from the early 90's but that's just me. this one will probably move up as i get more used to it, but only a little bit. the first part of the second verse makes me like. genuinely uncomfy? but the second part of it's fantastic. ending's ass though what happened to the instrumence. bonus points for using 'reverie' that's an SAT word (maybe). good singing but returning to the gripe at higher pitches, just a little bit though

14. THIS IS OUR LIFE: feels shockingly generic for a des rocs song tbh but there's nothing really wrong with that. adore the bridge. singing's alright. kinda miffed that he doesn't pronounce the 'f' in the second 'life' in the chorus, but it makes sense here. that sort of thing won't later so i'm bringing it up now. guitar's nothing spectacular but fits nicely into the song, probably one of the most cohesive of his (especially in recent history).

15. OUTTA MY MIND: really lives in the same space as slo and dead ringer do in my head (most likely the 'songs to twirl a flag to' zone), but this is by far the worst of the three for when i'm grumpy. just. Very repetitive. back to great lyrics here but it's kinda hard to pick them out (i've heard the song at least 100 times by now & i'm still missing a few lines). still groovin'

16. RUBY WITH THE SHARPEST LIES: what the fuck actually goes on in this song by the way? not the premise or whatever it's just. so all over the place. the verses are incredible but bringing in another vocalist just for one line kills me. bridge is really cool but that one part i don't remember where it is, the one that alternates basically nothing & an Electronic Piano Chord blaring at ya? ruins it. partially anyhow. also can someone tell the people on genius that it's 'carved it in my skin' not 'crawled down in my skin'

17. GIVE ME THE NIGHT: same repetitive issue as outta my mind but it's not groovy enough to save it, shame. feels like a trial run of all the wackshit stuff he's been doing recently, with the additional vocal bits at the end & the kinda weird lyrics. it still has a place in my heart don't get me wrong but it's just fallen in favor of stuff that Commits to banger or batshit (or actually pulls off both strongly, yyy). oh yeah nice guitar alright singing etc etc

18. USED TO THE DARKNESS: similar story to give me the night. i love it i do, but it's just lackluster nowadays. also remember that under-pronunciation thing i brought up in this is our life? this is where that comes back. rampant i tell you! that second verse he just doesn't finish the words & i hate it!

19. DON'T HURT ME: i honestly don't know why this one isn't in D. the chorus bit where he just cuts it short is irksome. the lyrics aren't anything special. i don't know what i like about it. but i can tell it does exactly what it set out to do if that makes sense. respect, respect. and using missile in an analogy, he's getting creative with the vocab

20. LIVING PROOF: kinda got a vendetta against this one i think? i don't know why i hate this one but i do. it's just kinda, blah. like the perfect sort of thing to nightcore up. sentiment's lovely & i do love the lyrics even if they aren't impressive but like. it bores me to an extent

21. TICK (LIVE): separating the version i heard in the digital concert just to give it some credit, this one was actually kinda nice. another one with a nice sentiment & what he was going for is great. no clue what the second part of the second verse has to do with any of this though. and it also begins our final group, the songs that just feel empty. like there's not nearly enough going on. this one's alright though i was just hoping the studio version would add some flair. you can see where that one is though.

22. IMAGINARY FRIENDS: also got a vendetta against pop. kinda hate the sentiment here (contrast!), the chorus just falls short of what the verses prime me for, head voice is rampant, and yet i still swing along to it. it's infectious props to him. love the outro though, monkey laugh and all.

23. MAYBE, I: another empty one, like it's a four-note progression what is that. love his singing in it, and the chorus parts do round it out, but like. eh? it doesn't even give me much to say.

24. BORN TO LOSE: another flop on the chorus! too smooth i say! and i absolutely Despise the pitch-shifting thing going on. not something i was expecting him to express so points there, lyrics are nothing fancy to my Literary Mind though. initially good singing but the chorus he's just sloppy over it. the instrumental is lovely but the vocals just throw it so hard into the bin which is a right shame. fuck that outro too i hate that gimmick

25. I KNOW: here's where the bad batshit comes in. singing is some of his worst imo, does the other-vocalist thing for that bridge, genre i'm not fond of, just a soup of Stuff I Don't Like. not one i'd kill someone over putting as #1 like i can see where it comes from but. mmmmmhhhh bad. cover does NOT help his case.

26. HVY MTL DRMR: empirically i should put this one higher. but the chorus flops so goddamn hard it deserves to be in the bottom of the barrel. the verses are lovely for what he was doing back then! but then just... nothing!

27. RABBIT HOLE: i was so excited for this name but it's just sad boi hours playlist curated by some corporation you hate. probably the most nothing of them all, genuinely where are the instruments. what happened. was this one just shoehorned in as the final track just to pump numbers up. and i swear he had some autotune or something which only makes his voice worse it's fantastic naturally. also that's not what a rabbit hole is! that's not the idiom! a rabbit hole is when you go on a wikipedia spiral from jennifer lopez to group theory! not when you just have a shitty night's sleep or whatever this is! i'm not just miffed i'm downright annoyed

28. TICK (STUDIO): what the fuck happened des. how did you release this. it sounds like a 3rd grader singing for the school talent show it's so out of rhythm. singing's honestly kinda bad & the instrumental has the same problems i talked about in the live version. the last chorus is fine, i guess, but no i don't forgive him for what he did to tick.

#des rocs #yeah i forgot tphpa on the first pass. it's always at least one #i guess i'm pessimistic on the new album? or i just don't like his new direction? idk i just finished it like. today.#wasn't expecting to be able to rank the songs of my Favorite Musician & be happy with it but here we are #tell me why i'm wrong in the notes <3

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nyaheum · 5 years

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My Eurovision 2019 Ranking

Info: I grouped some lower places together, simply because I really dislike some songs and have no strong opinion on some others. This is basically five groups of songs I didn’t like or don’t care about too much and then a top sixteen ranking.

41 to 34) Songs I really, really don’t like at all.

Germany [S!sters - Sister] - This song actually isn’t that bad. It’s alright. I’m just mad that it won the national contest, because we had two much better songs competing - or at least I thought they were much better. I also think it’s a bit weird that they call themselves ‘Sisters’ even though they’ve only known each other for a few months (if I remember correctly)

Czech Republic [Lake Malawi - Friend Of A Friend] - I’m sure there’s a lot of people who really like this song, because they usually like the music that’s on the radio and such. I really dislike this song. It annoys me so much. I also dislike his talking-part a lot...also the high pitched voice in the chorus? I just really dislike everything about this, honestly. (Especially considering I loved Mikolas’ song last year.) The video is kinda cool, but that doesn’t matter live.

Slovenia [Zala Kralj & Gasper Santl - Sebi] - This will sound weird, but the music video looks like those russian meme-y ones. Apart from that, there’s not enough happening here for me. It’s straight up boring. Usually, I’m into songs sung in the native language, but...I guess this song has a message, but I don’t get it because I don’t speak Slovene, and therefore I’m left with a pretty boring song where I can’t even concentrate on the lyrics.

Denmark [Leonora - Love Is Forever] - First of all: why is she partly singing in French? (Language of love, and she’s also saying some stuff in other languages, I know - but still). Second of all: the way she’s looking at the camera for the first thirty seconds is making me incredibly uncomfortable. Third of all: It’s a pretty boring love song. Meh. The only thing I like is the fact that she’s sitting there next to a guy AND a girl, but I might just be interpreting a bit too much into that.

Moldova [Anna Odobescu - Stay] - This is the kind of song I’d turn off the radio for. The music video also has this very weird slow motion thing going on which is very distracting and very ridiculous. It makes no sense too - I’m speaking about the guy who leaves his turned on car here. What’s up with him. Oh, and the song is a break-up song, oh no. Her vocals are pretty nice, although there’s some parts near the end where she sounds very weird and I really dislike that.

Lithuania [Jurij Veklenko - Run With The Lions] - On the one hand, the song it pretty interesting. In theory. On the other hand, I really don’t like his voice? It sounds pretty strained on the high parts. And, after the chorus is over for the first time, I feel like the song loses it’s appeal. The first time, the pitch changes are interesting, but the second time, they just seem a bit...meh. I also don’t want to run with lions, as they tend to be kinda dangerous, but thank you anyway, Jurij.

North Macedonia [Tamara Todevska - Proud] - Listen, the message of the song is definitely something good. Doesn’t change the fact that I dislike the song though. There’s not a lot happening and I feel compared to the ‘epicness’ of the music, her voice is a bit...uninteresting. Don’t get me wrong, she has a good, strong voice, but I feel like it doesn’t really fit with the instrumental. I like the music video, because there’s definitely a lot of different women shown, but I’m unsure how she wants to show this live on stage. (The wind blowing is also a bit much for me.).

Montenegro [D mol - Heaven] - Nothing Montenegro does will ever be as good as Slavko in 2017 - other than that, it’s a love song. Yay. It’s pretty boring. I don’t really hate it, which is why it’s right at the bottom of this category, but I also can’t get myself to like it. Usually, I really love string instruments in modern songs, but the cello in this...sounds off to me. (I’m no musician, so I wouldn’t know for sure, but I personally just dislike it here).

33 and 32) Songs I dislike, but not passionately.

San Marino [Serhat - Say Na Na Na] - I’m always here for San Marino doing weird shit, but this is weird in all the wrong ways. Serhat and his accent are creeping me out, honestly. I also feel like he’s twenty years older than any woman in this video. I also feel like this song had potential, but it just straight up vanished sometime during the creative process. The lyrics are weird too, but I don’t hate it. I can listen to it...once.

Norway [KEiiNO - Spirit In The Sky] - Usually, this would be the kind of song I’d at least put in my Top 20, but there’s something about it I dislike. I can’t even pinpoint exactly what it is, I’m just not here for it.

31 to 26) Songs I don’t care about, in a negative way.

United Kingdom [Michael Rice - Bigger Than Us] - Oh, UK. Back with the generic songs I cannot like because I’m not a big fan of generic songs. It’s alright - his voice is nice, even though it feels like it’s lacking a bit during the chorus? It just sounds like the Instrumental is overpowering him a bit live. At this point, I have also seen the “#ScotlandIsNow”-Ad ten times and am fed up with the UK.

Serbia [Nevena Bozovic - Kruna] - It’s a ballad. Yay. Ballads are boring, I feel like everyone who isn’t the Jury can agree on that. She has a nice voice, which is why I don’t really mind the song - but I wouldn’t add it to my Spotify-Playlist.

Estonia [Victor Crone - Storm] - It’s a guy with medium length hair and a guitar! Hide your sons and daugthers! But in all seriousness, I don’t care about this song either. It’s something I’d hear in the radio and wouldn’t skip, but I would think “Yeah, I wouldn’t mind it to be over now, thanks.”.

Latvia [Carousel - That Night] - She sounds like a german actress whose name I can’t remember right now, that’s all I can think about. Well, apart from the fact that the songs feels pretty generic. To be honest, it sounds a bit like Eurovision 2014 (except for France, Armenia, Iceland (y’all, Pollapönk was so good) and Poland). Yeah.

Sweden [John Kundvik - Too Late For Love] - I like the Gospel-thing he has going on, but I don’t like the song itself. I’m just not a fan of songs where the pre-chorus is slower than the rest of the song when they immediately continue singing in the chorus? It’s weird to describe, but a lot of songs do this and I basically dislike all of them.

Croatia [Roko - The Dream] - I actually don’t like this song at all. But I love his goddamn wings, so I tolerate it. I’m a huge supporter of weird Eurovision and this is definitely what I needed this year. We always need someone in a weird costume. (Like vampire-opera-man from Romania in 2013.)

25 to 21) Songs I don’t care about, period.

Finland [Darude feat. Sebastian Rejman - Look Away] - I’m all here for the meme, but nothing more. The stage performance looks really cool, but I couldn’t care less about the song. There’s not much happening, and the drop is...lacking, at best.

Belgium [Eliot - Wake Up] - Catch me scroll through my phone during the whole duration of this song. It’s a good background noise, but I don’t particularly like it. I’m also still bitter Belgium didn’t win in 2015; they haven’t made it up to me yet when it comes to songs, and this one definitely doesn’t help either.

Austria [PAENDA - Limits] - There’s literally only one things I can say about this whole song: meh. (No, really, I have no feelings towards this song.)

Netherlands [Duncan Laurence - Arcade] - I like the floating-naked-underwater-aesthetic, but I don’t think he can do this live on stage... Song wise, I don’t really care - it’s somewhat nice - I like the start of the chorus, the short ‘boom’-moment, but that’s pretty much it.

Israel [Kobi Marimi - Home] - Okay, I’ll admit it’s hard to follow chicken dances and an absolute party on stage. But I don’t think a very slow song is the right choice. I definitely like his voice and he reminds me of someone so much, but I can’t think of the name. Generally, it’s pretty nice, but I wouldn’t vote for it.

20 to 17) Songs that are alright, but nothing more.

Belarus [ZENA - Like It] - It’s modern with a very very slight traditional touch, which I like, but the song doesn’t really go further for me. I feel like it should qualify for the final, but shouldn’t place high. At least it’s something modern...

Poland [Tulia - Fire of Love (Pali sie)] - It’s a bit weird, but I like it, I guess. I’m not sure if I like it, to be honest. I need to hear this one live. Depending on the live performance, this one could go up a few places or down a lot. It’s borderline annoying me, so it’s pretty hard actually judging this. I like the general sound of the song though. (There’s something about this music video that makes me feel a bit uncomfortable, but I don’t know what it is. Might just me being me.)

Georgia [Oto Nemsadze - Sul tsin iare] - He looks so grim, oh my god. I really like his voice, which is why he’s in this category, because I don’t really like the song all that much. It’s alright, definitely, and it might warm up to me - this type of song usually does - but currently I’m undecided.

Ireland [Sarah McTernan - 22] - It’s definitely alright. I mean, it’s still a love song, but most songs are, and at least this one has some things happening. The chorus is pretty catchy, although I was waiting for a bit more after the build-up.

16) Romania [Ester Peony - On A Sunday] - That music video is so confusing - when I first saw snippets from it, I thought it was a stage performance. The song itself is confusing me too - it’s weird, so I like it (like most songs from Romania, tbh) but it’s nearly a bit too much for me? I need to see this live, but so far, I’m optimistic about this one.

15) Greece [Katerine Duska - Better Love] - I’m so here for the aesthetic. I really like her voice, it has this slight twang to it that I really like. I like that it’s very obvious outside of the chorus, but absent during the chorus. It gives the song in itself a nice contrast. Generally, it’s not exciting enough for my Top 10, but I definitely like it.

14) Albania [Jonida Maliqi - Ktheju tokes] - She’s singing in her native language, which is always a big plus for me. The song is a bit creepy and it has something I always call “ancient”, because I can’t describe it better. It sounds like they might’ve sung it a while back, only with a modern twist. Which means I automatically like it. (It’s also giving me strong 1944 (the song) vibes, just putting this out there.)

13) Azerbaijan [Chingiz - Truth] - And here we have our second guy floating through the water. I’m noticing a theme here. Both video and song are really weird for me here, and I cannot quite place why I like this, but I do. I’m pretty sure this will drop a bit once I hear it live though - I feel like it will be hard to not be overpowered by the music with the high voice he’s singing in during the chorus. He might surprise me though, so I’m placing the song here.

12) Hungary [Joci Pápai - Az én apám] - I was really happy when I heard he’d return, and although I actually prefer his first Eurovision song to this one, this is by no means bad. It’s actually pretty good, I definitely enjoy it. Bonus points for native language yet again; also, his voice is amazing, but I knew that already. I really like the whistling part in this.

11) Cyprus [Tamta - Replay] - Cyprus realized that they did something right last year and are sending another fun party song. I liked Fuego more than this one, although they sound pretty similar. The beat in this is pretty great though. (I feel like the thing I really liked about Fuego was Eleni’s hair, a department in which Tamta can’t compete, but...oh well. She looks so good for 38 btw.)

TOP 10

10) Spain [Miki - La Venda] - Another fun song! You might notice I prefer these over the ballads a lot. This song really feels like summer - it basically sounds like Spain. I really like this for no deep reason - it’s just fun to listen to. Spain also deserves some love in Eurovision.

9) Switzerland [Luca Hänni - She Got Me] - Okay, so, as a German, I know who Luca Hänni is. He’s the only singer I’ve heard something about before the competition. And I wasn’t expecting anything. But hey, our boy grew up, didn’t he? I like this song quite a bit, for some reason. I feel like it’s been on the radio over here before and I’ve been conditioned to like it, but I can live with that. I also like his suit. I want it. (I’m also a sucker for dance sequences, so if they put that into the live performance, I might even move this up a bit. I’m sold.).

8) Portugal [Conan Osiris - Telemóveis] - Portugal thought: "Okay, we had a very heartfelt, serious song with minimal stage performance. We don’t want that anymore.” So they glued some spoons on a guys face, put him and his platonic male friend into feather suits and made them dance. As I said, I’m fully here for weird Eurovision, and I love traditional-ish songs, so I’m very into this. I actually really like the song, all jokes aside. This might actually be one of my Top Three stage performances. I just hope they qualify so I can see them in all their glory in the final. (Them and all their silverware.)

7) Australia [Kate Miller-Heidke - Zero Gravity] - I have complicated feelings towards this song. It’s very clearly inspired by Estonias song last year - only that they made it more modern. I actually really enjoy the first two minutes of the song. If it was just that, I would’ve been inclined to put it in my Top Three. But then there’s the last minute. It’s way too many different voices and different music at once. I feel like it doesn’t quite fit. I’m still hoping they’ll fix that part for the semi-finals, because I really can’t stand it.

6) Armenia [Srbuk - Walking Out] - This song is the kind of music I usually listen to in my free time, so I obviously like it. I’m also really into the aesthetic. I just feel like the chorus could’ve used a bit more drama. Especially a different “drop” - they already did the pause before it, they might as well commit to it fully. Otherwise, I really like this. (And damn, those trumpets(?) were made for me.)

5) Malta [Michela - Chameleon] - I really have a soft spot for Malta. I’m just really glad to have a real party song among ballads and sad songs. I might be influenced by the music video here because I really like lyrics on screen by default, but we’ll see how this song sounds live. Depending on that, it might move down. (I feel like this will either do really well or really bad though.)

4) Russia [Sergey Lazarev - Scream] - Okay, I loved his song back in 2016, so I am, again, biased, but I like it. It’s not quite as catchy as some of his other songs, but his voice sounds really good in this. I also really hope they will incorporate the imagery from the music video into the live performance, because it’s really nice.

3) France [Bilal Hassani - Roi] - At first, I didn’t like this song at all, but it really warmed up to me. He has a nice voice - I only hope he can fully show it live, because I already felt that the music video version sounded a lot better than the live version I saw. But the chorus of this song is stuck in my head. I also love the mixture of English and French - especially because it’s full sentences in both languages, and not only single words. (I can’t stand that.). I’m probably biased here because I speak French, so I understand everything (as opposed to the Slovene song for example) but...damn, I really like this song. (It took me really long to realize that his hair was a wig, by the way. I just thought he naturally had Jeffree Star hair.)

2) Iceland [Hatari - Hatrið mun sigra] - I can’t really explain myself here. This song is absolute madness and I’d be surprised if it survived through the semi-final. But they might surprise us and do what Lordi did before them. Honestly, it’s really refreshing Eurovision-wise and I’m so here for the Icelandic-metal-screaming. And yes, it’s another aesthetic-thing here. I just can’t help myself. (I’m also hearing “Aufstehen” in the end and I’m just wondering if that means “Stand up” in Icelandic...)

1) Italy [Mahmood - Soldi] - Honestly, Mahmood has no contest for me. This song is everything I ever wanted and more. It’s way too good for Eurovision, if that makes sense. There’s just nothing that bothers me about this song. The chorus sounds so incredibly good and the live vocals I heard from him sound so stable? I really hope they won’t do Italy dirty like they did with Occidentali’s Karma. This song is just way too good to go to waste on lower places. Did I mention I absolutely love this song? Oh, and native language bonus, of course! As if I could love this song any more.

#eurovision #esc #2019 #esc19 #ranking #top10 #list #long post #i like to talk #music #europe #let's continue our love affair #scotland is open #scotlan is noe #god #i just saw that ad 40 times #it gave me shawn mendes for armenia #very nice of youtube

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feadae · 6 years

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@bliss-delight-jr Here are the song recs you requested! The list ended up being kinda comically long; way too long to put in a reply, so here it is (you asked for bops and jams and I added a bunch of bangers too bc I have a ton of bangers in my playlists and not many jams)

-“Topsy Turvy” from Hunchback of Notre Dame – movie and musical versions are both amazing, but the movie version is more of a consistent bop; the musical version is just a few clicks slower and is split in half by two numbers, which are both amazing, but don’t have the feel of a bop) -“Roundtable Rival” by Lindsey Stirling – a freaking JAM and also a BANGER -“Thrift Shop” by Vitamin String Quartet – a JAM -“La Llorona” from Coco – not a bop, a jam, or a banger, but like, it’s so GOOD -“The Court of Miracles” from Hunchback – again, the movie and musical versions are both great, and I’ve actually been using the musical version to get me up and moving in the morning, but the movie version is WAY more of a bop in terms of tempo and general feel; in the musical, Clopin sort of relishes having caught Quasi and Phoebus and the song is a slower kind of menacing, but in the movie, Clopin revels in being about to kill the Boys and the song is fast and bouncy and lively and a bop -“I’m the One That’s Cool” by The Guild feat. Felicia Day – a banger if I’ve ever heard one -“96,000” from In the Heights – a bop -“Carnaval del Barrio” from In the Heights – a jam that becomes a bop that becomes a banger -“The Rocky Road to Dublin” by The High Kings – a BOP -“Facade” from Jekyll and Hyde – closest to bop? I judge the difference between bops, jams, and bangers by the kind of movements that I naturally make when I hear the songs, and I make “banger” movements when I listen to “Facade,” but there’s something in my brain that’s telling me it’s too lively to be a banger, so I don’t know. It’s good, regardless. -“Murder, Murder” from Jekyll and Hyde – now this is a banger, for sure. A musical theater banger. -“Joy of the Lord” from Hands on a Hardbody – first, that’s a hardbody TRUCK. Don’t get any ideas. And “Joy of the Lord” is kinda repetitive, but it’s such a bop; I love it -“Born in Laredo” from Hands on a Hardbody – somewhere between a jam and a banger; this is an angry ballad, and I’m LIVING for it -“Can’t Sleep Love” by Pentatonix – somewhere between a jam and a bop -“Tavern Song (Thai Mol Piyas)” from Hunchback of Notre Dame – now this one is only in the musical, but the chorus is such a bop! The verses are closer to a jam and the whole song is so good. Fun fact: it’s the only song in the whole show that includes a language that is not English, Latin, or French! -“Esmeralda” from Hunchback of Notre Dame – I’m so sorry that there’s so much Hunchback on here, but it’s Alan Menken and Stephen Schwartz’s fault for writing such Damn Good Music, and I’m a little obsessed rn since I’m in the thing. But “Esmeralda” is the Act I finale and it’s a musical theater BANGER. I get CHILLS every time. -“Un Poco Loco” from Coco – a bop, pure and simple. It’s so cute. -“Istanbul” by They Might Be Giants – also a bop. Very catchy. Fun fact: the first time I heard this song it was a Barbershop cover on YouTube, and for a solid five years I didn’t understand that it was a cover and not an original, bc I’d never heard the original and I’d never heard of They Might Be Giants, so I figured it was the name of the quartet the guy singing it was in (it was one of those quartet-with-yourself things YouTube vocalists love but I digress). I also didn’t get the concept of YouTube cover artists arranging their own covers if they wanted to genre-bend, so I was v disappointed when I couldn’t find the sheet music for my own Barbershop quartet to sing at contest -“I See Fire” by Peter Hollens – a jam -“Help!” by The Beatles – a bop -“All for the Best” from Godspell – a very fun bop that plays on multiple meanings of the phrase “all for the best” and there are some pretty dang cute videos of high school productions of this one -“Alas for You” from Godspell – a BANGER. A righteous-anger BANGER. If I recall the plot of the show correctly, this is Jesus losing it in the temple that folks turned into a marketplace. -“Flip Flop and Fly” by Ellis Hall – the first place I heard this was in Chicken Run as a kid, and I don’t know if it was written specifically for the movie or not. All I know is that it’s a futzing BOP. -“Flintstones” by Jacob Collier – a BOP. -“What the Heck I Gotta Do” from 21 Chump Street – 21 Chump Street is a 15-minute mini-musical written & composed by Lin-Manuel Miranda, based on a true story, and “What the Heck I Gotta Do” is such a cute bop. -“Run, Freedom, Run!” from Urinetown – Yes that’s what the musical is called. It’s an Experience. “Run, Freedom, Run!” is a BOP, though. -“Cop Song” from Urinetown – A bop that becomes a banger -“Jet Set” from Catch Me If You Can – a BOP. Honestly this whole musical is so good. It’s a bit like Cheez-Its in that you kind of forget about it when you’ve got more interesting options available, but then you choose it and you’re like, “I forgot how good this was!” That’s Catch Me. And yes, it’s based on the Leo DiCaprio movie. -“Somebody’s Eyes” from Footloose: the Musical – I don’t really have strong feelings about this musical, but “Somebody’s Eyes” is fun. It’s a jam. -“Jolly Holiday” from Mary Poppins: the Musical – A bop. Mary Poppins the movie was my CHILDHOOD and I got really excited when I heard that it was a musical too, and I love the musical. They add huge chunks to the songs that aren’t in the movie, but they sound good and stand pretty well on their own. “Supercal” and “Step in Time” get honorable mentions, because I adore them both, but the musical versions don’t really fit into the bop/jam/banger categories. I 100% recommend watching a video of “Step in Time” though; the choreography is KILLER. -“We Go Together” by David Tennant and Catherine Tate – this is a bonus track on the soundtrack for the Much Ado About Nothing where David and Catherine were Benedick and Beatrice, and this song is such a cute bop that encapsulates the Beatrice/Benedick dynamic really well. It’s great and I kinda wanna see if I can convince a future boyfriend to sing it with me. -“Moon Goddess” by Jocelyn Hagen – this is a choir piece, and you wouldn’t expect a choir piece to be a banger, but “Moon Goddess” is a BANGER. Trust me. -“Godzilla Eats Las Vegas” by Eric Whitacre – it’s a concert band piece and I guess it could maybe be a banger but I really just want you to listen to it because it’s exactly what it sounds like and it’s HILARIOUS. -“Incantation and Dance” by John Barnes Chance – another concert band piece, and kinda long, but it’s a jam that becomes a banger, and it’s spoopy too; perfect for Halloween Season -“The Typewriter” by Leroy Anderson – a concert band piece where the primary soloist plays an Actual Literal Typewriter and it’s great. A bop. -“Livin’ It Up on Top” from Hadestown – a BOP. The musical is one of those concept-album musicals and it’s a Great-Depression-era retelling of the Orpheus and Euridice story and it’s GREAT. -“Way Down Hadestown” from Hadestown – also a bop -“Our Lady of the Underground” from Hadestown – Persephone gets to start Act II with a kickass solo and it’s a JAM. I adore it and I really wanna sing it for a hypothetical voice recital -“You’re Gonna Go Far, Kid” by The Offspring – a BANGER -“When You’re Evil” by Aurelio Voltaire – a JAM. A SPOOPY jam. -“The Devil Went Down to Georgia” by The Charlie Daniels Band – a bop and a banger all at once. I adore it. -“Down in New Orleans” from The Princess and the Frog – both the reprise and the original are such good bops, but I especially love the reprise because Anika Noni Rose’s voice is ANGELIC. -“Through Heaven’s Eyes” from The Prince of Egypt – I adore this whole soundtrack with my whole soul, but “Through Heaven’s Eyes” is the only song that really fits into a bop/jam/banger category, and that only barely. It’s a bop if you squint, but regardless it’s really good and I love it. -“The Mad Hatter” from Wonderland – a musical theater banger. The new Mad Hatter is a woman, and she’s a mezzo-soprano, so you know what that means: a jazzy introduction song where she gets to belt her heart out and it’s great. -“I Will Prevail” from Wonderland – the Mad Hatter’s other solo, also a banger, goes even harder than the first one, because It’s Act Two, Bitches, Shit’s Gettin’ Real -“I’ll Think of You” by Kurt Hugo Schneider – a cute little a capella bop. I definitely recommend watching the video on this one because the patty-cake thing the singers do while singing is really impressive and really cute. -“Oh, the Thinks You Can Think” from Seussical the Musical – listen this musical is so cute, and I’d love to play Gertrude McFuzz, because she’s so cute, but I’d ESPECIALLY love to play the Cat in the Hat, because he falls into the category of Chaotic Good/Chaotic Neutral, Spritely Character Where Gender Doesn’t Matter in Casting (others in this category include Puck from Midsummer, Ariel from The Tempest, and Clopin from Hunchback—all characters I want to play). And this song is the opening number and it’s a really fun bop. -“Tango: Maureen” from RENT – a jam. Makes me want to learn how to tango. -“La Vie Boheme” from RENT – a BANGER. -“The Road Goes On” from The Lord of the Rings: the Musical – YES, this is a real musical. YES, I’m as excited as you are. This song is a bop, through and through. -“Both Sides of the Coin” from The Mystery of Edwin Drood – a BOP. The whole musical is wonderful and I love it and you should listen to it (have the Wikipedia summary pulled up while you do; since it’s based on a book that never technically ends, since Dickens died before he could finish it, the musical is a solve-it-yourself with multiple endings, where the audience picks the ending every night) -“Be Good or Be Gone” from Pump Boys and Dinettes – somewhere between a bop and a banger -“Papaoutai” by Pentatonix feat. Lindsey Stirling – a bop -“Ac-Cent-Tchu-Ate the Positive” by Bing Crosby feat. The Andrews Sisters – a cute little bop -“Hobbit Drinking Medley” by Peter Hollens feat. Hank Green – such a bop. So cute. I really like the video -“Independence!” from The Trail to Oregon – this is a StarKid one, and it’s so fun. A bop. -“Rogues Are We” from Holy Musical B@man! – more StarKid. Closer to a banger. Especially fun to sing along when you’re alone in the car and you can belt out all the notes in all the character voices with no one to give you a funny look for it *I was trying not to do this, but just anything by Celtic Woman. It’s all so good! -“Finnegan’s Wake” by The High Kings – such a BOP, good LORD. -“Way Ahead of My Time” from Taxi Cabaret – it’s a bop, and it’s sung by a gay caveman. That is all you need to know. (There are a bunch of really good professional versions but I found a high schooler called Wyatt Walberg on YouTube doing it for his school and his version is really good) -“Any Kind of Dead Person” from Ghost Quartet – a BOP. And another spoopy bop, no less. -“Alive” by Skipinnish – I don’t remember where I first heard this, and my brain is telling me there’s a distinct probability that either you or Sock recommended it to me (OH I think it’s in a playlist one of y’all made for CotIG), so if you already know about it, then this is a reminder to listen to it again, because isn’t it so good?! A bop. -“Danger On the Dance Floor” by The Cog is Dead – A BANGER. A TANGO. A GREAT STORY. WHAT MORE COULD YOU WANT. -“Nicknackatory” by Mr. B, the Gentleman Rapper – so apparently gentleman rap (I think it’s called chap-hop, which makes me really happy) is an actual genre, and I love it with all my heart. This is hilarious. A bop.

So...yeah

#cali.txt #song recommendations #bliss-delight-jr

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princehcmlet · 7 years

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Hi Guppy! We're a newly re-vamped HP rp taking place in an AU where Voldemort wasn't defeated in 1998 and the war's still raging on in 1999. We were wondering if we could please get an opinion from you? Thank you! - Lay and Sam

Hey there, Lay and Sam! So, I will tell you right now that I’m probably not the best to ask for an opinion on an HP roleplay (I’ve never read the books and only watched the first two movies - I know I’m a sin to humanity), but I will give you the best opinion I possibly can! Remember this is just my opinion and it is not meant to bring you down or give just rude criticism, but I want to help you with constructive criticism. Let’s start with the icon, I really like the text work you did with it, but I would definitely make the image of the girl in the background (I think it’s Katherine McNamara) a lot lighter, so you can make out her features against the black background. It was hard for me to make her out at first, so that might be something you look out for. Now, let me tell you, your theme is gorgeous. I love the aesthetic of dark red - and that’s saying a lot because I usually hate the color red and think it looks tacky. But, you’ve picked a gorgeous theme, color scheme, and sidebar graphics; the chatbox, which I have always loved when rps use them, makes for another great addition on the part of the admin team. Still, I’m a little unsure as to what the header has to do with the whole Harry Potter universe (even though it is very pretty). My suggestion on the header would be to add some sort of text/texture in the dark black areas, that will make up for a lot of the dark, empty space it leaves, and perhaps tie it into the Harry Potter universe a bit more.

Now I will speak on the navigation page, which seems all good to me. I would honestly switch the navigation link on the top bar from being the last to the first, because it would be the first place to catch someone’s eye when they need to navigate to a specific place. Having it as the last link in the top bar distracts me from it a little bit, and at first my dumb self missed it as being one of the links. As for the page itself, it is pretty organized. I always like it when rps have a “before” and “after” distinguishing title, so that I can separate the categories easily when I’m going through an rp, but it’s not absolutely necessary. Especially since the page you chose has no way to add headers like that. I don’t think you need the “Return Home” link, because there is already one at the top, right corner of the page, so there really is no need for it. I would also suggest putting the post acceptance link after all the information that you’d handle before applying, like plot, rules, characters, etc. The final thing that bothers me a bit is that there are some pop outs and some links that lead to other pages. I think that you could consolidate a lot of the links into one. Like, put the tags that you need to track on the “post acceptance” pop up. Add the links to the affiliations to the end of the plot page. The “extras” section could also go at the end of the plot page, but it’s also fine just being its own link of popups. Add the F.A.Q. onto an askbox, so that you don’t have to refer to the pop up each time you want to see on it. That’s just a personal preference, though. And it would, to me, make the navigation a lot more organized from start to finish. That’s all that I have to say on that, but I’ll keep going with the plot. From what I know about Harry Potter the plot was very interesting and pretty in depth for being an easy/shorter read. I noticed a few spelling errors that took me out of the plot immersion though. Those examples are, “... brances tend to operate in different locations and safe houses,” (should be branches), and “It’s been two years since the death of Albus Dumbledore. Lord Voldemorts one greatest fear --- and now that fear is dead. Naturaly now that his army was built,” (should be a comma, Voldemort’s, and Naturally). Otherwise, to me the plot is fine and should draw in those who are interested in the HP universe and series. I think that it’s one of the most unique HP rps that I’ve seen. I’ll leave it at that and move onto the characters. Which, are nice skeletons. It might be nice to include some descriptions of how you think their personalities should be portrayed (since they are canonically book characters), but the layout you have for skeletons is very nice and easy to absorb. I like how you show the taken characters with the grey strike over their face, it makes it easy to distinguish and know what’s what. Even a HP novice like myself can recognize most of the characters and their role in the story. I like the graphics and like the traits given, not much else to say.

Now for the rules, which I think are very straightforward for future players. I think that the activity rule for one week is a little bit too lenient, but it may work for this specific type of roleplay! Especially if you’ve got dedicated players who you know will post in that week timeline. Other rule I would focus on is the multiple character rule. I think that you should put a cap on the amount of characters someone can have, that way in the case that someone has five characters and another has one or two characters it does not feel imbalanced and like one person has more plots/strings to pull in the roleplay. I might change this rule after you see if there are any patterns in what happens with the people who do take up multiple characters. Your rules are otherwise pretty standard. For the application, I’m a little confused why you have a slot for the faceclaim of the character if it’s already set on the skeleton? I might change the name of the section to “alternative faceclaim” to make it less confusing on an applicant to put down the faceclaim a second time for the admins. I think the application is fine. I’ll go over the other pages really quickly. I like the continuous aesthetic throughout the pages, but for some reason some of the pages are really weirdly centered on my screen. For example, the locations are way low to the page with lots of black space in the center of the page. I do like the locations page, and the graphics are very lovely again. I also like how you give description of the affiliations. I like your post acceptance link, I think that it’s very detailed and feels personalized to your style. My suggestion for this is just to add links to the other pages that they’ll need (the masterlist, the tracked tags - like a suggested above with just adding them onto this popup).

So, what are my final thoughts you might be wondering? I can clearly see that you as admins, and also Jessie - who is created in your plot, have created a world beyond the original HP story. You’ve given things a unique twist, added flare with your playlists, trailers, graphics, and immersion. I think that the roleplay itself is very interesting and unique. My main point I made throughout this opinion is that the organization might need some upping, just so that it is easier to understand the flow of the roleplay. That’s all, you guys! Good luck.

#defyrp #rph #rpo #rpc #rpt #rpa #opinion #answered

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rochawatts87-blog · 6 years

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Wifi Unlocker 2.0 1.1.2 For Android.

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