The music video is pretty good, captures the vibe of the song very well, despite somewhat stagnant camerawork. The beat Horsehead made for this is insane, highly reminiscent of Clams Casino. Kray has his usual slurred out yet driving vocal style. The way he extends certain syllables that he rhymes has a melodic quality that I believe is achieved due to the vocal layering of Kray's voice.
He is so good at replicating his personal apex vocal tone that the two (or possibly more) vocal layers are almost indistinguishable. It is my belief Kray is able to do this in part because of the softer volume the he chooses to operate at. This is an interesting collab as well because some say that Gothboyclique (the group Horsehead is part of / heavily associated with) stole the aesthetic and even name of Goth Money Records. (Black Kray's music group) I don't believe either group sees this as the situation, and possibly might not even be aware of the alleged "coincidence." (If you know, now you know: Peep and Tracy almost definitely got the idea from Kray as the names. logos, and time periods match too closely.
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I also wanted to draw attention to the director, editor, and most likely videographer of this music video: BlizzedOut. Blizzed has produced for Black Kray in the past on tracks such as "Birdwalk" and "Pink Motorola Flips" with Feebzz. This video in particular was directed by BilzzedOut, which I find interesting because the video captures a lot of imagery and editing effects that give a very vibrant feeling, emulating that of the instrumental. Feebzz's discography is almost primarily produced by BlizzedOut, and I could honestly talk about her forever due to the mystery surrounding her, but I find it significant that this producer/editor seemingly bridged the gap between the two.