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I'm always saying that I can draw, just not people. I woke up missing Scotland so here's some of my favorite sketches I did from my tome there.
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gianttankeh · 1 year
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Sonic Bothy 10! at City Halls, Glasgow: 7/12/22.
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Sonic Bothy celebrates a decade of doings this Wednesday with performances by the Sonic Bothy Ensemble, Bothy Learning Space and a screening of a recent film made during lockdown. Only a handful of tickets are left so please purchase one here if you would like to attend.
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schreiberhans · 2 years
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Hulk City | Glasgow | 1o.2o22
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princeloww · 3 months
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The Real St. Judes: Gartloch Hospital - History (abridged)
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The Scottish Lunacy Act of 1857 saw the creation of the Glasgow District Lunacy Board. The act, through these boards, aimed to establish and operate "district asylums", which would house patients unable to pay for the already existing "Royal Asylums".
In 1889, the Gartloch Estate was purchased by the City of Glasgow for approximately £8600 (~1 million today). The Glasgow District Lunacy Board were to turn it into an asylum for the mentally ill, and Gartloch Hospital would open in 1896.
In the early 1900s, a tuberculosis sanitorium was opened.
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During World War II, Gartloch was temporarily transformed into an Emergency Medical Services Hospital; the psychiatric patients were transferred and housed in other hospitals. After the war, the tuberculosis sanitorium was shut.
Gartloch would fall into the hands of a different board (Board of Management for Glasgow North-Eastern Mental Hospitals), after joining the NHS in 1948.
Although there were 830 beds in 1904, by 1990 there were apparently only 530 - this being just under the amount available when it first opened.
In its last few years, Gartloch would fall under the Greater Glasgow Community and Mental Health Services NHS Trust. In 1996, the hospital officially closed, and was essentially abandoned, until 2003, when plans to turn Gartloch into a village began.
Now, there is a village, "Gartloch Village", surrounding the hospital. The main body, the iconic front we see in Donna Franceschild's TOTA, standing derelict and with boarded windows.
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Oh, it's also apparently haunted, according to two nurses.
What was the hospital like?
I've nabbed these (like most of the other information - although I cross-referenced the rest (such as the years) from wikipedia and some other archives) from this article on hiddenglasgow.com.
I was born and lived at 2280 Gartloch Rd (East Cottages) of Gartloch Hospital. My Father, Bill Milne was the Bacteriologist at Gartloch Hospital Laboratory. My Mother was Helen and was the hospital hairdresser. My memories of Gartloch are the most wonderful memories ever. We had the most perfect childhood. The children of employees were involved in lots of differant ways. I remember especially the farm. Our house looked onto the busy fields and the Bishop Loch. We spent many happy summers pickinf tatties with the patients. And in the long cold winters, skating on the Bishop Loch. Christmad parties in the hospital involved all the staff, their children and patients. We got to know many of the patients who had been there most of their lives. Some had been admitted the the unit because of ''having a child out of wedlock'' I have so many stories to tell this page is not big enough! I would love to hear from anyone who remembers Gartloch or who lived/worked there.
Pattie Milne [04/02/2004]
I was talking with my gran t'other night about Gartloch (her maw died in there!) and she remembers these two women that used to walk about when she went visiting. One of them was about 4 foot nothing and the other about 6 foot. They walked up and down the hall, not saying a word to each other, but every now and then the taller one would repeatedly slap the little one on the head (that story seemed funnier when my gran told it!).
Crusty [30/01/2004]
There are a few more interesting stories on the linked article, so if you're interested, I recommend you check them out.
Finally: Takin' Over the Asylum (and other pop culture)
Takin' Over the Asylum aired on the 27th of September, 1994. The six-part drama was filmed in a disused wing of Gartloch, while the hospital was still open and functional. The hospital would close only 2 years after the airing of the show.
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Gartloch's iconic, gothic towers would play a key role in the show, and be instantly recognisable to any viewer of TOTA.
Although it shut down in 1996, TOTA would not be the only media produced about the hospital. Wikipedia states that a film was produced in 2005, named (appropriately) "Gartloch Hospital", that covered the history of the hospital. This film went on to win an award in 2007, at the Scottish Mental Health Art and Film Festival, for "Best Factual Film".
Although hidden away, Gartloch hospital has an undeniably interesting history. Personal accounts from the hospital seem to paint it as a fun place, where patients and staff seemed to get along. Knowing the horrors of early mental health treatment, and the abuse many would suffer in these sort of places, we can only hope that these accounts are true and create an accurate image of life surrounding the hospital.
And I wrote all this because I really like David Tennant. Good night
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Note the decorative peaks on the towers - they are absent from the rest of the photos. They were reportedly removed in the late 1930's.
SOURCES
Very interesting archive that goes into the history of Gartloch: (link) (source of above images)
Timeline and personal memories: (link)
Overview: Wikipedia (gartloch, Takin' Over the Asylum)
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aimeedaisies · 6 months
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The Princess Royal’s Official Engagements in November 2023
01/11 Princess Anne, the Duke of Edinburgh and the Duke & Duchess of Gloucester attended the Senior Serving and Retired Officers’ Briefing at the Army and Navy Club on Pall Mall in London. 🪖💼
As Chancellor of Harper Adams University, attended the launch of the University’s Strategic Plan at London Bridge Arches. 🎓
With Sir Tim As Royal Bencher of the Honourable Society of the Inner Temple, attended the Grand Day Choral Evensong Service at Temple Church in London. 🎶
With Sir Tim As Liveryman of the Worshipful Company of Engineers, attended a Dinner to mark their 40th Anniversary at Mansion House in London. ⚙️
02/11 Held two investiture ceremonies at Buckingham Palace. 🎖️
03/11 As Patron of the National Association of Citizens Advice Bureaux, visited Citizens Advice Malvern Hills in Malvern, Worcestershire. 👩‍⚖️
Opened the Specialist Operations Centre at the Gloucestershire Constabulary and Office of Police and Crime Commissioner in Cheltenham. 👮‍♀️
07/11 Alongside King Charles & Queen Camilla, Princess Anne in her role as Gold Stick in Waiting, was present at the State Opening of Parliament. 👩‍⚖️🪶
Opened the Scottish Fire and Rescue Service Museum of Scottish Fire Heritage and the McDonald Road Community Fire and Ambulance Station in Edinburgh. 👨‍🚒
The Princess Royal, As Patron of the Eric Liddell 100, attended the inaugural Lecture and Reception on board Fingal, Alexandra Dock, in Edinburgh. 🏃🏽🥂
Unofficial Sir Tim attended the memorial service for former university friend and newsreader George Alagiah at St-Martin-in-the-Fields church in London 🎓🕊️
08/11 As Honorary Fellow of the Royal Society of Edinburgh, presented Royal Medals and attended a Reception at the Royal Society of Edinburgh. 🏅
As Patron of Catch22, attended the National Leaving Care Benchmarking Forum in Birmingham ✍️
As Patron of the Wooden Spoon Society, attended a Reception at the House of Lords in London. 🥄🏉🥂
As Court Member of the Fishmongers’ Company, attended a Livery Dinner at Fishmongers’ Hall in London. 🐟🍽️
09/11 As President of World Horse Welfare, attended the Annual Conference at the Royal Geographical Society. 🐴
As Patron of the Butler Trust, visited HM Prison Wandsworth in London. 🚓👮‍♂️
As Patron of the Whitley Fund for Nature, held a 30th Anniversary Dinner at St James's Palace. 🦋🍃
10/11 The Princess Royal, As President of Royal Yachting Association, chaired the Annual General Meeting and presented Awards before attending a Luncheon in London SW1. 🛥️
Unofficial Announcement that Princess Anne will take over Presidency of the Commonwealth War Graves Commission, taking over from the Duke of Kent who Presided over the Commission since 1970 🌹🪦
~ Remembrance weekend ~
11/11 With Sir Tim Attended the Armistice Day Service of Remembrance at the National Memorial Arboretum. 🌳 🫡
With Sir Tim Attended the Royal British Legion Festival of Remembrance at the Royal Albert Hall with members of the royal family. 🌹
12/11 With Sir Tim Attended the National Service of Remembrance at the Cenotaph in London. Princess Anne laid a wreath whilst Sir Tim stood on the Foreign & Commonwealth Office balcony. 🌹
With Sir Tim Took the salute at the March Past of Ex-Servicemen and Civilian Organisations on Horse Guards Parade, London SWI. 🫡
~ End ~
14/11 As Patron of the Chartered Institute of Logistics and Transport (UK), attended the 10th Anniversary Transport and Logistics Safety Forum Conference at the National Memorial Arboretum. 🚚
Visited the new Institute of Shipbuilding course at City of Glasgow College Riverside Campus in Glasgow. ⚓️
As Patron of the Royal Celtic Society, attended a Reception at Glasgow City Chambers. 🏴󠁧󠁢󠁳󠁣󠁴󠁿
Attended Interfaith Glasgow’s Scottish Interfaith Week Forum at Glasgow City Chambers. ☪️✡️✝️🕉️🪯
Unofficial Sir Tim attended a Kent Cricket celebration dinner at Lords Cricket Ground 🏏
15/11 Visited BAE Systems Submarines' Submarine Academy and the University of Cumbria. 🤿 👨‍🎓
Visited the Nuclear Decommissioning Authority in Barrow-in-Furness. ☢️
As Patron of the National Association of Citizens Advice Bureaux, visited the Barrow-in-Furness branch to mark its reopening. 🤝
As Patron of the Liverpool School of Tropical Medicine, attended a Dinner at St George's Hall, to mark its 125th anniversary. 🦜💊
16/11 As Vice Patron of the British Horse Society, attended a Coaching Career Insight Day.
As Patron of the Butler Trust, visited HM Prison Drake Hall.
As Patron of Transaid, attended a Reception at London Transport Museum.
17/11 Not Counted Departed Heathrow Airport for Gibraltar but was diverted to Madrid, Spain and arrived in Gibraltar later than intended. ✈️🇪🇸🇬🇮
With Sir Tim As Royal Patron of the Gibraltar International Literary Festival, attended the Literary Festival Opening Dinner at the Sunborn Hotel. 📚🍽️
18/11 In Gibraltar Princess Anne;
As Patron of the National Association of Citizens Advice Bureaux, visited Gibraltar Citizens Advice Bureau to mark its 20th anniversary. 👩‍⚖️
Opened the renovated premises of the Royal Gibraltar Regiment Association. 🫡
Met representatives of the Emergency Services and members of the Armed Forces at the Convent. 🚑🪖
With Sir Tim visited specialist vehicles provider Bassadone Automotive Group. 🚗
Unofficial Sir Tim visited the Royal Navy Gibraltar Squadron, 🇬🇮⚓️
21/11 As Master of the Corporation of Trinity House, presented Merchant Navy medals for Meritorious Service at Trinity House, London. 🏅
With Sir Tim Attended the State Banquet in honour of the President and First Lady of South Korea. 🇬🇧🇰🇷🍽️
22/11 Visited Retrotec Limited near Northiam, East Sussex. ✈️
Visited Focus SB Limited in St Leonards-on-Sea. ⚙️
As Commandant-in-Chief of St John Ambulance (Youth), attended a Reception for Young Achievers at the Priory Church of the Order of St John in London. 🚑
As Chancellor of the University of London, attended Foundation Day at Senate House in London 🎓
23/11 As Commodore-in-Chief of Portsmouth Naval Base, opened Alford Schools of Military Music. 🎶
Attended a Luncheon at Spithead House, HM Naval Base, Portsmouth, for The Princess Royal's Patronages based in Hampshire. ⚓️
As President of the City and Guilds of London Institute, presented The Princess Royal Training Awards at St James's Palace. 🏆
With Sir Tim As President of the British Olympic Association, attended the Team GB Ball at the Savoy Hotel. 🏋️‍♀️
24/11 As Royal Patron of the London Scottish Football Club, attended the 10th Anniversary of the St Andrew's Day Luncheon at the Sheraton Grand London on Park Lane. 🏴󠁧󠁢󠁳󠁣󠁴󠁿🏉
28/11 Presented The Queen Elizabeth II Platinum Jubilee Volunteering Awards at Fishmongers’ Hall in London. 🏆
As Chancellor of the University College of Osteopathy, attended a Graduation Ceremony. 🎓
As Royal Fellow of the Royal Academy of Engineering, attended a New Fellows’ Dinner. ⚙️🍽️
29/11 The Princess Royal, As Royal Patron of the National Coastwatch Institution, visited Canvey Island Station and attended a Reception at the Island Yacht Club. 🔎🏝️
Opened Huntingdon Fire Station and Service Training Centre. 🚒
Opened North Cambridgeshire Training Centre. 💼
As Honorary Member of the Smeatonian Society of Civil Engineers, attended the Annual General Meeting and Discussion Dinner. 👷🍴
30/11 As Patron of the Not Forgotten Association, held the Christmas Reception at St James’s Palace. 🎄🎅🏻🎁
Total official engagements for Anne in October: 58
2023 total so far: 458
Total official engagements accompanied by Tim in October: 11
2023 total so far: 92
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depressedraisin · 9 months
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a compilation of tlsp covering leonard cohen's memories live
also known as: baby miles charming everybody's pants off for 3 mins straight
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BBC Electric Proms 2008, Philharmonic Hall, Liverpool
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The Mayan Theatre, Los Angeles
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Paradiso, Amsterdam
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Cirque Royale, Brussels
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Manchester Apollo, Manchester
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Sheffield City Hall, Sheffield
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Manhattan Grand Ballroom, New York
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Hammersmith Apollo, London
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Store Vega, Copenhagen
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Carling Academy, Glasgow
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zot3-flopped · 23 days
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The fascinating emptiness of one Mr. Louis Tomlinson
Simone De Aurevoir
Feb 20, 2024
Four months ago I went to a concert. The exact city, venue and date doesn’t matter, and you will understand why it doesn’t matter in just a moment. The concert in question was given by Louis Tomlinson, a former member of One Direction, and what I experienced that night was so odd, so puzzling, so fascinating, that I couldn’t help but write it down. Allow me to explain.
The concert took place on a Tuesday evening. It is part of his Faith in the Future tour, and I was accompanying a close friend who is a huge “Louie”, as his fans are called. (Despite the difference in spelling, the man’s name and his fandom are actually pronounced the same way.) I joined her mostly out of solidarity and a little bit out of morbid curiosity. She had previously given me only small glimpses into the Louis Tomlinson fandom, and as a pop culture enthusiast, naturally I was intrigued by this window into an obscure cultural bubble. I remember thinking, “It might be interesting to see what she’s so obsessed with”.
Her first act of initiation had been to take me to see All of Those Voices, the documentary movie about Louis Tomlinson‘s life after One Direction, which depicted his chain smoking Northern English charm, his image of the humble underdog, and the unexpected upwards trajectory of his career over the last five years. It had also instilled in me a vague sense of fear of the fandom. Then again, the intensity of the Gospel is always off putting to atheists, so I thought nothing more of it.
Knowing that football/soccer games dictate which colors to wear and which to avoid, I had half-jokingly asked my friend about taboo colors the day before, not really expecting an answer. Immediately, she texts back — “Don’t wear green, and avoid any obvious combinations of blue and green.” If you’re feeling a sense of foreboding right now, that’s the right instinct.
On the night of the concert, we arrive at the 15,000 seat arena in the brisk evening air. To my surprise, the concrete vestibule is almost empty, save for the small crowd clustering around a merch stand. “They’re all already inside”, my friend explains confidently. We enter through the main entrance into the stuffy warmth of the lobby, through security, past another overcrowded merch stand, and through the soundproofed swinging doors into the main concert hall.
I suddenly feel very small as I enter this gigantic darkened arena space, where the air is even warmer, and buzzing with excitement. Indeed, everybody else is already here. The show won’t actually start for an hour, but the arena is already fully packed. We squeeze past a long row of excited faces to get to our seats, where the local chapter of Louis’s fan club has deposited some items for audience interaction: a blank white sheet of paper and a little snippet of red transparent tracing paper, both with instructions for how and when to hold them up.
While we’re settling in, the second of the two opening bands is already playing — a forgettable mess of clichés from Northern England. “As a white indie boy, Louis tours exclusively with other white indie boys”, my friend remarks with cheeky self awareness. While the clichés are playing, we look around the sold out arena. The two of us are only a little bit younger than Louis himself, which makes us some of the oldest people in the venue (not counting the occasional parental custodians who accompany their teen children).
Fans camping out for a spot in the first row for Louis’s show in Glasgow, 2022. Photograph by Steve Welsh
To me, it looks like we’re just two old pieces of driftwood in a sea of teeth in braces, puffy cheeks and pigtail buns, but my friend explains to me what I’m really seeing. “See that guy over there? That shirt is a Doncaster Jersey with Louis’s team number.” Or: “This girl in front of us? That’s a handmade replica of a t-shirt Louis wore on tour in 2016.” Already, I am amazed at the depth of not just her knowledge, but everybody’s knowledge of the history of this Louis Tomlinson. And then, to my delight, we actually see the forbidden combo: a girl wearing two glow-in-the-dark bracelets next to each other; one blue, one green.
It’s at this point that I finally get an explanation of the meaning behind the colors: Back when the band was still active, all five members of One Direction had a color assigned to them, based on their mic colors at live shows. Harry Styles was green, Zayn Malik was yellow, Liam Payne was red, Louis Tomlinson was blue, and Niall Horan was white. Therefore, wearing blue would symbolize fandom of Louis; wearing, say, red would be an indicator of favoring Liam, and green would symbolize fandom of Harry Styles. And wearing blue and green together would… well, we’ll get to that in a moment.
Since this is Louis’s concert, you might think that the audience would be a sea of exclusively blue clothing, but there is actually a notable amount of rainbow accessories — capes, earrings, fans, etc. — that make for an overall colorful impression.
I wonder out loud how it is possible that somebody who was big with teenagers in the early 2010s has so many teenage fans in 2023. After all, when I was a teenager myself in the late 2000s, it would have seemed unspeakably ridiculous if I had stanned, let’s say, the Spice Girls. (I’m not even sure I was aware of the Spice Girls back then.)
My friend, ever helpful, explains to me that most younger fans came across the fandom in 2020, facilitated by YouTube, Twitter, Tumblr, and pandemic-induced boredom.
Tumblr especially is infamous for its ability to grow and nurture expansive fandoms of pop culture items for years on end, even if the source material is long past its relevance peak (see Supernatural), its quality peak (see Doctor Who) or both (see Sherlock).
The momentum of Louis’ fandom on social media even led to the unusual phenomenon of venues getting bigger every time his concerts were rescheduled due to the pandemic. And this is when it starts to dawn on me. I am not attending a concert; I am witnessing a Tumblr dashboard come to life.
I’m just about to share this thought with my friend when the background music cuts off mid-song, the lights drop, and the sudden darkness comes with a piercing collective shriek that makes the earplugs flutter in my ear canal.
The band comes in first, taking their places. After barely a beat of pause, Louis walks onstage, with messy hair, wearing a tank top and designer sweatpants, walking at a matter-of-fact pace. I assume the shrieking got even louder, but at this noise level it was hard to tell.
Louis takes his place behind the mic stand in the middle and immediately launches into the first song, The Greatest — a stadium anthem basically written explicitly for this spot on the setlist. Not wasting any time on greetings or announcements, he immediately follows up with the other big hit, Kill My Mind. From there, directly onto Bigger Than Me, another stadium-ready rock pop number.
I’m alarmed as I suddenly realize that the only catchy, recognizable songs have come and gone, ushering in the phase of uninterrupted filler songs. (I had dutifully listened to the tour setlist multiple times in preparation for the concert, but my brain just wouldn’t latch on to anything beyond the first three songs.)
At this point, I’m worried this will be a repeat of that time when I went to see P!nk live in concert and noticed too late that I knew none of her songs from after 2005. However, P!nk is a charismatic person and a great live singer who was doing somersaults on a bungee rope as 10 dancers were trampolining and performing aerial acrobatics around her.
Louis is not on a bungee rope. There are no dancers, there is no set piece, there is no stage show, no performance, no outfit changes, no real interaction with the band, and no traditional crowd work. He simply stands behind the mic, singing his songs, the screens above him showing live closeups of his face in black and white, and I’m not sure he smiles even once. For a teen heartthrob, he’s… not very throbby.
(His outfit, by the way, will already have been documented and analyzed by a dedicated Instagram account, @fashionlouist, the owners of which can somehow identify the exact brand and name of each piece he’s wearing within the first 20 minutes of every show. His sweatpants today cost £380.)
Louis on the same tour, earlier in the year. Photograph by Amber Patrick
After the fourth song, Louis finally addresses the audience. “(City), make some noise!” He thanks the two opening acts, and points out that this is one of the loudest crowds he has ever had. That’s it. I’m amused at how his lines are almost comically generic, but my friend explains what I’m not getting: “He always thanks the band, and he always says this wouldn’t be possible without the fans. And he wouldn’t say that if he didn’t mean it. And he only says something about the venue when it’s a really special one.”
She doesn’t see his boilerplate statements as him being uninterested or uninteresting. She sees consistency and authenticity, and judging by the beaming smiles all around me, so does everybody else.
Similarly, his outfit may look to me like he tried to make the least amount of effort, but the fandom like that he is “finally getting more comfortable wearing what he wants”.
In case you’re wondering, Louis’s appeal doesn’t lie in his singing skills either — his pitch gets shaky when the melody dips below the falsetto range, but he is clearly making a great effort in this department. Live singing is hard, and for the most part he’s doing a good job at it.
The interchangeable songs go on for a while, and still the elated fans around me seem to know every syllable. It is very warm, very loud, and for an outsider like me, very boring.
I go outside multiple times to have water, to get another beer, to go to the bathroom. I can’t help but notice that I am the only one in my row leaving her seat during the show. Everybody smiles politely as they let me squeeze past, but every time I do it I’m keenly aware of how inappropriate my behavior is. No one else seems to need or want a break.
In the ghostly emptiness outside I overhear a member of the bar staff complaining about the awful evening. At first I don’t understand what they could possibly find offensive about this quintessentially inoffensive music, but it later dawns on me that they were probably referring to the complete lack of beer and concessions sales. Most attendees are either too young to drink legally or too young to want to spend 6,50€ on a beer. Most of them seem to be sharing one cup of water, and no one is leaving during the concert to go to the bar for a refill.
Down the hall, I hear yelling and commotion which turns out to be paramedics on their way outside, transporting a passed-out teenage fan on a stretcher, accompanied by their panicked friend.
When I return to my seat, everybody around me is still scream-singing along to every single word of every single song, including my friend. They are having a great time. It looks like I missed out on “She Is Beauty We Are World Class“, which, as I had learned earlier that evening, is the song his fans collectively take as an opportunity to show off their rainbow flags and create a queer-accepting atmosphere at the show. Though Louis is, by all accounts, a cishet man, the One Direction fandom has a very, let’s say, specific relationship to queerness and queer symbols. More on that in just a moment.
My ears perk up for a bit when Louis gets to Back to You, a label-mandated collab with Digital Farm Animals and Bebe Rexha from 2017. He plays an altered version of the song with more of a rock sound, but it still stands out to me simply for using different chord progressions than all his other songs.
Funnily enough, in the lyrics of another song (We Made It), he directly addresses this qualm of mine: “Singing something poppy on the same four chords, used to worry about it but I don‘t no more“. To his credit, he really doesn’t pretend to be more than he is — that’s all other people‘s doing. Let me explain.
Not counting parents or outsiders like myself, there are three groups of people in this room: former fans of One Direction, Underdog Cheerleaders, and Larry Stylinson conspiracy theorists.
The first group is easy to explain and even easier to relate to: they were big fans of One Direction (or “1D”), and since that band doesn’t exist anymore, the closest thing to it are the concerts by its former members, all of whom have embarked on solo careers. These fans are the ones who visibly come to life during the two 1D songs that Louis plays this evening; and the ones waving the huge rainbow flag with all five 1D members printed on it. (Again, more on that in a second.)
The second group, whom I call the Underdog Cheerleaders, are the group that my friend belongs to. These are the people who are convinced that there was a grand plan by 1D’s management to make Harry Styles the breakout star of the group, and to suppress the careers of all other members for that reason.
But because they, the true fans, appreciate Louis for exactly what he is, they will do anything they can to support this underdog millionaire, whether by making his songs chart by listening at the same time, buying tickets to his livestream performance during Covid, or writing to the BBC to beg them to stop blacklisting his music. (Whether that was ever actually the case is unconfirmed.)
For them, the appeal lies not in his singing, his performance, or songwriting skills. The qualities that are always repeated when people praise Louis Tomlinson are that he is humble and down to earth; a simple lad from a working class family in northern England.
This is pointed out in every single write up about this man. His humanity is further compounded by the untimely deaths of his mother and sister within a few years of each other while he was ascending to solo fame. For the Underdog Cheerleaders, it’s not about music so much as it is about identifying with, celebrating and uplifting the least memorable person in a lineup of five.
And the third group… they are the ones who would purposely pair blue with green. These are the so-called Larries, the people who ship Harry Styles and Louis Tomlinson as a couple.
You can find a great deep dive on the topic here, but the long and short of it is this: While there were ships for almost all possible combinations between the five members of One Direction (resulting in droll ship names such as Nouis or Ziall), the Larry ship was by far the most popular.
The ideological overlap between the Underdog Cheerleaders and the Larries is not zero, but while the cheerleaders just want to see the nice guy win, the Larries also want the nice guy (and Harry Styles) to come out as gay.
They are willing to accept any explanation, however flawed or implausible, for why Louis and Harry have yet to come out as a couple even though they have definitely secretly been together for a decade now and their respective heterosexual partners are absolutely paid actors and they even totally have a secret baby together.
The lack of evidence, the repeated denials by the two men in question and their polite but increasingly desperate requests to stop the madness have only fueled the fire.
The one thing that all three groups share is that for all of them, Louis’s public perception is forever tied up with the existence of Harry Styles. Whether he wants to or not, Louis is forever defined against his more popular former band mate, whether as his colleague, competitor, villain, or lover.
It’s about an hour and a half into the show as I allow myself a peek at the set list on my phone. We’re finally nearing the end. Watching the unsmiling face of Louis Tomlinson, I’m wondering — is he enjoying himself? Who even is this person?
By seeing this image, you have experienced the complete stage show of the “Faith in the Future” tour. Photograph by Steve Jennings
The encore consists of three songs. When Louis gets to the last one, he descends into the pit. Still singing, he walks up to the first row who have been camping outside since the day before in order to get this spot. He touches a few of the outstretched hands, walks along the front row to the left, bends into the crowd for a few seconds, and when he reappears he no longer has his tank top on. His fans have ripped it off his body. He retreats back onto the stage, says a few polite words of thanks, and disappears.
And then, the magic is over as quickly as it began. The lights turn on, background music plays, and people immediately start filing out in an orderly manner. Some are clasping the red confetti bands that rained over the audience during the last song, and their faces look like they will treasure this souvenir forever. In the chilly darkness outside, a well-informed busker with a guitar sings songs by Louis and 1D, and a small crowd gathers around him to sing along while waiting for the shuttle bus back to the city.
At the end of the night, I’m left wondering what all these thousands of young fans really care about. Even though everybody knows all the music by heart, it doesn’t really seem to be about the music. And even though there’s a throng of fans crowded around the stage exit for a chance to wave at the tour bus with Louis in it, I don’t know whether this really has anything to do with him personally.
Because at its innermost core, this fandom is about itself. Not in the sense of its specific members — I didn’t see many fans interacting and making new friends — but rather, the fandom as an abstract entity.
It’s the joy of belonging to an in-group; of sending and receiving signals that only the initiated will understand. The firm belief that you’re backing the right horse, that you’re part of something “Bigger Than Me”, that there is a purpose to your music listening.
Who is Louis Tomlinson? I still have no idea, and neither does it really matter. Nobody else cares. They will make Louis Tomlinson into whatever they need him to be.
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thirdteeth · 2 years
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♡ Books to Read ♡
girl, interrupted - susanna kaysen
the beguiled - thomas cullinan
my year of rest and relaxation - ottessa moshfegh
girl in pieces - kathleen glasgow
women who run with wolves - clarissa pinkola estés
pride and prejudice - jane austen
the bell jar - sylvia plath
the secret history - donna tartt
black swans - eve babitz
severance - ling ma
beloved trilogy - toni morrison
bad behavior - mary gaitskill
the year of magical thinking - joan didion
there there - tommy orange
valley of the dolls - jacqueline susann
american psycho - bret easton ellis
requiem for a dream - hubert selby jr.
ariel - sylvia plath
lolita - vladimir nabokov
anna karenina - leo tolstoy
rebecca - daphne du maurier
the virgin suicides - jeffrey eugenides
gone with the wind - margaret mitchell
the interpretation of dreams - sigmund freud
the stranger - albert camus
madness and civilization - michel foucault
the woman destroyed - simone de beauvoir
just kids - patti smith
to the lighthouse - virginia woolf
play it as it lays - joan didion
gone girl - gillian flynn
normal people - sally rooney
prozac nation - elizabeth wurtzel
how to murder your life - cat marnell
the catcher in the rye - j.d. salinger
love is a dog from hell - charles bukowski
jane eyre - charlotte brontë
her body and other parties - carmen maria machado
eileen - ottessa moshfegh
bunny - mona awad
little women - louisa may alcott
the perks of being a wallflower - stephen chbosky
homesick for another world - ottessa moshfegh
frankenstein - mary shelley
the picture of dorian gray - oscar wilde
diary of an oxygen thief - anonymous
boy parts - eliza clark
the seven husbands of evelyn hugo - taylor jenkins reid
a room of one's own - virginia wolf
mrs. dalloway - virginia wolf
wuthering heights - emily brontë
slouching towards bethlehem - joan didion
the white album - joan didion
trick mirror: reflections on self-delusion - jia tolentino
the idiot - elif batuman
1984 - george orwell
sense and sensibility - jane austen
the handmaid's tale - margaret atwood
the great gatsby - f. scott fitzgerald
city of girls - elizabeth gilbert
animal - lisa taddeo
a certain hunger - chelsea g. summers
in the dream house - carmen maria machado
the new me - halle butler
death in her hands - ottessa moshfegh
norwegian wood - haruki murakami
the feminine mystique - betty friedan
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scotianostra · 3 months
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On 29th February 1904 the Pavilion Theatre, Glasgow, opened.
Designed by Bertie Crewe for Thomas Barrasford, the Pavilion Theatre opened at the corner of Renfield Street and Renfrew Street, Glasgow on the 29 February, 1904. It was regarded as luxurious for its time with its decor being described by the owners as “pure Louis XV”. An electrically operated sliding roof ensured good ventilation.
Performances in the early days were mainly variety, melodrama and pantomime. Many of the leading music hall artistes of the period appeared at the Pavilion, including Marie Lloyd, Little Tich, Harry Lauder, Florrie Forde, Will Fyffe, Sarah Bernhardt and a then unknown Charlie Chaplin.
Since the 1930s, the Pavilion began to host pantomimes with top name stars of the Scottish variety scene, such as Harry Gordon and Dave Willis. In more recent times it has produced plays, such as ‘The Sash’ and ‘The Steamie’.
The Pavilion Theatre is now the only privately run theatre in Scotland and one of a few unsubsidised independent theatres left in Britain.
“Defying all the odds, Glasgow’s Pavilion regularly purveys variety to this day. All the more remarkable as it is completely unsubsidised and receives no funding from the Scottish Arts Council and kindred bodies whose thoughts and cash are directed at higher cultural activities. It remains the last stronghold of a long music hall tradition in Europe’s City of Culture owing everything to a dedicated staff and patrons and nothing to the public purse.
With its imposing terra cotta facade, the Pavilion Theatre of Varieties was designed by Bertie Crewe in the grand manner for Thomas Barrasford. The domed ceiling was surmounted by an electrically controlled sliding roof for ventilation. Fine Rococo plasterwork on the circle, balcony and box fronts; decoration executed in pure Louis XV; handsome mahogany woodwork and the marble mosaic floor all lent the 1800 seat theatre an aura of splendour.
No less amusing than the dentist advertising in the Pavilion programme “painless extractions with nitrous oxide for 4/- (20p) or cocaine for 1/- (5p)”, were the press observations on the “fashionable company” which attended the Pavilion’s first house on 29th February,1904. We learn that “among the elite there was quite a preponderance of ladies and gentlemen of quality in evening dress”. Alas, class consciousness and respectability were all in Edwardian Britain!
The ‘forties and ‘fifties saw pantomime runs of sixteen weeks, the happy and hilarious summer seasons were emulated during the 1960s and early 1970s by Lex McLean. Another regular crowd puller to Renfield Street was Jack Milroy.
Lulu from Dennistoun (real name Marie Lawrie) broke box office records in 1975, Billy Connolly, Hector Nicol Andy Cameron portrayed their own distinctive brands of humour while Scottish songstresses Lena Zavaroni, , Sheena Easton, Lena Martell and Barbara Dickson also scored heavily with Pavilion audiences.
It was anything but plain sailing for the Pavilion and there was gloomy speculation of closure after incurring heavy financial losses in 1981. Spared the fate which befell the Queens, Metropole, Empire, Alhambra and Empress Theatres, the 80 years old Pavilion was rescued by James Glasgow and transformed into a modest profit maker. Smash-hit shows with Sydney Devine; spells from hypnotist Robert Halpern; pantomime with Denny Willis, and one night gigs from the foremost modern television entertainers have kept the cash tills registering.
The Pavilion also played a major role in the annual Mayfest – Glasgow’s International Festival of popular theatre, music, the arts and community programmes.
Little altered and virtually unspoilt since its inception, the seating capacity of 1449 is made up of 677 stalls, 341 circle, 413 balcony and 18 box seats. While the stiff shirts in chauffeur-driven cabs have given way to coach parties from the rural areas of Strathclyde and beyond, a policy of providing the best in live entertainment has been pursued consistently. The portents look good for the vibrant Pavilion Theatre of Varieties.”
The Pavillion is, in my view a survivor, even over the past few years tragedy has struck the area with a series of fires.
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gogandmagog · 9 months
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"To the memory of 'Lucky’, the charming and affectionate comrade of fourteen years."
— the Jane of Lantern Hill dedication, Lucy Maud Montgomery
Dear Jane of Lantern Hill book club,
I’m in no way prematurely reading ahead of schedule but today as I was locating my physical copy of Lantern Hill, I thought I might take a peek at any forewords, and instead found this very sweet little dedication to one of Maud’s ‘favourite’ cats, called Lucky! Anyone who had looked through Maud’s scrapbooks (also see: above photo) will also remember ‘Lucky’ by his formal name ‘Good Luck.’ And anyway, I thought okay… surely we can talk about Lucky, before we leap tomorrow!
Off to a great start if we have a little pal like Lucky to see us off!
Here’s a little more Good Luck content (plus one extra bonus cat that seemed relevant!), and see all the Lantern Hill book clubbers tomorrow! xx
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From the Life and Work of L.M. Montgomery:
1937; Montgomery’s beloved cat, Lucky, dies, and she writes a lengthy journal entry about him and dedicates Jane of Lantern Hill (complete the same year, 1937) to him. Montgomery was passionately fond of cats all her life.
TOP: One of Maud’s (numerous!!!) snapshots of Lucky.
BOTTOM: Her last scrapbook entry is also from 1937. It is a clipping of a Glaswegian, whisky-drinking film-star cat "Matthew of Greengables," that Montgomery had seen in a silent film. The caption says, "The cats had their day in Glasgow yesterday when a Cat Show was held in the City Hall. Here is Mrs. Sargent Stowe with 'Mathew of Greengables.' This pretty puss is a film star, having appeared in 'Abdul Hamid.'"
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ABOVE: The Lucy Maud Montgomery Heritage Society shared this granite rock painting of “Napping Lucky,” by artist Rosemary Scully, which can be found at the Children’s Garden of the Senses, in Norval, Ontario.
“The Children's Garden of the Senses is a Sensory Garden. The Garden is dedicated to the famous Canadian author Lucy Maud Montgomery and it pays tribute to her writings especially about gardens and landscapes which she describes in a very sensory way.”
Guys. Guys. I am ‘wild with delight’ over this. 🥺🫶🏻 The painting. The garden. I’m going to be warm-in-the-heart over it all evening.
Thanks for everything Good Luck! 🐈‍⬛ What a little soul you must’ve been!
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whiteshipnightjar · 2 years
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Joanna Newsom with Northern Sinfonia, Glasgow City Halls, Glasgow, Scotland, January 14, 2007
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emeryhall · 4 months
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Shuffle your on-repeat playlist and list the first 10 songs that play, then tag 10 people.
Thank you @letraspal and @bookish-bogwitch for the tags!
I decided to do my running playlist because it contains (statistically speaking) my most played songs, and yet doesn't at all represent my music taste. Or, to paraphrase Des Linden when asked what she listened to while training to set the 50K record: I thought I was a Hall & Oates fan, but Spotify tells me I'm in the top 1% of Taylor Swift listeners.
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"Black Velvet" - fucking beat that, peeps. I bet you no one will admit to listening to Alannah Myles in 2024.
"Love the Way You Lie" - my ex and I used to duet this one while decorating the Christmas tree.
"I See You Baby" - back when I lived in Glasgow and used to club and take a shit ton of drugs, this was *the* song.
"Empire State of Mind" - if I'm 7+ miles into a run in the city and this song comes on, I *will* burst into tears in public.
"Diamonds and Rust" - my mom, sister and I have declared this the most melodramatic song ever. One day I will work it into a wolfstar because: "Well, I'll be damned / Here comes your ghost again / But that's not unusual / It's just that the moon is full / And you happened to call." (It's about Bob Dylan, btw.)
"Bizarre Love Triangle" - the KEXP (Seattle independent radio station) DJ, John Richards, once said, if he's live DJ-ing and he puts "Bizarre Love Triangle" on and people don't dance, then he knows it's a hopeless audience. Pure fact right there.
Now tags! @artsyunderstudy @hihimissamericanbi @burningaurora @basiatlu @hearteyesmoony @amethystheart2421 @you-remind-me-of-the-babe @cutestkilla @raenestee @shrekgogurt (Apologies if you've already done this and I missed it. Also, feel free to ignore.)
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bluewinnerangel · 2 years
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Louis Tomlinson FITF 2023 Tour dates and location as of Oct 14 2022
Date - Country - City - Venue 29-Aug-23 - Germany - Hamburg - Barclays Arena 31-Aug-23 - Denmark - Copenhagen - Royal Arena 01-Sep-23 - Norway - Oslo - Spektrum 02-Sep-23 - Sweden - Stockholm - Hovet 04-Sep-23 - Finland - Helsinki - Ice Hall 05-Sep-23 - Estonia - Tallinn - Saku Arena 07-Sep-23 - Latvia - Riga - Arena Riga 08-Sep-23 - Lithuania - Kaunas - Zalgiris Arena 10-Sep-23 - Poland - Krakow - Tauron Arena 11-Sep-23 - Poland - Lodz - Atlas Arena 13-Sep-23 - Austria - Vienna - Wiener Stadthalle D 14-Sep-23 - Slovenia - Ljubljana - Stozice Arena 15-Sep-23 - Hungary - Budapest - Budapest Arena 17-Sep-23 - Romania - Bucharest - Arenele Romane 18-Sep-23 - Bulgaria - Sofia - Arena Armeec 20-Sep-23 - Greece - Athens - Petras Theatre 01-Oct-23 - Spain - Bilbao (Vizcaya) - Bilbao Arena Miribilla 03-Oct-23 - Portugal - Lisbon - Altice Arena 05-Oct-23 - Spain - Madrid - Wizink Center 06-Oct-23 - Spain - Barcelona - Palau Sant Jordi 08-Oct-23 - Italy - Turin - Pala Alpitour 09-Oct-23 - Italy - Bologna - Unipol Arena 11-Oct-23 - Luxembourg - Esch-Sur-Alzette - Rockhal 12-Oct-23 - Belgium - Antwerp - Sportpaleis 14-Oct-23 - France - Paris - Accor Arena 15-Oct-23 - Netherlands - Amsterdam - Ziggo Dome 17-Oct-23 - Germany - Cologne - Lanxess Arena 19-Oct-23 - Czech Republic - Prague - O2 Arena 20-Oct-23 - Germany - Berlin - Mercedes-Benz Arena 22-Oct-23 - Germany - Munich - Olympiahalle 23-Oct-23 - Switzerland - Zurich - Hallenstadion 08-Nov-23 - Ireland - Dublin - 3arena 10-Nov-23 - United Kingdom - Sheffield - Utilita Arena 11-Nov-23 - United Kingdom - Manchester - Ao Arena 12-Nov-23 - United Kingdom - Glasgow - Ovo Hydro 14-Nov-23 - United Kingdom - Brighton - Brighton Centre 15-Nov-23 - United Kingdom - Cardiff - International Arena 17-Nov-23 - United Kingdom - London - The O2 18-Nov-23 - United Kingdom - Birmingham - Resorts World Arena
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trentreznortuesday · 5 months
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every album i listened to this year pt. 1
i listened to 238 albums that were new to me this year. this is the first 119 of them + basic genre tagging.
A Sunny Day In Glasgow - Sea When Absent [noise pop]
ABBA - Volume 25 [karaoke]
Agriculture - Agriculture [black metal]
Agriculture - The Circle Chant [black metal]
Alcest - Écailles de Lune [black metal]
Altar of Plagues - White Tomb [black metal]
Animals as Leaders - Parrhesia [djent]
Another Heaven - 1: You Are Loved [shoegaze]
Art Sorority - Older Boys [folk punk]
Ashenspire - Hostile Architecture [black metal]
Atomic Guava - Peasants of the Future [power metal]
awakebutstillinbed - chaos takes the wheel and i am a passenger [emo]
Bad Religion - New Maps of Hell [punk]
bar italia - Tracey Denim [post-punk]
Basketball Divorce Court - rebound [punk]
Big Black - Atomizer [noise rock]
Big Thief - Dragon New Warm Mountain I Believe In You [alt-country]
Black Ends - Stay Evil [noise pop]
Black Math Horseman - Black Math Horseman [black metal]
Blanky - Blood Harmony [alternative]
Bosse-de-Nage - Bosse-de-Nage [black metal]
Bosse-de-Nage - ii [black metal]
Bosse-de-Nage - iii [black metal]
Bosse-de-Nage/Deafheaven - Split EP [black metal]
boybrain - In The Company of Worms [punk]
Bríi - Último Ancestral Comum [rock]
Cable Ties - All Her Plans [punk]
Callous Daoboys - Celebrity Therapist [hardcore]
Charlie Megira - Da Abtomatic Meisterzinger Mambo Chic [lo-fi]
Chat Pile - God’s Country [sludge metal]
Chat Pile - Remove Your Skin Please [sludge metal]
Chat Pile - This Dungeon Earth [sludge metal]
Chat Pile & Nerver - Brothers in Christ [sludge metal]
Cherub Tree - where are your manners [alternative]
Choncy - Community Chest [post-punk]
Corker - Falser Truths [post-punk]
Crime of Passing - Crime of Passing [post-punk]
Dark Factory - Dark Factory [new wave]
Days ‘N Daze - Rogue Taxidermy [folk punk]
Days ‘N Daze - Songs We Recorded for Splits [folk punk]
Dazy - OTHERBODY [alternative]
Deafheaven - New Bermuda [blackgaze]
Deafheaven - Sunbather [blackgaze]
Deeper - Careful! [post-punk]
Dirty Old Town - No Returning Home [alternative]
Dummy - Mandatory Enjoyment [post-punk]
dust - et cetera, etc [punk]
Eddy Arnold - Cattle Call [country]
Ekko Astral - Quartz [punk]
Ekko Astral - The Quartz Farewell [punk]
Elizabeth Colour Wheel - Nocebo [black metal]
Erik Hall - Canto Ostinato (Simeon ten Holt) [neo-classical]
Erik Hall - Music For 18 Musicians (Steve Reich) [neo-classical]
Explosions in the Sky - All of a Sudden, I Miss Everyone [post-rock]
Explosions in the Sky - How Strange, Innocence [post-rock]
Ezra Furman - All of Us Flames [art rock]
Ezra Furman - Perpetual Motion People [art rock]
Ezra Furman - Transangelic Exodus [art rock]
Ezra Furman - Twelve Nudes [art rock]
Feeble Little Horse - Girl with Fish [shoegaze]
Fela Kuti - Beasts of No Nation [afrobeat]
Fela Kuti - Coffin for Head of State [afrobeat]
Fela Kuti - Expensive Shit [afrobeat]
Fela Kuti - Roforofo Fight [afrobeat]
Fela Kuti - Zombie! [afrobeat]
Feminazgûl - The Age of Men is Over [black metal]
Frail Body - A Brief Memoriam [hardcore]
Fucked Up - Dose Your Dreams [hardcore]
GEL - Only Constant [hardcore]
Genital Shame - Gathering My Wits [alternative]
Gilla Band - Live at Vicar Street [noise rock]
Godcaster - Godcaster [psychedelic rock]
Hatchie - Giving the World Away [dream pop]
hey, Ily! - Internet Breath [bedroom pop]
Hoaxed - Hoaxed [alternative]
Home is Where - i became birds [emo]
Home is Where - our mouths to smile [emo]
Home Is Where - The Whaler [emo]
Horse Lords - Comradely Objects [microtonal]
Horse Lords - Hidden Cities [microtonal]
Horse Lords - Interventions [microtonal]
Horse Lords - The Common Task [microtonal]
Hot Snakes - Automatic Midnight [post-hardcore]
Housewives - Twilight Splendor [post-punk]
Ian Noe - Between the Country [bluegrass]
illuminati hotties - FREE I.H.: This Is Not the One You’ve Been Waiting For [pop rock]
Institute - Readjusting the Locks [post-punk]
Jane’s Addiction - Nothing’s Shocking [alternative]
Jeff Rosenstock - HELLMODE [punk]
Jeff Rosenstock - No Dream [punk]
Jeff Rosenstock - POST- [punk]
Jeff Rosenstock & Laura Stevenson - Still Young [punk]
Josaleigh Pollett - In The Garden, By The Weeds [bedroom pop]
julie - pushing daisies [alternative]
Kitten Forever - 7 Hearts [riot grrrl]
Kurt Vile - b’lieve i’m goin down… [alt-country]
Lamp of Murmuur - Saturnian Bloodstorm [power metal]
Leonard Bernstein - Chichester Psalms [choral]
Leonard Cohen - New Skin for the Old Ceremony [folk]
Leonard Cohen - Songs from a Room [folk]
Leonard Cohen - You Want It Darker [folk]
Liturgy - 93696 [black metal]
M(h)aol - Attachment Styles [post-punk]
M(h)aol - Gender Studies [post-punk]
Malthusian - MMXIII [black metal]
Mamaleek - Cadejos [black metal]
Mamaleek - Come and See [black metal]
Mamaleek - Diner Coffee [black metal]
Mamaleek - Those Who Pass Between Fleeting Worlds [black metal]
Mandy, Indiana - i’ve seen a way [post-punk]
MDC - Live at CBGB’s [hardcore]
MDC - Millions of Dead Children [hardcore]
MDC - Millions of Dead Cops [hardcore]
MDC - Multi-Death Corporations [hardcore]
Meat Puppets - Meat Puppets II [alternative]
Meat Puppets - Up on the Sun [alternative]
Messa - Close [hard rock]
meth. - Mother of Red Light [noise rock]
Midori - Aratamemashite, Hajimemashite, Midori Desu [hardcore jazz punk]
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aimeedaisies · 2 months
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Court Circular | 26th March 2024
St. James's Palace
The Princess Royal this morning opened the Rural and Veterinary Innovation Centre at Scotland's Rural College, 9 Inverness Campus, Inverness, and was received by His Majesty's Lord-Lieutenant of Inverness (Mr. James Wotherspoon).
Her Royal Highness, Chancellor, University of the Highlands and Islands, this afternoon attended the Integrated Land Use Conference at Glenfeshie Estate, Kincraig, Kingussie, Inverness.
The Princess Royal, Royal Patron, the Royal Zoological Society of Scotland, later visited the Saving Wildcats Project at Highland Wildlife Park, Kincraig, and was received by Mr. Fergus Laing (Deputy Lieutenant of Inverness).
Her Royal Highness, Patron and Honorary Member, Grand Antiquity Society of Glasgow, this evening attended a Dinner at the Trades Hall of Glasgow, 85 Glassford Street, Glasgow, and was received by His Majesty's Lord-Lieutenant of the City of Glasgow (Councillor Jacqueline McLaren, the Rt. Hon. the Lord Provost).
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belovedindierock · 5 months
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Friend Of A Friend is released through digital outlets today, hear it HERE.
Ahead of the Wall Of Eyes album release on 26th January there will be a series of events at a selection of independent cinemas between 18th and 25th January. Wall Of Eyes, On Film will celebrate the new album and collaborations with Paul Thomas Anderson.
The evening will include the world film premiere of Friend Of A Friend and a presentation of Wall Of Eyes, both directed by Paul Thomas Anderson and shot on 35mm filmas well as a Wall Of Eyes album playback in surround sound for one time only.
For the full programme and for participating cinemas go HERE. Tickets will be available for the events from 10am GMT on Thursday 11th January.
New European headline dates in June and August 2024 have been announced today. Subscribers to this list have access to a presale happening at 12pm GMT on Wednesday 10th January using this link HERE. Tickets will then go on general sale at 9am GMT on Friday 12th January.
James Holden will support The Smile at all headline shows this year.
The dates are:
8th June - Hamburg, Stadtpark Open Air, Germany 9th June - Cologne Palladium, Germany 11th June - Berlin, Verti Music Hall, Germany 12th June - Prague, Forum Karlin, Czechia 14th June - Belgrade, Hangar, Serbia 15th June - Pula Arena, Pula, Croatia 17th June - Bucharest, Arenele Romane, Romania 18th June - Sofia, Arena Sofia, Bulgaria 23rd June - Rome, Cavea Auditorium, Roma Summer Fest, Italy
13th August - Sigulda Castle, Sigulda, Latvia 14th August - Warsaw, Progresja, Summer Stage, Poland 20th August - Frankfurt, Jahrhunderthalle, Germany 21st August - Munich, Zenith, Germany 22nd August - Vienna Open Air Arena, Austria 26th August - Bordeaux, Krakatoa, France 28th August - Valencia, Jardines De Viveros, Spain
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Including:
The World Premiere of FRIEND OF A FRIEND (directed by Paul Thomas Anderson) presented on 35mm*
The first public playback of THE SMILE’s new album WALL OF EYES in surround sound (for the first and only time)
Never-before-seen footage of the album’s recording sessions
THE SMILE - WALL OF EYES (directed by Paul Thomas Anderson) 35mm* presentation
RADIOHEAD - DAYDREAMING (directed by Paul Thomas Anderson) 35mm* presentation
THOM YORKE - ANIMA (directed by Paul Thomas Anderson)
RADIOHEAD - PRESENT TENSE: JONNY, THOM & A CR78 (directed by Paul Thomas Anderson)
RADIOHEAD – THE NUMBERS: JONNY, THOM & A CR78 (directed by Paul Thomas Anderson)
* 35mm presentations available at select locations
Available at the event:
Unique, limited-edition cassette of the album
Exclusive T-Shirts
The Smile 'Zine
Locations:
18TH JAN - LONDON, UK
18TH JAN - NEW YORK CITY, USA
19TH JAN - LOS ANGELES, USA
20TH JAN - SEOUL, SOUTH KOREA
20TH JAN - MILANO, ITALY
20TH JAN - CDMX, MEXICO
22ND JAN - TOKYO, JAPAN
22ND JAN - PARIS, FRANCE
23RD JAN - SYDNEY, AUSTRALIA
23RD JAN - AMSTERDAM, THE NETHERLANDS
23RD JAN - GLASGOW, SCOTLAND
25TH JAN - TOKYO, JAPAN
25TH JAN - BERLIN, GERMANY
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