Two ballerinas thoughtfully gazing out of studio window while standing on sill in rehearsal room at George Balanchine's School of American Ballet
Alfred Eisenstaedt, “The American Ballet,” Life, December 28, 1936
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ok non-dancer folk, i’m curious, which of the four standard ballet tutu types is your favorite?
the pancake tutu
as seen in sleeping beauty (pink) and swan lake (white)
also known as a platter tutu, the pancake is probably what you think of when you hear the word ”tutu”. it’s made of 8-16 tulle layers increasing in length from bottom to top, kept stiff with starch, stitching, and sometimes a thin wire hoop sewn in between the layers.
the romantic tutu
as seen in giselle (light blue) and chopiniana (white)
the romantic tutu is the oldest tutu style, worn as early as the late 1700s, and popularized by marie taglioni (1804-84) in 1829. it’s made of lighter tulle layers reaching to as high as just below the knee, and as low as to the ankle.
the bell tutu
as seen in the awakening of flora (four dancers) and paquita (blue)
the bell tutu is a less common variation of the pancake tutu. it uses dozens of layers of tulle without a hoop to get a fuller, lighter look when in movement. it’s more expensive and difficult to make, but completely worth the effort.
the powder-puff tutu
as seen in jewels (white), and stars and stripes (red)
the powder-puff tutu, also known as the american style tutu, was favored by american choreographer george balanchine (1904-83). it’s made of short layers of tulle that aren’t sewn together or hooped, to achieve a less structured look.
thanks for coming to my ted talk :) i’m curious which y’all prefer
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INDIANA WOODWARD in NYCB's LA SOURCE
La Source embodies charm, femininity, and coquetry. There is a certain sense of sophistication in the sense of a civilized social encounter with the audience. - VIOLETTE VERDY
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Unity Phelan and Russel Janzen in Serenade (New York City Ballet 2023)
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New York City Ballet Presents George Balanchine's JEWELS
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Allegra Kent in Balancine’s production of The Seven Deadly Sins
Gordon Parks, “The Master of Ballet,“ Life, Dec 22, 1958
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Students at the School of American Ballet, 1936. It was then on Madison Ave.; now it's part of Lincoln Center.
Photo: Alfred Eisenstaedt for Life magazine via Life IG
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Costumes for George Balanchine’s “Jewels” (1967) designed by Barbara Karinska
from The New York Public Library Digital Collections
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Someone once said that dancers work just as hard as policemen, always alert, always tense, but see, policemen don't have to be beautiful at the same time.
- George Balanchine
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New York City Ballet - Maria Tallchief in "Swan Lake", choreography by George Balanchine (New York)
Source: x x
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