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wahrgenommenes · 2 years

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Sandmann Gran Canaria Zum Beginn der Ferienzeit stelle ich meinen Sandmann aus Gran Canaria hier vor. 😎 #wahrgenommenes #gehret #grancanaria #maspalomas #schneemann #sandmann #urlaub #vacation #fun #witzig #sand #strand #beach #dunes #dünen #wüste (at Maspalomas, Isla De Gran Canaria) https://www.instagram.com/p/CfgAxAPKw7W/?igshid=NGJjMDIxMWI=

#wahrgenommenes #gehret #grancanaria #maspalomas #schneemann #sandmann #urlaub #vacation #fun #witzig #sand #strand #beach #dunes #dünen #wüste

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bound2happin-blog · 2 years

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My Legal Battle with my Family and their Co-horts / Co-conspirators (1):

I was released from prison on February 27, 2013. The same day I started talking to a man on the phone named Creighton Hussey. For 6 weeks we talked every night on the phone for 2 hours. He told me everything I wanted to hear. He feigned interest in the same relationship values I have and to want the same things out of life and a relationship that I want. He then scheduled a work trip to Atlanta so that he could come and see me. Things went really well, or so I thought, and as soon as he pulled out of my apartment parking garage to go back to the airport I received a text message from Abb Jones. Abb is someone I hadn’t heard from in several years. In fact, the last time I had heard from Abb was in 2006 when he invited me over to his house to swim, he tried to sleep with me and I turned him down. Abb texted me stating that he had seen a Facebook post I made where Creighton and I had been at Piedmont Park earlier the same day walking John Flynn’s dog, Braxton.

John had left a key for me and asked me if I could walk his dog for him while he was allegedly out of town. I didn’t think anything of it. (It’s important to note here that when I went to prison in 2008 I hadn’t talked to John Flynn in more than 2 years because he ended his friendship with me because he was dating someone and while a big group of us were at brunch together, to which John had invited me, he accused me of talking to his boyfriend in an improper manner. Although I did nothing wrong and did not do anything but have a conversation wtih his boyfriend because his boyfriend sat next to me at a table of of about 20 people. I was just being polite and friendly. I would never hit on a friend’s boyfriend or anyone else’s boyfriend for that matter. It’s also important to note here that it was in fact my parents that put John Flynn back in my life. When I went to prison, John Flynn and my parents somehow began talking and John Flynn even drove all the way to Vancleave, Mississippi to my parents house to “have pecan pie.” This is a 6 hour drive from Atlanta where John Flynn lived and I wasn’t even told that it was happening until after it had happened. I will show proof of this as I have a sworn statement from my parents that this did in fact happen.)

So when Abb Jones texted me just as Creighton Hussey drove off from my house in April 2013, Abb asked if Creghton Hussey had been in town to see me. I texted Abb back that yes Creighton was in town to see me. Abb then texted me and said that he and Creighton had been talking every night on the phone for 2 hours a night. I texted Creighton to ask him about it and he told me that he had met Abb on the nude beach in Fort Lauderdale but that they were not talking and that Abb was just mad because Creighton was interested in me and not him. I trusted Creighton and didn’t think much of it. This seemed logical especially since I hadn’t talked to Abb since the day I turned him down for sex so I believed Creighton.

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whereifindsanity · 2 months

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Anastasiya Scheglova by Günther Gehret

#b&w

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byneddiedingo · 1 year

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Two by Jean Renoir

Boudu Saved From Drowning (Jean Renoir, 1932)

Michel Simon in Boudu Saved From Drowning

Cast: Michel Simon, Charles Granval, Marcelle Hainia, Sévérine Lerczinska, Jean Gehret, Max Dalban, Jean Dasté. Screenplay: Jean Renoir, Albert Valentin, based on a play by René Fauchois. Cinematography: Georges Asselin. Production design: Jean Castanier, Hugues Laurent. Film editing: Suzanne de Troye, Marguerite Renoir.

A Day in the Country (Jean Renoir, 1936)

Sylvia Bataille and Georges D'Arnoux in A Day in the Country

Cast: Sylvia Bataille, Georges D'Arnoux, Jane Marken, André Gabriello, Jacques B. Brunius, Paul Temps, Gabrielle Fontan, Jean Renoir, Marguerite Renoir. Screenplay: Jean Renoir, based on a story by Guy de Maupassant. Cinematography: Claude Renoir. Film editing: Marinette Cadix, Marguerite Renoir Music: Joseph Kosma.

"Épater la bourgeoisie!" went the rallying cry of France's 19th-century poets like Baudelaire and Rimbaud, who styled themselves as "Decadents." But ever since Molière's M. Jourdain, the social-climbing bourgeois gentilhomme, was delighted to discover that he was speaking prose, French artists of whatever medium have delighted themselves in satirizing the manners and morals of the middle class, sometimes affectionately and sometimes savagely. On my living room wall I have two prints of cartoons done by Honoré Daumier in a series he called "Pastorales." Both show very solidly middle-class and middle-aged couples, presumably Parisians taking a day in the country. In one, the husband carries his large, copiously clad wife on his back as he fords a small stream that barely comes to his ankles. They have evidently been caught in a summer storm, for he is chiding her that such things are to be expected, even on the sunniest day. Meanwhile, she is urging him, "Ah, Jules, don't let the torrent sweep us away!" In the other, a similarly clad woman sits on the bank of a pond in which her husband, wearing his glasses and with his head wrapped in a handkerchief, has been taking a dip. "The water is delicious, Virginie," he says. "I assure you, you're making a mistake by not joining me." I was reminded of these prints while watching Jean Renoir's great short film -- it's only 40 minutes long, but every minute is golden -- A Day in the Country. In it, the Dufour family -- husband, wife, daughter, future son-in-law, and comically deaf grandmother -- find a country inn in a beautiful setting on their day away from the city. The mother and daughter immediately become targets for two young men, who manage to set off with them in their skiffs on the river, after diverting the other men by lending them fishing poles. The daughter, Henriette (Sylvia Bataille), goes with Henri (Georges D’Arnoux). When a storm comes up, they take shelter in the woods, where she yields to his advances. Years later, she returns to the same spot with her husband, Anatole (Paul Temps), an unromantic drip, and while he naps, she encounters Henri and recalls their brief encounter. The film is an exquisite mix of comedy and melancholy, the kind of subtle blending of tones Renoir is known for from his greatest films, Grand Illusion (1937) and The Rules of the Game (1939). A Day in the Country was in fact never finished -- weather interrupted the shooting and Renoir had to move on to another commitment -- but the existing footage was assembled ten years later under the supervision of the producer, Pierre Braunberger, with two explanatory intertitles, and it stands on its own as a masterwork. In sharp contrast to the affectionately amused treatment of the bourgeoisie in A Day in the Country, Boudu Saved From Drowning is a raucous free-for-all centered on the great eccentric Michel Simon in the title role. Boudu is a tramp, a shaggy monster, who after his dog runs away decides to drown himself in the Seine. But he is rescued by Édouard Lestingois (Charles Granval), a bookseller, who takes him into his home. Boudu proceeds to trash the place and seduce both Mme. Lestingois (Marcelle Hainia) and the housemaid (Sévérine Lerczinska), who is also Lestingois' mistress. Simon's performance pulls out all the stops in one of the greatest comic tours de force in film history. If you want to see what épater la bourgeoisie really means, just watch Boudu.

#Boudu Saved From Drowning #A Day in the Country #Jean Renoir #Michel Simon #Sylvia Bataille #Georges D'Arnoux

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elcinelateleymickyandonie · 3 years

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Odette Joyeux.

Filmografía

Autora

1950 : Le Château du carrefour, Théâtre des Mathurins

1953 : L'Enfant de Marie, Théâtre royal du Parc, Bruselas

Actriz

1933 : Intermezzo, de Jean Giraudoux, escenografía de Louis Jouvet, Teatro de los Campos Elíseos

1934 : Un roi, deux dames et un valet, de François Porché, Teatro de los Campos Elíseos

1935 : Grisou, de Pierre Brasseur, escenografía de René Rocher, Théâtre du Vieux-Colombier

1935 : Dame nature, de André Birabeau, escenografía de Paulette Pax, Théâtre de l'Œuvre

1936 : Le Pélican ou Une étrange famille, de Francis de Croisset a partir de Somerset Maugham, Théâtre des Ambassadeurs

1937 : Altitude 3200, de Julien Luchaire, escenografía de Raymond Rouleau, Théâtre de l'Étoile

1937 : L'Homme qui se donnait la comédie, de Emlyn Williams, escenografía de Pierre Brasseur, Théâtre Antoine

1942 : Sylvie et le Fantôme, de Alfred Adam, escenografía de André Barsacq, Théâtre de l'Atelier

1945 : Au petit bonheur, de Marc-Gilbert Sauvajon, escenografía de Fred Pasquali, con Jean Marchat, Sophie Desmarets y Gérard Philipe, Théâtre Gramont

1955 : L’Amour fou ou la première surprise, de André Roussin, escenografía del autor, Théâtre de la Madeleine

1959 : Mascarin, de José-André Lacour, escenografía de Jean Négroni, Théâtre Fontaine

1987 : Première Jeunesse, de Christian Giudicelli, escenografía de Jean-Marc Grangier, Théâtre La Bruyère

1930 : Une femme a menti, de Charles de Rochefort

1930 : Le Secret du docteur, de Charles de Rochefort

1931 : Jean de la Lune, de Jean Choux y Michel Simon

1932 : Le Chien jaune, de Jacques Tarride

1933 : Lac aux dames, de Marc Allégret

1935 : Le Chant de l'amour, de Gaston Roudès

1936 : Hélène, de Jean Benoît-Lévy y Marie Epstein

1936 : Valse éternelle, de Max Neufeld

1936 : Une femme qui se partage, de Maurice Cammage

1937 : Trois artilleurs au pensionnat, de René Pujol

1938 : La Glu, de Jean Choux

1938 : Entrée des artistes, de Marc Allégret

1938 : Grisou, de Maurice de Canonge

1938 : Altitude 3200, de Jean Benoît-Lévy y Marie Epstein

1941 : Notre-Dame de la Mouise, de Robert Péguy

1941 : Le Mariage de Chiffon, de Claude Autant-Lara

1942 : Le lit à colonnes, de Roland Tual.

1942 : Lettres d'amour, de Claude Autant-Lara

1943 : Le Baron fantôme, de Serge de Poligny

1943 : Douce, de Claude Autant-Lara

1943 : Échec au roy, de Jean-Paul Paulin

1944 : Les Petites du quai aux fleurs, de Marc Allégret

1945 : Leçon de conduite, de Gilles Grangier

1945 : Messieurs Ludovic, de Jean-Paul Le Chanois

1946 : Sylvie et le Fantôme, de Claude Autant-Lara

1946 : Pour une nuit d'amour, de Edmond T. Gréville

1948 : Scandale, de René Le Hénaff

1949 : Orage d'été, de Jean Gehret

1949 : Dernière heure, édition spéciale, de Maurice de Canonge

1949 : Vedettes en liberté, de Jacques Guillon

1950 : La Ronde, de Max Ophüls

1952 : Saint-Tropez, devoir de vacances, de Paul Paviot

1955 : Si Paris nous était conté, de Sacha Guitry

1956 : La mariée est trop belle, de Pierre Gaspard-Huit - (guionista)

1957 : L'amour est en jeu, de Marc Allégret - (guionista)

1957 : Le naïf aux quarante enfants, de Philippe Agostini - (también guionista)

1958 : Sois belle et tais-toi, de Marc Allégret - (solo adaptación)

1961 : Rencontres, de Philippe Agostini - (guionista)

1964 : Le vrai visage de Thérèse de Lisieux, de Philippe Agostini

1966 : L'Âge heureux (TV)

1967 : La Bonne Peinture (TV, también guionista)

1969 : Une veuve en or, de Michel Audiard - (coguionista)

1971 : La Petite Fille à la recherche du printemps, de Philippe Agostini.

Publicaciones

1941 : Agathe de Nieuil-l'Espoir. Éditions Gallimard. Novela. 292 páginas. Reedición en 1999, éditions du Pont-Neuf (Poitiers), 256 páginas, ISBN 978-2-910351-21-2.

1951 : Coté Jardin - Mémoires d'un rat. Éditions Gallimard. Novela. 217 páginas.

1951 : Le Château du carrefour. Éditions Gallimard. Novela.

1952 : À cœur ouvert. Éditions Gallimard. 234 páginas. Novela.

1954 : La Mariée est trop belle. Editor: Pierre Horay, Colección Pschitt. Novela. 250 páginas. Cubierta ilustrada por Françoise Estacky.

1956 : La Mariée ingénue. Editor: Pierre Horay, Colección Pschitt. Novela. 220 páginas.

1962 : La Porte interdite. Société Nouvelle des Éditions G. P., Colección Rouge et Or. Ilustraciones de Michel Gourlier. 186 páginas.

1964 : On demande secrétaire. Librairie académique Perrin. Novela. 311 páginas.

1966 : L'Âge heureux : le Journal de Delphine. Hachette, Nouvelle Bibliothèque rose.

1967 : Le Monde merveilleux de la danse. Hachette.

1969 : Le Trésor des Hollandais. Hachette, colección Les Grands livres Hachette. Ilustraciones de Philippe Daure.

1969 : Elle a tort Jacinthe de se pencher comme ça. Novela. Éditions Denoël.

1975 : Premiers Pas, Premier Amour. Ariane Éditeur. Novela. 183 páginas.

1977 : L’Âge en fleur, Hachette. 284 páginas.

1977 : Le Beau Monde. Editor: Éditions Albin Michel. Novela.

1990 : Niépce, le troisième Œil, Éditions Ramsay. Ensayo

1994 : Entrée d'une artiste. Éditions Payot, colección Documents. Novela autobiográfica. 401 páginas.

Bibliografía

Françoise Ducout, Séductrices du cinéma français : 1936-1956, Henri Veyrier éditeur, 1978 ISBN 2851991655

Yvan Foucart, Dictionnaire des comédiens français, Mormoiron, Éditions cinéma, 2008, 1185 p. ISBN 9782953113907.

Créditos: Tomado de Wikipedia

https://es.wikipedia.org/wiki/Odette_Joyeux

#HONDURASQUEDATEENCASA

#ELCINELATELEYMICKYANDONIE

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xstrikeapose · 6 years

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Anastasiya Scheglova photographed by Günther Gehret.

#Anastasia Shcheglova #modeledit #Fashion #Photoshoot #Photoset #Edit #troublefindsme

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wndmkr · 6 years

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Anastasia Scheglova by Günther Gehret

#Anastasia Scheglova

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ghostcultmagazine · 3 years

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Dumb and Dumbest Episode #559: Ula Gehret of Clandestine Music

Matt welcomes back to the pod music industry expert Ula Gehret Of Clandestine Music to discuss the evolving landscape of the business in 2021. Dumb and Dumbest Episode #559 features Ula Gehret of Clandestine Music on Metal After COVID. The podcast is hosted by Matt Bacon (Dropout Media, Ripple Music, Prophecy Productions), and Music Publicist Curtis Dewar (Dewar PR). Continue reading

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bremont · 4 years

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La loterie du bonheur est un film 1953 réalisé par Jean Gehret avec Raym...

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jeep-momma · 6 years

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Some of the coolest people on the planet I have met on the internet! One of the best things about getting my Jeep is all the Awesome people who have come into my life! Jody Barnes Nate Lager Chris Cpo PoldervaartBlaine Gehret What a great day on the trails!!! And I got to meet some really cool new people! I love my Jeep and what it has brought to my life!!!

#ItsAJeepThing Jeep JeepFriends!

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wahrgenommenes · 2 years

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Frankfurtperspektiven Letzte Woche in Frankfurt gewesen und lange angestanden, um auf den Maintower zu kommen: Blick hoch aus der Warteschlange. #gehret #frankfurt #wolkenkratzer #skyscrapers #abstractphotography #foto #photo #bigcity #urbanjungle #architecturephotography #großstadt #hochhaus (hier: Frankfurt, Germany) https://www.instagram.com/p/CeazGiYjnRW/?igshid=NGJjMDIxMWI=

#gehret #frankfurt #wolkenkratzer #skyscrapers #abstractphotography #foto #photo #bigcity #urbanjungle #architecturephotography #großstadt #hochhaus

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bound2happin-blog · 2 years

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My Legal Battle with my Family and their Co-horts / Co-conspirators (5):

We left JCT Kitchen and went to Ten on the corner of 10th and Piedmont in midtown. While there we were all just standing around talking and one of Barry’s friends, a girl named Jennifer DeMarco, all of the sudden pointed out that Creighton was at the bar talking to the bartender and she said to me “is that bartender hitting on your boyfriend?” I responded by stating “I’m sure it’s fine, he’s probably just getting a drink.” A few minutes later Barry’s friend, Jennifer DeMarco, again said to me something about Creighton talking to this bartender. So I walked over to Creighton and asked him what was up. Creighton said he was getting us “free drinks.” I told Creighton that I didn’t need free drinks, that I had money and if he wanted a drink I would buy him a drink. All of the sudden Creighton started yelling and screaming at me and then he ran out of Ten and disappeared for about 15 minutes. During this time I walked out on the patio and talked to a guy I knew about what Creigton had done.

When Creighton came back into Ten he and Barry started dancing all up on each other in a very sexual manner and with a third individual who wasn’t invited to Barry’s birthday dinner but was at Ten. His name was Billy Roberts. I knew Billy because back in 2006 I had gone with Billy to a church he attended in Buckhead called Buckhead Church which was was then in an old abandoned Kroger grocery store. I had gone with Bily because he had invited me and told me what a welcoming environment Buckhead church was and that they were accepting of all people, including homosexuals.

A little while later they all wanted to go next door to Blake’s so I went with them to Blake’s. A little while later Billy came up to me and told me that Creighton invited him to come back to my apartment to have group sex with me, him, Creighton and Barry. I immediately told Billy NOT to come back to my house, that I did not want to have group sex and to NOT come to my house. I then walked over to where Barry and Creighon were standing and told both of them that I didnt’ want to have group sex and not to come back to my house.