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yeowninefive · 4 months

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My 2023 Art Retrospective (Part 2)

This is the second part of an already long reflection of my art progress from this year. Click this link to read the first part.

Art output/reception: Not much else to say that was different from 2022, honestly. It's pretty straightforward sequel escalation--I managed to again beat my old records by a pretty significant amount--over eighty unique drawings, which increases to over ninety when including alternate versions...and the count goes even higher (over one-hundreds) when taking another factor into consideration (I'll address it later). I'd also again say that I do get the sentiment of my art being less obscure as it was in the past--I'd say there were a significant boost of interest (in views and/or interactions such as favorites/likes, reblogs/reposts, etc.) with my art in 2023 compared to 2022--with my 2023 art on dA actually showing nearly quadruple the number of favorites and number of views that my art in 2022 received (at least, based on my personal metrics of art with favorites/views above a certain threshold).

This giant amplification of art production is admittedly based on a few real-life scenarios. Overall I can definitely say that certain other hobbies that I like to do (watching films/shows and playing videogames/making Smash Bros. montages) took a major backseat; and that's actually something I'd like to address going into 2024. The question there of course is if I'm at a point where I could keep up my art production without--which is again where my time management comes in. I hope I can make better strides in figuring it out--there have been more than a few times where I've stayed up late working on art that I reasonably could had pushed off for later and went to bed, and spending lots of time on art that I could had spent doing something else. I am of the thought that if push really does come to shove, I'm okay with putting out less art for 2024 if it means I can get back to doing other things.

Another thing I'm thinking about/looking into using more is sticking more towards a fixed/predicting publishing schedule, so I can "stack up/queue" completed artwork and put more time towards other things. Posting art on multiple avenues is also time-consuming (esp. since I like to add tags and descriptions when appropriate), so I'm also thinking about learning how to utilize APIs, if possible, so I can quickly and/or simultaneously post new art to multiple platforms. Speaking of which.

Art platforms: I talked about trying to change strategy with my art platforms with the first-run/second-run approach, I even talking about having tumblr serving as more of a second-run account. Obviously, that didn't really pan out--that much is clear with this site still being the host for my retrospective art rambles, warts and all. I guess I'm just too embedded with this platform to really shift it towards second gear. Maybe I can take steps there by relying more with scheduled art releases.

I talked about expanding my platforms once Twitter started self-immolating under Elon's then-new control, and dA also showing its hand by jumping headfirst into the AI train. (And it goes without saying that tumblr itself, with the contentious choices and decisions taken this year, isn't off the hook with making dumb decisions--though they eventually overextended themselves/shot themselves in the foot and re-adjusted their focus. Which is...some sort of acknowledgement of mistakes, I guess?) I ended up wading into the waters of three new platforms (technically two, one was actually a 2nd take)...and my experience I'd say as a pretty mixed bag, probably leaning more towards negative.

Instagram was the one that I eventually decided to take another stab with, and I'm afraid I didn't get much, if any, value out of it at all. Even when re-entering that platform with my (to-date) most popular works as the focus, I ultimately felt the lack of interest rendered it of minimal value, even as a "second-run" art account; ultimately just having it go dormant. (By the same coin, it doesn't leave me really invested in setting up shop over at Threads--though I feel for anyone looking to swear off Musk-Twitter/X, I would definitely recommend people there as a baseline.) Cohost by the same coin is also pretty empty, but that at least has the argument of being a much smaller platform that is also aiming for a different approach to social media. Nonetheless, I feel like that's a platform I could probably pump the brakes on a bit in terms of use; with few people the wiser. Bluesky to me actually comes out the best out of the new ventures I've tried--namely because it has the most expats from Twitter that I'm familiar with, who I've been able to follow and share their art, and vice-versa. Even with it still lacking features, its growing audience (esp. with it now going public) feels like the ideal "new" platform to keep tabs on.

Between what's now currently five platforms I'm regularly active on (maybe four if I do move cohost towards more of a passive/background role), I don't see myself making any further expansions for 2024. Pillowfort I considered, but hadn't signed up the broad lack of activity, which eventually seemed to come back to haunt the site when they were at risk of shutting down due to lack of profits. They did manage a successful crowdfund, so hopefully that marks a turning point for their fortunes. Newgrounds is also probably the only other platform besides Bluesky that a lot of artists/creatives I follow have set-up shop; though I feel that if I do join Newgrounds, it will be as a replacement for an existing platform I'm already on, and not just another extension (e.g. if Twitter finally collapsed/was shut down/was widely abandoned).

Alternate art label/art blog: So when in art output I talked about an additional factor pushing my art over the triple digits this year? This was the additional factor. Sometime during the summer, I decided to open a new art blog under a new label where I can post art I normally wouldn't post under this label. (Art that to date, isn't explicit --not like I would be able to post such art here anyway-- but is suggestive/mature enough to not be worksafe.) Truth be told, there have are a couple of works on this blog/label that pushed the envelope a bit into that area anyway, and my main blog has historically had such material crop up on an regular--to--irregular basis regardless. In other words, this is a bit of an expected/natural extension.

My current policy is that this blog and my main blog don't really directly draw attention to it outside of a few instances like this one, or even really acknowledge it by name. The most I will say (for anyone curious/looking for it) is that art from that blog occasionally turns up in my main blog, and it (to date) has only featured some of my OCs (and at least one from another creator).

A Decade of Drawing: If you've been following my Twitter account, you may be aware of a long thread I wrote impromptu in response to another creator, with me discussing why I'm not as "big" as a creator that I probably/possible could have been or should had been, which I feel serves as a more self-critical review of my art trajectory over the past ten years. (Long story shortened into bullet points--subject matter, drawing process/frequency, "timing" of when I started drawing, the platforms I posted my art on in question, and commissions/requests. Some of this stuff I've already touched on in this retrospective already.)

However, I would also like to turn things towards more of a positive note by pointing out what I've done then compared to now. I'm still sheepish about stuff like doing art commissions; but I'm still able to occasionally crank out gift art like I do like nobody's business--and I mainly do those purely just for the fun of it. By that coin, although I'm still a (self-prescribed) obscure artist, I know there does exist small group of people on the 'net somewhere (other artists, just online friends, and others) that are honest fans of the stuff I make and continue following my works and ideas, and I don't ever want to lose sight of that.

I feel that I've also really broadened my art direction in trying to replicate multiple art directions and different subjects. I still have yet to really try and reattempt my oldest stuff (environmental artwork/landscapes), but I've also freely bounced around between original character design, fanart, animation, comics, and videogame concepts. Although I've drawn OCs and comics before, I don't really think I've ever really taken seriously writing down ideas for stories/characters and polish/develop them until I started drawing on a regular basis. (This seems a bit premature to boast as an accomplishment, but I really do mean it--it's honestly up to myself to prove it and really start translating the backlog of my concepts.)

I'll finally end things here by putting it into the perspective of this real-life factoid. A lot can change in ten years for the better, and I'd say it's not just my art that has done so. I started this little online art career shortly after I had just graduated from high school, and was getting prepared to start attending college. My first drawing tablet was itself a graduation gift. That was ten years (and an additional extra six-seven months) ago.

At some point in the first month of the new year, my degree (which after an entire decade of trials, tribulations, and setbacks, I was able to finally complete in December) is supposed to arrive in the mail. I'll probably post a little doodle to commemorate the occasion. In a lot of ways, I view 2013 as the end of an age and the dawn of the next; and I feel confident is saying with the end of 2023 and going into 2024, the feelings and sentiments are very much familiar.

....

I think I have finally covered everything that was on my mind. Again, here's an honest thank you to anyone who has stuck around to read the whole thing (so far), and have a Happy New Year's Eve/New Year's Day and a wonderful 2024.

#2023 #2023 year in review #art retrospective #long post #art retrospective part 2

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