Tumgik
#eleanor de rohan
fyeahkennethbranagh · 1 month
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Kenneth Branagh Theatre Company's King Lear | 2023 photos by Johann Persson
48 notes · View notes
ken-branagh · 6 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
King Lear curtain call
William Shakespeare's King Lear (directed and played by Sir Kenneth Branagh) at Wyndham's Theatre in London's West End, October 22 - November 2 2023.
Playing from October 21 - December 9 2023, 50 performances only. Ken (King Lear) is joined by Mara Allen as Curan, Deborah Alli as Goneril, Raymond Anum as Burgundy, Melanie‑Joyce Bermudez as Regan (RADA graduate 2023, professional debut), Doug Colling as Edgar, Dylan Corbett‑Bader as France, Eleanor de Rohan as Kent, Chloe Fenwick‑Brown as Oswald (RADA graduate 2023, professional debut), Joseph Kloska as Gloucester, Corey Mylchreest as Edmund, Hughie O'Donnell as Cornwall, Caleb Obediah as Cornwall, Jessica Revell as Cordelia / The Fool (RADA graduate 2023).
Source: Jenny_McShane, theothersophiet (via coreymbrasil), zerrintekindor, core_mylchreest
66 notes · View notes
insanityclause · 6 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
LONDON, ENGLAND - OCTOBER 31: (L to R) Tom Hiddleston, Playwright Lolita Chakrabarti, Eleanor de Rohan and Joseph Kloska attend the press night after party for "William Shakespeare's King Lear", directed and played by Kenneth Branagh, at Browns Covent Garden on October 31, 2023 in London, England. (Photo by Matt Keeble/Dave Benett/Getty Images)
52 notes · View notes
chrisnaustin · 2 years
Text
Tumblr media
If only I were she!
3 notes · View notes
shakespearenews · 6 months
Text
Given the opportunity, Branagh abridges everyone’s lines except his own. Much like the Guardian’s columnist, I found it surprising to encounter a Lear with abs – and not by accident. Branagh’s muscles seemed to have been deliberately contoured with mud to add maximum definition, as if in a Kardashian make-up video. This is ego, not theatre...
...For me, this was a reminder of Branagh at his worst and at his best. He shines as a talent-spotter, nurturing young British actors. Yes, his Lear was preposterous. But did you notice Jessica Revell, making her West End debut in the dual role of Cordelia and the Fool? Or her fellow 2023 RADA graduate Melanie-Joyce Bermudez, who was often electrifying as Regan?
Branagh has taken full advantage of his presidency of RADA to give opportunities to its brightest students – Jessie Buckley’s Perdita in his 2015 The Winter’s Tale was pivotal to her career. Eleanor de Rohan, here playing Kent, is another talented recent graduate who owes much to Branagh – I first saw her as Guildenstern while she was still at the school, when Branagh directed Hamlet with its students. (Tom Hiddleston, another Branagh RADA protégé, made a superb return in the title role.) Branagh’s mentoring of RADA’s finest is something to celebrate – the only ethical question is whether other drama schools have cause to complain.
15 notes · View notes
ilovekbranagh · 6 months
Text
Tumblr media
Eleanor-de-Rohan-Kent-Kenneth-Branagh-Lear-and-Jessica-Revell-Fool-for-the-Kenneth-Branagh-Theatre-Company_s-King-Lear-at-Wyndham_s-Theatre-photo-by-Johan-Persson
Tumblr media
Jessica-Revell-Cordelia-and-Kenneth-Branagh-Lear-for-the-Kenneth-Branagh-Theatre-Company_s-King-Lear-at-Wyndham_s-Theatre-photo-by-Johan-Persson
Tumblr media
Kenneth-Branagh-Lear-and-Eleanor-de-Rohan-Kent-for-the-Kenneth-Branagh-Theatre-Company_s-King-Lear-at-Wyndham_s-Theatre-photo-by-Johan-Persson
Tumblr media
Kenneth-Branagh-Lear-for-the-Kenneth-Branagh-Theatre-Company_s-King-Lear-at-Wyndham_s-Theatre-photo-by-Johan-Persson
Tumblr media
Kenneth-Branagh-Lear-for-the-Kenneth-Branagh-Theatre-Company_s-King-Lear-at-Wyndham_s-Theatre-photo-by-Johan-Persson1
Tumblr media
Kenneth-Branagh-Lear-Fool-Jessica-Revell-and-Doug-Colling-Edgar-as-Poor-Tom-for-the-Kenneth-Branagh-Theatre-Company_s-King-Lear-at-Wyndham_s-Theatre-photo-by-Johan-Persson
Tumblr media
Kenneth-Branagh-Lear-for-the-Kenneth-Branagh-Theatre-Company_s-King-Lear-at-Wyndham_s-Theatre-photo-by-Johan-Persson1
Tumblr media
Jessica-Revell-Fool-and-Kenneth-Branagh-Lear-for-the-Kenneth-Branagh-Theatre-Company_s-King-Lear-at-Wyndham_s-Theatre-photo-by-Johan-Persson
Tumblr media
Joseph-Kloska-Gloucester-and-Kenneth-Branagh-Lear-for-the-Kenneth-Branagh-Theatre-Company_s-King-Lear-at-Wyndham_s-Theatre-photo-by-Johan-Persson
First-look Photos: King Lear starring Kenneth Branagh – in pictures | West End Theatre 👏👏🔥💯❤️
10 notes · View notes
film-book · 5 years
Text
ALL IS TRUE (2018) Movie Trailer: Kenneth Branagh's William Shakespeare Returns Home to a Dysfunctional Family
#AllIsTrue (2018) Movie Trailer: #KennethBranagh's #WilliamShakespeare Returns Home to a Dysfunctional Family
All Is True Trailer
Kenneth Branagh‘s All Is True (2018) movie trailer stars Kenneth Branagh, Judi Dench, Ian McKellen, Kathryn Wilder, and Matt Jessup. (more…)
View On WordPress
1 note · View note
badgaymovies · 2 years
Text
Death On The Nile (2022)
Death On The Nile (2022)
KENNETH BRANAGH Bil’s rating (out of 5): BBB United Kingdom/USA, 2022. 20th Century Studios, Kinberg Genre, Scott Free Productions, TSG Entertainment, The Estate of Agatha Christie, The Mark Gordon Company. Screenplay by Michael Green, based on the novel by Agatha Christie. Cinematography by Haris Zambarloukos. Produced by Kenneth Branagh, Judy Hofflund, Ridley Scott, Kevin J. Walsh. Music by…
Tumblr media
View On WordPress
1 note · View note
Photo
Tumblr media Tumblr media Tumblr media
At least every now and then while Elena is occupied with other things Emma and Rohan find some time for themselves - of course only to save water because those bills are already way too high… 😂
12 notes · View notes
milliondollarbaby87 · 5 years
Photo
Tumblr media
All Is True (2018) Review William Shakespeare without his famous plays, sonnets and poems. This film takes a look at the end of his life as he returned back home after The Globe theatre burnt down and he struggles to connect with the family he neglected.
0 notes
winterhalters · 3 years
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
women in history [4/?] Jacqueline de Rohan-Gié, Marquise de Rothelin
Born into the powerful Rohan family, she was the daughter of Charles de Rohan-Gié, and the granddaughter of the infamous Pierre, Marshal de Gié. Through her mother, Giovanna di Sanseverino, she's a descendant of Alfonso V of Aragon through his mistress Giraldona Carlino. It is believed that her marriage in 1536 to François d'Orléans-Longueville, Marquis de Rothelin, was sanctioned, if not directly orchestrated, by Marguerite, Queen of Navarre. Widowed prematurely, she never remarried and dedicated herself first to the regency in her son's name, and then to actively support the Protestant cause. 
She served as a lady-in-waiting to Eleanor of Austria, first as a fille d'honneur in 1531-1536, then dame d'honneur in 1538-1543, and then went on to serve Catherine de Medici, likely until her husband's death in 1548. Her daughter's marriage to Condé implicated her even further into political and religious matters, first as the guardian of the Prince's sons, then as an ambassador, when Condé urged her to petition Charles IX with a peace treaty. Although her mission failed, she never stopped harbouring protestants until her death in 1587, possibly at the age of 67.  
179 notes · View notes
fyeahkennethbranagh · 7 years
Photo
Tumblr media
Hamlet cast members Nicholas Farrell, Ansu Kabia, Lolita Chakrabarti, Kathryn Wilder, Tom Hiddleston, Ayesha Antoine, Sean Foley, Caroline Martin, Irfan Shamji and Eleanor de Rohan pose outside RADA source The Telegraph UK [x]
8 notes · View notes
Text
Once Upon a Series Rewatch Press Release--6x16 Mother’s Little Helper
Tumblr media
6x16 Mother’s Little Helper
Summary: Gold and Belle convince Emma to help Gideon, explaining that together they can stop the Black Fairy.  Henry experiences a disorienting shift in his powers that forces Regina to seek counsel from the previous Author.  Meanwhile, in Fairy Tale Land, Hook attempts to win the assistance of an old adversary by betting his most prized possession on a game of cards.  And, in a flashback, the Black Fairy tortures young Gideon in hopes of molding him into the perfect apprentice.
Written by: Paul Karp (teleplay); Edward Kitsis & Adam Horowitz (story)
Directed by: Billy Gierhart
Staring: Ginnifer Goodwin (Snow White/Mary Margaret); Jennifer Morrison (Emma Swan); Lana Parrilla (Evil Queen/Regina); Josh Dallas (Prince Charming/David); Emilie de Ravin (Belle); Colin O’Donoghue (Hook); Jared S. Gilmore (Henry Mills); Rebecca Mader (Wicked Witch/Zelena); Robert Carlyle (Rumplestiltskin/Mr. Gold)
Guest Starring: Patrick Fischler (the author/Isaac); Giles Matthey (Gideon); Charles Mesure (Blackbeard); Jamie Murray (Black Fairy); Ingrid Torrance (severe nurse); Peter Marcin (Chief); Anton Starkman (ten-year-old Gideon); Mason McKenzie (Roderick); Grayson Gabriel (adult Roderick); Rohan Campbell (male miner); Eleanor Jane (nurse)
Mother’s Little Helper airs January 19 at 9:00 pm EST
1 note · View note
nanshe-of-nina · 5 years
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Navarrese infantas, part II
Joana I.a, Nafarroako erregina and reine de France. Daughter of Henrike I.a and Blanche d’Artois. Mother of Isabelle de France, Queen of England. Grandmother of Joana II.a, Nafarroako erregina; Jehanne III, comtesse de Bourgogne; Marguerite Ire, comtesse de Bourgogne; Isabelle de France, dauphine du Viennois; Blanche de France, duchesse d’Orléans; Eleanor of Woodstock, hertogin van Gelre; and Joan of the Tower, Queen of Scots.
Joana II.a, Nafarroako erregina. Daughter of Luis I.a and Marguerite de Bourgogne. Mother of Joana; Maria, reina d’Aragó; Zuria, reine de France; Ines, comtessa de Fois; and Joana, vicomtesse de Rohan.
Maria, reina d’Aragó. Daughter of Joana II.a and Philippe, comte d’Évreux. Mother of Constança d’Aragó, regina di Sicilia and Joana d’Aragó, comtessa d’Empúries. Grandmother of Maria, regina de Sicilia.
Zuria, reine de France. Daughter of Joana II.a and Philippe, comte d’Évreux. Mother of Jehanne de France.
Ines, comtessa de Fois. Daughter of Joana II.a and Philippe, comte d’Évreux.
Joana, dugez Breizh and Queen of England. Daughter of Karlos II.a and Jehanne de France. Mother of Mari Breizh, duchesse d’Alençon.
Joana, comtessa de Fois. Daughter of Karlos III.a and Leonor de Castilla.
Zuria I.a, Nafarroako erregina. Daughter of Karlos III.a and Leonor de Castilla. Mother of Zuria II.a and Leonor I.a.
Beatriz, comtessa de La Marcha. Daughter of Karlos III.a and Leonor de Castilla. Mother of Éléonore de Bourbon, duchesse de Nemours.
Elisabet, comtessa d’Armanhac. Daughter of Karlos III.a and Leonor de Castilla. Mother of Maria d’Armanhac, duchesse d’Alençon; Alienòr d’Armanhac, princesse d’Orange; and Elisabet d’Armanhac, dòna de Quate-Vaths.
66 notes · View notes
lemondejournal · 4 years
Text
Brian Mason ist tot
Tumblr media
Brian Mason ist gestorben. Der langjährige Unionspolitiker war seit dem 18. Juli 2006 bis zum Ende der Legislaturperiode Unionsminister der Verteidigung im Kabinett des Unionskanzlers Maximilian von Rohan-Mason. Er war bis 2014 Bürgermeister seiner Heimatstadt Fort Mason, Besitzer des roldemer Eishockeyclubs Port Victoria Eagles und Aufsichtsratsmitglied der Firma FaresFreilien. Zeit seiner Laufbahn ein umstrittener Politiker, wurde seine Karriere von Anfang an von Klagen und heftiger Kritik begleitet. Vorgeworfen wurde ihm unter anderem ein unsachlicher Umgang mit politisch Andersdenkenden und Konkurrenten. Er starb am Donnerstagmorgen im Alter von 80 Jahren in seinem Haus in Haywood, Roldem. Robert Zachary 'Brian' Mason wurde 1947 als ältester Sohn von Christopher Mason und Eleanor Mason in Haywood, Roldem geboren. Als Sohn reicher Eltern genoss Mason eine privilegierte Jugend. Im Jahre 1961 kam Mason auf ein Internat in Astor, an dem er 1965 seinen Abschluss machte. Mason machte einen Abschluss an der Montary University in international affairs und ging für ein Jahr an die Universität Aldenroth nach Albernia. Im April 2006 heiratete Brian Mason die Schwester des ratelonischen Politikers James-Patrick Mason auf seiner Ranch in Port Victoria. Die beiden waren bereits seit ihrer Jugend ein Paar gewesen und haben zwei gemeinsame Söhne, Garrison Arthur und Gabriel Edward Mason. Die Eheleute lebten seit Mai 2006 auf ihrer Ranch in Fort Mason. Am 29. August 2006 wurde Mason vom von William J. P. Vanderbilt und Fabian Montary gegründeten Noble Order of Vanderbilt als siebtes Mitglied aufgenommen. Fortan trug er den Titel 5. Esquire of the Noble Order of Vanderbilt und konnte sich in dieser Funktion mit Your Noble anreden lassen. Im gleichen Zug entschied sich das House of Montary-Vanderbilt ihn in den Stand eines Barons als Baron of Fort Mason zu erheben. Im September 2006 war Mason maßgeblich an der Gründung der bürgerlich-ratelonischen Freiheitlichen Allianz beteiligt, an deren Entstehung neben seinem Cousin James-Patrick, unter anderem Frank Lutner und der roldemer Prime Minister Christian Heinkel beteiligt waren. Bis November 2006 war Mason Generalsekretär der Partei. Als der Allianz-Unionsvorsitzende Lutner nach einem Attentat im Februar 2007 seinen Rückzug aus der aktiven Unionspolitik bekanntgab, wurde Mason zu dessen Nachfolger gewählt. Ab Februar 2007 gehörte er zudem dem Arbeitsausschuss zur Vorbereitung der Fusion von Allianz und VFD zur Unionspartei für Freiheit und Demokratie an. Für Aufsehen sorgte Mason, als er im Frühjahr 2007 die Einführung der Todesstrafe im Unionsland Roldem in Folge des Mordes an seiner 18-jährigen Nichte Lauren Mason forderte.
0 notes
hiddlesfashion · 7 years
Text
For those of us not fortunate enough to see #RADAHamlet in person - VocalEyes has an audio described version of the play available. It doesn’t have audio from the actual actors but it does give a lot of information about the scenes and characters.
You can listen to the audio description here
or read the text below
Hamlet - Introduction
Welcome to this introduction to Hamlet by William Shakespeare, directed by Sir Kenneth Branagh in a co-production between the Royal Academy of Dramatic Art (RADA) and the Kenneth Branagh Theatre company.
The VocalEyes audio-described performance at the Jerwood Vanbrugh Theatre in the Royal Academy of Dramatic Art will be on Saturday September 16th.  There will be a touch tour at a time to be confirmed. The introductory notes will start at
2.15 and the performance itself at 2.30. The production lasts for just under three hours, including one 15-minute interval. The live audio description will be given for VocalEyes by Veronika Hyks and Jane Brambley.
The following introduction includes information about Hamlet, descriptions of the set, characters and costumes.  All VocalEyes show introductions are available as an audio mp3 file in the 'What's On' section. For access information for the Theatre, please click on the theatre name, on the ‘What’s On’ page.
In an interview with The Stage before the production opened, Kenneth Branagh said
‘I purposefully want the whole thing to be lean and clean….so the audience is invited to feel and concentrate with the characters, human to human.’  
The resulting production is set in the present and drives forward swiftly, with the cast of 10 playing 17 parts with unwavering energy and focus.
Hamlet, played by Tom Hiddleston, sets the pace. He’s in his mid-thirties. His lean figure is dressed entirely in black, which highlights his pale face. His brown hair is slicked back off his brow, and his narrow chin is outlined by a small beard.
    Hamlet exudes nervous energy, whether standing alert, every muscle tense, or at one point erupting into frustrated pacing. Only when alone does he seem to relax, often spotlit in dim surroundings as he shares his thoughts with us. We first meet him in black trousers with a fitted hip length jacket with a high collar, won with soft dark ankle boots.
As the story proceeds he rings the changes with a tee shirt and hoodie, both black.
His mother Queen Gertrude is played by Lolita Chakrabarti and has a regal bearing befitting her status. Tall and statuesque, she favours silky draped outfits that flatter her substantial figure. Gertrude first appears in a sleeveless dark mauve bodysuit with a scoop neck, draped top and wide trousers, with black stiletto heels. A gold brooch gleams at her left shoulder, and two broad strips of mauve material fall down from it and soften the outline of her costume, fluttering as she moves. Her black hair is worn in a neat bun at the nape of her neck, but two ringlets escape to frame her handsome face. Her lustrous dark skin sets off her earrings and the slim gold bracelets which encircle her wrists.  Later she appears in a peppermint green evening dress of similar style, but with a long skirt flowing to her ankles. .
Her husband, King Claudius, played by Nicholas Farrell looks skinny and aged by comparison.  His long face is florid and lined and he often has a guarded expression, his eyes observing everything while his expression stays neutral. His thinning grey hair is swept back off his face and his jaw is outlined by a narrow beard. Claudius is plainly dressed in a dark suit, white shirt, and narrow wine-coloured tie. He moves deliberately, as if very aware of his effect on others. .  
His right-hand man is Polonius, a bustling counsellor given to gestures as he takes off into flights of verbiage. Slim and dapper in a blue suit, Polonius has a pale face, a shaved head and a little reddish beard in his master’s style. Polonius is played by Sean Foley – and the same actor plays the courtier Osric, stamping on in a ridiculous march, his blue suit matched by a small trilby hat, his head poked forward, his gestures flowery and extravagant as he relays a message from the King.
Polonius has two children. Laertes is the elder, and about the same age as Hamlet, but completely different in manner and appearance. He’s a bulky young man who stands out among the others for his relatively messy style – white tee-shirt, loose blue work shirt, jeans and suede shoes. Initially he’s relaxed and cheerful, like a man who doesn’t take life too seriously. Laertes has olive skin, bushy black hair and a small beard. He is played by Irfan Shamji. The same actor becomes the Player Queen when a troupe of travelling actors visit the court. He makes no attempt to wear female dress for this: instead he wears black trousers and grey hoodie, with a beanie hat adding an informal touch.
Laertes has a young sister, Ophelia.  Her wide eyes and shy smile make her seem very young, no more than a schoolgirl as she hurries eagerly in with little steps. Her slight frame is clad in indigo cropped jeans, black flat slippers, and a black camisole with a lacy neck and sleeves. Her strawberry blonde hair is carefully plaited, and swings down her back in a thick rope, revealing an eager face, with flawless ivory skin. Later she appears in a neat white dress with a curiously institutional look. Ophelia is played by Kathryn Wilder.
Hamlet’s confidante and close companion is Horatia, a slender young woman who strides on boy-like, in a loose silky grey shirt over black skinny trousers and sturdy Cuban heeled boots. Her brown hair is cut with a fringe and falls in a sheet to her shoulders, framing an oval face with wide mouth and big expressive eyes.  Horatia and Hamlet feed off each other’s energy as she meets him halfway in every exchange:  there’s an almost electric connection between them as she raises her pale face to meet his eyes.  Horatia is played by Caroline Martin.
As the story unfolds, two eager young women hover on the edge of the action. These are Rosencrantz and Guildenstern, spick and span in fashionable business wear and swift to scamper to do the King’s bidding.  Guildenstern is tall with very blonde straight hair and alabaster skin, Rosencrantz petite and darker with her long brown hair in cornrows that frame her face and almost match her skin.   Both sport office wear in black, white and grey – Guildenstern with a long black coat over white shirt and black trousers split to the knee, and Rosencrantz in a black and grey striped shirt over narrow dark trousers. Both favour very high heeled black shoes.
This duo also appear as soldiers, standing stiffly to attention in black shirts and belted trousers, with black baseball caps on their heads. Eleanor de Rohan, who plays Guildenstern, also appears as a priest in black robe and broad brimmed hat. Rozencrantz is played by Ayesha Antoine.
As the story unfolds, one character is hugely influential but rarely seen. This is the Ghost of Hamlet’s father, King Hamlet.   First appearing in a swirling mist, he stands foursquare, appearing to fill the space – a tall imposing presence with ebony skin and white hair and narrow beard, he moves stiffly with the suggestion of a limp, his blazing eyes fixed on his son. Like his brother Claudius, King Hamlet is plainly dressed in dark suit and tie with a white shirt.  He is played by Ansu Kabia.
The same actor plays the Player King, with no change of costume, but fluid and eloquent where the dead King Hamlet is stiff, and a cheery shirtsleeve Gravedigger who pops out of a grave-shaped trapdoor and then spends much of his time hidden in the grave, rapping and joking with the people above.  
The story unfolds with a minimal set, its elements changed at a run by the cast and backstage crew. Initially the stage is almost bare and the auditorium dimly lit, with pools of light on the grey tip-up seats that surround the performance space in a horseshoe.  An old upright piano stands alone in the middle of the light wooden floor, to be used in a brief introductory sequence.  
When the lights rise, they reveal a tall back wall. The wall has two tall sash windows, one at each end, and a matching glass door in the centre, its expanse broken up into panes. The wall is duck egg blue, and the architraves are painted rich cream. Cream panelling covers the wall to hip height, and an elaborate cream cornice decorates the top. Two large framed portraits hang on the wall - one of King Hamlet, high on the left, and other, of King Claudius, at head height on the right.
A large wooden desk is placed in front of the wall, in the centre, a chair behind it. The setting is at once plush and anonymous, like a state room.
At the other end of the performance space, near the curve of the horseshoe of seats, the wooden floor is covered by a large white carpet, about 3 metres square. In the centre is the Danish Royal Crest – a golden shield with three blue lions rampant, their red tongues matched by the red infill of a golden crown above the crest. A dark grey border round the carpet sports Danish words in blood red capital letters Some are recognizably Danish, possibly mixed with English in places: KAN IKKE REBBE, DO MEN DODDEN, DERES NAVONE.
Against this background, scenes flow quickly from one to another. Exteriors are simply suggested by dappled light, and the castle battlements by swirling mist outside the windows.  The addition of a white sofa and two grey chairs transform the carpeted area into a sitting room at one point. The carpet is swiftly removed or rolled out as required.
Just before the interval, the wall is lifted away, and a projected cloudy sky covers the space behind. From this point on, as the pace of the action increases, the story unfolds on a bare stage, with only one or two essential   items – a cross of light on the desk creates a chapel, and a quilted throw and a scatter of blue and cream cushions turn the desk instantly into a bed.
Cast and Production credits
Hamlet is played by Tom Hiddleston
His mother Gertrude is Lolita Chakrabarti, and her husband Claudius is Nicholas Farrell
Polonius is Sean Foley who also plays Osric
Polonius’s son Laertes is played by Irfan Shamji, and his daughter Ophelia by Kathryn Wilder.
Horatia is Caroline Martin
Rosencrantz and Guildenstern are played by Ayesha Antoine and Eleanor de Rohan
The Ghost of King Hamlet is played by Ansu Kabia.
Other parts are played by members of the cast.
The fight director is Bret Yount
The sound is designed by Paul Arditti, and the lighting by Paul Pyant.
The set and costumes are designed by James Cotterill
The director is Kenneth Branagh
Further Useful Information and Contact Details
If you are bringing a guide dog, please let us know when you book or by  calling the Box Office  between the hours of 11am and 5pm on  020 7908 4800. You can also email [email protected].
To contact VocalEyes, call us on 020 7375 1043. You can receive a copy of the free VocalEyes Newsletter with full details on all our work by calling us or by following the links on the VocalEyes accessible website. The Newsletter is available in print, Braille, on CD or via e-mail.  The website address is www.vocaleyes.co.uk.
VocalEyes is a charity funded by Arts Council England.
123 notes · View notes