Tumgik
#do not tag as shaw or other bright variations
Text
Tumblr media
Mind the mild blood.
63 notes · View notes
ezrathescpnerd · 3 months
Text
Jack Bright !!! I love him sm (Not admin bright. Admin bright can go pull a Mari and fall down 50000 steps of stairs for all I care) he is so me fr <3
Tumblr media
It's kinda sad that people get mad at others for liking Jack Bright "So you support AdminBright?" NO? Does your back hurt from that reach, sweetie? I will literally adopt his character so y'all can stfu.
26 notes · View notes
jack-of-amulets · 9 months
Text
Stars always watching from afar, turning who you are
Tumblr media
In the end, it left me delicately scarred beyond pathological facade
Forevermore, Evermore
83 notes · View notes
cosmohause · 8 months
Text
Tumblr media
Do you ever um ever wanna… wanna um…
53 notes · View notes
girldraki · 10 months
Text
also we keep seeing people go do not tag as shaw/other bright variations are. are people doing that to other random peoples’ art
5 notes · View notes
udayin · 4 years
Text
The wolf of wall Street
The movie begins in medias res, with Belfort and his devoted minions blowing off steam in an office dwarf-tossing competition, before flashing back to give us a brief glimpse of the young and relatively innocent Jordan, who arrives on Wall Street in the fall of 1987 as a “connector” — basically a glorified phone dialer — for the old-money trading firm of L.F. Rothschild. It’s there that the eager rookie gets his first sense of the wild life to come when a mad-hatter senior broker (Matthew McConaughey) takes him out for a three-martini lunch that also includes enough white powder for a killer day at Big Bear. And even though he’s no longer quite boyish enough to play someone in his early 20s, DiCaprio is convincingly green here, like a wide-eyed Candide lunching with McConaughey’s debauched Dr. Pangloss.
But no sooner has Jordan settled in than Black Monday arrives and the bottom falls out, of the market and L.F. Rothschild, sending him back to the help-wanted ads at a time when nobody seems to be looking for stockbrokers. Nobody, that is, save for a storefront brokerage in a Long Island strip mall, where the slovenly staff unloads worthless penny stocks on cold-called clients for 50% commissions, and where Belfort sticks out like a Savile Row suit on a Kmart clearance rack. But the genial proprietor (an uncredited Spike Jonze) agrees to give him a shot, not quite realizing he’s just let a wolf in the door.
It isn’t long before Belfort branches out on his own, starting the tony-sounding Stratton Oakmont in a declasse former gas station, resolving to go from “selling garbage to garbagemen” to targeting the deep-pocketed one percent. He assembles a merry band of brokers comprised of petty thugs, drug dealers and high-school dropouts who, when trained in Belfort’s precision-scripted tactics, prove to be remarkably effective salesmen. Riding herd on them all is Donnie Azoff (Jonah Hill), a buffoonish caricature of a Jew in WASP Land, decked out in garish bleached teeth, clear-lens horn-rims and a sweater tied ever so carefully around his neck. (Belfort’s own Jewishness and WASP aspirations, a running theme in the book, have been omitted from the film.) After offering his services to Belfort out of the blue in a local diner, Donnie becomes the Wolf’s most trusted associate, and it’s Hill who gives the movie’s most flamboyant (if slightly one-note) comic performance, unzipping his schlong, swallowing a live goldfish, and otherwise boldly exploring the gray area between mankind and our nearest relatives on the evolutionary scale.
Clocking in at 179 minutes, “Wolf” sets a record as Scorsese’s longest fiction film (one minute longer than ���Casino”), but that doesn’t make it his most ambitious or deeply felt. It lacks the dynamic emotional range of a “Mean Streets” or “Goodfellas,” or the intricate plotting of a “Casino,” and for all its amusing guest stars (Rob Reiner as Belfort’s combustible dad, Jean Dujardin as a pompous Swiss banker) and caper-like episodes, almost everything unfolds in the same manic register. Even when the movie is really cooking (which is often), there’s a feeling that scenes are being held for a few beats too many, that Scorsese and his ace editor Thelma Schoonmaker simply didn’t have enough time to do the elegant fine-tuning they’re accustomed to (an impression reinforced by several conspicuous continuity gaffes and badly matched cuts throughout the film).
Still, considering how familiar this milieu of fast-talking, hard-selling hucksters is from the likes of “Wall Street,” “American Psycho,” “Boiler Room” (which was also inspired by the Belfort case) and “Glengarry Glen Ross,” it’s surprising how lively Scorsese manages to keep things throughout. In terms of style, the movie is almost self-consciously Scorsesean — even more than “The Departed” — with d.p. Rodrigo Prieto’s camera tracking elaborately, freeze-framing, dollying in fast and whip-panning even faster, while a quadruple album’s worth of classic rock and blues fill up the soundtrack (veteran Scorsese collaborator Robbie Robertson more than earns his “executive music producer” credit) alongside DiCaprio’s running first-person narration. This is very much iconic, old-school Scorsese in full bloom, but what’s missing is the marvelous empathy the filmmaker managed to conjure for even those films’ most reprehensible characters — the sense that this former seminarian could see the good and ill in the souls of troubled men, even finding some kind of tormented nobility in the psychopath Travis Bickle.
In “Wolf,” that empathy has been replaced by an overarching cynicism — cynicism for the swindlers who do the swindling and the schmucks who get snookered, cynicism for the empty allure of the good life, and cynicism for a system that allows for so many clean getaways. (Belfort’s nominal downfall notwithstanding, those wishing to see the character get his real comeuppance will still be waiting after the end credits have rolled and the lights have come back up.) Make no mistake: “Wolf” is as much a gangster movie as any Scorsese has made, with Belfort as a Bill the Butcher who slices and dices people’s bank accounts, a Nicky Santoro who puts your savings in a vise. But on some basic level, he’s a cipher whose drug-fueled binges regularly put others (including, in one harrowing scene, his own young daughter) in harm’s way, and who thinks nothing of recruiting his wife’s British aunt (an excellent Joanna Lumley) as a front — or, in the movie’s distinctive patois, “rathole” — for his offshore accounts. As dramatis personae go, Belfort lacks a tragic dimension: This latter-day Gatsby stares out from his own extravagant Long Island enclave and sees only a blinking green dollar sign.
But a talented performer can do much to camouflage such shortcomings, and that’s precisely what DiCaprio does here. A reliably good actor who too often shows you all the hard, technical work he’s put into creating a character, the DiCaprio of “Wolf” seems loose and uninhibited and freed of premeditated mannerisms. In his fifth collaboration with Scorsese, he’s a constant joy to watch, whether crawling across the floor like a baby while his bombshell second wife (appealing Australian newcomer Margot Robbie, who deserves more screen time) engages in a particularly cruel form of cock-blocking, or rallying his disciples with an impassioned variation on Gekko’s “Greed Is Good” speech. DiCaprio doesn’t just play this part; he inhales it, along with everything else that goes up Belfort’s nose and into his bloodstream.
For anything resembling gravitas, though, one must instead look to the dogged FBI agent Patrick Denham (Kyle Chandler), who sets Belfort in his sights early on and gradually closes in. In one of the movie’s best scenes, a cocksure Jordan goes so far as to invite the G-man on to his yacht and comes within a hairsbreadth of bribing him. And Chandler, who projects the effortless, middle-class virtue of a 1950s leading man (a Robert Stack type), plays the scene with a wonderfully sly poker face, leading Belfort the egomaniac to believe he’s actually buying what he’s selling. But the sting of “Wolf” comes in Denham’s realization that, while he may have gotten his man, it’s Belfort who may well have the last laugh.
Moments like those keep “Wolf” buoyant and lithe in spite of its redundancies and excesses. But if there’s one scene here that is sure to end up in future Scorsese career-achievement montages, it’s the epic drugged-out setpiece in which Jordan and Donnie experience a delayed reaction to decades-old Quaaludes, obliterating their motor skills and culminating in an explosively funny battle for control of a kitchen telephone. This live-action variation on the old Looney Tunes cartoon in which Bugs Bunny and the mad scientist get high on ether fumes reveals heretofore unknown reserves of physical comedy in DiCaprio. But more than being just a great gag, it’s a representative image: Call it infantile capitalism.
Despite its high price tag, the pic’s physical production is more modestly scaled than the likes of “The Aviator,” “Gangs of New York” and “Hugo,” save for one elaborate, CG-intensive sequence in which Belfort’s yacht nearly capsizes in a violent Mediterranean storm. Otherwise, most of the movie is confined to trading floors, boardrooms and suburban McMansions, rendered by Prieto and production designer Bob Shaw (“Boardwalk Empire,” “The Sopranos”) with the bright, Windexed sheen of strip-mall, office-park America. The redoubtable costume designer Sandy Powell has everyone looking suitably snazzy, in keeping with Stratton Oakmont’s policy of inhouse custom tailoring for its employees.
0 notes
immortal-catastrophe · 5 months
Text
New rule for newbies, don't almost die before I finish my coffee it's just annoying and inconsiderate.
35 notes · View notes
immortal-catastrophe · 5 months
Text
Fucking! Someone tried to lock me in a supply closet because "Halloween is over and we need to put the ghosts away"???? Never before have I been so disrespected!
27 notes · View notes
immortal-catastrophe · 5 months
Text
I just got bit by a cat, dammit Clef!
21 notes · View notes
immortal-catastrophe · 3 months
Text
To anyone wondering why I'm playing the rocky horror soundtrack it's my site and you people and creatures are lucky I let you in it!
11 notes · View notes
immortal-catastrophe · 3 months
Note
Im weird. I let the other universes talk to each other. Wound up having a brawl between one Kondraki, 4 Clefs and Cat!Bright. It was crazzzzy maannn
Reading this makes me automatically assume that you're a reality that got high and broke reality... Turn Clef into a cat!
11 notes · View notes
immortal-catastrophe · 5 months
Text
Tumblr media
16 notes · View notes
Text
Since it is April fools day I would like to remind people that I as a site director have access to emergency contacts. And for $20 I will send anyone's mother or spouse anything as long as it isn't vaguely threatening.
And to those that are keeping an eye on me because of the date, fuck you. I cannot be prevented nor can I be soothed. And if anyone prevents any plans I have for today just know those plans will be saved for when you expect it the least and when it will effect you the most. So with that said, I know where all of you sleep and have a lovely April fools 😇.
11 notes · View notes
Note
Go yell at clef for eating his string cheese wrong, I beg of you, he's disrespecting the CHEESE- 😭
I regret to inform you that I can't yell at him for that without offending more people due to my opinions on cheese and cheese like products.
7 notes · View notes
immortal-catastrophe · 4 months
Text
I'M BEING FORCED TO WEAR JEANS! THE DISCOMFORT!
19 notes · View notes
Note
*appears in a cloud of smoke dressed in full wizard garb and hands you a freshly cooked belgian waffle drizzeld with caramel sauce*
for your troubles, good ma’am/sir
*disappears*
- The Waffle Man
My first thought is to assume you are a reality bender but since you have gifted me food I will let you run free and get away with whatever it is you do in your free time.
Only as thanks for the food and not because I have a soft spot for reality benders and other whimsical and magical being.
Thanks, Waffle Man
9 notes · View notes