#cus at the end of the day sleep token is not just 2 or 4 or 7 people - it's everyone involved

[moonchild-in-blue]

I'm gonna be meta for a little bit, but huge shout out to George Lever (Sleep Token's previous producer).

Like, don't get me wrong, I love Carl Bown (he's worked with soo many of my favourite bands and killed it), and I love that Vessel himself got involved in the producing process of TMBTE. The album is amazing, everything sounds extremely clean and professional, and very, very concise.

But George Lever? That guy has a way with music that just... It's very innate. I think One was self-produced (although I'm not entirely sure), but everything else apart from TMBTE was produced by him - and you can tell.

There's this very raw and organic feeling to his work that I think it's quite rare to find nowadays. Especially the drums - I really wish he could've been the one mixing it for the last album because man, he just gets it.

When I first listened to Eden, I remember thinking "man, this drummer is insane". But then I went all the way back to One and slowly made my way to TPWBYT and ket me tell you, Jaws' drum line left me flabbergasted. I know that George and ii have been friends/working together for quite a while prior to ST, so maybe that's one reason why. But they just work so well together, everything sounds so clear and crisp, it feels almost impossible.

This is not to discredit the amazing, fenomenal work done on TMBTE - there's a reason why it's my favourite album and why it gained the traction it did - nor to downplay ii's insane skills (as if one could ever do that, he's just that good). But George's work with ST is just so, so brilliant, and I really needed to put it out there.

It's been a while since I've checked in on him, but it seems he's a bit inactive nowadays? Idk. Whatever the reason why he's no longer working with them, or why he's a bit mia (or was for a while), I wish him all the best, and I'm just so thankful for all his hard work.

#his work on tpwbyt in particular is just - fantastic #i do think it speaks volumes to the kind of artists vessel and ii are #they're obviously incredibly talented and knowledgeable and they have a very genuine approach to their work #they seem to be very careful and particular in choosing the people they work with and how their music is supposed to sound #if you haven't seen George's q&a on the subreddit i highly recommend you do. also his yt channel #i love the way he talks about his work and mindset. it's so very interesting #all of this to say that one of the reasons st is so successful comes from the amazing team behind it and all those surrounding them #it really makes a difference when you have the right people working with you. and it makes me appreciate all the background people even more #cus at the end of the day sleep token is not just 2 or 4 or 7 people - it's everyone involved #excuse my ramblings but yeah. feeling very grateful on this friday night #george lever #sleep token #darya is unhinged

[illthdar]

11/11/11 Tag

Tagged by @silver-wields-a-pen

1. Who is your favourite oc?

To be honest, I flip-flop a lot on that one. Generally, it is the OC that is being tormented or experiencing the most growth in whatever character arc in the Illthdar series.

2. What themes do you struggle writing?

I struggle with fight scenes and romance. Fight scenes because it calls for a snappier text style that my over-wordy self has a hard time balancing. Romance because I crave a specific brand of romance that isn’t often depicted in fiction - the slow kind that builds very carefully over months/years. The sexual tension, the overdone tropes, associated with romance just kind of make my toes curl or make me want to throw books across the room and scream “you aren’t in love yet!” Writing my own version while still adding those snippets that readers crave - the glances, the fumbling, the derp - is hard for me.

3. What’s been the best thing about writing your wip?

The world exploration and the slow unfolding of events and discovery of life on in the world as a whole. I took to writing Illthdar from the perspective of an immigrant - someone who sees the new place they are living with eyes wide open and with none of the rose-tint that natives would have, as well as that naivete and innocent trust that the people around them mean well. This perspective lends itself greatly to the steady exposure to the evil that can be found under the surface of any world, but is especially compounded in the world of Illthdar.

4. What themes has your favourite story included?

The Illthdar series covers several themes: prejudice, platonic/romantic love, good vs. evil, power and corruption, survival, courage/heroism, and war

5. What time of day do you prefer writing?

I typically write in the evenings, after the kiddo has gone to sleep - which is typically around 8PM - and I normally call a quits at 10PM.

6. What’s your favourite relationship trope to write?

The comrade or friends relationship is my favourite to explore. I feel like I don’t see enough of those outside of the friends-to-lovers trope in fiction and I like to explore as many versions of it as I can.

7. What detail about your ocs has surprised you?

(Warning, these are relating largely to later books in the series) The detail about Date Toshiiro’s fingers was not something I originally thought was so important but later turned into something much bigger. Tundra’s past and his life’s mission also took me by surprise somewhat. Seth’s arc is something I don’t think anyone could have anticipated. Magnilla also takes some interesting turns. Vyxen, for me, is especially heartbreaking. Scyanatha’s progress wasn’t something I really saw coming. The same could be said for Nyima. Abaddon’s arc is hints upon hints upon hints of so much stuff that I think will be really awesome to see when it’s all laid out in the end. Zercey/Lerki/Inari have so far been largely predictable in the writing process, though there have been legitimate times where I’ve wondered about where they’re headed.

That’s just the main cast! There’s a ton of things I found interesting about the secondary characters in the series, but it would take forever to write it.

8. Thoughts on including romance in other genres?

I’m going to be real: the suspension bridge trope that’s seen in horror bothers me. Romance in horror - where X character feels forms a very quick and strong bond with Y character is creepy on so many levels, I don’t even know where to start.

9. Favourite writing snack?

There isn’t any one specific snack I’ll reach for when I write. Normally, I’ll have something before I’ve sat down so I’m not usually nibbling as I go. When I do have something, it’s usually something like a fried egg sandwich with some token bits of salad greens.

10. Favourite villain trope?

The villain in waiting. This person has been there this whole time, they’ve been bugging you forever to the point that you’ve convinced yourself they’re just there for the comedy relief but, surprise! They’re gonna cut you up and they are absolutely not sorry. This is the person who, in hindsight, you should have seen it coming, but was so long in waiting to make their move, the only emotion you have left to give is the desire to have gotten to them first.

11. Best scene you’ve written?

Without getting into spoilers for future books, the best scene is a toss up in Guardians of Las between the scene with Vyxen and Scy emerging from the forest during the battle or Tundra and Nyima’s conversation on the balcony.

Tagged by @bigmoodword

1. using one sentence summaries, can you tell me about your wips?

Illthdar: When everything defies logic and reason, nothing and no one is safe.

2. what inspired them?

A lot of things inspired the Illthdar series: common fantasy book/game tropes, classic literary works (J. R.R. Tolkien, C.S. Lewis, Lewis Carroll, L. Frank Baum, H.P. Lovecraft, J. M. Barrie...), my life as an immigrant, society today on a whole.

3. which of your ocs do you most identify with?

While not specifically my OC (she was originally designed by @guardians-of-las-vyxen), I can relate very strongly to the emotions she experiences in the series. When I write, I try to put a little of my own humanity into all of my characters, in terms of qualities, people who know me personally and have read the first book see that that reflected strongest in Zercey.

4. if you’ve ever cried while reading, which book cued the waterworks?

Honestly, nothing will crush a heart more than Pamela Denise Smart’s “Who's Afraid of the Teddy Bear's Picnic?: A Story of Sexual Abuse and Recovery Through Psychotherapy” Massive trigger warnings for anyone who has experienced childhood sexual abuse, however. An added plus to it was that it’s also a coming-out book as the author happens to be a Lesbian.

5. how do you conduct research for your wips and what’s the most interesting thing you’ve discovered in said research?

I have a terrible habit of doing things to characters first, then researching the potential outcomes after the fact. Were some of the OCs real, they would not like me at all. I won’t give spoilers, however. That said, I think this is a better way to write a bit of reality into a story: the outcomes are not pre-scripted, just as anyone’s life journey is never linear. Forcing the OCs to “deal with” whatever consequence without the benefit of having an desired outcome in mind, puts character and reader on the edge of their seats, I feel, because the threat is real.

6. thus far, which scene has been the most difficult to write?

Again, without spoilers for the future books, for Guardians of Las the hardest scene would have been the mock-fight between High Elder Culvers and High Elder Trenfal.

7. which of your ocs do you like the least?

Currently, as it does depend on who is feeding my sadism, where I am at in writing the series it I can’t decide if I hate Maraxis or Lord Rhett, the most. Maraxis is every bit the villain that you have to live with in life - which makes him frustrating to an extreme degree. Lord Rhett, on the other hand, is the self-righteous, might-equals-right, stereotypical kind of evil - the cliche villain that we don’t have to look at very hard to recognise.

8. which pov and tense do you prefer to write in?

I like third person limited. It allows me to explore the minds of different characters on a deeply, keep the cards to the plot close to my chest out of open sight to the readers, and help the readers connect to the world without a million I-statements.

9. do you write poetry?

In my late teens, I tried, but ultimately saw the paper fit to use only as kindling.

10. who is your writing role model?

Gosh, I don’t even know. I don’t think I have one. I think the narrative voice of each author has its pros and cons, so it’s hard to point to just one and say “I want to be like that.”

11. if you could give your younger writer self some advice, what would it be?

Revision isn’t a dirty word, nor is the suggestion of it a blemish upon your name. It’s a compliment; the one giving the critique sees in you potential to grow and improve. And that is worth everything.

Tagging: @aslanwrites, @bigmoodword, @english-undergrad, @elizabethsyson, @garrettauthor, @haileyavril, @igotablankpage, @imaghostwriter, @jessawriter, @kobalt-ink, @mvcreates

My questions for you:

 What was the very first story you ever wrote?

What does your ideal writing space look like?

How long do you give yourself to research for your WIP?

What do you think is your greatest weakness as a writer?

What do you think is your greatest strength?

Name one of your bad habits as a writer.

Where do you find inspiration for your OCs?

What OC would like you the most?

What OC would like you the least?

Name something you do that you think no other writer does.

Have you ever done NaNoWriMo?

#11/11/11 #11/11/11 tag #11/11/11 meme #writing community #Illthdar #guardians of las #tagged #confessions of a writer #illthdar confessions