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#i do think it speaks volumes to the kind of artists vessel and ii are
moonchild-in-blue · 7 months
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I'm gonna be meta for a little bit, but huge shout out to George Lever (Sleep Token's previous producer).
Like, don't get me wrong, I love Carl Bown (he's worked with soo many of my favourite bands and killed it), and I love that Vessel himself got involved in the producing process of TMBTE. The album is amazing, everything sounds extremely clean and professional, and very, very concise.
But George Lever? That guy has a way with music that just... It's very innate. I think One was self-produced (although I'm not entirely sure), but everything else apart from TMBTE was produced by him - and you can tell.
There's this very raw and organic feeling to his work that I think it's quite rare to find nowadays. Especially the drums - I really wish he could've been the one mixing it for the last album because man, he just gets it.
When I first listened to Eden, I remember thinking "man, this drummer is insane". But then I went all the way back to One and slowly made my way to TPWBYT and ket me tell you, Jaws' drum line left me flabbergasted. I know that George and ii have been friends/working together for quite a while prior to ST, so maybe that's one reason why. But they just work so well together, everything sounds so clear and crisp, it feels almost impossible.
This is not to discredit the amazing, fenomenal work done on TMBTE - there's a reason why it's my favourite album and why it gained the traction it did - nor to downplay ii's insane skills (as if one could ever do that, he's just that good). But George's work with ST is just so, so brilliant, and I really needed to put it out there.
It's been a while since I've checked in on him, but it seems he's a bit inactive nowadays? Idk. Whatever the reason why he's no longer working with them, or why he's a bit mia (or was for a while), I wish him all the best, and I'm just so thankful for all his hard work.
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