#candy transversal
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જ⁀ 𝐓𝐇𝐄 𝐏𝐎𝐑𝐓𝐑𝐀𝐈𝐓 𝐎𝐅 𝐀 𝐌𝐀𝐍 𝐎𝐍 𝐅𝐈𝐑𝐄
synopsis: you are a travelling artist, transversing the galaxy. Thus, on your curt trip to penacony, you see a man and paint him.
including: aventurine
side comments: my rawest writing piece yet. the piece is meant to be up for interpretation and i wanted to take a more vague standpoint. this is not necessarily an x reader fic, please keep that in mind. thank you @/stellaronhvnters members for giving me tips. sending you all lots of love!
extra: angst, gn reader, boothill makes a short appearance, subtle 2.1 spoilers
words count: roughly 963
You saw him on three occasions.
The first was under the incessant flash of Penacony's lights, the ubiquitous glint of inordinate advertisements trailed behind you like children. He stood amongst the dreamers with fashion and flare: the subtle sway of his right earing was charmed you. While his shoes reflected opulence and splendour. The number pressed onto his neck- similarly pressed against the folds of your mind: the place in which the eyes stare onto the shore and cast spells of what if’s.
Yet, despite the nature of his novelties and the soulful satire of his smile, you paused- traffic and light bending into sound.
What was he? You pondered. Perhaps he is perched in towers and rolls dice like candy; pecking it afterwards. Perhaps he sharpens his shoes as he does with his eyes. Perhaps he stands still in showers of salty rain, drying his cheeks with the rim of his velvet hat.
Was he a dreamer too? You would of blinked in affirmation, griped your breath a touch tighter and trace his footsteps. Lifting it on to the palm of your hand, tucked it into the haven of your pocket, cradling it like an infant, raising it like a lush fern. A portable paradise euphonious and maternal.
From there you shifted your weight onto your good side and tapped your feet to the beat of your heart, matching it to the song of his hushed ingenious breath.
He was here before, you noted. Clearly, not for leisure nor for pleasure. His strides were candid, curt, and clever. Yet, from afar, it was as if the tip of his shoes was his only connection between ground and sky. His steps bounced, rebounding off by sheer force alone; leaping mid-air, leaping with vigour and intention, leaping over wide yawning chasms.
He was galloping towards, not bothering to gaze back. His image blended into one of a horse standing amidst fields teeming with immeasurable and verdant grassland. The horse and their lush nature, a loneliness that can't be contended with as they lowered their gaze like swans. Their mane brushed against skin; preparing to consume the earth generously all on their own- unaccompanied by instruction, coddling or order.
You pause and step back from the slender and poised length of his legs, from the cage of his chest in which gold is born and coiled, from the rings of his eyes that pirouette and roulette. Hence, pondering curiously what kind of bone does not break despite its beatings.
The second time you saw him was when the sharp pungency of grapefruit- twirled with the salt which lined the rim of your glass- produced a sweet taste on the stage of your tongue. At the time the drink was fresh, garnished and plainly odd considering the dim, velvet aura which vibrated through the bar. The taste lingered in your mouth: reminiscent of a sultry summer afternoon.
His hair, you then realized, was scintillating in the gleam of bottles and booze. You wavered a bit, eyes blurry, hot and wet like the sea. He twirled and tuned with the light, the brand of his watch blurring with another sip of rum.
You don't recall any music, however, in that liminal moment between one song and the next, between one sip and a single swallow, your mouth split open in a wide glowing grin.
One foot over the other- glass in hand- serenading in dim light, crash after crash, bass strung with tangible words- it echoed deep and slow.
From there he stares forward, kissing the rim of his glass, dissipating with light as he seems to do. For a split second, he is vulnerable in the state of lassitude.
However, not before unfurling, smiling then melting. He was flying close to the sun; grazing his hands over its rims. Bright young man, you noted.
You pause and step back from his supple lips- insoluble when met with torrents, solid when left to eternity, liquid when set alive, gone when used up.
The third and final time was when his back faced you: his body resting, arms sprawled out in surrender, a single finger twitching. The memory is slipping. Like grains of sand trailing down your hand, like silk that won't hold a knot, like how rest is destined for those who truly slumber. Everecent in nature and poise. There, you wonder soundly, what stars have been bruised onto his back, and if you'd be able to draw them together- into one grand constellation that spans from one end of the world into another infinite void of true rapture.
"What a painting- or pain really."
"For someone who can't physically feel pain, your remark is rather funny," you quip back smoothly, your gaze still set towards the man's slackened joints and inner tenderness.
"You've been sitin' here for hours," bantered Boothill, "Four months really... since we left Penacony!"
You gingerly place the paintbrush down, pausing as you gradually step back from the lifesize portrait. A streak of yellow and purple paint stains your right cheek. "Today I am done."
Boothill raises an eyebrow as he watches you lift the painting onto a mantel: unhurried as a tree. Boothill watched you, morph the image of a stranger into blinding brilliance with each fastidious detail. How your subject- him- echoed volumes, his back against the world, facing tomorrow, embracing the amorous fold of limelight before departing, walking away into nothing with a princely smile and a single wave of his hand.
"Why do you paint him?" Boothill questions, his voice oddly dim and mellow, "You know nothin' about him."
Repose is found on your face as to your reply.
Boothill emits a frustrated sigh and reaches into his pockets; retrieving a lighter, you promptly flick it alive. The flame staring at you; wavering and swaying left then right. Your eyes are subtly idyllic and lulled as if drifting soundly in prayer; relishing the final wave of maudlin and soothing nuance.
"That's why I like him."
You set the portrait aflame.
"Because I know nothing about him."
masterlist.
interact with a comment! don’t be a silent reader 🤍
#writing ᝰ.ᐟ#—stellaronhvnters.#honkai star rail#hsr#honkai star rail aventurine#hsr aventurine#aventurine x reader angst#aventurine x you#hsr angst#honkai star rail angst#hsr boothill#boothill honkai star rail#aventurine honkai star rail#aventurine hsr
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Wesley Tucker on the cover of the Summer 2021 (13th issue) of Candy Transversal magazine
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Lovesick:
A punk term coined in relation to aro to describe both an affinity and rejection for “love” and its associated concepts ;
love, romanticism, or otherwise assumed “romantic” actions or feelings, pushed past it’s limit, often to to the point of repulsion or it feeling sickening ;
traditional lovesickness experienced in an unconventional or transversive way
[Term was made with romance repulsed romo aros and aros who got torn between loveless and arolovic in mind, but it isn’t exclusive to aros. Lovesick is a punk term and may apply to anyone, the definition is descriptive for the people already using it. If you feel it applies you can use it.]
goop and candy flags by me, using @arokill’s dripping candy hearts symbol
acid flag (and b&w variations) by @arokill
#lovesick aro#lovesick punk#aro#arospec#aromantic#loveless#arolovic#romo aro#aro spec#romoaro#they speak#coining#queue#7/26/2022#sorry for the lack of ids i just cant rn folks#flag resources for edits will be in a reblog#ids will be in rb#so tired#i asked for ids but smth happened idk#shrugs#maybe ill edit them in later#before i rb including the ids#and other flag images#goop symbol not by arokill just to clarify
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Autobot Jazz Week day three! Prompt: Candy/Sweets. Jazz wants to play the Pocky game, naturally using Energon treats. Song is “I Want Candy” by Bow Wow Wow.
Ficlit: Candy Conflict
“If you wanted a kiss, you could’ve just asked.” Prowl strained backwards, not wanting to break their embrace but also trying to avoid the Energon treat, flipping up and down rapidly in a playful manner from its place clenched between his Conjunx dente plates.
Jazz scowled in irritation and removed the candy from his lips so he could speak clearly. “The kiss isn’t the point. I want to try the game. You know, try something different.”
The taciturn Security Officer squirmed. Why did Earthlings have to come up with such silly ideas to waste time? And why was his mate so fascinated by the little ones odd habits? “Couldn’t we just make out, then eat the candy like normal people?”
Jazz growled in frustration and threw up his servos in a rare sign of hostility. “Well excuse me for wanting to indulge in the local cultures. I mean we’re stuck here on Earth, might as well enjoy it. But fine, if my hobbies offend you so greatly, I’ll take my candy and find someone who does want to play!”
His beloved was half way to their quarters door when Prowl registered what he had just said. “Wait a minute! Jazz, hold on, you’re going to just go off and…” he ironically decided on a human term “snog some other bot?!”
The Master Spy coldly glared at him from over his shoulder and snapped “First off, like I said, the kiss ain’t the point! And even if it was, why not? You weren’t the first Mech I ever kissed, and it doesn’t have to be sexy, it can be an innocent kind of thing. I’m your Conjunx but that doesn’t mean you own me Prowl of Praxus!”
“No, no, of course not!” Prowl waved his servos and shook his head, “I’d never presume such a thing Love. It’s just…”
Seeing his one and only look so hurt made Jazz exvent and pinch where his visor rested on his olfactory sensor. He slowly turned with his servos spread wide in a slightly pleading gesture. “Look Prowl, I love ya darlin’ but there are solar cycles where I could just deck ya.” He chuckled in a sad way. “We’ve been Conjunx a long time and hardly get to see each other we’re so busy with our duties, and we never know if we’re gonna see each other ever again whenever we go on missions… I just wanted to play a little game I thought was cute, is this really worth arguing over?” He dropped the box of Energon treats into a small trash receptacle and looked so rejected it physically hurt the other Autobot to witness.
Prowl got up from his place sitting on their recharge berth and quickly transversed the distance between them. He embraced his Conjunx Endura tightly and peppered his helm with kisses. “I’m sorry Jazz. You’re right, you never ask for anything and this was such a simple request. I’m sorry I made such a big deal out of this.”
Before Jazz could respond, Prowl left the warmth of their embrace and retrieved the box of candy. He took his love by the servo and guided him back to their starting point sitting on the berth.
Jazz was grinning like a Sparkling with a new toy as he dug out a fresh treat with every intention of reinitiating the game, when he was interrupted yet again by an oddly suddenly shy Prowl.
“Heh… hey love?” The CSO mumbled, avoiding optic contact and his face plates were dusted a pretty blue blush.
“Yeah handsome, what is it?” Jazz was very intrigued now. What could possibly have his normally stoic mate acting like an unchristianed youngling about to have his first tumble?
“Who… uh, who would you have gone to if I hadn’t stopped you from leaving?” Prowl murmured. His EM field was radiating arousal despite his bashful nature.
‘You adorable, sweet, secretly kinky mech.’ Jazz thought to himself as he slowly grinned like he normally only did when getting the upper hand in battle. “You really want to know darlin’?” He drawled and felt his engine hum happily at the shy nod he received in answer.
“Then you better win the Pocky game. That can be your trophy.”
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Y'all asked for him!!! Candy is back!!!
...even though not a lot has changed. He just has some new bling.
For those new: Candy Corn Vampire is the Sixth Celestial, a self-made Lord of Mirrors, trans man, on-and-off husband to Deathly Toll Bells, alien sugar-consuming vampire who rarely drinks blood, extremely extroverted, lover of trashy romance sitcoms, causer of migraines, yada yada yada he has a lot going on. All you need to know is that he is a wildcard of abilities that include (1) being able to transverse into the mirror world (2) reflectivity (3) bulletproof and impervious to most causes of physical harm (4) telepathy and (5) laser projectiles. He also mentors Scarlet Frost and is a very helpful teacher to her.
#mvf art#celestial spectrum#candy corn vampire#character ref#he's one of my few ocs who survive their redesigns greatly intact (surprisingly)#Golden Time: 'Candy! This is a crime scene!'#Candy Corn Vampire: (holding ice cream) 'WHAT is this the murder weapon?!?! GET OFF MY DI-'#[Candy was then put on probation for cursing at Gold]
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I dreamt w an Stardew Valley Halloween update. Seanie Dew was showing it off (which makes sense because I've been really into his channel as of lately). The game, aside from some pretty aesthetic changes making it look more Halloween, more dirty and orange and purple and cobweb-y, also had a new gameplay mechanic. Around the map there were these orange orbs, kind of like the heart of the sea in mc but 🍊. These orbs were collectables, I think they were meant to be candy. Seanie got 9 but there were 13 I think. When interacted these things would show you something, sometimes the something was something so creepy I questioned waking up or having Seanie stop fucking opening before I pissed my pants or something, so with my omnipotent presence in the table Seanie decided to just... Redeem the candy for prices! I tried to do the same irl but all I got was these broken... Well it's not KitKats it was something bigger. There was also something non edible scattered inside but I didn't see it well. However what Seanie got that was most relevant was a pick upgrade. Now, he could easily go down the "aesthetic mines" and explore with any "villagers trying to hug you".
See that was a thing about the aesthetic mines, they were weird. Unlike any normal thing in SDV these were underground, as in, under the map, so to go thru them you'd have to go blind. At least the first level, I suppose. Which is ironic because the name apparently came from the fact that they are very pretty, with shining and deep blues and plants. Kinda hollow knight-y but w the vibrancy of ut waterfall. As for the villagers; it's like this whole thing was horribly implemented, because despite it being underground game still counted you as being overground w npcs which meant you'd run into them, which was just kinda annoying.
That's not all the mine had though, because with the pick upgrade Seanie explained this was finally fucking POSSIBLE to transverse, because before it was too but it was so hard. Now the pick was like, explosive, and would take out all the items around the object you hit, as if it was an upgraded hoe, and without the charge up. On top of this, under there there were these weird cocoons, as Seanie called them, that when hit would do an animation like the mc resurrection totem. They were kinda angular like that one pokemon but lacked any remarkable feature and were brown. Their use is unknown to me.
Also, because it wouldn't be a SDV dream of mine (these are common I just didn't post about them before), there was a new crop. This was kinda... Diamond shaped, w a taller top and a smaller bottom, and it was yellow/orange. It was weird too bc you'd ruin it by using the scythe. Seanie had a huge plot of them and they regrew. I reasoned the scythe thing was to fuck over ppl who like to go fast but it still felt Odd.
#luly talks#my dreams#one of the lmages btw was a bunch of creepyppastas (IN AN HYPERREALITIC STYLE NO LESS LMAO) contorting their bodies to form letters that#spelled out a question for slendy that he couldnt even answer#it was silly at heart but rhe characters and the stylization and the fact that i couldnt even tell what some letters were was so creepy#also in the mines i saw skeletons beautifully dancing
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The thing I need for my work job for today. Here where be about to think nothing of it. But somuchwherein I know how much assertain I am. Here by with how much I mean that my only today somuch ascertain as much so of me amounts that is not the criteria of being solidable. How much future thing of the past requires the idea meaning way of transversing into the launch sequence of further to the moment of how I know the future. The Future is how you're not into a sollidafyable criteria. How to be into a idea is past the criteria that is not anything at all. How can I make something up if you can't think together of anything more thoughtful... lastly I think I want a be able to have a candy and it's not but how to think ahead of what is a thing like that to think for me but is like cool like only being not like that all cool about it for being candy but it's too not it to say at all.
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Polypropylene Packaging Films Market 2022 | Growth Strategies, Opportunity, Challenges, Rising Trends and Revenue Analysis 2030
The latest market report published by Credence Research, Inc. “Global Polypropylene Packaging Films Market: Growth, Future Prospects, and Competitive Analysis, 2016 – 2030. The global polypropylene packaging film marketplace is projected to attain sales of USD 4615.82 million in 2030, developing at a CAGR of 6.78% from 2023 to 2030.
Polypropylene is a versatile polymer that can be processed through multiple techniques to produce goods ranging from rigid containers to flexible films. As a film, it offers clearness, flexibility, and a good barrier against moisture, making it ideal for packaging. Polypropylene (PP) is a popular thermoplastic polymer used for a wide range of applications. When it comes to packaging films, polypropylene is frequently chosen because of its unique combination of properties that make it suitable for packaging various products.
Types of PP Packaging Films
Biaxially Oriented Polypropylene (BOPP): BOPP films are stretched in both machine and transverse directions, enhancing clarity, tensile strength, and moisture barrier. BOPP films are used for snack packaging, tape backing, labels, and more.
Cast Polypropylene (CPP): This type of film is made by casting the polypropylene resin over a chilling roll. CPP films are often used in lamination, food packaging, and stationery wraps.
Metalized Polypropylene Films: These films have a thin metal layer, typically aluminum, providing improved barrier properties against moisture and light. They're used for snacks, candies, and decorative purposes.
Market Dynamics in Polypropylene Packaging Films Market
One of the key drivers fueling the demand for polypropylene packaging films is the increasing need for sustainable and eco-friendly packaging solutions. As consumers become increasingly aware of environmental issues, there is a growing preference for products packaged in materials that are recyclable and have a low carbon footprint. Polypropylene films meet these criteria as they can be easily recycled and have a lower impact on the environment compared to other types of plastics.
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Furthermore, shifting consumer preferences towards convenience-oriented packaging solutions are also influencing market dynamics. The demand for easy-to-use flexible packaging formats like stand-up pouches or resealable bags has been steadily rising. Polypropylene films offer excellent flexibility while maintaining product integrity during transportation and storage.
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The polypropylene packaging films market is witnessing several top trends that are shaping the industry and driving its growth. One of the key trends is the increasing demand for sustainable packaging solutions. With a growing awareness about environmental concerns, consumers and companies alike are seeking eco-friendly alternatives to traditional plastic packaging.
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The latest report on the Polypropylene Packaging Films Market has revealed some interesting findings that shed light on the current state and future prospects of this industry. One key finding is the increasing demand for sustainable packaging solutions, driven by growing environmental concerns and consumer preferences for eco-friendly products.
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https://www.credenceresearch.com/report/evoh-film-for-packaging-market
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(55/100) || 15 December 2022 || Thursday
Well, today was better than yesterday.No studying, but I did have a good day at jobs #1 and #2. Coworker T.T. gave me this self-care package with hot cocoa, chocolate, candy canes, socks, and lotion. Coworker P.H. gave me a $10 Starbucks card. Coworker A.R. bought a burrito for me, and I chowed it down regardless of my gluten sensitivity. I brought a slinky to job #2, client #2, and taught him about transverse and longitudinal waves. He was fascinated by the waves. Got off of job #2 at 7 and drove to "Hes" to drop off my timesheet. I didn't get home until after 10 pm, but I stayed up long enough to finish reading The Woman They Could Not Silence. So, I've reached my 2022 reading goal of getting through 36 books. Hopefully, I'll read another book during winter break.
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Candy Transversal Issue 14 Covers
Candy Transversal Issue 14 Covers
Candy Transversal Issue 14 CoversSource: instagram.comPublished: May 2022
In this picture: Alex ConsaniCredits for this picture: Bryce Anderson (Photographer), Orlando Pita (Hair Stylist), Fulvia Farolfi (Makeup Artist), Honey (Manicurist)
All people in this work:
Bryce Anderson – Photographer Diego Villarreal – Photographer Emilio Tamez – Photographer Louie Banks – Photographer Luis Venegas –…
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Hari Nef and Andres Velencoso for Candy Magazine (2017), by Sebastian Faona. I love this photoshoot, and the tenderness between Andres and Hari
#hari nef#Andres Velencoso#candy transversal#candy magazine#Candy#2017#model#photo#black and white#love#tenderness#girls and boys#him and her#male and female#Relationship goals
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... jaipur ...
thom browne spring 2019 for candy transversal issue 12. seersuckers, gingham checks, whale and lobster icons. americana preppy brought to life in jaipur. thank you to luis venegas, ib kamara and lea colombo.
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Candy Magazine Issue 12 January 2019. All Maison Margiela Artisanal by John Galliano, Fall 2018 collection.
Photographer Katerina Jebb, Model Teddy Quinlivan, styled by Alexis Roche
#Maison Margiela#Margiela#Maison Margiela by John Galliano#John Galliano#Galliano#Maison Margiela Artisanal by John Galliano#Teddy Quinlivan#Katerina Jebb#Alexis Roche#fashion#haute couture#couture aw18#fashion shoot#editorial#Candy Magazine#Candy Transversal#model#fashion photography
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