“LE PLAT (THE DISH)”
CÉSAR BALDACCINI // 1979
[bronze | 17.5 x 48.5 cm.]
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Marseille. Il y a trois semaines, je suis allé à Bonneveine, au MAC (Musée d'Art Contemporain).
Ici, la terrasse au dessus de la ramure des platanes.
Non loin, le Pouce de César (César Baldaccini)
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césar baldaccini dit CÉSAR (1921-1998), le pouce, 1965 + la pacholette, 1957 + sans titre, 1979, marseille, musée d'art contemporain.
admiring different textures while suffocating under the pressure of trying to stay consistent on social media (but why?)
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César Baldaccini - Expansion au pot à lait, 1989
(Resin and steel)
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César [Baldaccini], Self-Portrait, ca 1960 -by Daniel Frasnay
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Per liquidare i popoli si comincia con il privarli della memoria.
Si distruggono i loro libri, la loro cultura, la loro storia. E qualcun altro scrive loro altri libri, li fornisce di un'altra cultura, inventa per loro un'altra storia.
Dopo di che il popolo comincia lentamente
a dimenticare quello
che è stato.
E il mondo intorno a lui
lo dimentica ancora più
in fretta.
- Milan Kundera
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César Baldaccini - Compression de toiles vertes, 1976
compression of green tarpaulin fabric (140 x 118 x 7 cm)
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Iconics
Andreas Senoner - Fear
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César Baldaccini - Thumb
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Gyuhan Lee
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Giovanni Gasparro
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Damien Hirst - The Sacred Heart of Jesus
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Antoni Tàpies
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Kiki Smith - Thicket
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Mark Manders - Composition with Bright Yellow Horizontal
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Model of Lloyd’s of London by Richard Rogers
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Louis Nichilo - Lipstick case, 1960
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Luigi Ghirri - Modena, 1978
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Mira Schendel - Droguinhas [Little nothings]
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Anne Lemanski - Self Portrait, 1990
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Arman - Sickles
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Perfume case from the 18th c.
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Gunther Uecker - Crack, 1996
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Victorian heart
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Wednesday: landshaping
eahostudio gallery
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I only let the machine do what my hands could not do.
César Baldaccini
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Top, photograph by Thomas Aurin, view of the play Paul McCarthy & Lilith Stangenberg: A&E / Adolf & Eva / Adam & Eve at the SchauSpielHaus, Hamburg. Editorial for the Hamburger Abendblatt, August 25, 2022. Via. Bottom, César Baldaccini, Expansion au pot à lait, 1989, resin and steel. Via.
See also, Lilith Stangenberg in A&E Drawing Session, Santa Anita, directed by Paul McCarthy, 2020.
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Figure 1
Formula for the Haunted House Tale
Setting:
a house
1. with an unsavory history
2. with an aristocratic name
3. disturbed by supernatural events usually unrelated to human ghosts
Characters
1. a middle-class family or family surrogate, skeptical of the supernatural, who move into the house
2. knowledgeable helpers who believe in the supernatural
3. an oracular observer who warns of danger
Plot:
dual structure:
1. an escalating series of supernatural events which isolates the family physically and psychologically
2. the discovery of provenance for these events
climax:
1. the escape of the family and the destruction of the house
or
1. the escape of the family and the continued existence of the house
2. a twist ending which establishes the recurring nature of evil
Themes:
1. class and gender conflict
2. economic hardship
3. consequences of the past (especially unpunished crimes)
4. Manichean clash of good and evil
5. clash of scientific and supernatural world views
6. cyclical nature of evil
Dale Bailey, from American Nightmares: The Haunted House Formula in American Popular Fiction, 1999. Via.
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Germaine Richier (16 September 1902 – 21 July 1959) was a French sculptor. Born in Grans, Richier began her studies at the Ecole des Beaux Arts in Montpellier, in the atelier of Louis-Jacques Guigues; in 1926 she went to work with Antoine Bourdelle, remaining in his studio until his death in 1929. There she became acquainted with Alberto Giacometti, although the two were never close. Richier for her part was more interested in a classical approach to sculpture, preferring to work from a live model and then reworking the final product. She also met César Baldaccini at this stage in her career. She married Otto Bänninger on 12 December 1929. In 1936, she won the Prix Blumenthal. During the war, she met Marino Marini, in exile in Switzerland. Via Wikipedia
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Marseille. Avec ma copine Isabelle, on est allés au MAC (Musée d’Art Contemporain).
Ici différentes œuvres de César Baldaccini, compressions et expansions.
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Plaque en hommage à : César
Type : Lieu de résidence, Lieu de décès
Adresse : 9 rue de Grenelle, 75007 Paris, France
Date de pose : 2009
Texte : Le sculpteur César, 1921 - 1998, a vécu et est mort dans cette maison
Quelques précisions : César Baldaccini (1921-1998), dit César, est un sculpteur français. Il étudie aux Beaux-Arts de Marseille avant de rejoindre en 1943, ceux de Paris. Ne pouvant travailler la pierre, trop coûteuse, il se tourne vers d'autres matériaux plus économiques, dont le plâtre, le bronze et le fer. Il accède à une notoriété internationale dans les années 1950, période à laquelle ses œuvres commencent à être achetées par des musées et être exposées dans diverses biennales. Il rejoint en 1961 le mouvement des Nouveaux réalistes, et est également connu pour avoir créé le trophée de la cérémonie des César du cinéma. Certaines de ses œuvres, comme Le Pouce (1981) ou Le Centaure (1985), sont encore visibles dans Paris.
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France Sculpture and Figures
France Sculpture and Figures
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Neoclassical Sculpture in France
In the late 18th and early 19th centuries, French sculptors were influenced by the neoclassical movement, which drew inspiration from ancient Greece and Rome. Clean lines, classical poses, and an emphasis on heroic figures characterized the neoclassical sculptures. The most famous neoclassical sculpture in France is the statue of Napoleon Bonaparte by Antonio Canova, located in the Musée Napoléon in Paris.
Modern and Contemporary Sculpture in France
The 20th century saw a significant shift in French sculpture, as artists began to explore new styles and techniques. Modern and contemporary French sculptures include a wide range of abstract and figurative styles, often made from unconventional materials such as metal, glass, and plastic. Some of the most famous French modern and contemporary sculptures include Le Pouce (The Thumb) by César Baldaccini and L'Ecoute (The Listening) by Henri de Miller.
Famous French Sculptures and Figures
France is home to some of the world's most famous sculptures and figures, many of which are icons of French culture. The Thinker by Auguste Rodin is one such sculpture in the Musée Rodin in Paris. Another famous sculpture is the Venus de Milo, discovered on the island of Milos in Greece, and it is now on display at the Louvre Museum. La Liberté éclairant le monde, commonly known as The Statue of Liberty, was created by the French sculptor Frédéric Auguste Bartholdi and gifted to the United States in 1886 as a symbol of freedom and democracy. The Arc de Triomphe, located at the western end of the Champs-Élysées in Paris, is another iconic French sculpture celebrating the French army's victories and the French Revolution's fallen soldiers.
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César Baldaccini
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