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#c: jean duparc
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I posted 5,054 times in 2022
31 posts created (1%)
5,023 posts reblogged (99%)
Blogs I reblogged the most:
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I tagged 5,054 of my posts in 2022
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Longest Tag: 109 characters
#younger character relentlessly pursuing older character who feels guitly for returning the younger's feelings
My Top Posts in 2022:
#5
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possession is 9/10ths of the law @rayshippouuchiha
111 notes - Posted September 18, 2022
#4
Navier: I asked Heinrey who the second most attractive woman alive was, since, according to him, I'm number one. This man said "your reflection".
Ergi: Damn. I'm writing this down.
McKenna: Did you ask who's third on this list?
Heinrey: Her shadow.
128 notes - Posted July 27, 2022
#3
Lukanette Deserves Better Part 3
Yes there’s more Lukanette, because canon makes me bitter in how Lukanette get’s shafted. Kinda Salty.
The Karma of Lies - Plus JuleRose. Mentioned Jean Duparc x Kagami Tsurugi. Canon Ships. Salt. AdriChat Salt. Adrien Agreste Salt. Chat Noir Salt. Lila Rossi Salt. Alya Céaire Salt. Chloé Bourgeois Salt. Caline Bustier Salt. Principal Damocles Salt. Bustier Class Salt. Chloé Bourgeois Sugar. Juleka Couffaine Sugar. Rose Lavillant Sugar. Plagg The Kwami Sugar. Minor Out Of Character Behavior.
Tales of Karmic Lies Aftermath - Plus JuleRose. Mentioned Jean Duparc x Kagami Tsurugi. Canon Ships. Salt. AdriChat Salt. Adrien Agreste Salt. Chat Noir Salt. Lila Rossi Salt. Alya Céaire Salt. Chloé Bourgeois Salt. Caline Bustier Salt. Principal Damocles Salt. Bustier Class Salt. Chloé Bourgeois Sugar. Juleka Couffaine Sugar. Rose Lavillant Sugar. Plagg The Kwami Sugar. Minor Out Of Character Behavior. 
What Goes Around Comes Around Saga (Series) - Plus JuleRose. Salt. AdriChat Salt. Adrien Agreste Salt. Chat Noir Salt. Lila Rossi Salt. Chloé Bourgeois Salt. Caline Bustier Salt. Principal Damocles Salt. Bustier Class Salt. Juleka Couffaine Sugar. Rose Lavillant Sugar. Sabrina Raincomprix Sugar. Bustier Class Sugar. In Character Behavior.
i get a little jealous, a little selfish - Plus Chlogami. Plus Plikki. Salt. AdriChat Salt. Adrien Agreste Salt. Chat Noir Salt. Lila Rossi Salt. Alya Céaire Salt. Principal Damocles Salt. Bustier Class Salt. Chloé Bourgeois Sugar. Caline Bustier Sugar. Gabriel Agreste Sugar. Minor Out Of Character Behavior. 
Summer Days Turned Nights - Plus Plikki. Salt. AdriChat Salt. Adrien Agreste Salt. Chat Noir Salt. Lila Rossi Salt. Alya Céaire Salt. Caline Bustier Salt. Principal Damocles Salt. Bustier Class Salt. AdriChat Sugar. Adrien Agreste Sugar. Chat Noir Sugar. Chloé Bourgeois Sugar. Minor Out Of Character Behavior.
New Perspective - Plus NathMarc. Fluffy. Salt. Lila Rossi Salt. Alya Céaire Salt. Caline Bustier Salt. Bustier Class Salt. AdriChat Sugar. Adrien Agreste Sugar. Chat Noir Sugar. Nathaniel Kurtzberg Sugar. Minor Out Of Character Behavior.
Poison and Antidotes (Series) - Angsty. Salt. AdriChat Salt. Adrien Agreste Salt. Chat Noir Salt. Lila Rossi Salt. Alya Céaire Salt. Caline Bustier Salt. Bustier Class Salt. Chloé Bourgeois Sugar. Minor Out Of Character Behavior.
The Lies We Tell - Plus JuleRose. Salt. AdriChat Salt. Adrien Agreste Salt. Chat Noir Salt. Lila Rossi Salt. Alya Céaire Salt. Wang Fu Salt. Su Han Salt. Tikki The Kwami Salt. In Character Behavior. 
Vide Stitch - Angsty. Salt. AdriChat Salt. Adrien Agreste Salt. Chat Noir Salt. Lila Rossi Salt. Alya Céaire Salt. Caline Bustier Salt. Bustier Class Salt. AdriChat Sugar. Adrien Agreste Sugar. Chat Noir Sugar. Alya Céaire Sugar. Chloé Bourgeois Sugar. Caline Bustier Sugar. Bustier Class Sugar. Minor Out Of Character Behavior.
Princess Justice & Lady Sunspot - Salt. Lila Rossi Salt. Bustier Class Salt. AdriChat Sugar. Adrien Agreste Sugar. Chat Noir Sugar. Alya Céaire Sugar. Chloé Bourgeois Sugar. Bustier Class Sugar. Minor Out Of Character Behavior.
Trou Noir - Salt. AdriChat Salt. Adrien Agreste Salt. Chat Noir Salt. Lila Rossi Salt. Alya Céaire Salt. Bustier Class Salt. AdriChat Sugar. Adrien Agreste Sugar. Chat Noir Sugar. Alya Céaire Sugar. Chloé Bourgeois Sugar. Bustier Class Sugar. Minor Out Of Character Behavior.
Pouring Alcohol on an Old Flame - Tumblr - In Character Behavior.
A Murder of Crows  [LBSC October 2021 Minific Challenge] - Tumblr One, Tumblr Two - In Character Behavior.
Gotta Love the Accent - Tumblr - Plus JuleRose. In Character Behavior.
I Can Fix You - Tumblr - In Character Behavior.
It's a Love Story - Tumblr - In Character Behavior.
In The Silence - Tumblr - Plus JuleRose. Plus GabeNath. Plus FeLuka. Plus Love Square. In Character Behavior.
Reduced to Silence - Tumblr - In Character Behavior.
On Thick Ice - Tumblr - Salt. AdriChat Salt. Adrien Agreste Salt. Chat Noir Salt. Girl Gang Salt. AdriNette Salt. LAdrien Salt. MariChat Salt. LadyNoir Salt. Love Square Salt. In Character Behavior.
A Dog Off the Scent - Tumblr - Salt. AdriChat Salt. Adrien Agreste Salt. Chat Noir Salt. Félix Graham De Vanily Salt. LAdrien Salt. AdriNette Salt. MariChat Salt. LadyNoir Salt. Love Square Salt. In Character Behavior.
Breaking the Cycle - Tumblr - Salt. AdriChat Salt. Chat Noir Salt. Tom Dupain Salt. Sabine Cheng Salt. Girl Gang Salt. MariChat Salt. LadyNoir Salt. Love Square Salt. In Character Behavior.
High Priest - Idea, Ch.1, Ch.2, Ch.3, Ch.4, Ch.5, Ch.6, Ch.7, Ch.8 - Yandere Luka Couffaine. Villain Luka Couffaine. Akuma Luka Couffaine. Salt. Lila Rossi Salt. Bustier Class Salt. In Character Behavior. Minor Out Of Character Behavior.
132 notes - Posted August 11, 2022
#2
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Lukanette Valentine's Day.
Via Picrew
173 notes - Posted February 13, 2022
My #1 post of 2022
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the way a human loves another human 
192 notes - Posted August 13, 2022
Get your Tumblr 2022 Year in Review →
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sdhjxgctisd · 3 years
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the-parentheticals · 6 years
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Jean Duparc (in a magician costume) and Aurore Beaureal! H/c that Jean has basically no sense of style. Yes, that is a purple tuxedo.
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abelperkin · 3 years
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It's amazing to think that Pippa's fame started with people tweeting about her "fantastic ass" during the wedding.
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How about Jean Duparc (I never see much of anything about him and I rather like his akuma, even if we never get to see it in action)
Anon, I don’t even remember them and had to search this up, lmao. 
J: What’s their sense of humour like?
They love dumb little jokes that mess with wordplay. 
E: How are they with children?
Jean loves entertaining them so much, especially with their magic tricks. 
A: What are/were this character’s best subjects in school?
Jean’s pretty good at chemistry, it’s their absolute favorite. They also like math, but math doesn’t like them back. 
N: What do they usually eat for breakfast? 
Who needs to eat breakfast when you can just magically poof it into your stomach 
D: How they react to being flirted with?
Blushing a bright ass red. You can’t blame them, all people are just, too cute. 
U: What’s their voice like?
Like the song of the angels. It’s like one of those really pleasant voices you always feel so happy hearing. 
P: How do they handle money?
They carefully sock it away, and make sure to keep it in separate bundles so even if they splurge, they were careful enough not to waste all of it. 
A: What are/were this character’s best subjects in school?
Answered!
R: What are their hands like?
I’m pretty sure you see them in canon. 
C: Can they swim well?
They never bothered learning. There’s… no point to it, honestly. 
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quanticlub · 5 years
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Quantic Reboot Characters
Characters either new or heavily altered to save them from canon. The main last name follows the first name. A (+ LastName) following means it’s the mother’s maiden name, a (* LastName) means it’s the father’s surname but for some reason the kid didn’t take it. For the hyphened LastName–LastName format it’s in Father–Mother order unless the parents are a same-sex couple like Morgan’s moms. Nicknames are in italics following a bolded tilde ~, though not all nicknames listed are used by everyone / some are used just for teasing. Monikers assigned with only malicious intent via bullies are not listed as nicknames. 
All of Mari’s current classmates (included Lie-la) are still present, but they’re not part of the main squad anymore because they’ve isolated her.
(( Going for 12 boys and 12 girls in the main group of quanticharacters in Mari’s grade because I like groups of 12  ... I mean how can you not love groups of 12? They’re divisible by so many numbers! You can have groups of 2, 3, 4, or 6 with nobody left alone during projects!!! ))
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The Boys:
Félix Diamant (* Agreste) ~ Fé, Feli, Felibear, Diamond [!!!!! !!! !!! !!! ! ! !!! !!! !!! !!!!!] 
Allan Mercury (+ Bennett) ~ Mercury, Lana, Lani-loo [!! ?]
Claude Castille-Acosta ~ Clod [!! !!]
Gavroche Verret (+ Bouchard) ~ Gav, Gaveroo [!! ?]
???
???
???
???
???
???
???
???
+
+
+
+
+
+
Possible Additions: Wayhem NoLastName but with real background, Marc Anciel but fleshed out instead of never being seen again, Prince Ali NoLastName if he’s sent for international education, Sparrow if he left ‘Murrica and thus Knightowl for some reason.. maybe if he was actually Fé and got the curse?, Jean Duparc with a personality cuz he didn’t even talk in the show, the young and annoying XY could be either in Mari’s or Luka’s grade since main group doesn’t have to be totally likable & he could get a redemption arc (his dad’s the one that really sucks), Adam NoLastName from the comics, Adrien Agreste with a redemption arc, Nino Lahiffe with a redemption arc, Lé Chiên Kim with a redemption arc, Nathaniel Kurtzberg with a redemption arc..... because everyone in Mari’s class needs either redemption or death, just random made-up OCs
oops now there are almost twice as many girls as there are guys... Random not-OCs that could be added include the main cast of 6teen c: 
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The Girls:
Allegra Fausett (+ Sabat) ~ Als, ‘Legra [!! !! ! !!]
Jacquelin Courbet (+ Voclain) ~ Jackie, Jack, Jacks, Jack-o [!! !! !!]
Quincy Proulx (+ Jolicoeur)  ~ Quinn, Queeny, Quinse, Proulx
Noëlle Vassie (+ Duval) ~ n/a
Morgan Bellefeuille-Cadieux ~ Puck!!, Mo, Momo
Laurel Tourelle (+ Guerin) ~ n/a
Carolyn Ledoux (+ Durand) ~ Carol, Melody
Rosalie Jones (+ Thayer) ~ Rose
Liliane Jones (+ Thayer) ~ Lily
? ... well, definitely adding Marinette Dupain-Cheng ~ Mari, ‘Nette, Nettles, Starlight, Marinara [!!!!!!!!!! ! !!!!!!!!!!]
??? 
???
+
+
+
+
+
+
Possible Additions: Kagami Tsurugi with proper writing, Chloé Bourgeois post-redemption, Alix Kubdel post-redemption, Alya Cesaire post-redemption, Juleka Couffaine with a fix-it because blueberry boy wont stand for such nonsense against Mari, that one fandom concept Amber Bourgeois (Ambre?) that’s usually Chloé’s twin but can be rewritten as sth else, Brigitte NoLastName Ondine NoLastName as more than Kim’s love interest, Mireille Caquet but not just Theo’s special friend, Aurore Bauréal with the same personality as in Leave for Medeleiev, The rest of Mendeleiev’s class which shows pale with purple-black hair, short purple spiky, short blond spiky, dark skin with long purple hair, and long blonde hair girls in the class picture that have not been named, Purple-black Hair and spiky blonde from the previous class pic, just random made-up OCs
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Extra:
Maybe introduce a character or change last name to have the upcoming Dany Boon as their father   ///   Piper as either a last name or another girl in reference to the Pied Piper of Hamelin that held the Fox miraculous... or maybe just Hamelin as a last name??   ///   Another possible parent is Simon Grimault, whom we know is famous in the Quanticverse   ///   Put Théo Barbot in as an older brother to someone or just older student in maybe like Luka’s grade so he’s not so creepy (maybe the art studio was his parents’ cuz all the kids here are rich af)   ///   Jalil Kubdel could also be in Luka’s grade   ///   Vincent Aza could be brought down to Luka’s age like Théo or even be in Mari’s grade as part of the main group assuming he was held back   ///   Speaking of... Adri’s photographer, who is also named Vincent, could be a dad though the last name is still up in the air   ///   Alec Cataldi could be a dad or brother or something to someone of an Italian background /// Bob Roth might be XYs dad but if not he could be someone else’s   ///   Clara Nightingale could possibly be young enough to be in Luka’s grade
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Parents:
Gabriel Agreste - 
Camille Diamant -
Father Diamant
Mother 
Maternal Grandfather 
Maternal Grandmother
Emilie Loiseau -
Father Loiseau
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yourjuhyunghan · 6 years
Text
Les XX and Pierre de Bréville (French, 1861-1949)
#LesXX and Pierre de Bréville (French, 1861-1949) Les XX and Société Nationale de Musique Pierre de Bréville (French, 1861-1949) - Sonate en ré bémol - Marie-Catherine Girod https://youtu.be/fZLuJWTtsPw
Pierre Onfroy de Bréville (21 February 1861 – 24 September 1949) was a French composer.
Pierre de Bréville was born in Bar-le-Duc, Meuse. Following the wishes of his parents, he studied law with the goal of becoming a diplomat. However, he abandoned his plans after a few years and entered the Conservatoire de Paris. He began his musical studies with Théodore Dubois (1880–1882), later taking courses under the direction of César Franck.
He became a professor, teaching counterpoint at the Schola Cantorum in Paris (1898–1902). Following a twelve-year break, he taught classes in chamber music composition at the Conservatoire de Paris (1914–1918).
He established himself as a music critic and became well known for his reviews and commentary in Mercure de France, Le Courrier musical and La Revue blanche. He died in Paris.
Although de Bréville was not prolific, he lavished attention to his own compositions, producing several highly original works remembered for their quality. He also completed the orchestration of César Franck's unfinished opera Ghiselle with Vincent d'Indyand Ernest Chausson.
Selected compositions[edit]
Stage L'anneau de Çakuntala (The Ring of Shakuntala), Incidental Music for the play Abhijñānaśākuntalam by Kālidāsa Le Pays des fées, Incidental Music La Princesse Maleine, Opera Les Sept Princesses (The Seven Princesses), Incidental Music Éros vainqueur (Eros, Conqueror), Lyric Opera in 3 acts, 4 scenes (1905); libretto by Jean Lorrain; first performance 7 March 1910, Théâtre de la Monnaie, Brussels(with Claire Croiza in the title role) Les Egyptiens, Ballet, an overture to a piece by Maurice Maeterlinck Orchestral works La Nuit de décembre Stamboul, Orchestral Suite Concertante Tête de Kenwark, Scène lyrique for cello and orchestra after a dramatic poem by Leconte de Lisle Chamber music Sonata No.1 in C♯ minor for violin and piano (1918–1919) Une flûte dans les vergers for flute and piano (1920) Pièce for oboe (or flute, or violin) and piano (1923) Poème dramatique for cello and piano (1924) Prière (D'après le Cantique de Molière) for cello and organ (or piano) (1924) Sonatina for oboe (or flute, or violin) and piano (1925) Sonata No.2 "Sonate fantaisie en forme de rondeau" for violin and piano (1927) Sonata in D minor for cello and piano (1930) Fantaisie appassionata for cello and piano (1934) Sonata for violin and piano (1942) Sonata for violin and piano (1943) Sonata for viola and piano (1944) Concert à trois for violin, cello, and piano (1945) Sonata for violin and piano (1947) Fantaisie for guitar Trio à cordes Trio d'anches Organ Suite brève for organ (or harmonium) (1896) Prélude, méditation et prière for organ without pedals (1912) Deuxième suite brève en cinq parties for organ (or harmonium) (1922) Piano Fantaisie: Introduction, fugue et finale (c.1900) Portraits de maîtres (Portraits of Masters) (1907) Gabriel Fauré Vincent d'Indy Ernest Chausson César Franck Impromptu et choral (1912) Stamboul: rhythmes et chansons d'Orient, 4 Pieces (1921) Prélude et fugue (1923) Sonate en ré bémol (Sonata in D♭) (1923) Sept esquisses (7 Sketches) (1926) Quatre sonates (1939) Fantasia appassionata Vocal La forêt charmée for voice and piano (1891); words by Jean Moréas Epitaphe for voice and piano (1899); words taken from the tombstone of Marie Dupuis in the "Église de Senan" Le Furet du bois joli for voice and piano (1899); words by Jean Bénédict Poèmes de Jean Lorrain mis en musique (Poems of Jean Lorrain Set to Music) (1899?) La mort des lys La belle au bois La petite Ilse Quatre mélodies pour voix moyennes (Four Songs for Medium Voice) with piano accompaniment (1912) Une jeune fille parle; words by Jean Moréas Venise marine; words by Henri de Régnier Berceuse; words by Henri de Régnier Sous les arches de roses; words by Charles van Lerberghe Héros, je vous salue for voice and piano (1916); words by Henri de Régnier France for voice and piano (1917); words by Henri de Régnier Sainte for voice and piano (1922); words by Stéphane Mallarmé Bonjour mon cœur for voice and piano (1925); words by Pierre de Ronsard La Terre les eaux va buvant for voice and piano (1925); words by Pierre de Ronsard Ô mon ange gardien for voice and piano (1925); words by Francis Jammes Baiser for voice and piano (1926); words by Émile Cottinet Cantique de 1ère communion for soprano, violin and organ (or piano) (1926); words by Henry Gauthier-Villars La Cloche fêlée for voice and piano (1926); words by Charles Baudelaire 12 Rondels de Charles d'Orléans for voice and piano (1930); words by Charles d'Orléans Bernadette La Petite Ilse Cœur ardent L'Heure mystique Choral Hymne à Venus, Vocal duo or chorus in 2 parts in phrygian mode (c.1885); words by Auguste Villiers de l'Isle-Adam Messe (Mass) for soprano, tenor, baritone, mixed chorus (STB), string quartet, harp and organ (1890s) Sainte Rose de Lima, Scène mystique for soprano, female chorus and orchestra (1890s); words by Félix Naquet Tantum ergo sacramentum veneremur cernui, Hymne au Saint Sacrement for mezzo-soprano, female chorus and organ (c.1900) Les Cèdres du Liban (Cedars of Lebanon) for mixed chorus a cappella Motets pour la messe des morts Salut for soloists, female chorus and organ or harmonium Writings[edit]
Les Fioretti du père Franck, (1935–1938), a biography of César Franck Une histoire du théâtre lyrique en France https://en.wikipedia.org/wiki/Pierre_de_Bréville
Artist Biography by Uncle Dave Lewis
French composer Pierre de Bréville originally prepared to take a law degree in order to join the diplomatic corps and please his parents, but changed his mind and went into music instead. Brévillestudied at the Conservatoire with Theodore Dubois, but was most significantly impacted by his later studies with César Franck and considered himself among Franck's "circle." Bréville traveled to Bayreuth alongside Debussy and Fauré in 1888 and made the acquaintance of Vincent d'Indy there, met with Liszt somewhat earlier, and was acquainted with Edvard Grieg. A trip to Constantinople in the early 1890s accounts for a certain "Orientalist" strain found in Bréville's music, particularly as exemplified in the symphonic poem Stamboul (1895). Bréville remained close friends with d'Indy, who named him to his first teaching position at the Schola Cantorum in 1898; together they worked along with other members of the "Bande de Franck" to complete Franck's unfinished opera Ghisèle.
Bréville was best known in his lifetime as a teacher and critic; he wrote for Mercure de France and other publications throughout his career and taught at both the Paris Conservatoire and the Schola Cantorum; he succeeded d'Indy as head of the Société Nationale de Musique. Bréville also wrote a significant memoir of Franck, Les Fioretti du père Franck, which appeared in serialized form in Mercure de France between 1935 and 1938. As to his compositions, Bréville considered the opera Eros vainqueur, completed in 1905, to be his most important achievement; it was not given in a full-scale production until 1932, but an early concert performance presented in 1910 featured soprano Claire Croiza, who also championed Bréville's songs and other works. Bréville's worklist is geared in the main toward vocal music, and his songs -- mainly the earliest ones from the 1880s and '90s -- gained the greatest amount of traction among any of his works during his lifetime. In addition to the songs, Bréville composed another unfinished opera St. François d'Assise, incidental music for plays, an overture and a handful of symphonic poems, sacred and secular music for chorus, chamber music (including five sonatas for violin and piano; the first (1918) being exceptionally important), and works for piano and organ; his last completed piece, in 1946, was a saxophone quartet. Stylistically, Brévillemoved from Franckian post-romanticism to a mildly impressionist idiom, but little of Bréville's music has been heard since his death in Paris at the age of 88. https://www.allmusic.com/artist/pierre-de-breville-mn0001623473/biography
Pierre de Bréville (French, 1861-1949) - Harmonie Du Soir (Baudelaire) https://youtu.be/rMJ2bUodA6I
Claire Croiza, Pierre de Breville: "Une jeune fille parle" https://youtu.be/3X1DgCgAj5k
LES XX http://www.worldlibrary.in/articles/eng/Les_XX 1891
Stéphane Mallarmé gave a lecture on Auguste Villiers de l'Isle-Adam; Edmond Picard discusses Maurice Maeterlinck, Emile Verhaeren and Charles Van Lerberghe.[13]
Three concerts were given, with the first centered on Belgian composers like Auguste Dupont, Léon Soubre, Joseph Jacob, Paul Gilson and Gustave Huberti.[3] The second and third concert focused on the French composers, with works by Fauré, Franck, d'Indy, and Castillon in the second concert. Vincent d'Indyperformed his Symphonie Cévenole in the third concert.[19] Other composers whose work was performed were Fauré, Franck, Bréville, Bordes, Chausson, Albéric Magnard and Paul Vidal.[3]
Exhibits by invited artists including Odilon Redon,[14] Paul Cézanne,[2] Paul Signac, Henri de Toulouse-Lautrec,[7] Alfred Sisley, Paul Gauguin and Vincent van Gogh.[13] Durint the 1890 expo was sold the only painting Vincent van Gogh sold during his lifetime.[18]
1890 In July, Les XX had an exhibition in Amsterdam, The Netherlands.[11] At the first concert, the music was composed by César Franck, Pierre de Bréville, Ernest Chausson, Gabriel Fauré and Julien Tiersot. The music was played in part by the Quatuor Ysaÿe, as happened in the next few years.[3] The second concert was centered on Gabriel Fauré, with additional music by d'Indy, Charles Bordes and Henri Duparc.[3]
[10].Vision After the Sermon Included is Gauguin's masterpiece [4]
http://www.worldlibrary.in/articles/eng/Les_XX
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Les XX and music Conservatoire de Paris Paul Marie Théodore Vincent d'Indy (French, 1851–1931) Poème des rivages (1919-21) on Kant sublime and Vincent Willem van Gogh (Dutch, 1853–1890)
Les XX and music Conservatoire de Paris Paul Marie Théodore Vincent d'Indy (French, 1851–1931) Poème des rivages (1919-21) on Kant sublime and Vincent Willem van Gogh (Dutch, 1853–1890)
Paul Marie Théodore Vincent d'Indy (French: [vɛ̃sɑ̃ dɛ̃di]; 27 March 1851 – 2 December 1931) was a French composer and teacher.
Vincent d'Indy, ca. 1895 https://en.wikipedia.org/wiki/Vincent_d%27Indy#/media/File:D%27Indi_Vincent_Postcard-1910.jpg
Life[edit]
Paul Marie Théodore Vincent d'Indy was born in Paris into an aristocratic family of royalist and Catholic persuasion. He had piano lessons from an early age from his paternal grandmother, who passed him on to Antoine François Marmontel and Louis Diémer.[1] From the age of 14 he studied harmony with Albert Lavignac. At age 19, during the Franco-Prussian War, he enlisted in the National Guard, but returned to musical life as soon as the hostilities were over. The first of his works he heard performed was a Symphonie italienne, at an orchestral rehearsal under Jules Pasdeloup; the work was admired by Georges Bizet and Jules Massenet, with whom he had already become acquainted.[1] On the advice of Henri Duparc, he became a devoted student of César Franck at the Conservatoire de Paris. As a follower of Franck, d'Indy came to admire what he considered the standards of German symphonism.
Vincent d'Indy, sculpture by Antoine Bourdelle In the summer of 1873 he visited Germany, where he met Franz Liszt and Johannes Brahms.[1] On 25 January 1874 his overture Les Piccolomini was performed at a Pasdeloup concert, sandwiched between works by Bach and Beethoven.[1] Around this time he married Isabelle de Pampelonne, one of his cousins. In 1875 his symphony dedicated to János Hunyadi was performed. That same year he played a minor role – the prompter – at the premiere of Bizet's opera Carmen.[1] In 1876 he was present at the first production of Richard Wagner's Ring Cycle at Bayreuth. This made a great impression on him and he became a fervent Wagnerite. In 1878 d'Indy's symphonic ballad La Forêt enchantée was performed. In 1882 he heard Wagner's Parsifal. In 1883 his choral work Le Chant de la cloche appeared. In 1884 his symphonic poem Saugefleurie was premiered. His piano suite ("symphonic poem for piano") called Poème des montagnes came from around this time. In 1887 appeared his Suite in D for trumpet, 2 flutes and string quartet. That same year he was involved in Lamoureux's production of Wagner's Lohengrin as choirmaster. His music drama Fervaal occupied him between 1889 and 1895.
Inspired by his own studies with Franck and dissatisfied with the standard of teaching at the Conservatoire de Paris, d'Indy, together with Charles Bordes and Alexandre Guilmant, founded the Schola Cantorum de Paris in 1894. D'Indy taught there and later at the Paris Conservatoire until his death. Among his many students were Isaac Albéniz, Leo Arnaud, Joseph Canteloube (who later wrote d'Indy's biography), Pierre Capdevielle, Jean Daetwyler, Arthur Honegger, Eugène Lapierre, Leevi Madetoja, Albéric Magnard, Rodolphe Mathieu, Darius Milhaud, Helena Munktell, Cole Porter, Albert Roussel, Erik Satie, Georges-Émile Tanguay, Otto Albert Tichý, Emiliana de Zubeldia and Xian Xinghai, Ahmet Adnan Saygun. Xian was one of the earliest Chinese composers of western classical music See: List of music students by teacher: C to F#Vincent d'Indy. While A. A. Saygun became one of the pioneers of classical music in Turkey.
Few of d'Indy's works are performed regularly today. His best known pieces are probably the Symphony on a French Mountain Air (Symphonie sur un chant montagnard français, also known as Symphonie cévenole) for piano and orchestra (1886), and Istar (1896), a symphonic poem in the form of a set of variations in which the theme appears only at the end.[1]
Vincent d'Indy in 1913. Among d'Indy's other works are other orchestral music (including a Symphony in B♭, a vast symphonic poem, Jour d'été à la montagne, and another, Souvenirs, written on the death of his first wife; he later remarried), chamber music, including two of the most highly regarded string quartets of the latter nineteenth century (No. 2 in E major, Op. 45, and No. 3 in D-flat, Op. 96), piano music (including a Sonata in E minor), songs and a number of operas, including Fervaal (1897) and L'Étranger (1902). His music drama Le Légende de Saint Christophe, based on themes from Gregorian chant, was performed for the first, and possibly last, time, on 6 June 1920. His comédie musicale had its premiere in paris on 10 June 1927. His Lied for cello and orchestra, Op. 19, was recorded by Julian Lloyd Webber and the English Chamber Orchestra conducted by Yan Pascal Tortelier in 1991. As well as Franck, d'Indy's works show the influence of Berlioz and especially of Wagner.
D'Indy helped revive a number of then largely forgotten early works, for example, making his own edition of Claudio Monteverdi's opera L'incoronazione di Poppea.
His musical writings include the co-written three-volume Cours de composition musicale (1903–1905), as well as studies of Franck and Beethoven.
D'Indy died where he was born, in Paris.
Political views[edit]
D'Indy was a committed monarchist, joining the League of la Patrie française during the Dreyfus affair. He was anti-Semitic, but did not extend this bias to his Jewish colleagues.[1]
Critical reaction[edit]
Vincent d'Indy, photo: Library of Congress Opera critic Arthur Elson, writing in 1901, while appreciating d'Indy, prefers another composer.[2]:343–44
Of the younger men, Vincent d'Indy (1851– ) has shown himself abreast of the times, and his Fervaal, with a libretto of "rhythmic prose," is a worthy example of the school of operatic realism and musical complexity. [...] But the most prominent composer for the Paris stage at present is Alfred Bruneau. [...] [I]n Le Réve [sic] (1891), on a libretto from Zola's novel, he began the career that has won him his present position.
In a post-Wagner age under "the artistic domination of Bayreuth," Elson describes two "paths" in contemporary opera, one path being more conservative[2]:350–51
while the other has led to the uttermost regions of modern polyphony and dissonance. [...] Among the more radical group, corresponding to Bruneau, d'Indy and Franck, the most daring work has been done by Richard Strauss.
In Elson's opinion, those following the more conservative path are Cornelius, Goetz, Humperdinck, Goldmark, Saint-Saëns and Massenet.
Legacy[edit]
The private music college École de musique Vincent-d'Indy in Montreal, Canada, is named after the composer, as is the asteroid 11530 d’Indy. https://en.wikipedia.org/wiki/Vincent_d%27Indy
Symphony on a French Mountain Air, Op. 25 by Vincent D’indy (1886) https://youtu.be/ojHuauK7vlg
Vincent d'Indy Poème des rivages Op.77 (1919-21) Part I https://youtu.be/SnPH-6mim60
Movements/Sections 4 movements Calme et Lumière. Agay (Méditerranée) La joie du bleu profond. Miramar de Mallorca (Méditerranée) Horizons verts. Falconara (Adriatique) Le mystère de l'Océan. La Grande Côte (Golfe de Gascogne) http://imslp.org/wiki/Poème_des_rivages%2C_Op.77_(Indy%2C_Vincent_d%27)
The Conservatoire de Paris (pronounced [kɔ̃.sɛʁ.va.twaʁ də pa.ʁi]; English: Paris Conservatory) is a college of music and dance founded in 1795 associated with PSL Research University. It is situated in the avenue Jean Jaurès in the 19th arrondissement of Paris, France. The Conservatoire offers instruction in music, dance, and drama, drawing on the traditions of the "French School".
In 1946 it was split in two, one part for acting, theatre and drama, known as the Conservatoire national supérieur d'art dramatique (CNSAD), and the other for music and dance, known as the Conservatoire national supérieur de musique et de danse de Paris (CNSMDP). Today the conservatories operate under the auspices of the Ministry of Culture and Communication.
Franco-Prussian War and the Third Republic[edit] In the Franco-Prussian War, during the siege of Paris (September 1870 – January 1871), the Conservatory was used as a hospital. On 13 May 1871, the day after Auber's death, the leaders of the Paris Commune appointed Francisco Salvador-Daniel as the director - however Daniel was shot and killed ten days later by the troops of the French Army. He was replaced by Ambroise Thomas, who remained in the post until 1896. Thomas's rather conservative directorship was vigorously criticized by many of the students, notably Claude Debussy.[2]
Piano class of Charles de Bériot in 1895 with Maurice Ravel on the left During this period César Franck was ostensibly the organ teacher, but was actually giving classes in composition. His classes were attended by several students who were later to become important composers, including Ernest Chausson, Guy Ropartz, Guillaume Lekeu, Charles Bordes, and Vincent d'Indy.[2]
Théodore Dubois succeeded Thomas after the latter's death in 1896. Professors included Charles-Marie Widor, Gabriel Fauré, and Charles Lenepveu for composition, Alexandre Guilmant for organ, Paul Taffanel for flute, and Louis Diémer for piano.[2]
Gabriel Fauré[edit]
Fauré in his office at the Conservatoire, 1918 Lenepveu had been expected to succeed Dubois as director, but after the "Affaire Ravel" in 1905, Ravel's teacher Gabriel Faurébecame director. Le Courier Musical (15 June 1905) wrote: "Gabriel Fauré is an independent thinker: that is to say, there is much we can expect from him, and it is with joy that we welcome his nomination."[14]
Fauré appointed forward-thinking representatives (such as Debussy, Paul Dukas, and André Messager) to the governing council, loosened restrictions on repertoire, and added conducting and music history to the courses of study. Widor's composition students during this period included Darius Milhaud, Arthur Honegger, and Germaine Tailleferre. Other students included Lili Boulanger and Nadia Boulanger. New to the staff were Alfred Cortot for piano and Eugène Gigout for organ.[2]
The modern era[edit]
The CNSMDP new building at the Cité de la Musique. The Conservatory moved to facilities at 14 rue de Madrid in 1911.[2]
Henri Rabaud succeeded Fauré in 1920 and served until 1941. Notable students were Olivier Messiaen, Jean Langlais, and Jehan Alain. Staff included Dukas and Jean Roger-Ducasse for composition, Marcel Dupré for organ, Marcel Moyse for flute, and Claire Croiza for singing.[2]
Claude Delvincourt was director from 1941 until his tragic death in an automobile accident in 1954. Delvincourt was a progressive administrator, adding classes in harpsichord, saxophone, percussion, and the Ondes Martenot. Staff included Milhaud for composition and Messiaen for analysis and aesthetics. In 1946, the dramatic arts were transferred to a separate institution (CNSAD). Delvincourt was succeeded by Dupré in 1954, Raymond Loucheur in 1956, Raymond Gallois-Montbrun in 1962, Marc Bleuse in 1984, and Alain Louvier in 1986. Plans to move the Conservatory of Music and Dance to more modern facilities in the Parc de la Villette were initiated under Bleuse and completed under Louvier. It opened as part of the Cité de la Musique in September 1990.[2]
Currently, the conservatories train more than 1,200 students in structured programs, with 350 professors in nine departments.
https://en.wikipedia.org/wiki/Conservatoire_de_Paris
Les XX was founded on 28 October 1883 in Brussels and held annual shows there between 1884 and 1893, usually in January–March. The group was founded by 11 artists who were unhappy with the conservative policies of both the official academic Salon and the internal bureaucracy of L'Essor, under a governing committee of twenty members. Unlike L'Essor ('Soaring'), which had also been set up in opposition to the Salon, Les XX had no president or governing committee. Instead Octave Maus (a lawyer who was also an art critic and journalist) acted as the secretary of Les XX, while other duties, including the organization of the annual exhibitions, were dispatched by a rotating committee of three members. A further nine artists were invited to join to bring the group membership of Les XX to twenty; in addition to the exhibits of its Belgian members, foreign artists were also invited to exhibit.[1]
There was a close tie between art, music and literature among the Les XX artists, during the exhibitions, there were literary lectures and discussions, and performances of new classical music, which from 1888 were organised by Vincent d'Indy,[2] with from 1889 until the end in 1893 very frequent performances by the Quatuor Ysaÿe.[3] Concerts included recently composed music by Claude Debussy, Ernest Chausson and Gabriel Fauré. Leading exponents of the Symbolist movement who gave lectures include Stéphane Mallarmé, Théodore de Wyzewa and Paul Verlaine.[1]
https://wikivisually.com/wiki/Les_XX
Vincent Willem van Gogh (Dutch, 1853–1890)
Self-Portrait, 1887, Art Institute of Chicago https://en.wikipedia.org/wiki/Vincent_van_Gogh#/media/File:Vincent_van_Gogh_-_Self-Portrait_-_Google_Art_Project_(454045).jpg
Flowering Plum Orchard (after Hiroshige), 1887. Van Gogh Museum, Amsterdam https://en.wikipedia.org/wiki/Vincent_van_Gogh#/media/File:Vincent_van_Gogh_-_Bloeiende_pruimenboomgaard-_naar_Hiroshige_-_Google_Art_Project.jpg
The Starry Night, June 1889. Museum of Modern Art, New York https://en.wikipedia.org/wiki/Vincent_van_Gogh#/media/File:Van_Gogh_-_Starry_Night_-_Google_Art_Project.jpg
The Church at Auvers, 1890. Musée d'Orsay, Paris https://en.wikipedia.org/wiki/Vincent_van_Gogh#/media/File:Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise,_View_from_the_Chevet_-_Google_Art_Project.jpg
Starry Night Over the Rhone, 1888. Musée d'Orsay, Paris https://en.wikipedia.org/wiki/Vincent_van_Gogh#/media/File:Vincent_van_Gogh_-_Starry_Night_-_Google_Art_Project.jpg
Olive Trees with the Alpilles in the Background, 1889. Museum of Modern Art, New York https://en.wikipedia.org/wiki/Vincent_van_Gogh#/media/File:Van_Gogh_The_Olive_Trees..jpg
Wheatfield Under Thunderclouds, 1890, Van Gogh Museum, Amsterdam, Netherlands https://en.wikipedia.org/wiki/Vincent_van_Gogh#/media/File:Vincent_van_Gogh_-_Wheatfield_under_thunderclouds_-_Google_Art_Project.jpg
Wheatfield with Crows, 1890. Van Gogh Museum, Amsterdam https://en.wikipedia.org/wiki/Vincent_van_Gogh#/media/File:Vincent_van_Gogh_-_Wheatfield_with_crows_-_Google_Art_Project.jpg
Vincent Willem van Gogh (Dutch: [ˈvɪnsɛnt ˈʋɪləm vɑn ˈɣɔx] (About this sound listen);[note 1] 30 March 1853 – 29 July 1890) was a Dutch Post-Impressionist painter who is among the most famous and influential figures in the history of Western art. In just over a decade he created about 2,100 artworks, including around 860 oil paintings, most of them in the last two years of his life. They include landscapes, still lifes, portraits and self-portraits, and are characterised by bold colours and dramatic, impulsive and expressive brushwork that contributed to the foundations of modern art. His suicide at 37 followed years of mental illness and poverty.
Born into an upper-middle-class family, Van Gogh drew as a child and was serious, quiet and thoughtful. As a young man he worked as an art dealer, often travelling, but became depressed after he was transferred to London. He turned to religion, and spent time as a Protestant missionary in southern Belgium. He drifted in ill health and solitude before taking up painting in 1881, having moved back home with his parents. His younger brother Theo supported him financially, and the two kept up a long correspondence by letter. His early works, mostly still lifes and depictions of peasant labourers, contain few signs of the vivid colour that distinguished his later work. In 1886, he moved to Paris, where he met members of the avant-garde, including Émile Bernard and Paul Gauguin, who were reacting against the Impressionist sensibility. As his work developed he created a new approach to still lifes and local landscapes. His paintings grew brighter in colour as he developed a style that became fully realised during his stay in Arles in the south of France in 1888. During this period he broadened his subject matter to include series of olive trees, wheat fields and sunflowers.
Van Gogh suffered from psychotic episodes and delusions and though he worried about his mental stability, he often neglected his physical health, did not eat properly and drank heavily. His friendship with Gauguin ended after a confrontation with a razor, when in a rage, he severed part of his own left ear. He spent time in psychiatric hospitals, including a period at Saint-Rémy. After he discharged himself and moved to the Auberge Ravoux in Auvers-sur-Oise near Paris, he came under the care of the homoeopathic doctor Paul Gachet. His depression continued and on 27 July 1890, Van Gogh shot himself in the chest with a revolver. He died from his injuries two days later.
Van Gogh was unsuccessful during his lifetime, and was considered a madman and a failure. He became famous after his suicide, and exists in the public imagination as the quintessential misunderstood genius, the artist "where discourses on madness and creativity converge".[6] His reputation began to grow in the early 20th century as elements of his painting style came to be incorporated by the Fauves and German Expressionists. He attained widespread critical, commercial and popular success over the ensuing decades, and is remembered as an important but tragic painter, whose troubled personality typifies the romantic ideal of the tortured artist.
https://en.wikipedia.org/wiki/Vincent_van_Gogh
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