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#but they used practical effects!!!
djungelskogbear · 2 years
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just watched werewolf by night and Gael Garcia Bernal put his whole pussy into that performance
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yoshidatommy · 1 month
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Revisited an old idea "If "House of Ashes" was a movie" 🎬
Previous parts
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sashthesloth · 3 months
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“Janiris. It’s an asari holiday.” […] “It is mainly marked by a feast and the making of flower crowns and necklaces. Then exchanged between friends and lovers.”
The Untamed Effect, Chapter 6 by @thievinghippo
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mwagneto · 12 days
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the fucking... doctor who american centric release is so miserable fr it's born to air at 19.00 saturday on da bbc you're taking it out of its natural habitat stop!!!!!!! you're hurting it.........
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the LOTR movies are just genuinely so fucking good. type of movie that we probably will never see get made again because sooooo much of it is just extremely detailed and intricate practical effects and real costuming like the armor!!! the sfx makeup!! the sheer number of people and horses!! and also it is focused on just doing a good job of adapting the source material rather than milking a franchise forever and ever which of it were made today would simply not be the case. movies of all time
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tennessoui · 8 months
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I'm begging on my hands and knees for more Twilight au, and those are words I never thought I'd say! Anakin being able to resist compulsion, and Obi-Wan seeming instantly obsessed, and poor Shmi! Pretty please 🥺🙏
hey!! sure! here's some more!
(2.5k)
Having a sheriff for a mom sucked a lot when he was a kid growing up in a small town. There was probably nothing Anakin was rebelling against more at eleven, at thirteen, at seventeen than the rule of law his mother represented. 
All things considered, she was pretty good at separating her home life from her worklife. It was Anakin who was bad at respecting the separation, Anakin who couldn’t keep son out of delinquent.  There’s only so many times he could be pulled out of wreckage and bars and buildings with Keep Out No Trespassing signs on them before he got The Sheriff at home and out in public.
He’d hated it growing up and had come to grudgingly respect it later and in fits and starts. His dad dying had, terribly and ironically, helped a lot. His mother had had a stroke just before and then Anakin had been faced with the possibility of being an orphan, and the terror of that had mellowed him out.
Sorta.
He still hates a lot of things about his mother’s job. Especially the fact that she’s the sheriff of a very small town.
And when people talk, she listens.
The thing about small towns is that everyone’s always fucking talking. And other people are always fucking lsitening so they can talk later. One big fucking community, which means when Anakin comes home from his weird doctor’s appointment with Dr. Kenobi, a few hours later because he took a detour biking along the edge of the seaside cliffs just to spit in the good doctor’s metaphorical face, Shmi Skywalker already knows more than Anakin ever planned to tell her.
Like, for instance, “Sheila says that Dr. Kenobi thought it would behoove you to spend some time at the local library volunteering.”
Anakin pauses, backpack half-slung off his shoulders. He hangs his stuff up slowly, careful to keep his tone very light. “Did Sheila say what I told him after he said that?” 
His mom’s silence is very loud.
“I don’t want to do i—”
“I asked the new librarian about it on my way home from the station. She thinks it’s a wonderful idea. Apparently we used to have a program like that in the forties but it died out during the war.”
“Mom, come on—”
“It’ll look good on resumes, saying you created and supported a local reading program.”
“Yeah, but I’m a bit too old to be applying for babysitting positio—”
“It’ll look good for me as well,” Shmi says in her sheriff voice. “Elections are coming up soon. It’ll be good, if my kid was involved in the community.”
Anakin’s glad that his back is still turned to the living room, where his mom is sitting. “Are you gonna run again?” he asks, paying special attention to his tone this time.
“Why wouldn’t I?” his mom replies. “I’ve been sheriff for a decade and a half.”
Anakin lets his eyes fall closed for a second, knowing that his face can’t be seen. This is how they end up half the time: Shmi’s ardent belief that she is invincible, going up against Anakin’s desperate desire for her to be so.
And they just don’t talk about it. As if they’re actually in agreement.
He knows how this is going to shake out.
“Do you have any plans tomorrow?” His mother asks.
Anakin’s eyes remain closed. “I guess so,” he says.
—--------
Mrs. Kenobi—call me Satine—is sort of scary up close. She’s tall. She glides between bookshelves. Anakin’s never met someone who glides before. And she’s so intensely, incredibly, blindingly perfect that Anakin would rather be anywhere but in her vicinity. There’s something incredibly unnerving about the symmetry of her face, the sharpness of her cheekbones. She’s obviously an absolute knock-out, just drop-dead gorgeous, but it makes Anakin’s skin crawl and his heart beat fast, but not in a good way or a normal teenage boy way.
Anakin tries to keep the unease off his face as Satine leads him through a tour of the library, a gentle hand on his forearm. That’s another thing Anakin doesn’t really like. She’s wearing satin gloves. He doesn’t know anyone who wears gloves anymore.
It’s just all a bit…unsettling.
“I put in a few words around the school yesterday afternoon,” Satine tells him. They pass by the mystery section, the fantasy section, and take a hard right into the young adult section. The shelves are smaller here, and Anakin feels rather stupidly gigantic as he and Satine walk through them. “To some parents picking their children up after school. They agreed it would be good exposure to bring them to the library for an hour or so of reading before supper.”
Anakin highly doubts it will be, but Satine hasn’t really asked him.
She sweeps past his figure and pushes open a pair of double doors with a flourish better suited for a Russian tsarina hosting an elaborate ball than a small town librarian showing off a small, cramped, and dusty room filled with padded seats and threadbare rugs.
And then, as if she has been waiting to put the last nail in the proverbial coffin, Satine adds, “A few students from the local high school will be here as well.”
“Sorry,” Anakin says, “are you saying I’m going to be reading to high school students? Can’t they do that themselves?”
After all, Anakin went to high school here. Academics hadn’t been too rigorously challenging, but they’d taught the fucking basics.
Satine raises one perfectly plucked eyebrow in his direction. “They’ll be volunteering as well.”
Oh. Right.
“It looks good on their college applications,” Satine waves a hand through the air and the words linger there. Anakin looks out the rather dirty window, jaw clenching. “I’ve already chosen a handful of books I think the young ones will enjoy.”
Anakin, committed to his fate, pads over to the titles placed carefully ontop of a short, stout side table. 
“Peter the Rabbit,” he reads off the top. “Peter Pan. Alice in Wonderland. Treasure Island. The Prince and the Pauper—look, you’re the librarian here, but don’t you have anything written this century maybe? Harry Potter, even.”
“These are classics,” Satine tells him, her nose raised into the air as if she has encountered something particularly foul-smelling. She turns away, presumably to return to the front desk so she can welcome half the fucking town inside the library so Anakin can read them fucking Anne of Green Gables and become a better person.
“These are fucking boring,” he mutters to himself, flicking the cover of the first book, The Wonderful Wizard of Oz open. Publication date: 1900. “I’d rather be in Kenobi’s office getting lectured at.”
There’s a sharp noise of disapproval from the doorway, and Anakin’s head snaps up to see the tail end of a very heated look from the librarian before the door closes behind her.
He shivers, alone in the emply room, and it takes several long minutes for his heart to settle back into its normal pace. 
—----------
After the fourth kid sneezes, Anakin closes his book with a snap and stands from the very small chair they’ve got him sitting on. “Come on,” he tells the cluster of children he’s been assigned to. “We’re getting out of here.”
“Are you kidnapping us?” One of them, a snot-nosed kid who’d started the sneezing says, rubbing at her cheek beneath her glasses. “Cause mommy says that’s not allowed.”
“I’m not kidnapping you,” Anakin snaps back, barely holding in his natural follow-up to the sentence which is of course, I don’t want to be around any of you in the first place. “Also, just for future reference, you shouldn’t ask if someone’s kidnapping you after you already start following them.”
The girl scowls and reaches up her hand to hold onto Anakin’s. 
For the love of Christ.
“We’re just going to go into the main part of the library,” Anakin tells his children, all six of them. “They have windows out there.”
They have windows out there and they also have parents. Parents who absolutely should be doing other things with their lives and precious hour of extra freetime.
Parents who are clustered instead around the library’s front desk as the town’s newest librarian holds court.
“Is reading time over?” one of the kids asks him, turning his head to look up at Anakin.
Anakin thinks about it. “Do you want reading time to be over?”
The kid thinks about it back. “Yeah,” he decides. “You don’t do the voices good.”
“It’s a boring book,” Anakin tells the kid. “Voices aren’t going to make it better.”
“Voices always make it better,” another kid says. “They make everything better.”
“Oh look,” Anakin says. “Is that your father?”
He gestures vaguely towards the cluster of drooling middle-aged somethings focused on Satine.
The kid peeks around his thigh and then shakes his head. “No,” he says. “That’s Dr. Obi.”
“Dr. Obi!” The kid holding Anakin’s hand says, and she lets go.
Anakin gets a bad feeling about this, a feeling that only doubles when he turns around to see Dr. Kenobi sauntering towards him, hands tucked into the pockets of a long dark jacket that makes him look even more pale than he already is.
He scowls automatically as the man gets closer. “Dr. Obi.”
Dr. Kenobi spares him a look that’s far too amused for Anakin’s pleasure before he crouches down to the level of the kids. “Hello there, young ones,” he says, opening his arms to accept a hug from the traitor of a girl Anakin’s just spent thirty minutes reading to. “Are you eating all your vegetables? Even the brussel sprouts?”
“I like brussel sprouts,” one of the kids reports sounding proud, and that starts a cacophony of opinions about brussel sprouts from all around Anakin.
“Wow! One of mine just absolutely hates them,” Dr. Kenobi says. “She refuses to eat them, so you’re very brave, Michele.” He lets go of the girl and turns his golden-brown gaze up to Anakin. “And what does Mr. Skywalker think?” he asks, raising a hand for Anakin to take. It’s very obvious he’s asking for a hand up and Anakin is obeying before he thinks about it. He snatches his hand free almost too soon, but Dr. Kenobi doesn’t even have the grace to lose his balance and fall over. 
His hand is like ice in Anakin’s, and Anakin stuffs his fingers into the pocket of his jacket automatically a second later.
“Do brussel sprouts help with circulation?” he’s biting out before he can stop himself. “Cause you may need some then.”
Kenobi’s head tilts very slightly to the side as his eyes catch and hold onto Anakin’s. “Oh?” he asks lightly. 
“You’re cold,” is all Anakin mutters in return. He swipes his other hand against the back of his neck. “”S poor circlutation, isn’t it? Something in your diet maybe?” Dr. Kenobi blinks at him and then breaks into a wide smile. “I can assure my diet is very…circulation-mindful,” he says. “Blood health positive.”
Anakin’s mouth thins into a line. He guesses that’s what he gets for trying to give health advice to a doctor, especially a doctor like Kenobi who just so happens to be devastatingly attractive and also smart.
And also an asshole. And also married.
Speaking of which. “Are you here to fend off your wife’s admirers with a scalpel?” Kenobi’s eyebrows raise. “Young ones,” he turns his head away from Anakin, down to the children.
The strangest feeling breaks of Anakin the second Kenobi looks away, almost as if a strange pressure he hadn’t even realized had been building was suddenly dissolved.
The very small beginnings of a headache begin to thrum in his temples.
“Young ones, it’s time to find your parents, isn’t it?” Kenobi says, and like fucking magic, the crowd of six children around Anakin disperse, children swarming away from him towards the group of adults surrounding the front desk.
“Can you teach me how to do that?” Anakin blurts out, even though he’d meant to ignore Kenobi now that he doesn’t have to make nice in front of small kids. Not that he was really making nice in the first place. But now he definitely doesn’t have to.
Kenobi gives him a half-smile, eyes heavy-lidded. “It’s a special sort of skill that takes, above all else, much practice.”
Anakin scowls. “What’s that supposed to mean?” Does Kenobi think he can’t commit himself to something even as mundane as a fucking commanding persona? Does he think he doesn’t have it in him to be–-
Kenobi’s eyebrows go up again. “Has anyone ever told you that you are exceedingly defensive?” 
“You’re extremely nosey,” Anakin snaps back, crossing his arms over his chest. “Don’t you have better things to focus on right now anyway?”
He gestures loosely towards Satine, who has started playing with one of the mother’s bracelets as the other woman stands and looks at her rather dumbfounded.
Kenobi follows his gaze and then lets out a huff of laughter. “Satine can take care of herself,” he says, even though it hadn’t really been Satine that Anakin was worried about.
He’s about to open his mouth to say so when Kenobi turns back to him. His eyes are piercing, a dark, captivating sort of gold. 
“Do you find my wife beautiful, Anakin?” he asks.
Anakin blinks. His headache is getting worse, which is probably down to what can only be a trick-question fashioned to look like a grenade lobbed at his feet. “I don’t think there’s a good answer to that,” he mutters, rubbing absently at his forehead. “What the fuck.”
“An honest answer is a good one,” Kenobi says lightly. “Tell me honestly.”
The words feel pulled from Anakin’s stomach, and he’s opening his mouth before he realizes it. “No,” he says. 
Kenobi’s eyebrows crinkle together. “No?”
Anakin curses his stupid impulse control. “She’s beautiful,” he adds quickly. “Really. But…it makes me uncomfortable.”
Kenobi’s lips purse, and then there’s something like disappointment in his eyes as he examines Anakin. “Ah yes,” he murmurs. “I’ve been told my wife can make countless young men feel rather uncomfortable. It’s normal in men your age, Anakin. Sexual ar—”
“Uncanny,” Anakin blurts out. He doesn’t mean to, but he also doesn’t want to listen to  Kenobi trying to lecture him on fucking arousal in the public library. When it’s not even relevant. “She’s so beautiful, it’s uncanny.”
“Uncanny.”
“Yeah, like. Monstrous.”
Kenobi’s mouth falls open, pink lips parted in what looks like honest surprise.
Anakin’s own eyes widen as it hits him that he’s just called Kenobi’s wife a monster to Kenobi’s face.
“Shit,” he says. “Sorry. I didn’t mean that. I’m going to go.” 
He throws a look at Kenobi, whose eyes are lit with something a lot like interest and then across the library to where Satine’s head is turned, cocked, and eyebrows up high on her forehead, as if she’s just heard everything he’s said.
He decides rather immediately that he’s going to take the backdoor exit.
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munadyke · 5 months
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saw a post recently of people complaining about how costuming is never given proper budget/attention anymore which is definitely true for a lot of shows/movies however. um not to bring up willow (2022) again but....
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krakenshaped · 4 months
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yubel the beloved perhaps
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I'm very excited for Phantom Nightmare can you tell :3
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coquelicoq · 7 months
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what i love about the Famous Actor Natori Shuuichi of it all is that...it's not just that he's famous and therefore widely recognizable wherever he goes. like yes that is very funny because he was an exorcist before he became a famous actor, which means he CHOSE, on purpose, a day job that would make it harder to hide his double life/secret identity from the hordes of his adoring public, but it's more than that. it's not just that he's famous, it's that he's famous specifically for being an ACTOR, aka a person whose job it is to dissimulate, to make believe, to inhabit roles and emotions other than his own. like he decided he was going to become as visible as possible (which again was literally not necessary! he could have gone into any other career for his day job!!) but in such a way that everyone would see him but no one would see him - they would just see his various made-up personas, including the Famous Actor Natori Shuuichi persona. i can't decide if he's a genius or if he just made so many absurd decisions that they canceled each other out and circled back around to working out. he's either playing 9-dimensional chess or he's eating the pieces. too soon to say.
#the other thing i love about it is that in a very real sense it's his actor day job that is his alter ego#being an exorcist is his normie job. he's just a famous celebrity on the side#which isn't that uncommon in secret identity setups but it's still very funny#natsume's book of friends#natsume yuujinchou#natori shuuichi#natsuyuu meta#my posts#f#i think probably the actual answer is that acting was a very natural career choice because he already masks so extensively#both to hide that he can see things other people can't (and that youkai exist and that he exorcises them)#and to hide what he's really feeling so that no one can use it against him#so if it's already something he has to do & he's good at it...why not have someone tell him exactly how to do it & get paid for it?#and the other part of the answer is that most ppl don't go into acting assuming they'll get famous. the fame was a side effect#so each decision as it was being made probably made perfect sense. but put them all together#and you have this hilarious assortment of elements that seem to directly contradict each other#okay also i would be remiss if i didn't mention the other possible answer which is that the attention came first and was unavoidable#and the acting developed from the need to protect himself from the attention that he was going to be attracting no matter what he did#because he's so beautiful. and (in the exorcist world specifically) because he's the last of the natori#the more i talk about it the more i'm like no becoming a famous actor was the only path that made any sense for him lol#1) he's gonna be watched no matter what bc he's him -> gotta figure out how to hide his secrets -> learn to act as self-defense#or 2) he's got secrets -> he's gotten a lot of practice hiding them -> hey you could make a career out of this!#all roads lead to actor natori shuuichi. and since he's beautiful...all roads lead to FAMOUS actor natori shuuichi#i love it when i ramble so much in the tags that i end up contradicting my own post lol#he's neither thinking ten steps ahead nor is he irrational. he's simply making sensible individual decisions#that follow logically from what is available to him and what his priorities are
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teasodium · 10 days
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Wanted to do something for mermay and I've been watching the music video for Casual by Chappell a bit too much
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cluescorner · 1 month
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Arlecchino's whole deal is unbelievable
Arlecchino: Huh I wonder what's causing my weird powers? I can't really worry about that right now tho, I've gotta become King and then kill my "Mother".
*Kills Clervie and "Mother"*
Arlecchino: Huh I wonder why I was able to defeat a Fatui Harbinger when I'm like 17 or so? I can't really worry about that right now tho, I've gotta be in jail and become a Harbinger.
*Is in jail for a while and becomes a Harbinger*
Arlecchino: Huh I wonder why I am-
Pierro: Hey what's up hello, anyways you're descended from the Crimson Moon Dynasty of Khaenri'ah. I'm sure that this is a lot for you to take in so-
Arlecchino: Ok.
Pierro: ...You're just cool with that?
Arlecchino: IDK maybe? I can't really worry about that at the moment, I'm a father now. This orphanage full of children I love (who also are child soldiers and are not allowed to leave or else I'll execute them except maybe now I'm just gonna wipe their memories IDK I'm morally complex) isn't gonna run itself.
*Runs the orphanage/spy recruitment initiative*
Me, the fucking player: WHAT DO YOU MEAN YOU ARE KHAENRI'AN? WHY WASN'T THIS BROUGHT UP IN YOUR FUCKING QUEST?? OR ANYTHING ELSE????
Arlecchino, talking to me through my phone: I honestly don't know why you care, I'm too busy to give a shit. Anyways, I'm gonna go fight fate itself I guess. I'm sure that I don't share any thematic parallels with any other Khaenri'an characters (particularly as it relates to acting and family angst) and that I haven't made the idea of 'curses' on Khaenri'ans and what they entail even more complicated than they already were. See ya.
#arlecchino#genshin impact#pierro#WHY IS THE GAME FUCKING GLOSSING OVER THE FACT THAT SHE IS KHAENRI'AN?!#Not only that but she is the first Khaenri'an we've met (that we know of) who's from the Crimson Moon Dynasty#I'm so fucking confused#Did Celestia place a DIFFERENT curse on members of the Crimson Moon Dynasty?? Or is this stuff all of them can do???#HELP#She also seems almost...uninterested in the fact that she's descended from Khaenri'ah. Which honestly I think is interesting.#I don't know if I like it yet but when every other Khaenri'ah character has one of their major traits being that they super fucking#care that they are Khaenri'an (whether that be Kaeya with his paranoia/destiny/duty or Dain with his guilt over his failure/desire to#prevent our sibling from fucking with anything too much or whatever the fuck is going on with Pierro)#having a character who is Khaenri'an but doesn't seem to particularly be invested in that part of themself is different#she cares more about the curse and its effects on her then she ever really cares about the Crimson Moon Dynasty or the cataclysm#IDK I think it's neat from a character writing angle. or at least it has the potential to be if the writers do a good job.#But from a 'I like maybe 3 things in this game and one of them is Khaenri'ah' perspective it SUCKSSSSS#That part of the plot is already suffering from chronic live-service storytelling disease where people just straight up don't tell you#shit that they logically SHOULD BE TELLING YOU because the game needs to save plot points to build hype around#so for one of like 4-ish (depending on how much we count Albedo) Khaenri'an major characters to give us literally 1 and 1/2 voicelines#kinda sucks ngl. but again it's also interesting and realistic for Arlecchino and from that angle I like it#she doesn't care about what fate says her place in the world is. she's gonna carve her own and being Khaenri'an isn't relevant to#the life and identity she has built for herself. she isn't the type to look for answers she doesn't need. she's practical and efficient.#at the very least it's better than when Albedo 'I want to find all the world's truths' Kreideprinz doesn't let the audience in on his stuff
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footballandshit · 1 year
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bloodcoveredgf · 1 year
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cgi does not even know what lube is... cgi does not even know what wet is... cgi does not fuck...
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bestworstcase · 4 days
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How likely is it do you think that there are/have been Grimm-based cults? I can't imagine there's Never been Grimm cults, and I'm particularly interested in the idea of there being Grimm cults or even just organizations who Actually Understand the Grimm and safely live alongside them. I think it's such a fascinating idea, I'm very tempted to come up with a mysterious faction that respects/admires the Grimm (like how people did/do respect forces of nature in religion) and (mostly) safely lives alongside them. Any thoughts?
two obvious paths. whether the second is viable depends on how well you trust my basic reading of the grimm as sapient beings who reflect back what they’re given—dark mirrors—but the first is textually sound without any extrapolation required.
#1: the grimm as gods of war
these are the salient facts:
the grimm follow groups of bandits around to scavenge in the wake of their raids
criminals in mistral sometimes use captive grimm to execute members of rival gangs
grimm are more strongly drawn by violent anger and hatred than by sadness, fear, or other negative emotions.
it’s possible (per ‘before the dawn’) for one side of a conflict to "ally" with the grimm in battle if the other side is, er, tastier
ok. imagine you have a region where most of the people live in small nomadic groups—perhaps a steppe or a desert, their subsistence base is herding—with smatterings of fortified towns and villages around the edges of the region where there’s arable land enough to support a larger sedentary population. the nomadic groups can’t produce their own weapons/armor (mines, smelters, and forges aren’t portable), so they’ll need to either raid or trade with the towns for that. and conflicts between these nomadic groups over territory and other resources are inevitable.
how do the grimm figure in this region?
well a) the grimm are going to be following the nomadic groups around, with more warlike groups attracting more grimm, and b) grimm will fight alongside people against a common enemy if their "allies" are calmer or otherwise less appealing.
this is like… a perfect storm for the nomadic groups to start venerating "their" grimm as war-gods, in tandem with fostering warrior-cultures that prize tranquility or joy and mercy in battle; there is no honor in hatred or rage or taking pleasure in killing (our grimm turn against those warriors who lose themselves to bloodlust), so a good warrior must be calm, decisive, and swift, and never prolong a fight unnecessarily. but it’s also beneficial to make one’s enemies fearful and angry, or provoke them into hatred.
all it takes is one or two warriors who kept a cool head in battle noticing that the grimm ignored them to go after another warrior who went berserk and then interpreting this as a moral judgment. historically, we know grimm were thought to be the vengeful or corrupted spirits of animals, or animals possessed by demons; both are understandings that encourage this sort of thinking. these are animal spirits that cannot rest because someone killed them without giving due respect, and now they seek to punish those who commit such wrongs… so we’d better take care to treat our adversaries in battle and the animals we hunt with honor and mercy.
and oh, we should pay our respects to the grimm, too. perhaps make some offerings. they eat the corpses of the slain after a battle, so… a) we mustn’t be wasteful when we hunt, it isn’t respectful, and b) we should consider the grimm in our funeral customs.
this is a very basic. BASIC human impulse. humans will try to propitiate the fucking sky because we’re so good at pattern recognition and also anthropomorphizing things that we’ll find patterns and read meaning into the most random coincidences. take that and add it to the fact that it legitimately is possible to form alliances with grimm… fgrhjsv
under these conditions grimm-worship probably tends to look something like:
warrior cultures that prize moderation, calmness, efficiency, and clever mockery or intimidation of the enemy in battle,
funeral customs that ritualize feeding the dead to grimm, and/or ritual sacrifice of captured enemies,
grimm viewed as battlefield psychopomps and/or patron spirits of warriors, whether as a class or as individuals or both, and
incorporation of grimm-like designs or motifs into armor and clothing of warriors, to intimidate enemies.
with wide variation in the details and elaborations. the reason for this common set of foundational practices is that religion is practical. it’s not arbitrary. it isn’t pretend. prayer and ritual are things people do because it works, or it’s believed to work, and the right methods are figured out through trial and error long before they coagulate into tradition. so with something like grimm, whose behavior really can be meaningfully influenced, similar patterns will emerge across different cultures because whether a given practice does or doesn’t work is a) more than random chance or coincidence, and b) extremely easy to identify because if it doesn’t work the grimm will attack you.
& #2, the grimm as nature gods
these are my presuppositions, based on extrapolation from the text:
the grimm have a physiological need for aura, which they can get by siphoning; they eat their prey in order to extract aura from the remains.
grimm attraction to emotions is akin to our attraction to the aroma and taste of food; strong emotions herald deep auras or excite aura so it’s more "nutritious" for the grimm, so they hunt by following emotion.
because aura/soul separates from the body at death, siphoning aura from a living person is much more efficient than killing and eating; grimm will prefer to be fed aura by someone alive over hunting if possible.
because aura can be channeled outward through tools, clothing, etc, it can also be channeled into a repository and stored for a while; this seems to be how the grimm lures in arrowfell work.
grimm are intelligent, emotional, social creatures who can learn to recognize certain groups of people as 'safe' or as friends/allies, without salem.
grimm reflect back the emotional energy they’re given; they’re not "attracted" to anger or pain per se, they just mirror it. bristle and draw your weapon at a grimm, and the grimm will charge at you. remain calm and retreat slowly, and the grimm will keep its distance too.
if all of these presuppositions are true, you can propitiate grimm by saturating an object with aura and leaving that out for the grimm on the regular. i imagine that organic/living things that naturally have aura would work best for this purpose; sacrificing an animal or a portion of your harvest is intuitive, and if fervent religious belief alone isn’t enough to infuse something with aura, then priests or religious officials whose auras have been unlocked and trained will do the trick.
if aura-saturated offerings aren’t possible, then you’d need someone with aura training to channel aura to the grimm through, like, a stick, or bare-handed if they were brave enough or confident enough. this is a more uncomfortable option (like physically) but we have a canonical example of a character doing it: she found it disconcerting, but not painful, and it’s implied that the grimm didn’t attack her at any point during. so a) it probably doesn’t do any more harm than having one’s defensive aura break, and b) stopping the flow of aura to the grimm by moving away won’t provoke the grimm to attack.
as unpleasant the prospect might seem, if it clearly worked to reduce or eliminate grimm attacks on the community, people would do this. people would absolutely do this. the big hurdle lies in discovering that this is possible—like you’d need someone to willingly approach a grimm, lay a hand on it, and channel aura into it without knowing what will happen, and the kind of person who would even think to TRY that is very rare—but once it was known? religious belief motivates people do all sorts of unpleasant, uncomfortable, or even outright painful and harmful things to themselves. fasting. self-flagellation. hermitage.
like… waves hands. if it’s a known thing in a community that grimm won’t attack anyone if a few people go into the wilderness every morning to stand there and pour aura into grimm who pass by until they’re tapped out for the day, lots of people will be fully willing and able to do that. far more than are willing and able to become huntsmen: it’s not dangerous or difficult, it’s just going to tire you out on your assigned days. and if you have say, a village of a hundred people of whom ten are able to do it, you can rotate so no individual has to do it more often than thrice a month. NBD.
and if nothing else except the emotional mirroring thing is true, then you can… more or less propitiate grimm by doing whatever, because in this case what makes propitiation effective is community belief that it works: if you and everyone else around you believes that wearing pendants carved in the likeness of grimm and pouring a libation of wine outside the village gates to entreat the grimm for safe passage through the wilds is effective in making the grimm leave you alone, then no one’s going to panic or raise the alarm upon seeing a grimm wandering around in the barley field, and the grimm won’t freak out either.
if you believe that a grimm is a being that can be appeased and you cross paths with one in the woods, you’re going to do what you believe will keep you safe; for a huntsman, that’s "draw a weapon and attack," but for you that might be "hold up your grimm pendant and recite a prayer to politely wish it well and ask for its blessing in return," which—if the grimm just reflect your emotional energy back at you—will probably make the grimm pause and look at you for a moment before continuing on, which confirms and reinforces your belief that this is the correct way to deal with grimm. This Is How Religion Works.
so all that to say, as long as i’m correct about at least one of these presuppositions—the one with the strongest textual evidence, no less—then propitiating the grimm will reduce their aggression dramatically if not stop it altogether. and if that’s the case then i’d imagine grimm-worship is quite common and also varied in more remote regions where human-grimm encounters are frequent.
the shape of that worship will evolve out of how people in a given community figured out that you can do this with grimm. if one person tries a certain thing and it works, and then more people try the same thing and it works for them to, then that is going to become known as the Thing That Works and it will be gradually refined and elaborated on from generation to generation. and on the other side of the mountains they might be doing the same process but with a completely different thing that also worked the first time.
so you might have a village making huge ritual productions of preparing a feast for the grimm with a portion of the harvest, orchestrated by a coterie of priests who fill the offerings with aura… and in the hinterlands a few hundred miles away you might have a group of nomadic herders who leave the bones of every sheep they eat for the grimm and also have elaborate coming-of-age rituals where you go into the wilderness to prove yourself to the grimm by baring your soul… and up north on the coast you might have a whaling town where sailors pray to something like the leviathan or the feilong as a sea-god because their ancestors happened to stumble into a symbiotic relationship with a giant grimm that preys on whales and realized these little guys in boats make better hunting partners than they do snacks. etc.
basically if you accept a presupposition that the grimm aren’t "soulless evil monsters whose sole purpose is to kill humans" and consider them as beings that have some rhyme or reason as to when they’re aggressive and when they’re not, and the rhyme or reason is something humans/faunus could plausibly figure out how to accommodate and/or influence, there are a lot of ways to build a grimm cult. ’cause religion is at its core humans trying to understand the world so we can keep ourselves safe, healthy, and comfortable; worshipping grimm is just a cultural framework for a threat management program.
think about it in those terms, and take however you think grimm work and ask "what could people Do to lower the risk of grimm attacking them?" and "what might people Do that doesn’t really have an effect but seems like it maybe does?" and then start to elaborate from there with "okay, what stories do people tell to explain why they do these things and how they learned to do these things? how do they conceive of the grimm and their relationship to grimm? how does this shape the social and moral values of this religion?" etc.
praxis comes first, belief second. and the praxis develops through trial and error with the basic goal of "how can we make the grimm leave us alone?" so things that clearly don’t work will be discarded. (with ‘clearly don’t work’ meaning "we did this and grimm immediately attacked us"; people will tend to take "we did this and grimm didn’t attack us for two months" to mean "it worked! we should do it every other month!")
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delzinrowe · 3 months
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happy valentine's day ღ to my favourite geto girlie @just-avi-youknow
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slimmestslime · 2 days
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untitled wimbling
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