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#but jon is ace. it’s mentioned numerous times.
magnusmadness · 5 months
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hey friendly reminder to the entire TMA fandom that jonathan sims, the archivist, is asexual. he does not have sex with anyone. this is canon and stated in the show. please don’t erase that aspect of his character. please don’t erase asexuality representation.
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I don’t talk nearly enough about WTGFs on this blog which is criminal because I love them so here are a few headcanons (both for canon and happy ending AUs)
Ive seen a lot of people with the idea of Georgie being allo and that being a part of why her and Jon broke up, and that’s fine, you do you, but I fucking hate this headcanon. So instead let me offer you the headcanon of Georgie also being ace. Melanie is, too. No tma protag is allo, actually.
The Admiral one time sat on Melanie’s face (as cats do) and Georgie was getting ready to shoo him off, but then Melanie, doped up on pain meds after gouging her own eyes out said, “Admiral get off! I can’t see anything!” And then laughed so hard, she choked on her own saliva.
When Jon said the whole, “oh. I didn’t realize you were...” thing, they weren’t actually dating yet. They kind of had the whole “I know you love me and I love you too, but neither of us are doing anything,” thing going on and Georgie just panicked.
Without actually knowing that the sky was one big eye now, Melanie jokingly asked if the sky was looking back, because of how horrified Georgie was. When Georgie said yes, Melanie immediately lied face down on the floor.
Melanie has tried to get Georgie to take a sword swallowing class numerous times over the years.
Melanie makes jokes as a coping mechanism. This was deeply upsetting for Georgie at the beginning of the apocalypse because it felt like Melanie didn’t care that people were suffering. They’ve got it worked out by the time JM come onto the scene, though.
Every time Melanie looks like she’s about to spiral into a pit of self-hatred, Georgie tells her a bunch of embarrassing stories about herself and Jon from their uni days. With pictures.  those conversations usually stop abruptly so Melanie can go contact Jon as fast as humanly possible to laugh at him.
Georgie is obsessed with those ridiculous “live laugh love” signs that my mom puts everywhere. She always puts them up too. There are like 20 different variations of “it’s 5 o’clock, somewhere” in random spots around her and Melanie’s flat.
Melanie has seen at least one episode of every ghost hunting show in existence and has very specific opinions on every hunter.
They watch Supernatural together specifically to decide which of the Archives staff would be who.
Sometimes Georgie just starts quoting Vines verbatim out of nowhere.
Melanie likes to propose whenever Georgie does anything slightly nice for her. Georgie one time mentioned that Jon did the same thing, when they were together, and Melanie promised to duel him for her hand in marriage.
The Admiral has one of those baby carrier things, and when people give them weird looks on the streets, Melanie yells, “That’s our baby, you asshole!” At them.
 Melanie gets really good at sewing post Slaughter. She says it’s because it’s like stabbing but with less blood.
Melanie really wants to fight Martin. Like a lot. In a friendly, jovial way (like boxing or something). But she still wants to deck him. At this point, the only thing stopping her from challenging him to a duel, is Georgie’s constant reminders that he’s twice her size and rows in his free time.
Melanie has no opinion poetry but she pretends like she loves it to both bond with Martin and bother Jon.
Speaking of poetry, Georgie really likes making those picture poetry things. You know the ones where the words make up an image? I forget what they’re called.
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incarnationsf · 5 years
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Date & Time: Saturday June 22, 7:30  p.m. Venue: Incarnation Episcopal Church, 1750 29th Avenue, San Francisco Tickets: $20 General, $15 Seniors/Students
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Ben Rosenblum Jazz Trio
Ben Rosenblum – piano/accordion Greg Feingold – bass Ben Zweig – drum
Award-winning jazz pianist, composer and accordionist Ben Rosenblum has been described as “mature beyond his years,” (Jon Neudorf, Sea of Tranquility), and as an “impressive talent” (C. Michael Bailey, All About Jazz), who “caresses [the music] with the reverence it merits” (Bob Doerschuk, Downbeat Magazine). Ben is based primarily in New York City, and is a graduate of the Columbia-Juilliard program (in 2016). His original music combines his extensive knowledge of the history of jazz with a free-wheeling, modern melodic sensibility and powerful narrative approach to the piano. His profound passion for jazz, swing and world music genres finds expression in his unique fusion of harmonic and rhythmic elements from a wide array of sources, and gives rise to a signature compositional sound and style at once iconoclastic and deeply rooted in such figures as Bill Evans and Wynton Kelly. Ben’s first priority in his composition and in his playing is always narrative – to tell a compelling story with his music, while reaching the hearts of his audience, connecting on an emotional, an intellectual and a spiritual level.
Reviewers of his debut album Instead – released in 2017 with bassist Curtis Lundy and drummer Billy Hart – have been impressed by his musicality and his tasteful playing in light of his immense technical skill. Bob Doerschuk of Downbeat Magazine gave the album four stars, and wrote, “He has the chops to shoot off a few fireworks, … but that doesn’t seem to be a priority when covering sacred material.” C. Michael Bailey notes approvingly: “there do emerge conservatoire aces with grit in their imagination and a facility to express such in their playing. Ben Rosenblum is one such performer/composer. The Julliard-Columbia trained pianist brings a freighter of technique to the keyboard, while still maintaining enough earthiness in his playing to satisfy even the fussiest listener.” Fred Stal of RG Magazine most recently described his experience of listening to Ben’s live CD release performance: “The music keeps you on your feet and not wanting to miss a single moment of magic. … Raindrops from heaven poured down with style and grace from Rosenblum’s piano.”
Since the release of Ben’s debut album, Ben has been touring regularly – both nationally and internationally – celebrating the album and collaborating with artists around the world. Ben’s trio made debuts in Japan and in Canada in 2018. During his two-week tour of Japan, Ben performed in eight different cities, including in Tokyo at Akasaka B-flat, and in Yokohama at Himawari-no-sato Concert Hall with famed koto player Yuko Watanabe. Highlights of his Canada tour included appearances at Upstairs Jazz in Montreal, Maelstrom and Bar Ste-Angele in Quebec City and the Southminster “Doors Open For Music” Concert Series in Ottawa. In the United States, Ben has traveled extensively throughout the Northeast, Midwest and West Coast, with trips planned for the South and Southwest. These domestic tours have featured performances at some of the most well-respected venues in the country, including Kuumbwa Jazz Center (Santa Cruz), Ravinia (Chicago), Cliff Bells (Detroit), An Die Musik (Baltimore), The Bop Stop (Cleveland), Mezzrow (New York City) and many others. As a sideman, Ben has had further opportunities to tour the world. In 2018, he traveled for three weeks through Croatia, Slovenia, Italy and Serbia with Astrid Kuljanic, during which the group performed at multiple festivals, including the Ljeto na Bundeka Festival in Zagreb and the Soboško Poletje Festival in Murska Sobota. He also performed for two nights at the Blue Note in Beijing alongside famed jazz singer Deborah Davis.
Born and raised in New York City, Ben had the opportunity to study with some of the most influential figures in jazz piano, including Frank Kimbrough, Bruce Barth, Ben Waltzer and Roy Assaf. At the early age of sixteen, the originality of his work was already being recognized with numerous awards, including the ASCAP Young Jazz Composers Award (2010), the Downbeat Student Music Award for Best Original Song (2010) and the Downbeat Student Music Award for Best Arrangement (2011). As a result, even before entering Columbia, Ben was commissioned by the XIBUS World Orchestra to write a piece for performance at New England Conservatory’s Jordan Hall in 2012. Ben has continued to earn numerous distinctions and honors in recent years. In 2015, he was a finalist at the American Jazz Pianist Competition in Melbourne, Florida, and in 2016, at the Jacksonville Jazz Piano Competition in Jacksonville, Florida. In 2018, he earned further recognition from the ASCAP Young Jazz Composers Award competition in the form of an honorable mention, and he was featured at the ASCAP Foundation’s 2018 “We Write The Songs” event at the Library of Congress in Washington D.C.
In addition to his own work, Ben often collaborates with other musicians. He has worked extensively with Grammy-nominated singer Ryland Angel on several compositional projects, including the project Unspoken, which premiered at the Weisman Art Museum in Minneapolis, in November of 2016. His debut album Instead has received very favorable reviews from a wide range of sources throughout the world, including Downbeat Magazine, All About Jazz, Drumset Magazine (Italy) and The Jazz Writer (Germany).
Ben performed with the Bachiana Brasileira Orchestra at Lincoln Center (conducted by Joao Carlos Martins and featuring Dave Brubeck), and he was a featured soloist at Carnegie Hall’s Stern Auditorium with the New York Harmonic Band (conducted by Reona Ito). He traveled to New Delhi, India, to perform at a Max India Benefit, and was a participant at Il Grande Veggio, in Perugia, Italy. He has played at the Masten Jazz Festival (Buffalo), the Richmond Jazz Festival (Richmond), the Mid-Atlantic Jazz Festival (Maryland), Lincoln Center Out of Doors Festival (Manhattan), the DUMBO Arts Festival (Brooklyn), Musikfest (Bethlehem, PA) and the Music Mountain Festival (Connecticut). He has also appeared at Dizzy’s Club Coca-Cola, the Appel Room at Lincoln Center, Ryles Jazz Club, Webster Hall, Symphony Space, The Blue Note, Smoke, Smalls and a host of other music venues throughout the northeast.
Ben has worked extensively with such jazz luminaries as Curtis Lundy, Neal Smith, Winard Harper, Wayne Escoffery and Deborah Davis, and he has performed in bands led by Bobby Watson, TS Monk, Chris Washburne and Warren Wolf. In addition, he has shared the stage with many other jazz legends, including Wycliffe Gordon, Brian Lynch, Phil Woods, Houston Person, Jerry Dodgion, Eliot Zigmund, Clarence Penn, Craig Handy, Dave Stryker, James Cammack, Ameen Saleem, Bob Nieske, Steve Nelson, Yasushi Nakamura, Essiet Essiet, Willie Williams, Patience Higgins, Josh Evans, Kenny Davis and Rogerio Boccato.?
While at Columbia University, Ben founded the Columbia Jazz House, a student-run jazz advocacy group that promotes jazz on campus through concerts, educational workshops and jam sessions. On December 28th, 2015, the Columbia Jazz House was featured in a New York Times article titled “Melodies Night and Day in this Columbia Dorm.”
Greg Feingold started playing bass at the age of 10. He quickly realized that bass was something he would pursue for the rest of his life and was accepted to the Chicago Academy for the Arts. After graduating from the Academy, Greg was given a scholarship to attend Berklee College of Music. Greg was very active both locally and nationally while at Berklee. He began playing with the International String Trio and performing regularly with Berklee faculty such as Bill Pierce, Neal Smith, Jon Hazilla, Doug Johnson, Rebecca Cline and many others. After graduating, Greg moved to New York and began playing in Winard Harper’s Jelli Posse. Throughout his stay in New York, he worked with legendary jazz performers such as Jimmy Cobb, Eric Reed, Eric Harland, Cyrus Chestnut, Steve Turre, Jim Rotondi, Jackie Ryan, Stephen Scott as well as continuing to tour with the International String Trio and the Valinor Quartet. Greg moved to Seattle in 2015 to change his surroundings and currently performs with a variety of groups around the west coast. He can be seen performing regularly with Thomas Marriott, Julian MacDonough, Miles Black and other great local Seattle musicians. He also co-leads the 200 Trio which performs around the country as one of the up and coming jazz guitar trios.
Jazz drummer and educator, Ben Zweig, “is able to combine history with the current musical environment, making it sound fresh” (Don Sickler). After moving to NYC in 2011, the 26 year old has accompanied an impressive array of jazz luminaries, including; Randy Weston, Johnny O’Neal, Larry Ridley, David Williams, Roy Hargrove, Deborah Davis, Joe Cohn, Champian Fulton, Jerry Dodgion, and Steve Nelson. Described by downbeat as “especially crisp and articulate,” Zweig has presented his personal sound performed with tours throughout the continental US, Asia and Canada. He currently tours regularly with Ben Rosenblum’s trio and leads a bi-weekly residency hosting the Sunday late night jam sessions at Smalls Jazz Club in NYC. Zweig is an avid educator. He has taught clinics across the country with the Champian Fulton quartet and has also directed the after-school percussion program at WHEELS middle and high school. Mentored by master drummers such as Joe Farnsworth, Billy Hart, Kenny Washington, Rodney Green, Justin DiCioccio, Christopher Brown, John Riley, and Rogerio Boccato, Ben is committed to passing down the information he has received from these legends. In his formative education, Ben was classically trained by Kenneth Piascik, culminating in performances with the NAfME All-Eastern Orchestra and as principal percussionist with the MENC All-National Concert Band. He currently maintains a private drum studio in Morningside-Heights with students of all ages. Ben received his B.M. and a M.M. from the Manhattan School of Music.
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eafsegse · 3 years
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ramajmedia · 5 years
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MCU: Happy Hogan's 10 Best Moments | ScreenRant
The MCU is forever indebted to Jon Favreau for his directorial contributions to the franchise. Even though he hasn't helmed a superhero film in a while, he's still an integral part of the process due to his role as Happy Hogan, one of the unsung heroes of the series. From the beginning he was right by Tony Stark's side, and it looks as though he will still play a large role in the upcoming films. As a celebration of this character, the following list will shine a light on his ten best moments in the MCU so far. Here's hoping he'll have many more standout appearances in the future.
10 His Hair In 1999
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Iron Man 3 begins with a flashback moment before the world ushered in the new millennium. Audiences see a glimpse of a younger Stark, and they also see how long Tony and Hogan have been together. The most memorable part of this blast from the past is Hogan's amazing hair style, which is channeling Vincent Vega from Pulp Fiction. It's long, slicked back, and glistening like a full moon. It makes one wonder what caused him to cut it so short. Did John Travolta finally call and ask for it back?
9 Fighting With Black Widow In Iron Man 2
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During Iron Man 2's climax, he and Black Widow storm Hammer Industries in an attempt to assist Stark and Rhodes. Natasha tells Hogan to wait in the car, but he insists on going inside with her. The two are greeted by numerous guards. Black Widow dispenses most of them with ease in the time it takes for Hogan to incapacitate one. As she effortlessly jumps around with a cat's grace, all without breaking a sweat, Hogan is fumbling around and out of breath.
8 Meeting Peter In The Bathroom
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Stark uses Hogan to communicate with Peter Parker in Spider-Man: Homecoming. In one scene, Peter walks into his school's bathroom and is surprised to find Hogan waiting. Everyone is about as uncomfortable as one would expect when a middle-aged man is in a student's restroom. When Peter asks how long Hogan was waiting there, his reply is "long enough to be awkward." The scene is complete with a sentimental moment interrupted by a flush, and Parker inquiring if Tony is waiting in the toilet to speak with him.
7 Picking The Music
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Before Far From Home's climactic battle, Hogan picks up an injured Peter Parker in a futuristic jet. On their way to stop Mysterio's attack on London, the friendly neighborhood superhero has to create a new suit. While he's busy making his ideal costume, Happy picks the music, and his choice a fitting homage to his former employer, Tony Stark.
Related: The 10 Best Uses Of Licensed Music In The MCU
The song in question is "Back in Black" by AC/DC. Not only was the band's music prominently featured in the Iron Man films, but the song and album itself are tributes to the band's first lead singer Bon Scott, who tragically passed away at a young age.
6 Boxing With Tony
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Tony frequently trained with Hogan, as seen in one Iron Man 2 scene. Stark didn't always fight fair, sometimes giving Hogan the occasional jab straight to the face. In the middle of this scene, Hogan gives Black Widow, whose prowess in combat is still undiscovered by the characters and audience, a lesson. Hogan severely underestimates her abilities and pays the price for it. She immediately puts him into a headlock with her legs and forces him to the floor.
5 Forehead Of Security
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In Iron Man 3, Happy has switched occupations from Stark's bodyguard to the head of security at Stark Industries. Fitting to his personality, he is portrayed as overzealous in his responsibilities. After taking a call from Tony on his tablet, he does the classic move of positioning the camera too high so it focuses on his forehead. This prompts Tony to quip, "Is this the forehead of security?" One would think the head of security would have a better grasp on technology.
4 Infinity War Deleted Scene
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Hogan was sadly absent from the theatrical cut of Infinity War. However, he did film one scene that was left on the cutting room floor.
Related: 5 MCU Deleted Scenes That Should've Stayed In (And 5 We're Glad They Cut)
In his cut appearance, he drives up to Tony and Pepper in a golf cart to complain about all the trouble he's been going through in keeping the paparazzi away from the couple as they prepare for their wedding. It ends as he spots a photographer named Burt and exits the scene as he chases him in his golf cart yelling expletives at his target.
3 In The Hospital
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Hogan has thankfully managed to survive all these world-ending catastrophes, but he almost bit the dust in Iron Man 3. He is caught in the middle of an explosion and ends up in the hospital. As Tony visits him, he mentions to a nurse that Hogan likes Downton Abbey. When he awakens from his coma, a nurse comes to his aid. What initially looks like a struggle to breathe is simply him indicating his desire to watch his favorite show. What really makes the scene is Hogan stealing a couple of glimpses at the nurse as she looks at the TV screen and smiles.
2 Dating Aunt May
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Right from their first scene together in Far From Home, it is clear something is brewing between Spider-Man's aunt and Hogan. As Parker calls her during his time in Europe, Hogan is conveniently there at her side. Finally, when he and Parker's classmates are facing certain doom, he blurts out that he loves Spider-Man's aunt. It's not only funny to see Parker's uncomfortable reaction upon his realization of their relationship, but it's great to see the beloved character finally find someone. He has worked so hard for everyone through these years; he deserves some love.
1 Talking With Stark's Daughter
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Hogan has a small part in Endgame, but it makes for one of the film's most memorable scenes. After Stark's burial, Hogan sits on the porch with the hero's daughter and asks if she is hungry. When she says she wants cheeseburgers, it reminds Hogan of her father's shared love of the food. It's an intensely emotional moment both for the character and audiences who followed the MCU since day one. Maybe fans will see more of Morgan Stark in the future.
Next: 6 MCU Characters Who Changed In 2019 (And 4 Who Didn't)
source https://screenrant.com/mcu-happy-hogans-best-moments/
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A Chicago Cubs-White Sox Earth Series could be faster than you feel
New Post has been published on https://othersportsnews.com/a-chicago-cubs-white-sox-earth-series-could-be-faster-than-you-feel/
A Chicago Cubs-White Sox Earth Series could be faster than you feel
White Sox admirers experienced 11 a long time to maintain their 2005 Earth Series title about the heads of their Cubs supporter friends, but that finished with the North Siders’ curse-breaking championship previous slide. It’s possible you experienced to be in Chicago to sense it, but I surely obtained the perception that was the worst element of the 2016 time for the Sox supporter foundation.
There is one particular little bit of bragging rights that the White Sox have held for substantially lengthier. In reality, it will be 111 a long time and counting by the time this time draws to a close. That is, the franchises have met in the Earth Series specifically one particular time, in 1906, and it was the White Sox who gained that championship. Unusual how you in no way listen to that mic-dropped into helpful bar spats in Chicago. Where is the sense of heritage?
The avalanche of adoration that has showered the Cubs the past few of a long time has remaining a lot of Sox admirers sensation remaining out, form of like Jan from “The Brady Bunch.” It didn’t assistance that the South Siders ended up one particular of the less interesting teams in baseball previous time: not terrible, not contenders, with a very long-term prospectus of paddling appropriate down the middle for the foreseeable potential.
On the other hand, White Sox basic manager Rick Hahn flipped the script previous winter season, when he embarked on a fast-fire rebuilding job that has specified his group one particular of the major farm systems in baseball. It has been a stunningly fast turnaround that a great deal are comparing to the pivot the Cubs made a number of a long time in the past when Theo Epstein and Jed Hoyer arrived in city. The White Sox variation feels like it is unfolding even more quickly than the Epstein rebuild, which bundled not just an overhaul of talent but also a full rewriting of every single baseball-associated system in the Cubs group, from Mesa to Wrigleyville. Ahead of the 2016 time, ESPN’s Keith Law rated the ChiSox system at No. 22 — and that was an enhancement. It is now rated 2nd all round.
Consider this: Law rated the Cubs’ system No. 20 throughout the winter season prior to the 2011 time. Right after that time, Epstein was employed, and in the subsequent established of winter season rankings, the Cubs ended up however at No. 20. By 2013, the Cubs ended up up to No. five, then No. four in 2014. In 2015, they ended up in the postseason, and in 2016, they ended up the champs.
The advantage of these kinds of a fast increase is that everyone assumes the Cubs will be in the Earth Series combine for at the very least a number of a long time, if only mainly because so numerous of their main skills are below team control for the near term. The precise range of a long time in that window is tough to pin down, but it must be open up at the very least by means of Kris Bryant’s previous arbitration 12 months (2021) and even further than that if Bryant symptoms a deal to acquire out these a long time. Of course, the window could be open up substantially lengthier this is a smartly operate team with large sources.
Now, let’s convert our focus back again to the White Sox and get ready for a leap of imagination. 1st, we have to admit that there is a very long way to go from where they are appropriate now to where they want to be, which is in the identical elite tier as the Cubs. Lofty prospect rankings are fantastic, but they do not normally include up to Earth Series rivalry.
Prospective customers get hurt or fizzle out. Some corporations show to be far better at pinpointing talent than acquiring it. All kinds of matters could go incorrect.
With these skills out of the way, let’s pose this query: Could the White Sox contend for an American League pennant even though the Cubs’ window of rivalry continues to be open up in the National League? If so, when will we see the to start with Windy Metropolis Series because the times of Theodore Roosevelt?
A minor heritage
Chicago was started in 1833 with a populace less than that of the South Loop building where I now are living. Then the city was built up, burned down and built up again. Someplace along the way, they started off enjoying baseball. In 1906, when the White Sox played about 5 blocks south of where Confirmed Level Subject stands now, the Cubs played on the city’s west facet. As these kinds of, their Earth Series assembly was a West-South affair, which frankly will not have the identical ring to it as North-South.
Given that that very long-in the past assembly, when the Hitless Miracles toppled a Cubs powerhouse outfit that experienced gained 116 typical-time game titles, there have been remarkably number of seasons in which both equally franchises ended up prime contenders in their respective leagues. In reality, there have been only twenty five seasons because 1901 in which both equally ended up at the very least .500 — a price of as soon as every single four.68 a long time.
Through the pre-divisional period, there ended up a number of scattered seasons in which both equally teams finished in the major a few of their leagues, but commonly one particular of the two finished the time with a double-digit-recreation deficit to the pennant winner. Right after the major leagues’ split into divisions, there ended up a handful of seasons in which a Windy Metropolis series seemed at the very least achievable:
1972: The Cubs finished a distant 2nd, 11 game titles driving Roberto Clemente’s Pirates. The White Sox also finished 2nd, five.five game titles driving the eventual-champion Oakland A’s. The Cubs ended up in no way actually in it that time, but it really is enjoyable to muse about mainly because the White Sox’s engage in-by-engage in guy in these times was Harry Caray.
2003: The Cubs gained the NL Central and arrived inside of a recreation of the pennant. We will not converse of why they fell shorter. The White Sox finished 2nd in the AL Central that time, four game titles driving.
2008: This was the closest we have come to a 1906 rematch. Equally golf equipment gained their respective divisions, and both equally flopped in the divisional series to go a blended 1-6. It was really even though it lasted.
Back again to the current
The Cubs’ timeline for winning has been scrutinized time and again, and the approach by means of which they grew to become a design franchise is one particular that other teams are scrambling to replicate. The bottom line: The rebuild was not in influence, at the very least in conditions of typical-time engage in, till the get started of the 2012 time. They went on to reduce one hundred and one game titles. The Cubs made the postseason in 2015, just after building their to start with major absolutely free-agent splurge to increase their younger main with the signing of Jon Lester. They gained the Earth Series in 2016, the fifth time of the rebuild.
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Which is terribly fast, but if Hahn and the White Sox can match that timeline, then we are seeking at the White Sox leaping into rivalry by 2020 and hard for a title in 2021. That, if you recall, is the conservative estimate we set on the Cubs’ present window of elite rivalry.
Mainly because the White Sox’s whole assortment of potential customers is so new, it really is uncomplicated to envision how that could search — no one particular has washed out however. At the major league stage, Jose Abreu could however be viable by the 2020-21 seasons, while he could be a DH and veteran anchor. You could then be seeking at Matt Davidson — or someone else, possibly a potential splashy absolutely free agent — Yoan Moncada, Tim Anderson and 2017 to start with-rounder Jake Burger around the infield. Zack Collins, 2016’s to start with-rounder, could be driving the plate.
Some mix of Eloy Jimenez, Blake Rutherford and Luis Robert (or Charlie Tilson or Luis Basabe or Micker Adolfo) could guy the outfield. The setting up rotation could be stuffed with Michael Kopech, Lucas Giolito, Carlos Rodon, Reynaldo Lopez and Dylan Stop. There are other permutations and other potential customers to come.
On the other hand, as Dave Cameron from FanGraphs noted, the White Sox have only entered into the talent-acquisition phase of rebuilding at this level, and for all the upside their younger players have as a group, their success haven’t been especially eye-popping. You will find a really superior opportunity that the finished variation of the potential White Sox will be comprised of many names diverse from these stated earlier mentioned. Which is just how matters go with developmental pipelines.
The Cubs have been lauded for their talent identification and acquisition efforts the past number of a long time all you have to do is search at who is on the area to see why. It has been an amazing turnaround from the commencing of this decade, and number of teams have been so completed at these kinds of a collectively younger age. But every single little bit as important as the acquisition phase has been the Cubs’ means to transition their small league studs into successful major leaguers.
The White Sox surface to be on observe to match the Cubs in the to start with regard. But what about the 2nd? Which is what we’ll locate out about the subsequent two or a few a long time as they get started to thrust all these younger skills out of the prospect rankings and on to the major league roster.
If the White Sox do so productively, we could be owning a lot of enjoyable in Chicago come the autumn of 2020 or 2021.
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Ben Rosenblum Jazz Trio
Date & Time: Saturday June 22, 7:30  p.m. Venue: Incarnation Episcopal Church, 1750 29th Avenue, San Francisco Tickets: $20 General, $15 Seniors/Students
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Ben Rosenblum Jazz Trio
Ben Rosenblum – piano/accordion Greg Feingold – bass Ben Zweig – drum
Award-winning jazz pianist, composer and accordionist Ben Rosenblum has been described as “mature beyond his years,” (Jon Neudorf, Sea of Tranquility), and as an “impressive talent” (C. Michael Bailey, All About Jazz), who “caresses [the music] with the reverence it merits” (Bob Doerschuk, Downbeat Magazine). Ben is based primarily in New York City, and is a graduate of the Columbia-Juilliard program (in 2016). His original music combines his extensive knowledge of the history of jazz with a free-wheeling, modern melodic sensibility and powerful narrative approach to the piano. His profound passion for jazz, swing and world music genres finds expression in his unique fusion of harmonic and rhythmic elements from a wide array of sources, and gives rise to a signature compositional sound and style at once iconoclastic and deeply rooted in such figures as Bill Evans and Wynton Kelly. Ben’s first priority in his composition and in his playing is always narrative – to tell a compelling story with his music, while reaching the hearts of his audience, connecting on an emotional, an intellectual and a spiritual level.
Reviewers of his debut album Instead – released in 2017 with bassist Curtis Lundy and drummer Billy Hart – have been impressed by his musicality and his tasteful playing in light of his immense technical skill. Bob Doerschuk of Downbeat Magazine gave the album four stars, and wrote, “He has the chops to shoot off a few fireworks, … but that doesn’t seem to be a priority when covering sacred material.” C. Michael Bailey notes approvingly: “there do emerge conservatoire aces with grit in their imagination and a facility to express such in their playing. Ben Rosenblum is one such performer/composer. The Julliard-Columbia trained pianist brings a freighter of technique to the keyboard, while still maintaining enough earthiness in his playing to satisfy even the fussiest listener.” Fred Stal of RG Magazine most recently described his experience of listening to Ben’s live CD release performance: “The music keeps you on your feet and not wanting to miss a single moment of magic. … Raindrops from heaven poured down with style and grace from Rosenblum’s piano.”
Since the release of Ben’s debut album, Ben has been touring regularly – both nationally and internationally – celebrating the album and collaborating with artists around the world. Ben’s trio made debuts in Japan and in Canada in 2018. During his two-week tour of Japan, Ben performed in eight different cities, including in Tokyo at Akasaka B-flat, and in Yokohama at Himawari-no-sato Concert Hall with famed koto player Yuko Watanabe. Highlights of his Canada tour included appearances at Upstairs Jazz in Montreal, Maelstrom and Bar Ste-Angele in Quebec City and the Southminster “Doors Open For Music” Concert Series in Ottawa. In the United States, Ben has traveled extensively throughout the Northeast, Midwest and West Coast, with trips planned for the South and Southwest. These domestic tours have featured performances at some of the most well-respected venues in the country, including Kuumbwa Jazz Center (Santa Cruz), Ravinia (Chicago), Cliff Bells (Detroit), An Die Musik (Baltimore), The Bop Stop (Cleveland), Mezzrow (New York City) and many others. As a sideman, Ben has had further opportunities to tour the world. In 2018, he traveled for three weeks through Croatia, Slovenia, Italy and Serbia with Astrid Kuljanic, during which the group performed at multiple festivals, including the Ljeto na Bundeka Festival in Zagreb and the Soboško Poletje Festival in Murska Sobota. He also performed for two nights at the Blue Note in Beijing alongside famed jazz singer Deborah Davis.
Born and raised in New York City, Ben had the opportunity to study with some of the most influential figures in jazz piano, including Frank Kimbrough, Bruce Barth, Ben Waltzer and Roy Assaf. At the early age of sixteen, the originality of his work was already being recognized with numerous awards, including the ASCAP Young Jazz Composers Award (2010), the Downbeat Student Music Award for Best Original Song (2010) and the Downbeat Student Music Award for Best Arrangement (2011). As a result, even before entering Columbia, Ben was commissioned by the XIBUS World Orchestra to write a piece for performance at New England Conservatory’s Jordan Hall in 2012. Ben has continued to earn numerous distinctions and honors in recent years. In 2015, he was a finalist at the American Jazz Pianist Competition in Melbourne, Florida, and in 2016, at the Jacksonville Jazz Piano Competition in Jacksonville, Florida. In 2018, he earned further recognition from the ASCAP Young Jazz Composers Award competition in the form of an honorable mention, and he was featured at the ASCAP Foundation’s 2018 “We Write The Songs” event at the Library of Congress in Washington D.C.
In addition to his own work, Ben often collaborates with other musicians. He has worked extensively with Grammy-nominated singer Ryland Angel on several compositional projects, including the project Unspoken, which premiered at the Weisman Art Museum in Minneapolis, in November of 2016. His debut album Instead has received very favorable reviews from a wide range of sources throughout the world, including Downbeat Magazine, All About Jazz, Drumset Magazine (Italy) and The Jazz Writer (Germany).
Ben performed with the Bachiana Brasileira Orchestra at Lincoln Center (conducted by Joao Carlos Martins and featuring Dave Brubeck), and he was a featured soloist at Carnegie Hall’s Stern Auditorium with the New York Harmonic Band (conducted by Reona Ito). He traveled to New Delhi, India, to perform at a Max India Benefit, and was a participant at Il Grande Veggio, in Perugia, Italy. He has played at the Masten Jazz Festival (Buffalo), the Richmond Jazz Festival (Richmond), the Mid-Atlantic Jazz Festival (Maryland), Lincoln Center Out of Doors Festival (Manhattan), the DUMBO Arts Festival (Brooklyn), Musikfest (Bethlehem, PA) and the Music Mountain Festival (Connecticut). He has also appeared at Dizzy’s Club Coca-Cola, the Appel Room at Lincoln Center, Ryles Jazz Club, Webster Hall, Symphony Space, The Blue Note, Smoke, Smalls and a host of other music venues throughout the northeast.
Ben has worked extensively with such jazz luminaries as Curtis Lundy, Neal Smith, Winard Harper, Wayne Escoffery and Deborah Davis, and he has performed in bands led by Bobby Watson, TS Monk, Chris Washburne and Warren Wolf. In addition, he has shared the stage with many other jazz legends, including Wycliffe Gordon, Brian Lynch, Phil Woods, Houston Person, Jerry Dodgion, Eliot Zigmund, Clarence Penn, Craig Handy, Dave Stryker, James Cammack, Ameen Saleem, Bob Nieske, Steve Nelson, Yasushi Nakamura, Essiet Essiet, Willie Williams, Patience Higgins, Josh Evans, Kenny Davis and Rogerio Boccato.?
While at Columbia University, Ben founded the Columbia Jazz House, a student-run jazz advocacy group that promotes jazz on campus through concerts, educational workshops and jam sessions. On December 28th, 2015, the Columbia Jazz House was featured in a New York Times article titled “Melodies Night and Day in this Columbia Dorm.”
Greg Feingold started playing bass at the age of 10. He quickly realized that bass was something he would pursue for the rest of his life and was accepted to the Chicago Academy for the Arts. After graduating from the Academy, Greg was given a scholarship to attend Berklee College of Music. Greg was very active both locally and nationally while at Berklee. He began playing with the International String Trio and performing regularly with Berklee faculty such as Bill Pierce, Neal Smith, Jon Hazilla, Doug Johnson, Rebecca Cline and many others. After graduating, Greg moved to New York and began playing in Winard Harper’s Jelli Posse. Throughout his stay in New York, he worked with legendary jazz performers such as Jimmy Cobb, Eric Reed, Eric Harland, Cyrus Chestnut, Steve Turre, Jim Rotondi, Jackie Ryan, Stephen Scott as well as continuing to tour with the International String Trio and the Valinor Quartet. Greg moved to Seattle in 2015 to change his surroundings and currently performs with a variety of groups around the west coast. He can be seen performing regularly with Thomas Marriott, Julian MacDonough, Miles Black and other great local Seattle musicians. He also co-leads the 200 Trio which performs around the country as one of the up and coming jazz guitar trios.
Jazz drummer and educator, Ben Zweig, “is able to combine history with the current musical environment, making it sound fresh” (Don Sickler). After moving to NYC in 2011, the 26 year old has accompanied an impressive array of jazz luminaries, including; Randy Weston, Johnny O’Neal, Larry Ridley, David Williams, Roy Hargrove, Deborah Davis, Joe Cohn, Champian Fulton, Jerry Dodgion, and Steve Nelson. Described by downbeat as “especially crisp and articulate,” Zweig has presented his personal sound performed with tours throughout the continental US, Asia and Canada. He currently tours regularly with Ben Rosenblum’s trio and leads a bi-weekly residency hosting the Sunday late night jam sessions at Smalls Jazz Club in NYC. Zweig is an avid educator. He has taught clinics across the country with the Champian Fulton quartet and has also directed the after-school percussion program at WHEELS middle and high school. Mentored by master drummers such as Joe Farnsworth, Billy Hart, Kenny Washington, Rodney Green, Justin DiCioccio, Christopher Brown, John Riley, and Rogerio Boccato, Ben is committed to passing down the information he has received from these legends. In his formative education, Ben was classically trained by Kenneth Piascik, culminating in performances with the NAfME All-Eastern Orchestra and as principal percussionist with the MENC All-National Concert Band. He currently maintains a private drum studio in Morningside-Heights with students of all ages. Ben received his B.M. and a M.M. from the Manhattan School of Music.
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