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#but it kinda spiralled
frogcroaks · 22 days
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Never liked you anyway
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soosoosoup · 4 days
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snowzone
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myuminji · 6 months
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Doodles of loser behaviour (he gets kisses)
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Another loser behaviour (he gets kisses, again)
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they bring Roberto a headache on a daily basis
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lastflowerofyourhouse · 7 months
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something i like about nona's family is that they're so like, almost a perfect little nuclear family, and then just. not.
like. pyrrha is "the person who works for her" but also the one who makes breakfast and does the dishes. she's a woman quite literally posessing the body of a cis man and really leaning into the look, honorarily trans in both directions, working construction and shaving in the mornings and braiding nona's hair before school.
and then there's camilla, her...nagging wife? troublemaking older child? roomate who she barely gets along with? the fact that palamedes shares this role is doubly weird. he's a man literally posessing the body of a cis woman, and they're both pyrrha's nagging wife/problem child/roomate. i don't personally believe that anything explicitly or overtly sexual was happening between her and either of them, but i completely understand where people who think that are coming from. and it's fucking weird (affetionate?).
even nona occupies a weird place in this dynamic. like. pyrrha is definitely a parent to her but camilla, who takes a much more active role in her daily life, is...idk. nona has a crush on her and wants to marry her and adopt dogs. camilla's feelings for nona are more parental or older-sisterly, in that she cares for her and wants to protect her, and if her feelings are more complicated than that, it's because of the obvious aspects of the situation which make her extremely sad and apprehensive of the future. her affection for nona seems relatively simple.
and then there's palamedes, who is in theory another parental figure (see: camilla's "i'll talk to your mother later" face, or pyrrha's "you're going to make someone a really irritating wife one day, sextus"), but in nona's view of things he seems like something more along the lines of an older sibling, or perhaps a cool uncle, which is funny because pyrrha arguably treats him more like a spouse than she does camilla.
it's all just so fucking weird and jumbled up on itself. pyrrha will kiss camilla on the head and say "i'll be home for dinner, dear," and then turn around and call both her and nona "daddy's own treasures" (don't get me started). she'll kiss palamedes and camilla both on the mouth and tell them she loves them. she'll tell them she didn't love them well, or even wholesomely, and she won't explain what she means by wholesome.
alecto calls her "mother and father." alecto tells her she should've given into her urges and eaten them.
palamedes and camilla are second cousins and queerplatonic and married and the same person and by the start of the book the lines between them are already dissolving.
nona is so so young and she's so so old and she's not so much younger than camilla and she's older than pyrrha can even comprehend and some days she needs help getting her shirt over her head.
and most importantly they all love each other. it's a weird and confused and unhealthy love. it's a love full of tension and annoyance and fear. it's a love that wants very badly to fit a category and can't. but it's love it's love it's love and even when it's over even when it has nowhere left to go it's not gone it can't be gone. it's over it's done you can't take loved away.
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lovesickeros · 8 months
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☆ even the gods bleed
{☆} characters furina, neuvillette {☆} notes cult au, imposter au, multi-chapter, gender neutral reader {☆} warnings blood, injury, light angst {☆} word count 2.3k
What was justice?
Focalors had asked herself that question many times during the long nights she spends awake pouring over the prophecy of a dead God, words replaying in her mind like a broken record until the sun rose like a blooming flower.
She was the God of Justice, an Archon, yet she herself lacked the answer to such a simple and yet so very complex question.
How does one define what is just and what is not? How does she know that what she believes to be just is right? Is it justice if one being alone may sway the scales of justice on a whim? What justice is there to be found in the cold, watery grave that awaits her nation?
She does not know.
Perhaps she may never know.
What she does know, at least, is that this is not justice.
It is a mockery of it.
She stands before the bloodied, broken body like the judge, her sword held so tightly in her hand her fingers feel stiff, a dull ache adding to the weight of what she's seen. For a long, horrible moment she almost thinks they are dead – something she would have reveled in, only a day prior – before she sees the subtle rise and fall of their chest. Breathing, but barely.
The rain felt heavier upon her shoulders at the realization – she was not sure if it was in relief or horror.
Her nails dig into her palm, mind stuck somewhere between that abject horror and confusion so palpable she swore she could hear the gears in her head turning.
For a long, silent moment as she stares upon the body beneath the heavy rain..she wonders if this is how it all ends instead. If the world itself will simply crumple in on itself and cease – without its heart, it will wither, after all – long before the waters ever swallow her nation whole.
Because, try as she might to rationalize it, for every drop of rain that hits her like pins and needles, soaking her down to the bone..the body of the imposter is completely dry. Even the water pooling along the stones dares not to leave so much as a splotch against their ragged, torn clothes.
She remembers the meeting so very clearly, and she thinks she is a fool to not have noticed sooner – the Creator upon their gilded throne, finger pointed in accusation at the visage far too similar to their own. The imposter. She remembers the lilt of their voice as they called for their death as easily as one would speak of the weather – and to no one other then herself would she admit the spark of fear it had ignited within her. Because beneath the divine charade there was a sick enjoyment in the way they looked upon the imposter – like a bug beneath their shoe.
She understands, now.
She had thought that perhaps finally – finally – she could do right by her people, by her Creator, if she rid Teyvat of this..intrusion.
Now she sees herself as what it all really is – blind lambs following the herder.
Perhaps she would be considered a heretic under the eyes of the law – beneath the weight of justice, heavy as the heart that bears its sins. Perhaps this is a mistake, one she would come to regret.
But for now, she sheathes her blade with unsteady hands, the sound making her ears ring – for what she had almost done, what she had already done – as she stumbles like a newborn lamb towards the broken body of..
..What, exactly? Human? Divine? She is not so sure what to call them. Creator? No. The name is bitter upon her tongue, now, burning like liquid flame down her throat.
Where once she had spoken it in reverence and admiration, it felt hollow and empty, now.
Her vision wavers as she kneels down against the rain soaked stones, the rain upon her back growing heavier as she reaches a shaky hand forth – and for a moment, however brief, she feels the weight of expectation, of a title she fears she may never live up to, wash away with the waters that fall from the heavens.
The bruises and blood smeared across their skin are like strokes of a paintbrush, their body the canvas from which such horrid art is created. It makes her ill.
Doubt wavers her composure briefly – her position is already unsteady. She has never been seen as an equal to many of the other Archons. Her own people do not see her as their Archon, but an actor in a grand play that they shall simply toss aside and replace like a broken doll the moment she bores them.
What does she have left to lose?
She reaches out again, her hand settling onto their shoulder and turning them onto their back. She..isn't sure what to do, actually. She's never been particularly physically capable – she tended to avoid fights, even if she oft provoked them – and she was certainly no healer.
Yet what choice does she have but to march on anyway? She is in the heart of the city, it is far more dangerous here then anywhere else..she had little time to make her move.
Fontaine was, after all, a nation founded on the principle of justice. To know an injustice has been made against the most Divine..the entire nation was in a frenzy.
Her eyes dart around nervously, hands clasped tight on their shoulders and her lips drawn into a taut line – someone would notice her absence. One of the Archons would point out her absence in the coordination of the search.
Her options were just as limited as her time – she couldn't just take them out of the city. Security was tight, and as much as she fancied herself an escape artist – Neuvillette could hardly keep her in one place for too long – she doubted she could do the same with the limp body of the imposter in tow.
..The Palais Mermonia it was, then.
Her room had a secret entrance that few knew about, and even fewer would dare to traverse. She just..had to hide them there for a bit and hope Neuvillette wouldn't notice anything different.
Probably.
Still, there was the problem of actually..transporting the body. As grim as it sounded. Her only solace was the fact she didn't have to worry about them catching a cold, at least, and their breaths were still audible, if only barely. So she had to resort to some..unexpected methods.
Seeing the limp form of, well, the imposter – she'd really have to ask for something else to call them when they woke up – stuck in a bubble of hydro wasn't exactly on her bucket list.
Then again, neither was treason.
Well, first time for everything, right?
It wasn't breaking the law if no one else knew about it.
..Neuvillette didn't have to know about it, really. It was fine.
She could, of course, technically try to talk some sense into Neuvillette – he'd listen to her, right? She thought she was pretty close with him..but he was also the one person more obsessed with justice then she was. Such a stickler for the law..so maybe she's breaking a few, it's fine.
But he was also pretty devout, as much as he tried to keep his worship private – with Focalors around, nothing was really secret. Maybe she could get him to settle down long enough to prove it.
..How was she going to prove it?
An exaggerated groan escaped her lips as she led the bubbled imposter – she really wished she didn't have to resort to that, it would be a lot a more awkward to explain then dragging the body around – through the winding streets of Fontaine. She's just glad she's already memorized the entire city like the back of her hand..and a little dramatics went a long way. People listened when the Hydro Archon spoke, and she was suddenly very, very glad for that fact, even if they treated her more like a mascot then a God.
And partially because she, maybe, just a little..stole a few documents detailing the layout and a little personal exploration of her own – but what Neuvillette didn't know couldn't hurt him!
After what felt like hours, though was really no more then half an hour at best, she'd managed to drag herself – soaked to the bone with rain – and the conveniently bubbled imposter up through the secret entrance and into her room.
The perceived safety, as flimsy as it was, was..comforting. Until she heard the rustle of fabric, the clearing of a throat and the pop of a bubble as she, in her surprise, popped it – and then the thud of the imposter hitting the floor.
She felt a bit of regret about that part, at least, wincing.
"Lady Furina." His voice was as sharp and cool as she remembered it always being – like fresh spring water, she'd heard it described. Soothing. It did not feeling very soothing right about now.
She turned sharply on her heel, a forced smile tugging at her lips on reflex, every muscle in her body tensed – she probably looked like a wet cat right about now, soaked with rain, but that was the last thing on her mind.
"Do you mind explaining what, exactly, you did?" Not what you're doing, she notes – what she did. He was mad. Oh, she was really in for a scolding now. She twiddled her thumbs, laughing weakly, though it quickly dies out at the awkward, tense silence.
"Well, you see – it's rather complicated! I can– I can explain." Her attempts to diffuse are met with a raised brow and the sharp tap of his cane. Every single thought is plagued with the urge to run, but the unsteady breathes of the 'imposter' keep her rooted in place. "Well?"
She was sweating bullets, her nails digging into her palm as she scrambled for any excuse that could warrant her not getting hauled off and scolded thoroughly at best – she was coming up empty. How was she supposed to prove that the 'imposter' was very much not what the 'Creator' said they were? Their unconscious body was doing no one any favors, certainly.
"The Creator is lying," She blurts out, immediately regretting her impulsiveness when she feels the sudden weight of his stare – the piercing hues of his eyes that remind her just who is the strongest between them. It is not her, she knows. It never has been. "You can see for yourself! Don't you trust me, Neuvillette–?"
Her voice is cut off by the sharp click of his cane as he strides across the room in only a few steps, his height making her feel like a child about to scolded. She hated it, but she grit her teeth through the exchange. She reminded herself that this was for the sake of the 'imposter' and any affront to her ego was..tolerable.
To her credit, too, she didn't immediately lash out when she saw him poke at their body with his cane, turning them onto their back – she wanted too, though. She considered it, but the thought was quickly shot down when his stare turned back upon her, and she felt frozen in place again, her tongue a heavy weight in her mouth.
Yet she couldn't shake the sudden tenseness to his shoulders, his brows furrowed and a distant look to his eyes. It was..haunting, in a way.
She knows it well, she realizes. The realization and acceptance, the crumbling of every solid foundation you've ever known – leaving you to flounder in the waves, alone and afraid.
The gentleness in which he picks up the limp body surprises her though, his cane set aside. The rain howls like a horrid storm outside, but she cannot focus on anything but the furrow of their brows, the soft noise that escapes their lips.
"I trust that you know that this must stay between us," His voice is soft, like the gentle lap of waves against the shore, as he sets their body down against the bed, his hand lingering against their cheek with something almost like reverence – and if her eyes do not deceive her, affection. "Lady Furina."
She does not hesitate to agree.
"Well– well of course!" She huffs, crossing her arms over her chest and frowning at the feeling of her wet clothes clinging to her skin, a heavy weight that feels like it's dragging her down. "Just what do you take me for?"
He doesn't deign to respond.
It only makes her fume more.
Not that he seems to notice, unbuttoning his heavy outerwear and tossing it on the bed, rolling up his sleeves and focusing on the injured– er..yeah, she really needed a new name for them. Calling them imposter felt wrong.
"So long as you understand, then we will have no problems." She huffs again, pouting and puffing up her cheeks, sitting down on the other end of the bed with only an occasional glance towards him as he worked at peeling away the ragged clothes and examining the injuries marring their skin.
She suddenly felt out of place.
..What was she supposed to be doing?
As if noticing her sudden quietness, Neuvillette sighed, his back turned to her though his attention very much falling upon her. She really hated the feeling like she was being dissected whenever he looked at her. It was unnerving. She doesn't know how anyone else handles it..
"If you are so eager to do something, Lady Furina, then please have something brought up for when our..guest awakens. They will need to recover their strength."
Finally! Something she can do. She perks up, her heels clicking on the floorboards as she darts out like a bullet, unable to stay still for so much as a moment.
Neuvillette, for his part..
Feels an odd sense of serenity as he stares upon the troubled features of the..guest. A peace that lessens the burdens upon his shoulders, the weight of a nation upon his back.
He cannot hear the rain, anymore.
..It must have stopped.
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kkbardd · 8 months
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An old western romance 🌵
Cool beauty bartender!Rei x Lone Ranger!Asuka
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spoopdeedoop · 10 months
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messy lil spidersona doodles
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azuneekun · 1 year
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redesigned how i drew harvey ft. maru 
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smash-chu · 4 months
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Redrew / drew over some funny images one has saved over the years, with piñatas, because what isn't improved with the addition of cute papery critters
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rootworks · 3 months
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an arching branch of the twisting deceit \^_^/
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souporsaladnatural · 3 months
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Woe old cas eye studies be upon ye
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lostboywriting · 3 months
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Okay. Okay, there's a bunch of wildly speculative stuff that I can't quite pin down right now, so for now I'm going to stick with a couple definite points and just a tiny bit of the speculation:
Point 1: The case from TMAGP 4 is dated November 19, 1831, according to its case number. That's only two days before the letter in MAG 127, from Jonathan Fanshawe to Jonah Magnus, that detailed how Albrecht Von Closen died.
Which is interesting not just because of the dates, but because how Albrecht died seems REALLY FUCKING SIMILAR to what we know about what happened to Red Canary. Albrecht took a bunch of books from the Württemberg tomb. He went wildly off the rails. And when he tried to return what he had taken:
"Do I need to tell you what I found, Jonah? Do I need to detail what covered his organs, his bones, the inside of his skin? What clustered together in their dozens, and all turned as one to focus on me as I opened his chest, their pupils constricting in the light, with irises of every hue and color?" (MAG 127)
Point 2: As I said over here, TMAGP 3's case is dated very close to when Anya Villette crossed between realities at Hilltop Road. They're only about three weeks apart, which seems pretty close for coincidence considering Anya's the only character we see definitely make that crossing at any point in TMA. The timing gets closer if you recall that Anya landed in TMA's world two weeks before she went to Hilltop Road in hers.
The tiny bit of speculation that I'm posting for now in a desperate attempt to conserve my sanity:
There's all this emotional/thematic resonance between the case files each voice has read and the characters they each appear to be linked to (if not to be outright), and I've been pretty swept up in that. And still am, won't lie! But I'm starting to suspect that they (or whatever is behind them) are actually searching, very deliberately, for something else entirely, and using potentially significant touchpoints from TMA's world as starting places. And that the cases we're actually hearing, and many of the thematic parallels they contain, may be only tangential to that.
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jadeazora · 4 months
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Well, I haven't actually pretended otherwise, but it's cool that we have a more antagonistic rival that's actually relevant to the story, and that we had a bit of a hand in his downward spiral/him becoming that way.
(had to make one of these Joker memes at least once in my life ig)
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looks-at-you · 4 months
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Heartbreaking: local twink listens to old woman, has who torn from what
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qingxin-dream · 9 months
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when he says “i love you” but the wanderer ai says:
“your entire being is precious. every inch is a testament to the beauty the gods bestowed upon you. there is no piece of you that is undeserving of love.”
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wavesoutbeingtossed · 1 month
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Randomly thinking about “tolerate it” (narrator voice: it was not random) and how under the cloak of fiction it is ostensibly inspired by works like “Rebecca” (which Taylor said she read during the 2020 lockdowns I believe?), with the line of “you’re so much older and wiser” indicating that the speaker is significantly younger and inexperienced compared to the person she’s speaking to and a pretty direct reference to the plot of the book.
But I saw something somewhere once that stuck with me about how it might not be referring to relative age between the characters but chronological age as in the passage of time in a relationship. And that made me think about how in a contemporary context, it might not necessarily be referencing an actual age gap between the two characters, but rather a sarcastic or cynical response to the man’s claims that he has matured (“you’re so much older and wiser [than you were before/than you were when we met/etc.]”), which then made me think about that line in relation to the woman. And that it could be taken like, “you act like you’ve matured so much in our time together and like you know everything, while I’m supposedly still stuck as the girl I was when we first met.”
Which then made me think of the “right where you left me” of it all and did you ever hear about the girl who got frozen time went on for everyone else she won’t know it and the bit in Miss Americana where she talks about how celebrities get frozen at the age at which they got famous, and how she’s had to play catch up in a lot of ways not just in her emotional growth but kind of in general. (Which also made me wonder if she’s ever been called out for immaturity/lack of curiosity/lack of education about things in her life…)
Which then made me think about the rest of the song, and @taylortruther’s posts yesterday about “seven” and “Daylight” and the way Taylor idealizes her youth yet contrasts it with an almost sinister reality in its wake, and the line, “I sit by the door like I’m just a kid,” because the discussion raised that her relationship let her recapture some of the childlike joy and wonder she’d lost. So this line is a double-edged sword: the speaker sits by the door with childlike hope that the person will come home and cherish her, but on the darker side, feels like the child dealing with the monsters she doesn’t have names for yet and the feelings of isolation she felt as she aged.
I’m not saying the song is necessarily autobiographical; like most of the songs on folkmore, it’s clearly a fictionalized story based on media she’d consumed and created, but we know a lot of the fictional songs were infused with her own feelings and experiences and… This idea swirling in my head picked up steam and now I kind of can’t stop thinking about it. Sorry but I’m a little obsessed now.
Like maybe it might start to shed light on why she identified so strongly with the novel in the first place…
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