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mrsoharaa · 20 days

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ᯓ⁠ ❥ Miguel being too cooped up in his office? sweetheart, wear one of his long, white fancy button ups (that you love to wear around your shared apartment, keep the first three buttons undone- trust me) wearing only that and your pretty laced panties (but if you're feeling a bit more petty, wear those gorgeous newly purchased sheer stockings that connect with the matching garter that you had just bought for special occasions!), and portal your way into his office dressed just exactly like that. Strut your hips a bit as you walk, taunt him. Tease him. Make his ass drool and work at whats he's missing (you) out on, for being so encased with his job.

And if that doesn't work (which I'm sure it will hehe) then force your way inbetween his beefy legs, prop yourself onto his desk directly in front of him and spread your pretty legs before him. Watch him immediately silence himself, aimlessly gawking at you with peering eyes scouring hungrily over you. ♡ ୨ৎ

#guarantee you he'll happily oblige to everything you say 😏😘❣️#and to be moreeee petty you COULD be a bigger tease and press the base of your foot onto his solid chest and push him back against his chai #glare at him with a slight scowl and tiny lip pout (the very one that drives him insane) telling him that he can't touch you #Ariel needs to stfu and go to bed lol <333 #miguel o'hara x reader #miguel o'hara #atsv

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silverwhittlingknife · 1 year

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How do you feel about Jack Drake?? What are your thoughts on him and Tim’s relationship?

Anon, I hope you were interested in a novel, because look, I am fascinated by Jack Drake. He’s key to a whole lot of what I find compelling about Tim as a character, and if I were in charge of DC, I’d bring him back to life. This would make Tim unhappy but would IMO make for good plotlines.

Jack and Tim’s relationship is Complicated (TM)...

Jack and Tim hug in Nightwing 20 / Jack impulsively yanks a TV out of the wall in Robin 45 / Tim grieves in Identity Crisis

“I could tell the truth. But I don’t.” - Robin 66

...and it involves a whole lot of Tim lying, and feeling guilty about lying, and thinking about telling the truth, and choosing again and again to keep lying.

And I think that’s great.

Below the cut:

Shorter version - key points about Jack

Really long version - my gentler take (vigilantism is choir and Jack loves sports) vs. my harsher take (Jack has some major flaws)

Final thoughts

Shorter version - key points about Jack:

He’s a bad parent. He’s self-centered, he consistently prioritizes his own comfort and interests over his son’s, and when upset, he does things like order Tim off to boarding school.

But he’s never a bad parent in an actionable way. He’s not like David Cain or Arthur Brown, who are abusive monsters. Jack’s not a monster! He just...kinda sucks.

He genuinely loves Tim. If Jack’s aware that Tim’s disappeared or is in trouble, he’s always worried and upset. He periodically resolves to be a better dad, and IMO he’s always sincere.

And Tim loves him, a lot. Tim’s protective of him and worries about him when he’s kidnapped or in danger, and when they’re reunited, Tim’s really relieved and usually hugs him (and Jack hugs back!).

...But they have very little in common, and that’s a problem. Jack doesn’t value the things that Tim values, or respect the people that Tim admires, or care about the things that Tim’s interested in. Tim lies to him a lot, but that’s partly because he correctly guesses Jack wouldn’t respond well if he knew the truth of what Tim’s up to.

The Batfamily is a surrogate family that Tim’s drawn to because of the ways his real family doesn’t meet his emotional needs…but also he feels guilty about that and disloyal. (And to the extent that his dad recognizes what’s going on, he's jealous and resentful!)

Very long version:

(LISTEN I HAVE SO MANY THOUGHTS ABOUT THIS)

Okay! So first: Jack’s a character who IMO is pretty up for interpretation. You can interpret him very charitably, and make excuses for the bad behavior, and fill in the blanks sympathetically when situations are ambiguous; or you can interpret him uncharitably, and emphasize the bad behavior. I don’t think either approach is invalid - it depends on what kind of story you’re interested in! I have enjoyed Bad Dad stories and also stories that redeem Jack.

My personal take on canon is that Jack and Tim’s relationship is in a gray area. Jack's definitely neglectful, and he does prioritize other things over Tim, but he’s never so bad that Tim can easily reject him, and he's never so bad that Bruce could justify taking Tim away. He's just...not great. Tim loves him, and feels loyal to him, but it’s a very mixed-up complicated love.

I have a gentler take and a harsher one which I switch between as the spirit moves me. xD

My Gentler Take (tl;dr: vigilantism is choir and Jack loves sports)

Here’s the core conflict: Jack and Tim are very different people with different values. Tim idolizes Bruce and Dick and vigilantism, and secretly gets involved, knowing his dad will hate it. He gets increasingly wrapped up in his secret world and lies to his dad...because if his dad finds out, he’ll make Tim quit.

This is a great setup for an ongoing comic. It’s practical, because it provides endless potential for plotlines, and it’s nicely thematic, because it maps closely onto relatable real-life situations with extracurricular activities:

Tim the drama nerd whose dad thinks he’s playing football and not in the school play;

Tim the closeted-queer kid secretly getting involved in his school’s politically-active Gay-Straight Alliance;

Tim the choir kid whose dad only values making money and wants him to go into the family business (and Tim keeps promising himself he'll give up choir soon, definitely soon, but maybe he'll stay in just a liiiittle longer, because they need him, you see, the last tenor left town, so...);

Tim the computer geek with the sports-obsessed dad (this one’s just canon);

etc. etc.

The extracurricular metaphor works pretty well for Tim’s relationship to vigilantism. Tim's involved in his "extracurricular" because he genuinely thinks it's important and fulfilling, and he values it and wants to be good at it. He idolizes Bruce and Dick because they're good at it. He's been collecting information about it since he was a little kid, and hiding it from his parents because he knows they wouldn't approve. And mayyyybe there's also an element of low-key rebellion against his dad, and maybe that's secretly part of the appeal. And yet also as Tim gets more and more invested, he starts to daydream: maybe I could tell my dad and he'd be proud of me and supportive. But he doesn't, because actually he knows his dad would be upset and angry and make him quit.

And - again, just like with lonely kids and extracurricular hobbies - one of the things that happens is that Tim starts getting his unfilled emotional needs met ... by people he knows through this secret hobby. And people like Bruce and Dick start turning into a surrogate family. Which Tim feels guilty about. And also as Tim gets more and more wrapped up in their world, he has to lie to his dad even more, which means the distance between Tim and his dad gets bigger and bigger and more and more unfixable.

I love this dilemma. It's simple, it's recognizable, it provides endless sources for conflict, and there's no obvious solution! Tim can't tell Jack: he'll make Tim quit! And Tim doesn't want to quit, because he loves choir / art / theater / whatever. Yeah, it’s difficult, and there are challenges, and sometimes he has doubts...but at the end of the day, he cares about it a lot. And everything he values is there, and all the people he admires and cares about are there, and all he wants in the world is to feel like he's one of them and belongs there. So he has to lie, even though he doesn't want to lie, and he feels guilty about it...

...but also he ends up lying more and more.

(Sidenote: I think it's important that Tim chooses to keep lying - Tim's narration often glosses this as "I have to lie to my dad," and that's certainly how it feels to Tim, but this... isn't quite true. He has to lie to his dad, because if he doesn't, his dad will get mad at him and try to stop him, not because he literally has no choice about it.)

Other Reasons Why I Like The "Secret Extracurricular" Interpretation

(tl;dr it complicates not just Tim's relationship with his dad, but also all his other relationships)

Tim's problems have some obvious parallels to Steph and Cass, who both become vigilantes while rejecting their evil supervillain dads. But Jack isn't evil. And that means the Tim-and-Jack relationship is ambiguous and complicated in ways that I like. Steph and Cass can just leave their Bad Dads in prison, and say good riddance, and feel very righteous and triumphant about it! Tim’s more complicated. Tim gets into vigilantism ostensibly out of duty and altruism, but secretly, he's also involved for straight-up selfish self-fulfillment reasons. He's lonely, and bored, and his life feels pointless, but he thinks that Bruce and Dick are cool and amazing and he wants to be a part of the things that they do. When his dad gets jealous of Tim’s relationship to Bruce, and feels like Tim’s looking for a surrogate family, he’s... not wrong.

And the ways in which Jack is not Actionably Bad complicate things from Bruce's POV. If Jack was a straight-up villain, it’d be an easy call to keep in touch when Jack finds out and makes Tim quit...but he’s not a villain, not really. So what do you do? Do you try to surreptitiously stay in touch with Tim even though you’re ignoring his dad’s express wishes and thus forcing Tim to sneak around? Do you respect his dad’s wishes and stay away from Tim even though you have a years-long relationship at this point?

Again: a bit similar to the extracurricular analogy. Say you’re the choir director and you’ve built this whole relationship with a kid in the choir, and you’re an important mentor to him and you care about him etc. etc. etc.... and then right before a big performance, his dad finds out he’s been secretly involved, and yanks him out. How would you react? Well, maybe kind of in some of the ways Bruce reacts. You replace him. You’re annoyed with him. You miss him. You want him to come back. You’re also worried about him. You’re upset with his dad. But also... what should you do, exactly?

Bruce and Alfred and Dick care about Tim as if he were part of their family, but he’s not part of their family, and there’s a lot of interesting tension there.

My Harsher Take

Jack never hits his son. But his temper is a big deal.

In his worst moments, he takes out his anger on Tim’s stuff - wrecking his room, or ripping his TV out of the wall and confiscating it. When he’s worried about Tim, he usually expresses that fear by yelling at him / punishing him / sending him away - threatening to send him to boarding school in Metropolis in Robin III, or threatening to send him to military school abroad in Robin 92, or actually forcing him to go to an all-boys' boarding school post-NML.

This is bad behavior! It is Not Good!

And you can easily connect the dots to a bunch of Tim’s terrible coping mechanisms, like the constant lying and or the fact that Tim’s go-to methods for dealing with interpersonal conflict are 1) repress it and pretend it never happened (most of his fights with Bruce), 2) withdraw from the relationship until he can pretend the conflict doesn’t exist (when his friends get mad at him in YJ, he quits the team for a while), or 3) literally run away from home.

Also, Jack is a Manly Man with firm opinions about how men behave vs. how women behave, and he thinks boys shouldn’t be scared and thinks Tim should date hot girls and pushes Tim to work out and wants him to play football and expresses period-typical sexism, etc. etc. etc. ... and though obviously this wasn’t what the writers had in mind at the time, all of that is certainly interesting to read backwards in the light of Tim as a queer character.

More Disorganized Thoughts on Jack Drake

Tim’s our hero, so we’re naturally more sympathetic to him, but it’s also true that relationships are a two-way street, and Tim doesn’t value any of the things his dad values, either. Jack at various points is shown to care about grades, business, money, boarding schools, archeology, football, a kind of macho bragging-about-dating-hot-women ethos, and a very public and performative kind of caring. Tim tends to respond with discomfort or disinterest or even disgust. When Jack gets on TV to try to rally the government to save his son from No Man’s Land, Tim isn’t touched—he’s mortified. When Jack makes some bad investments and loses money, Jack’s deeply upset and his self-image is majorly impacted, and far from being sympathetic, Tim’s annoyed and kind of contemptuous of the idea that this is a problem. Jack thinks fishing in the early morning and going to tennis matches is a fun father-son activity; Tim finds it exhausting and tedious. And so on.

This means that Tim often longs to be closer to his dad in theory, but this longing is more tied to fantasy than to reality. He rarely seems to enjoy spending time with His-Dad-The-Actual-Person. So for example, when Tim’s deadly ill with the Clench, he has an extremely poignant fever dream about telling his dad the truth and getting hugged…even as he insists in real-life to Alfred and Dick that he does not want them to tell his dad what’s going on.

The same is true of Jack, who IMO genuinely wants to be closer to his son and is continually declaring that he’s going to turn over a new leaf and get closer to his son…and just as continually backs out of activities or loses his temper when faced with spending time with his actual son.

Tim and his dad sadly get along best—by far—in Absence Makes the Heart Grow Fonder situations. When Jack gets kidnapped or is in danger, Tim worries for him (and Tim grieves him deeply when he dies). When Tim disappears or runs away, Jack’s genuinely worried about him. So e.g. they have a really moving emotional reunion and hug when the earthquake hits Gotham, and Tim panics about his dad’s safety and comes running home (and meanwhile Jack’s been panicked about Tim’s safety!). It’s the day-to-day, regular life stuff where they don’t connect.

Jack's written quite differently by different writers. Mostly, Tim's parents are at their least likable in his early appearances and early miniseries (this is where you get, for example, Jack and Janet being nasty at each other while a pained employee looks on, and Tim disappointed to once again get news of where his parents are via postcard - "I guess that sums them up! Never know where they’re going to be–or when–or even how long!” - and Tim alone on school break, and Bruce and Alfred thinking there's something weird going on with Tim's parents, etc. etc.). Jack's more sympathetic but still often unlikable in most of Tim's Robin solo, and he's almost invisible (but positively treated if he does show up) in Tim's team books.

For obvious reasons, Jack's remembered way more sympathetically after his death. Tim's completely devastated by Jack's murder, which he arrives moments too late to prevent, and he basically never gets over it. We see him grieving Jack again and again in Robin, and also in Teen Titans, and also in Resurrection, and again in the Halloween Special, and again in Batman: Blackest Night, and all the way up to the end of Red Robin. Tim also grieves for an extended time over Janet - he hallucinates a happy reunion with her when he's feverish in Contagion, and hallucinates her in the final issue of Robin, and the reveal-your-buried-emotions song in Robin 102 brings up his grief for her too (meanwhile, other characters dance or laugh or otherwise get giddy). Tim’s grief over his parents’ deaths is intense and long-lasting.

I'm not going to clip comic panels because this is long enough, but if you're curious, here's a nice and fairly lengthy compilation of comic panels with Tim and Jack.

If you're interested in a Jack-centric story with a softer-but-still-recognizably-canon take on Jack, I really like the way Jack’s narration is written in the one-shots Heart Humble (set shortly before Jack dies) and Never a Hero (Ra's resurrects him during Brucequest, and Jack's archeology skills turn out to be unexpectedly useful).

#tim drake #jack drake #ask tag #i wrote this ages ago and now i can't remember what i was going to add to it so oh well draft amnesty? sorry for the long wait anon!! <333 #anyway i kept this carefully on topic and virtuously did not derail into talking about the other blorbo but tags are for disorganization SO #for me this kinda half-in half-out place where tim is with the batfamily is SUCH an interesting part of his relationship with dick #and i never stop turning it over in my head #he's kiiiinda replaced dick in that he's robin - but in a very real way he *hasn't* - he's NOT bruce's new son the way jason was #and early!tim makes a BIG POINT of how bruce is not his dad #and i think this relative distance from bruce is a huge factor in why dick is able to build a close relationship with tim at all #(because dick's still pretty estranged from bruce!)#and there's such interesting tension there when dick starts jokingly calling tim ''little brother'' or when villains call them brothers #because they're NOT. increasingly they would both LIKE to be brothers! but dick has zero official standing in tim's life #if tim got hit by a car in his civilian identity bruce and dick wouldn't even be able to visit him without his dad's permission #which jack would be pretty unlikely to give! jack doesn't like or trust bruce!#or like. this is morbid. but if tim died. dick wouldn't even be invited to the funeral you know?#and there's such interesting tension there for me in the contrast between this vigilante relationship that's very very close #but in their civilian lives no one would assume they're anything in particular to each other #anyway the 1st half of tim's robin solo has this thread of tension between tim's family life vs. his vigilante life (plus his mom's death)#and then the second half + red robin has the thread of struggling with grief in a world that's not fair + feeling lost/alone #and these two threads are a big part of my interest in tim as a character! jack's the backdrop that makes a lot of stories possible

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ruporas · 9 months

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hello hello! I hope you don't mind me dropping by but I just want to say I love your art so much, the way you draw vashwood is just so sweet and tender but can I just ramble about the way you draw Vash especially? More specifically, the way you draw his expressions when he's looking at Wolfwood???

I just LOVE the way you draw Vash's expression because the way you make him look at Wolfwood is so soft 😭😭😭. There's just something about it that's so tender, like whenever I look at Vash's expressions in your art I just think "that is genuinely someone who loves another person with all their heart" and it just mends and breaks my heart at once, you capture Vash's love for Wolfwood in ways I can't explain 👏

It's unbridled love mixed with the fear of hurting Wolfwood in their relationship. It's wanting to spill so much affection but holding back in fear of messing up. He looks at Wolfwood like he's longing for him so earnestly be it pre-relationship or even when they're already dating it's just so??? 💕💕💘💞💖💖💞💕

There's just something so tender and heart wrenching at the way Vash looks at Wolfwood in your art, it gets me really emotional and I hope you have a lovely day/night for real <33!!!

ouuuuu thank you so so much for your kind words and for taking the time to tell me this T_T !!! i'm glad my expressions for vash's longing gazes at wolfwood is well done enough to have this sort of response to it…

he's the kind of person that has to hold back in both words and touch when it comes to love, when it comes to wolfwood, but i think it's a difficult emotion to restrain, especially when wolfwood is kind enough to let it be.

ultimately, what they're allowed to have is the inevitable shared spaces during their travels, it's the other's physical presence, being next to wolfwood, being able to take him in through the way he simply exists. smelling smoke, seeing smoke, seeing the cigarette between his fingers, seeing the crosses littered across his person, the rosary snug around his neck, his scruff at his chin, messy bangs, messy hair, tired eyes, the canine that peeks when he speaks, and a voice carrying heavy words, but honest, and kind, and one vash could never get tired of hearing, like how he'd never be tired of just looking at wolfwood.

it's of gratitude, it's of sorrow, it's of grief, it's of love, praise, adoration, it's desperate and it's full of yearning. at first, it's a gaze he feels he has to be satisfied with until he's learned that he's allowed for more and at that point, when wolfwood has given him so much, how could he look at him in any other way?

in any case, i def like to make it known and parade around vash's deeeeeep deep deep feelings of love towards wolfwood, so i'm very happy to know i can express that clearly through his expression alone. i Also just love wolfwood so maybe the projection goes from the heart of the artist to the heart of the art.

i ended up collecting a few caps of his expressions just out of curiosity for myself :3 i have much to improve still, i'll keep on drawing vash's loving self until i can get the ultimate loving expression down!!

#asks #thank you for sending this ahhh <333 long asks like these are always so so sweet thank u....#i think one of the most agonizing parts about drawing vash's expression is knowing that wolfwood is going to look at it and underestimate #the depths of just how much vash loves him - or he can acknowledge in a strained pained way that he's cared for #that his feelings towards vash are reciprocated in this sweet manner - but he can't allow himself to have it be deeper #u could say the same thing about vash's reaction towards wolfwood's loving gaze to him. but although ww is similar in vash to complications #when it comes to loving - i think ww knows better of when they're short on time and how he's only got so much time to indulge and plunge #into a short loving paradise with vash. maybe thats too confusing... naturally it doesnt have to be this deep either. vash just loves..#wolfwood just loves... they've both got so much heart and yet restrained due to the lives they have to lead - for the people they have to #protect..... they make me so Ill.

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katierosefun · 4 months

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actually as much as i love mike and harvey together. i feel so sad for rachel zane because imagine falling in love with your coworker and then you learn that your coworker is a fake lawyer but not only that, your coworker is a fake lawyer who would literally do anything for his boss. he'll literally leave you at the altar to go to prison for his boss. he'll try to quit his job multiple times but keep coming back because his boss asked him to come back. he'll move to seattle with you, and you'll breathe a sigh of relief because it means that it can finally just be the two of you, but then you learn that he's inviting his stupid former boss to join them. and his stupid former boss agrees. you smile because your husband is so stupid happy at the idea of working with his former boss again, but you've seen this film one too many times before, and you are going to be subject to watching your husband choose his stupid former boss-slash-friend over you again and again and again and again and again and ag

#caroline talks #suits #LIKE? ? ??? rachel zane babes i love u but i hope you've divorced mike ross by now <333 #like i'm so sorry girlie!!! your husband loves u i'm sure but also he's been playing stupid chicken with this guy he's been in love with #for YEARS NOW!!!!#it's also like. uh. you KNOW that harvey wouldn't do anything with mike while mike's married to rachel because of ALL THAT BAGGAGE HE HAS--#and i don't think mike would ever do anything to harvey because HE knows how much baggage harvey has #like. in my head. yeah they're all living together in seattle and rachel's just like ':/// i need to divorce this man bc we could move to #literally antarctica and mike would still find a way to drag harvey along.#and the crazy thing is that harvey would probably FOLLOW HIM.'#like. the way i'm not even exaggerating what happens in the show too?? ? ?#like we have literal scenes of rachel crying and begging mike to just LET HARVEY GO #and to just CHOOSE HER #and mike is always just like '!!! HOW DARE YOU TELL ME TO GIVE UP ON HARVEY'#and it's like. ilysm mike u crazy silly man <333 but also like. i think it's fairly reasonable of the woman you're marrying #to ask you to choose her over your boss slash buddy. y'know?#like. it's not even like rachel and mike are a cute simple girlfriend-boyfriend.#they are literally ENGAGED and they are literally supposed to START A LIFE TOGETHER--#and mike is still going ':((( i can't leave harvey behind' like actually rachel babe i am SO SORRY

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atlas-library · 3 months

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Once again, @mana-jjk inspires me with her analysis of Toge. She reminded me of his harmless pranks, like the one where he steals Maki's skirt— And she doesn't seem to care that much, right.

So I've been having a silly headcanon, dancing around in my mind.

I usually headcanon Toge as trans, not in a binary way though— He mostly uses he/him and they/them pronouns in my mind, but is very much close to the genderfluid label. A bit of pangender and agender at the same time, if we had to use some other labels. He's all and nothing, his gender fits his moods and outfits, he's Toge, that's it.

But what if? What if it didn't cross his mind before the school (it didn't, it was still there but he'd think "That means I'm a guy" when he's never been one, at least not entirely)? What if the first time he gets to break gender norms is by stealing Maki's skirt?

He keeps staring at it, wondering, and when Panda teases him about it (thinking Toge is having other thoughts, or probably knowing he doesn't yet still teasing), Toge shakes his head. Fish flakes.

So Panda tilts his head to the side, deep in thought, and then— "Wanna prank Maki?" And it's the perfect excuse.

Toge nods. Salmon.

The first time he steals Maki's skirt and puts it on, it feels... weird. They're not the same height or size, Maki's hips are slightly wider than his— But then, Toge convinces himself it's just for the prank. Panda loves pranks, he loves Panda and pranks are funny.

Maki doesn't find it funny, though, just annoying; she rolls her eyes at them, calls them stupid and childish (in a typical "Boys are stupid" fashion she's learnt in elementary school), and flicks Toge's forehead as she walks past him. She doesn't even ask for her skirt back... which seems obvious, since she probably has a spare.

So Toge doesn't take it off right away.

He walks around the hallways dressed like this, feels the wind on his calves, and twirls to watch the pretty movements the skirt does. He does this the rest of the afternoon, until the sun goes down and Maki taps his shoulder with a pout. Oh. She wants it back.

So Toge follows her to her room, waits until she invites him in, and doesn't look around in case she doesn't want him to— But her closet has a glassdoor on the inside. He sees his reflection and, when Maki isn't looking, slowly lifts up his shirt until the waistband of the skirt is visible.

It's slightly too big. It doesn't fall prettily on his hips. Still, he likes it.

Behind him, from the corner of her eye, Maki watches Toge as he shyly admires his reflection. She'd seen that look before— On Mai, every time they'd get new clothes she felt really fit her.

Maki doesn't get Inumaki a lot, but she gets him in that specific moment. He does look pretty in a skirt.

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canongf · 4 months

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btw every time i am posting on this blog eddie is here too. he's hanging out with me, he's reading over my shoulder. he's asking about what's going on and what everyone's up to. he wants me to say that he says hi

#i can't keep secrets from him he's always here #we're attached at the hip #just gotta assume whatever message u send me ur sending it to him too sorry <3 #live #eddie.txt #🦇#ok gn i love u #and he loves u too #<333

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