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writesailingdreams · 1 year

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What are your ideas on Amphibia’s idea of self-love and how it’s tackled?

I’m afraid I don’t have very in-depth thoughts (or more precisely I hadn’t thought about this idea until asked*). But from my few days brewing on it my answer is: I think it’s idea of self-love is something I would have been grateful for when I was Anne’s age and I think it’s tackled pretty well.

As an addendum, I felt only Anne really had an arc defined by discovering self-love. To me, Marcy’s arc was about coming to term with facing unpleasant things, and Sasha’s was recognizing how she wanted to be a better person/grow. I also don’t see any of the Plantars needing to learn self-love. Sprig might come closest but to me, his arc is more about finding a friend, someone who will actually like him/spend time with him, and it’s less him learning to love himself but finding the friend who will love the himself he already is pretty open about expressing/seems to like.

As to what I mean in more specifics (because of course), I’m having a hard time arranging it my head coherently. But essentially: I felt Anne’s arc to self-love was handled very gradually.

She’s starts out (Best Fronds) as very concerned with what her friends will think if she isn’t agreeable to what they say; she has to be likable, she has to be what others want her to be. But then she meets Sprig (and family) and live in Wartwood, where she has to make decisions on her own/withiut her usual friends. Wartwood is disturbed & distrustful but she earns their trust & respect (Toad Tax). Then later there’s Wally’s bit of “you can be whoever you want to be here” advice and her becoming less worried about whether she’s the “town weirdo” (Wally and Anne). Then there’s the whole Reunion bit with Sprig defending her and saying she’s a good person & brave & not going to be pushed around; she’s someone—as she has presented herself in Wartwood—of value and love (at least in the eyes of this pink frog boy. See this is why I get so emotional about these two?)

I’d say there’s less direct instances in S2a (at least nothing immediately jumps to mind), but by the time she’s there she has had some growth. I think this is most evident in her relationship with Marcy. By the end of her stay in Newtopia, she’s opened up to Sprig (and vice versus) (Hopping Mall). She’s learning to express how she feels and be okay with that. So by the time the show gets to Bessie and Microangelo (I love that ep), she’s happy with herself. (Oh, Tritonio helped, less in his ultimate goal reveal but in instilling in Anne an actually desire to work at something and see herself as worthy as be capable of working at something. Oh, and Stumpy’s statement that her parents would proud of what she did feels like it boosted some kind of ‘You’re ideas may be over the top but they come from a good place.”)

Like omg! To 13 yr old me those kinds subtle and but very clear & audial expressions of my value and worth would have been amazing. Maybe it’s okay to just be the weirdo you are. Maybe others *will* like you. Maybe someone will be your friend even if you share your weird and sentimental feelings. Aaaah! (Heck, I’m in my 30s and I’d still love this).

In that sense, to me, Anne’s self-love grew very much from the space where others (frogs) allowed her to be who she was and as she grew more expressive, she became more sure of herself and the more sure she became the more self-love was genuine. Anyway, I think it’s beautiful.

*this ask reminded me that I’ve been wanting to rewatch Amphibia; I have been reminded that I usually dig my teeth into fandom media when it’s complete, One Piece being the nearest thing to an exception and even then (1) it’s a lot easier to analyze Ace than other characters and (2) I usually narrowly focus or broadly react

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nautiscarader · 3 years

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2020 in animation - recap

So, 2020.

Yeah, I have to say I’m not entirely satisfied. Would not recommend, 1 star.

But I would be willing to bump it to 1.5, if only because of one factor: the animation.

Because I have to say, this was the best animated end of the world so far! And if there was something that kept our spirits up, it was the cartoon industry!

Just like last year, I should preface this by saying that this is highly subjective selection. Even when one is confined to their Hobbit holes for better part of the year because of *waves hands* everything around,

day still only has 24 hours, so I have missed a few shows. (I should also apologise for omitting a few major ones last year, like Milo Murphy’s Law S2, Ducktales, or She-Ra. This is why I started keeping a track this year). I’m sure I will catch up with those I missed this year some time in the future, but for now, let’s see what this year has gifted us with.

And right from the start, January opens the race with very interesting propositions. We were still riding on an incredibly high wave from last year, with Infinity Train season 2.

This one focused on Tulip’s mirror, and pushed the season towards a much darker and complex story, diving deep into one’s personal journey and identity. There were tears, math, deer, and cops being murdered. Brutally.

t was followed by two newcomers: The Owl House and first season of Kipo and The Age of the Wonderbeast. Both of them would dominate first half of the year, with The Owl House’s traditional, week-to-week airings, and Kipo's seasons appearing in June and October.

The Owl House, a strong contender in "What will be the Next Gravity Falls?" contest, invited us to a world full of magic, mystery, elongated owl demons and some dark secrets. It has also created a milestone for Disney, introducing an LGBT couple with characters of bisexual Luz Noceda and lesbian Amity Blight. Their Grom dance has risen to the top of my animates scenes, polling very closely to the unforgettable Kataango.

On the other hand, Kipo has taken us to the post-apocalyptic world filled with mutant animals, revealing that despite the end of the world, our old vices and animosities have survived in underground burrows, and we have infected the overworld of giant doggos and suit-wearing frogs with them.

Kipo did not pull any punches regarding commentary about our society, at the same time giving us hope in the form of the main protagonist, who was able to spread friendship and understanding amongst the mutes, as well as the humans that had to survive. And in the world that we have found ourselves in, it was a pretty darn good lesson.

February would bring end to two seasons of airing cartoons, Big Hero Six season 2 and Miraculous season 3, as well as another newcomer that won the hearts of fans: Glitch Techs, with its "second" season arriving in August. And while in my opinion he show wasn't as good as the other two new titles, I am clearly in minority, as the show about Ghostbuters-like team of game console technicians gained huge popularity... though not enough to keep the show afloat. As of writing this, it is currently in limbo, which is a shame, as the second set of 10 episodes finally added some much needed ongoing story.

in March, another show from last year ended - Steven Universe Future. As we have expected, it tackled slightly more mature themes, showing how much Steven needed that therapy we have wished him, telling an important tale of finding one's worth and one's self. its ending might not have been as explosive as those of the original show, or the movie, but it left Steven’s story as open as an open road, and deep in our hearts, we all knew it would look like this.

March was also the time when majority of western world caught the coronavirus, and that caused quite a turmoil with the movie and animation industry. One of the first victim of changed schedule was Disney's Onward, which was released on-line on Disney+ quickly after its theatrical release.

I have mixed feelings towards “Onward”. For such interesting promise, I think it made a few questionable and down right boring turns, though the unorthodox message at the end of it was its strongest point, and it was one I haven’t seen in a while, so it was worth watching just for that.

April was relatively quiet (aside from more end of the world stuff); brought us third season of Ducktales that spread throughout the year, while May gave us final, fifth season of She-Ra and the Princesses of Power.

To my eternal shame, I missed on this show when it premiered, and due to the lockdown, I binge-watched the previous four right in time for powerful and explosive season 5. And even though Catra and Adora finally gave us exactly what we needed, some fans felt slightly unsatisfied, calling for a movie, like the Steven Universe one to be made. And I’d be all for it, the rest of universe needs saving from the Horde! Also, cats in space - hilarious.

May also revealed a new player on the streaming field: HBO Max, who surprised us with new Looney Tunes Cartoons, much more in the spirit of the legendary originals than the often-criticised Looney Tunes Show from 2011-2014. And in my opinion, it did; one could feel the same fluidity in animation, dedication to slapstick, and synchronisation with music than in the very first cartoons with Bugs and Daffy.

HBO Max would, however, return in June with first of series of Adventure Time original movies called "Distant Lands". The first centred around BMO, with second one - Obsidian giving us a glimpse into Bonnibel and Marceline's lives.

Distant Lands allowed people to revisit the odd, odd world of Ooo and learn about its colourful inhabitants, taking turns to seeing their past and the future, an, as usual, showing us that post-apocalyptic world can teach us valuable and meaningful lessons.

Just in time for full lockdown in our burrows, aforementioned Kipo season 2 premiered in June, together with another cartoon movie, this time featuring We Bare Bears. While their movie wasn't anything to write songs about, it was exactly like the show, providing some wholesome content right when we needed it.

And just in case you needed more wholesome adventures, Craig of the Creek's second season ended, and its third season began, reminding us of HOW COOL LIFE WAS WHEN OUTERNET WASN’T SCARY AND WE COULD STILL WALK OUTSIDE FOR FUN AND NOT TO HUNT TOILET PAPER.

Just like last year, July was not dogs' days, but frogs'. Amphibia season 2 started raining on our heads, but unlike last year, its schedule wasn't a daily one, spreading the episodes throughout the Summer and early Autumn, with its second part arriving in February of 2021. There were more roadtrips, more mysteries and MORE MARCY.

August was equally strong: aforementioned Glitch Techs "season 2" premiered, offering better and more plot-heavy episodes than the first ten episodes. Unfortunately, the show's future is unclear; the uneven divide of plot between the seasons probably contributed to the show not being renewed. 10 new episodes apparently are written, but await in sleep mode, until Nickelodeon remembers about it.

HBO MAX picked up Infinity Train for its third season, after being derailed by Cartoon Network. And if you thought that killing a mirror cop was shocking... then this season has pushed the limit of what can be shown in modern children's cartoon to a frightening degree. The schedule was once again, weirder, with first five episodes airing on the day of the premiere, ending with a cliffhanger (literally) that only contributed to the shock factor and made us wait anxiously for its conclusion. It was bold, it was dark, it was memorable.

And just like Glitch Techs, Infinity Train waits on a side track, unsure if it will be picked up, or will it be abandoned and left as a canvas for graffiti artists.

However, to end the Summer, a truly amazing TV movie has arrived on Disney Plus, where we came back to good, old Danville and could witness Candace against the universe. The new Phineas and Ferb movie brought back the glorious memories of this fantastic show, with the same humour, writing, abundance of catchy songs and a surprisingly deep moral.

In September we have seen the start of Big Hero 6 season 3 and a odd change of format. Instead of standalone 22-minute episodes, the show now consists of two 11-minute segments. In opinion of many, this weakened the stories, forcing them to be more comedy-oriented, and shortening the potential emotional drama. Still, it gave us funny, short stories, but they did clash with the two previous season, not to mention the movie.

However, if that wasn't up to your taste, Ducktales season 3 also started airing, and continued its first part up until December with more action- and plot-driven episodes, including the Darkwing Duck crossover, serving as a pilot of the spin-off.

Later in December fans have learned that Season 3 will be its last, which broke the hearts of many duck fans; however, it seems that the season has been written as the last one in mind, and the news of the ending was known to the creators, which gives us hope for a kick-ass finale somewhere in 2021.

Miraculous New York, telling arguably one of the most mature storylines, opened the "Heroez" world to some new characters and new opportunities, with two more specials, taking place in Shanghai and Brazil, meant to air somewhere next year. AND I DO HOPE WE WILL SEE MORE LOCAL FOOD VENDOR SUPERHEROES LIKE HOT DOG DAN.

October was the month of two season 3's: Carmen Sandiego and Kipo. In case of Carmen, as it is usual with Netflix, the "season" was only a half-one, with just a handful standalone episodes, and just a dash of more ongoing plot.

For Kipo, however, season 3 was the end, and what a glorious one it was. Fans were saddened to learn of it, but Kipo was always imagined as a 3-part story, and it showed. The finale proved more than satisfying ending to the plot, elevating Kipo to one of the smartest cartoon characters we should all try to aspire to.

In November, Distant Lands: Obsidian aired, focusing on everyone’s favourite candy/vampire couple, and the long and complicated love between Bonnibel and Marceline. And as usual, it showed us that relationships are not always as straightforward as we would like them to be, but with enough music and teamwork, no enemy is big enough.

For the next new show, I’ve waited with the most amount of excitement and anxiety. Because while I was completely fine with other reboots and re-imaginings to take creative takes, new Animaniacs, (airing on Hulu) had to be perfect and had to be the lightning that struck twice.

And sadly... it wasn’t. It was still good, but some people criticised (incorrectly imho) the amount of political topics, while I mourned almost total cast-ration of additional characters, aside from Pinky and the Brain. This truly weakened the possibilities it could have had. It was still very good, but you can feel that some of the original charm was lost, due to these odd, odd limitations.

December brought us a new original Apple TV movie, Wolfwalkers. A beautifully animated folk tale of friendship and social divides, and how short-sight can cause the collapse of both arguing sides, reminding me very much of the intelligence and heart of original “How to Train Your Dragon”.

We’ve had to wait two years for the return of arguably one of the most wholesome shows out there: Hilda. Second season dived into deeper mysteries that permeate the rich and colourful troll-ridden land, we saw the return of some familiar characters, and introduced a whole new storyline, that ended with a surprising cliffhanger. Still as wholesome, but now with a tiny bit of Police incompetence. Also Twig, lots of Twig.

Just like Onward, Pixar’s highly anticipated Soul aired on Disney+, telling a very mature story about finding one’s purpose in life, what that purpose actually means, and whether it exists at all. Beautifully animated, with fantastic soundtrack, it was a stunning tribute to creativity, and it never dumbed down its profound, open message about following your dream.

And just if you thought that Soul was going to be 2020′s last note (pun very much intended), right before the year ended, DC Super Hero Girls concluded its first season on a rather anti-climactic two-parter. That being said, the season, running from March of last year, was packed with short, bite-sized, funny stories, taking interesting spins on existing comic book characters. For a comic book noob like me, it was perfectly fine, and I can’t wait for the second season next year.

And so, we have reached the series finale of humanity.

2020 ends in just under a day. What will 2021 bring us? I do not know, and if the animated shows of this year have taught me anything, is that the future is an always open book, full of worries and challenges, but also opportunities and possibilities.

...

And in reality I was too lazy to check any news sites about upcoming projects.

#infinity train #glitch techs #amphibia #kipo and the age of wonderbeasts #animaniacs #carmen sandiego #hilda #DuckTales #big hero 6 #distant lands #dc super hero girls #Miraculous Ladybug #spop #The Owl House

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