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guldagerkeating19 · 21 days
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Commercial Packaging Services Pharmaceutical Contract Packaging
Using our services permits you to minimize down on costs and guarantee superior high quality. With years of industry expertise, Ready Pack Rx brings a wealth of data and expertise to each project. Our team of seasoned professionals understands the complexities of the pharmaceutical industry and is well-equipped to navigate the challenges of packaging and supply chain management. Drawing on our intensive expertise, we offer strategic insights, dependable solutions, and personalised help to ensure the success of our clients’ tasks. Our contract packing services are situated in the same regulatory accredited, GDP-compliant storage location as our logistics service, which allows us to scale back cost and transit times. As part of our contract packing service, we can also provide custom label design. This is a great option if you wish to give your packaging a bespoke look and feel, whereas ensuring it aligns with the remainder of your product providing. Contract packing is the method of outsourcing the packaging of products to a third-party company. During every contract packing project we’re always thinking about you and your outcomes. Whether you need an extra bank of temporary packers or a completely managed on-site packing service, we've the assets to help. From multi-pack product collation to creating an ideal shelf-ready finish for your products, you'll find a way to belief our bespoke shrink wrapping. Have a representative come out from each company you’re contemplating to look at your current packaging infrastructure. We satisfaction ourselves on being your one-stop-shop for high-quality retail and pattern packaging, specializing in versatile pouches, sachets, stick packs, and K-Cups. We’ll allow you to efficiently steadiness all these necessities and get as much value as potential. Talk to us about your contract packaging requirements and discover why so many brands, agencies and public sector organisations love working with Granby. We know you’re eager to meet the necessities of your environmental policy while maximising your alternatives and budgets. Fine-tune the details of the proposal and signal a contract packing settlement with the packing company. The packaging course of is often complicated and varies from job to job, so organise a face-to-face assembly with the company to debate your project. However, in case you have a very giant manufacturing line, make sure the contract packer can prove it has the capability to deal with it. Perhaps your corporation manufactures and ships items in bulk to maintain costs down. contract packaging company As one of the prime contract bottling companies within the UK, we provide a wealth of experience on this space. As a contract packing associate, our in-house packaging specialists can work with you to create packaging solutions that assemble shortly, look fabulous and protect your merchandise in transit. We present end-to-end contract packaging services, including sourcing of supplies, filling and bagging, kitting, assembly, labeling/relabeling and distribution. We’re a co-packing agency located in Blackburn, Lancashire, with a wealthy history of delivering tailor-made and complete co-packing solutions to suit our clients’ distinctive necessities. That's why we're dedicated to being extremely responsive and meeting your packing wants as quickly and efficiently as potential. Our packing services cowl every little thing from packaging and fulfilment to storage and distribution, allowing you to focus in your core business. contract packaging We’ve seen one of our customer’s product demand go up 350% in a single day due to an influencer promotion, and some estimates name for influencer advertising to grow at a staggering 33% annually for the following few years. It’s assured via the certifications that we proceed to maintain across our corporations, including AIB International, SQF, FDA and OTC – just a few of the various official high quality and security endorsements we maintain. Under the new directive, producers must add security features to every pack of treatment, including a tamper-proof security seal and a barcode. The barcode will allow every pack to be serialised with a person, random number that will be authenticated earlier than shipping. Skipping the storage section might help optimise your provide chain and save you cash. Lockwood Contract Packing Solutions can provide a value efficient and environment friendly bag filling service for quite a lot of merchandise. The State of the Industry Report (SOIR) examines the tendencies, challenges, and the alternatives in the contract packaging and manufacturing trade. It has been the main information supply for contract packagers and manufacturers since 2008. Other complicated machines exist in the contract packaging business, such as the vertical type fill sealing machine. This machine produces plastics luggage from a roll of movie whereas concurrently filling the luggage with liquid or stable merchandise.
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matchrex508 · 2 years
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crayonmath10 · 2 years
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English Premier League: The Champion Involving Football Leagues
With Chelsea playing Bayern in camp fire . of the Champions League, a fourth place finish for any team will not guarantee the Champions League place for next summer. 스포츠중계 for Arsenal will discover their whereabouts through for your next Champions League, but anything compared to that makes their 7 years trophy drought even more shocking. Spurs season was best lawn mowers of years till February before they lost their starting point Arsenal and subsequently slipped to fifth underneath Newcastle. They've gained finally spot, nonetheless is unsecured yet. However, they have every chance to play as Champions Team. It one amongst the most well paid football team. In 2005-06, the combined club revenue was around $1.4 billion. It might rise to $1.8 billion in 2007-08 due into the rising media revenues. 2006 World Cup Final produced one of the most famous moments in football history, when Zidane's head-butted on Italian defender Marco Materazzi. It was Zidane's last international appearance for the french national team and 3 billion people around planet were watching it. The next day newspapers anywhere in the world were not writing on the way Italy won their 4th World Cup title, even so they were authoring how Zidane pulled the "stunt" on Marco. Definitely that was one of the largest moments inside of history of football. Only four out of this 40 clubs have won the premier league designate. They are the Arsenals, Blackburn rovers, Chelsea and Manchester united. The present champion from the league is Manchester Joined. They won the ninth title in 2006-07. No team has ever won the title for this number of that time period.
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Well, the premier league is starting to become all in regards to money in my view. Clubs are bought by billionaires who care little about real sport, and want shop for success. That's led for inflated transfer market, with prima donna stars touting their company to the highest bidder. I love football. Can't stand it being called 'soccer'. That's thought to be pure Americanism, but in defence of that, the Americans started using it originally from an English term, making it no huge problem in my eyes. Your players each score points considering their real-world performance. Your fantasy football team gets a score while using scores for the players added together. Each fantasy football league has their own fantasy football rules which decide what number of points are awarded to players varied actions. For instance, in cases where a player scores a goal, they may be awarded 5 points, even so, if they are sent off (red card) they get -4 suggestions.
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wetsteve3 · 2 years
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Cotton 1935 racing motorcycle 350cc ohv ex-Rupert Leveson-Gower, Leslie Hawthorn Frame no. TT24 Engine no. BTC 112 Gloucester-based Cotton established its reputation with a string of racing successes in the 1920s thanks to an innovative frame patented by its founder, Frank Willoughby Cotton.  
Cotton's design featured four straight tubes running from the steering head to the rear wheel spindle, augmented by further straight stays supporting the gearbox and engine. The result was a stiff, lightweight chassis far in advance of the bicycle-derived diamond-type frame used by the majority of manufacturers.
Like other small independent firms Cotton relied on proprietary engines, principally JAP and Blackburne, but such was the advantage conferred by its frame that the Cotton had little trouble seeing off similarly powered rivals. The legendary Stanley Woods made his Isle of Man TT debut on a Cotton in 1922, going on to win the Junior event at record speed the following year. Countless wins and podium  places were achieved in international events throughout the 1920s, Cotton's finest TT achievement occurring in 1926 when its entries finished 1, 2, 3 in the 250 Lightweight race.  
Previous owner Jack Squirrel purchased this Cotton-Blackburne racer in the early 1980s from well-known Brooklands competitor, the late Rupert Leveson-GowerJack Squirrel raced the Cotton-Blackburne in Vintage events in both the 250cc and 350cc classes, the last occasion being at Snetterton in 1993. He later had the Cotton-Blackburne  restored by Sammy Miller and the machine has been kept on display at Sammy's world-famous museum in New Milton, Hampshire since completion in 2005.
As presented, the Cotton-Blackburne is fitted with the correct type of Burman racing gearbox with magnesium shell (modified to accept a Norton clutch) Webb forks  and a replica fuel tank.
The former owner purchased the machine  from Jack Squirrel a few years ago. A spare 250cc cylinder barrel and piston come with the bike together with a file of correspondence
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architectnews · 3 years
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Hames Sharley Architects, Australia Office
Hames Sharley Architects Western Australia, Building, Perth Design Office, Project, WA Studio News
Hames Sharley Architects Australia News
21 May 2021
Hames Sharley Architects News
Hames Sharley named largest architecture firm in WA for the third year in a row
Hames Sharley has been named the largest architecture firm in WA for a third consecutive year, according to Business News.
Hames Sharley boasts a diverse portfolio with 45 years of design excellence. Specialising in nine key sectors – Education, Science & Research, Health, Office & Industrial, Public & Culture, Residential, Retail & Town Centres, Sports & Recreational Urban Development and Workplace.
Brook McGowan, WA Studio Leader, says, “The list acknowledges that Hames Sharley has found resilience in the past year and turned its challenges into a positive impact. We did more than survive, we thrived.”
Hames Sharley currently has a significant array of projects in WA, including its own studio on the Hay Street Mall, Karrinyup Shopping Centre Redevelopment, One Subiaco, Australis at Rossmoyne, Wearne Cottesloe, Kardinya Shopping Centre Redevelopment, Carillon City Redevelopment, and the TL Robertson Library Redevelopment for Curtin University.
The annual survey ranks firms based on the number of architects they employ.
Full article here: https://www.hamessharley.com.au/article/hames-sharley-named-largest-architecture-firm-in-wa-for-the-third-year-in-a-row
Hames Sharley Australian Architecture
Australian Architectural Designs by Hames Sharley
14 May 2021 UWA Early Learning Centre, Perth, Western Australia image © Hames Sharley UWA Early Learning Centre The UWA Early Learning Centre outcome is an environmentally sustainable design with a fun environment for children to play, learn, and explore.⁠⁠ Nestled into a quiet, leafy corner of the UWA campus, the building’s single-storey scale and residential character relate well to the neighbouring residential area. ⁠⁠
23 Apr 2021 Picnic Point High School Redevelopment , Picnic Point, City of Canterbury-Bankstown, 23 kilometres south-west of Sydney, New South Wales, Australia image courtesy of Hames Sharley Architects Australia Picnic Point High School Building, NSW Picnic Point High School (PPHS) is a government high school located in the Picnic Point, New South Wales suburb. The redevelopment project, which involves the refurbishment of some existing buildings and the construction of a new learning facility, responds to the expansion of the school’s catchment to provide the East Hill’s and Picnic Point communities more choices for co-education.
18 Feb 2021 NEXTDC Data Centre, Perth, Western Australia image © Hames Sharley Hames Sharley New Home in Perth A major international planning, design and architecture firm is moving its 80-strong workforce into a high-profile derelict site in Perth’s Hay Street Mall in a vote of confidence for the lacklustre precinct.
14 Dec 2020 East Village Karrinyup Apartments, Perth, Western Australia image © Blank Canvas East Village Karrinyup Apartments, Perth Hames Sharley is proud to have designed the first stage of the East Village Karrinyup residences for Blackburne. This important milestone starts to complete the picture of this $800 million mixed-use activity centre development with AMP.
1 Sep 2020 Queen Elizabeth II Medical Centre Master Plan, Perth, Western Australia image courtesy of Hames Sharley Architects Queen Elizabeth II Medical Centre Master Plan The Hames Sharley Team and their consultants engaged with stakeholders extensively for the Master Plan of Queen Elizabeth II Medical Centre (QEIIMC), which ensures a carefully planned future for the development of the campus over the next 50 years.
23 July 2020 Australis at Rossmoyne Waters, Perth, Western Australia photograph : Douglas Mark Black Australis at Rossmoyne Waters in Perth The result of the Australis Development at Rossmoyne Waters by Hames Sharley was an intelligently designed communal space that heavily focused on being legible and easy to navigate. The design resulted in a centrally focused spine of activity and green encouraging a connection of spaces, both internally and externally.
6 July 2020 Tonkin Office, Adelaide, South Australia photograph : Peter Barnes Tonkin Office Adelaide In designing the Tonkin Office Fitout Hames Sharley set out to create an environment that is conducive to ‘Building exceptional outcomes together’, Tonkin’s core vision.
1 May 2020 Essence Apartments, Perth, Australia photograph : Douglas Mark Black Essence Apartment Building in Perth Essence Apartments encapsulates a balance of vibrancy and intimacy for its residents through the design response that focuses on the end-user’s desires and comfort while still playing its role in its important local context.
26 Mar 2020 Aurecon Darwin Office Fit-out News, Berrimah, Northern Territory Design: Hames Sharley Architecture, Urban & Interior Design image Courtesy architecture office Aurecon Darwin Office Fit-out A collaboration between multi-disciplinary design firm Hames Sharley and international engineer, Aurecon has ensured a hugely successful outcome in Aurecon’s own Darwin office fit-out.
19 Feb 2020 Forrest Chase Perth Shopping Mall, 200 Murray Street, Perth, WA Design: Hames Sharley Architecture, Urban & Interior Design photograph : Douglas Mark Black Forrest Chase Perth Shopping Mall, Western Australia The redevelopment of Forrest Chase has positioned the complex as a world-class retail and entertainment precinct that was executed in multiple stages to maintain both the building operation and movement of people along Padbury Walk. A related article: Forrest Chase Mall, Perth
25 Jan 2020 One Subiaco Concept, 10 Rokeby Avenue, Subiaco, inner western suburb of Perth, Western Australia image courtesy of architects practice One Subiaco This Australian architect studio explore architectural individuality, character and refined elegance in their latest project, One Subiaco. The interior palettes reflect a contemporary yet timeless aesthetic ensuring a luxurious haven from the vibrant Subiaco life.
23 Jan 2020 Charles Darwin University City Campus Concept, Darwin CBD, Northern Territory Design: Hames Sharley Architecture, Urban & Interior Design image Courtesy architecture office Charles Darwin University City Campus Building Elevating the base of the buildings and lowering the carpark creates Darwin’s first proposed “public plaza” – a focal point for students,community events and CBD users.
Hames Sharley Articles about Architecture and COVID-19
How COVID-19 changes the way we work
More Hames Sharley Architecture projects online soon
Location: various offices in Australia
Architecture Practice Information
This Australian architecture practice has offices in the following cities:
Adelaide Level 15, 19 Grenfell Street Adelaide South Australia 5000
Brisbane Level 2, 235 Edward Street Brisbane QLD 4000
Darwin Level 1, Tower 3 19C Kitchener Drive Darwin City NT 0800
Melbourne Level 3 Podium, 530 Collins Street Melbourne VIC 3000
Perth Level 2, 50 Subiaco Square Subiaco Western Australia 6008
Sydney Level 7, 46 Market Street Sydney New South Wales 2000
Australian Architects
Australian Architecture Designs
Australian Architecture Designs – chronological list
Perth Architecture News
Australian Architect Studios – design firm listings
Australian Architecture
Perth Architecture Design – chronological list
Perth Architecture News
Australian Houses
World Architects
Comments / photos for the Hames Sharley Architects – Australian Architecture Office page welcome
Website: https://www.hamessharley.com.au/
The post Hames Sharley Architects, Australia Office appeared first on e-architect.
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greatworldwar2 · 4 years
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• Fairey Swordfish Torpedo Bomber
The Fairey Swordfish is a biplane torpedo bomber designed by the Fairey Aviation Company. Originating in the early 1930s, the Swordfish, nicknamed "Stringbag", was operated by the Fleet Air Arm of the Royal Navy, it was also used by the Royal Air Force (RAF), as well as several overseas operators, including the Royal Canadian Air Force (RCAF) and the Royal Netherlands Navy.
In 1933 Fairey, having established a proven track record in the design and construction of naval aircraft, commenced development of an entirely new three-seat naval aircraft, intended for the twin roles of aerial reconnaissance and torpedo bomber. Receiving the internal designation of T.S.R. I, standing for (Torpedo Spotter Reconnaissance I), the proposed design adopted a biplane configuration and a single 645 hp Bristol Pegasus IIM radial engine as its powerplant. Development of the T.S.R. I was in parallel to Fairey's activities upon Air Ministry Specification S.9/30, for which the company was at one point developing a separate but broadly similar aircraft, powered by a Rolls-Royce Kestrel engine instead as well as employing a differing fin and rudder configuration.
On March 21st, 1933, the prototype T.S.R. I, F1875, conducted its maiden flight from Great West Aerodrome, Heathrow, piloted by Fairey test pilot Chris Staniland. F1875 performed various flights, including several while re-engined with an Armstrong Siddeley Tiger radial engine before it was refitted with the Pegasus engine again, was used to explore the flight envelope, and to investigate the aircraft's flight characteristics. On April 17th, 1934, the prototype T.S.R II, K4190, performed its maiden flight, flown by Staniland. In comparison with the previous prototype, K4190 was equipped with a more powerful model of the Pegasus engine. In 1935, following the successful completion of testing at Martlesham, an initial pre-production order for three aircraft was placed by the Air Ministry; it was at this point that the T.S.R II received the name Swordfish. On December 31st, 1935, the first pre-production Swordfish, K5660, made its maiden flight. In early 1936, an initial production contract for 68 Swordfish aircraft was received, as the Swordfish I. Manufactured at Fairey's factory in Hayes, West London, the first production aircraft was completed in early 1936 and the type entered service with the Fleet Air Arm (FAA) in July 1936.
Efforts were made to disperse production and to employ the use of shadow factories to minimise the damage caused by Luftwaffe bombing raids. Major sub-assemblies for the Swordfish were produced by four subcontractors based in neighbouring Leeds, these were transported by land to Sherburn for final assembly. From 1943 onwards, the improved Swordfish II and Swordfish III marks came into production and superseded the original model. The Swordfish II carried ASV Mk. II radar and featured metal undersurfaces to the lower wings to allow the carriage of 3-inch rockets, later-built models also adopted the more powerful Pegasus XXX engine. On August 18th, 1944, production of the Swordfish was terminated; the last aircraft to be delivered, a Swordfish III, was delivered that day. Almost 2,400 aircraft had been built, 692 having been constructed by Fairey and a further 1,699 by Blackburn at their Sherburn facility.
In July 1936, the Swordfish formally entered service with the Fleet Air Arm (FAA), which was then part of the RAF; 825 Naval Air Squadron became the first squadrons to receive the type that month. The Swordfish began replacing both the Fairey Seal in the spotter-reconnaissance role and the Blackburn Baffin in the torpedo bomber role in competition with the Blackburn Shark in the combined role. For nearly two years during the late 1930s, the Swordfish was the sole torpedo bomber aircraft equipping the FAA. By the eve of war in September 1939, the FAA, which had been transferred to Royal Navy control, had a total of 13 operational squadrons equipped with the Swordfish I. Following the outbreak of the Second World War, a total of 26 FAA Squadrons would be equipped with the Swordfish. More than 20 second-line squadrons also operated the Swordfish. In Spring 1940, the first combat use of the Swordfish occurred during the Norwegian Campaign. Upon their arrival, the aircraft encountered only two enemy destroyers at Trondheim; during the ensuing attack upon the vessels only one hit was recorded as being attained; the engagement holds the distinction of being the first attack of the war to be conducted by torpedo-carrying aircraft.
In June 1940, shortly following the Italian declaration of war, nine Swordfish of 767 Naval Air Squadron stationed in Hyeres, Provence-Alpes-Côte d'Azur, France took off and conducted the first Allied bombing raid upon Italian soil. On July 3rd, 1940, the Swordfish was one of the main weapons during the Attack on Mers-el-Kébir, an attack by the Royal Navy upon the French Navy fleet stationed at Oran, French Algeria to prevent the vessels falling into German hands. The Swordfish also flew a high level of anti-shipping sorties in the Mediterranean, many aircraft being based at Malta. In May 1941, Swordfish participated in the pursuit and sinking of the German battleship Bismarck. On May 24th, nine Swordfish from HMS Victorious conducted a late night sortie against the Bismarck. Throughout 1942, the Swordfish was progressively transferred from the Royal Navy's fleet carriers as newer strike aircraft, such as the Fairey Albacore and Fairey Barracuda, were introduced. the Swordfish made critical contributions to both the Battle of the Atlantic, detecting and attacking the roaming U-boat packs that preyed upon merchant shipping between Britain and North America. RAF Coastal Command commenced an aerial campaign against continental enemy-held ports along the English Channel. By February 1942, the shortcomings of the Swordfish were starkly demonstrated.
Towards the end of the war, No. 119 Squadron RAF operated Swordfish Mark IIIs, fitted with centimetric radar, from airfields in Belgium. Their main task was to hunt at night for German midget submarines in the North Sea and off the Dutch coast. By 1945, there was a total of nine front line squadrons equipped with the Swordfish. Overall, Swordfish-equipped units accounted for 14 U-boats destroyed. On May 21st, 1945, the last operational squadron, 836 Naval Air Squadron, which had last been engaged in providing resources for the MAC ships, was disbanded shortly following the fall of Germany and the end of the Second World War in Europe.
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ANNOUNCEMENT OF THE NEXT GENERATION EVENT HORIZON TELESCOPE DESIGN PROGRAM The National Science Foundation has just announced the award of a $12.7M grant to architect and design a next-generation Event Horizon Telescope (ngEHT) to carry out a program of transformative black hole science. Led by Principal Investigator Shep Doeleman at the Center for Astrophysics | Harvard and Smithsonian (CfA), the new ngEHT award will fund design and prototyping efforts by researchers at several US institutes. These include Dr. Gopal Narayanan at University of Massachusetts, Amherst, Dr. Vincent Fish at the MIT Haystack Observatory, and Drs. Katherine L. (Katie) Bouman and Gregg Hallinan at Caltech. At the CfA, Drs. Michael Johnson, Jonathan Weintroub and Lindy Blackburn are co-Principal Investigators of the ngEHT program. On April 10th, 2019, the International Event Horizon Telescope Collaboration released the first image of a supermassive black hole. A bright ring of emission at the heart of the Virgo A galaxy revealed a black hole, known as M87, that has the mass of 6.5 billion Suns. Einstein’s theory of gravity passed this new test in spectacular fashion in this extreme cosmic laboratory. For this work, the EHT Collaboration will receive the Breakthrough Prize in Fundamental Physics this November. Black holes, objects with gravity so strong that light cannot escape, are now accessible to direct imaging. More precise tests of gravity can now be contemplated, and the processes by which supermassive black holes energize the brightness and dynamics of most galaxy cores can be studied in detail. The next-generation EHT (ngEHT) will sharpen the focus on black holes, and let researchers move from still-imagery to real-time videos of space-time at the event horizon. “As with all great discoveries, the first black hole image was just the beginning,” says Doeleman, Founding Director of the EHT. “Imagine being able to see a black hole evolve before your eyes. The ngEHT will give us front-row seats to one of the universe’s most spectacular shows.” Sparked by this major investment, the ngEHT is expected to attract additional international support and participation by the broad EHT community. The ngEHT award is aimed at solving the formidable technical and algorithmic challenges required to significantly expand the capability of the EHT. The first M87 black hole images were made using the technique of very long baseline interferometry (VLBI), in which an array of radio dishes around the world is combined to form an Earth-sized virtual telescope. By exploring new dish designs and locations, the ngEHT effort will plan the architecture for a new array with roughly double the number of sites worldwide. “The EHT observations demand unusually dry atmospheric conditions typically found at high altitudes. Identifying sites that meet this demand and deploying new dishes will vastly improve the EHT array’s black hole imaging ability,” says Dr. Jonathan Weintroub. In addition to new dishes, the ngEHT will incorporate an existing telescope at Caltech’s Owen’s Valley Radio Observatory (OVRO) and will upgrade the Large Millimeter Telescope Alfonso Serrano (LMT) in Mexico. “With its large aperture and central geographic location, the LMT is crucial to the next generation EHT effort. Planned enhancements to the LMT’s performance using MSRI funds will improve the EHT sensitivity over long observing campaigns,” notes Dr. Gopal Narayanan. New technologies will, in turn, allow the ngEHT to expand the swath of radio frequencies it uses to photograph the event horizon. High speed recording systems that capture radio waves from the black hole will transfer data to central locations where they can be merged in a process that is analogous to the mirror in an optical telescope reflecting light to a single focus. “Currently, the EHT records about 10 petabytes of data each session,” according to Dr. Vincent Fish. “With planned higher data rates and the inclusion of new observatories, EHT data volumes could exceed 100 petabytes. Part of this project will be to investigate how to leverage advances in commercial technology to cost-effectively record and transport such a large volume of data.” The process of combining and analyzing data from around the globe demands high-performance computers and software that align signals from each EHT site to a fraction of a trillionth of a second. “The ngEHT pushes the boundaries in VLBI data complexity, along with the demands of models that seamlessly link the antennas together into a single Earth-size telescope,” says Dr. Lindy Blackburn. By filling in the Earth-sized lens with many new geographic locations, the ngEHT program will be able to harness new powerful algorithms to turn the incredible data volumes into images and even movies. “Our own Milky Way is host to a supermassive black hole that evolves dramatically over the course of a night. We are developing new methods, which incorporate emerging ideas from machine learning and computational imaging, in order to make the very first movies of gas spiraling towards an event horizon,” says Dr. Katie Bouman. The goal of the EHT is to address some of the greatest mysteries and deepest questions about black holes. “Despite decades of study, some of the most basic questions about black holes remain untested,” says Dr. Michael Johnson. “With the ngEHT, we will be able to study how black holes act as powerful cosmic engines, energizing a swirling bath of infalling plasma and efficiently pouring unimaginable amounts of energy into narrow jets that pierce entire galaxies.” Doeleman is optimistic about the prospects of new discoveries with the ngEHT. “A decade ago we predicted we would be able to see a black hole. Now we estimate that over a billion people have seen the first image, and the Breakthrough Prize shows the impact it is having across the sciences. Through the ngEHT we are setting our sights high again, aiming to bring humanity even closer to the event horizon.”
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curationstationdc · 4 years
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Woodcuts in suburbia: melancholy, nostalgia, and resistance
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Selbstbildness von vorn, Käthe Kollwitz © 2019 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
I associate woodcuts with a particular aesthetic: they loom from their perch on the bookshelf in the den, next to a collection of Hans Christian Andersen tales, whose worn buckram binding is effusing that sapid antique book aroma which pairs so well with coffee and cake. In the corner of the room, above a worn black leather chair designated for tv-watching and reading, a pathos dangles from its pot, fed by gentle streams of light emanating from the canopy of shade sheltering the backyard garden. On weekends and special occasions, the clinking of cake forks against china is punctuated only by an occasional “delicious!” — direct and accurate. This orchestration produces a distinctly Germanic affect, and one that I associate with the elderly; the particular family room I’m recalling belonged to my next-door neighbors growing up, former members of the Danish anti-Nazi resistance who had emigrated in the early 1960s. While I can’t be sure there was any deeper meaning behind their affinity for the humble woodcut, I do recall the medium’s prominence in their home. For me, something as benign as a flock of geese is represented with a degree of melancholy in these prints' impenetrable black shadows — an inevitability in this generation’s Weltanschauung, that everything beautiful carries with it a degree of pain, a nostalgia for the idea of a more civil world.
These beloved octogenarians were my first choice of role models, and I insisted on seeing them almost every day for the first 8 or 9 years of my life. They were old-school Democrats (or at least, that’s how their values system translated into American) in a largely Republican suburb of a mid-sized Upper Midwestern city. I can still place myself their 1950′s minimal traditional home: running my hands along their walnut furniture with polished nickel handles, greeted by a different antique clock in every room, tick-tocking at various registers, my slippered feet shuffling along a dull, greenish-blue carpet so typical of that era. Nothing in that home was remotely as paired down as today’s sanitized mid-century throwback, and the old neighborhood still retained a smidgen of character unlike contemporary expressions of manifest destiny. Lovingly tended beds of roses, pansies, and bleeding hearts flourished under the shade of maples, walnuts, and red oak. 
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A young family admires their new home. Between 1950 and 1970, America’s suburban population nearly doubled to 74 million Camerique Archive / Archive Photos / Getty Images
For my neighbors, woodcuts seemed to be a culturally relevant way of displaying eerie alternative landscapes: a flock of geese, a school of fish, a sunset laden with a certain degree of subconsciously expressed Weltschmerz. For me, these woodcuts were inextricably linked to their stories of brazen defiance in the face of terror, which they seldom shared, always with a degree of pain and even embarrassment. Their democratic ideals to which they so proudly clung were the real source of their identity; it was from them that I learned it was OK to be gay, that everyone deserved a home and access to healthcare, that one lives like a society like a neighbor rather than just an individual. But it wasn’t until years after their deaths that I detected any degree of paradox in their suburban American existence, was able to chuckle at their nostalgia for the old country as expressed in their grocery cart (tubs of frozen Coolwhip to be served generously with home-baked apple cake, slices of summer sausage or cucumbers served on squares of cocktail rye, a far cry from the bakeries and delicatessens of northern Europe.) 
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A woman and a boy visiting a man in hospital. Woodcut by Käthe Kollwitz, 1929. Credit: Wellcome Collection. CC BY
While I may associate woodcuts with the interior design choices of an immigrant family in the middle of the last century, its origins predate my concept of history. Woodcutting is thought to be the earliest print technique, originating in 9th-century China, arriving in Europe sometime in the 14th century. Woodcut has been a staple medium for prominent Northern European artists like Dürer since the 16th century. To produce a print, artists carve their image into a block of wood, along the grain, removing the parts that will not carry ink. The surface is then rolled over with a brayer and the image transferred to a sheet of paper through a press. The result in works like Käthe Kollwitz’s Selbstbildness von vorn (1922-1923), pictured above, is nothing short of haunting — well-suited to the violently introspective tone of German Expressionism. If you’re curious about the process, here’s a short demonstration:
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Phil Sanders, Director of the Robert Blackburn Printmaking Workshop, demonstrates the pressure + ink relief process
Woodcutting became a popular tool of activists in the 1910′s, when thinkers like Ernst Barlach were beginning to use reductionist, anti-naturalist figures to express their dejection at the rise of an alien world. In the case of Barlach, his art was often placed alongside politically charged writing in order to provoke emotional reactions to the realities of uprootedness, inequality, and disaffection in industrialized, urban Europe. It is Barlach��s rather proletariat answer to the questions of modernity, inspired in part by a kind of political realism emerging in Russia, that inspired German artist Käthe Kollwitz to take up the humble woodcut. 
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Ernst Barlach, from an East German stamp, 1970. Would he have been pleased with his legacy?
I remember receiving a story on the couch in my neighbors’ den — I was about 10 or 11 — regarding the final days of the war: a fellow member of the resistance had suggested replacing the Dannebrog with the flag of the Danish Communist Party, the DKP, an idea that had shaken my neighbor to his core. For him, resistance had been an act of preservation, a defense of the right to be distinctly Danish, and all that it entailed, in an increasingly international world. How the inability to return to a Denmark before the crimes of Nazism must have felt, I can only attempt to imagine. To this day, I am astounded by my neighbors’ apparent lack of burnout in light of what they sacrificed, their resilience in living out their ideals and inherited melancholia with me under an umbrella on the patio. It seemed that, for them, past and present far outweighed considerations for the future.
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My copy of Korsbæk Tidende (Korsbæk Official Journal), an educational accompaniment to the popular Danish 1970′s and 1980′s tv-series “Matador” about a fictionalized Danish town between 1929 and 1947. I inherited this collection of real newspaper clips that informed events on the show from my neighbor — I assume he loved the show.
To an extent, I have inherited their idealism, an obsession with a bleak past used to check the present, an index of unwavering values to be accessed at any time. It is only through a sense of history that I’m able to make sense of the communicative power of images today, how calculated distortions of reality made ubiquitous through mass production can make us more empathetic, braver in the face of a not-so-distant future. It's a future that cannot be understood with the tools we have been given, that will almost upend our perceptions and unsettle us, a future that demands our bravery. More than ever my beloved neighbors ever could have fathomed, the possibility that our sacrifices will be bastardized in the name of another cause is unparalleled in the digital age. And even more than they experienced, we have the incredible opportunity, and challenge, to transplant our ideologies across ecosystems, upending heir original contexts.
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Simultaneous calls for universalism and individual freedom, the appeals of difference and homogeneity, the cogent argument of moral relativism against the call for a shared global narrative will, no doubt, continue to shake us in an era of unprecedented displacement and global climate change. Among other things, these challenges call for an art that, like the pervasive woodcut, infiltrates our purviews, and is attuned to the affect of contemporary life. It should carry with is a melancholic nostalgia, demand our empathy, blemish our idealized beauty.
If I limit myself to woodcuts, I'm reminded of the works of William Kentridge, Beatriz Milhazes, Leonard Baskin, Alison Saar, Irving Amen, Tony Bevan, Katsutoshi Yuasa, Assadour Bezdikian, Elizabeth Catlett, Lou Barlow, Leon Gilmour — I'm sure I'm missing countless others.
Retrospective Exhibitions on Käthe Kollwitz
Käthe Kollwitz, National Gallery of Art, Washington, D.C., 1992; Käthe Kollwitz: In Celebration of the 125th Anniversary of the Artist’s Birth, Galerie St. Etienne, New York City, 1992; Berner Kunstmuseum, Bern, Switzerland, 1946; Retrospective in honor of her 50th birthday at Paul Cassirer galleries, Berlin, 1917
Selected Bibliographies on Käthe Kollwitz
Knesebeck, Alexandra von dem. Käthe Kollwitz: Werkverzeichnis der Graphik. Band I & II. Bern: Kornfeld, 2002.
Prelinger, Elizabeth, ed. Käthe Kollwitz. Exh. cat. Washington, DC: National Gallery of Art, 1992.
Rix, Brenda D., and Jay A. Clarke. Käthe Kollwitz: The Art of Compassion. Exh. cat. Toronto: Art Gallery of Ontario, 2003.
Selected Bibliographies on Ernst Barlach
Laur, Elisabeth. Ernst Barlach: Sämtliche Werke, Werkverzeichnis I. Die Druckgraphik. Leipzig: E. A. Seemann, 2001.
Paret, Peter. An Artist Against the Third Reich: Ernst Barlach, 1933–38. Cambridge: Cambridge University Press, 2002.
Selected Bibliographies on Ernst Ludwig Kirnchner
Dube, Annemarie, and Wolf-Dieter Dube. Ernst Ludwig Kirchner: Das graphische Werk. 2 vols. Munich: Prestel, 1980.
Gercken, Günther, and Magdalena M. Moeller. Ernst Ludwig Kirchner: Farbige Druckgraphik. Exh. cat. Berlin: Brücke-Museum, 2008.
Krämer, Felix, ed. Ernst Ludwig Kirchner: Retrospective. Exh. cat. Frankfurt: Städel Museum, 2010.
Lloyd, Jill, and Magdalena M. Moeller, eds. Ernst Ludwig Kirchner, 1880–1938. Exh. cat. Washington, DC: National Gallery of Art, 2003.
Wye, Deborah. Kirchner and the Berlin Street. Exh. cat. New York: The Museum of Modern Art, 2008.
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Next participant up for PrintCamp2019 Session 2/2:
ELIZABETH CASTALDO
ON HER WORK:
I work in mixed media, combining collage, drawing, and printmaking to create works on paper and artist’s books that explore the connection of feminine sensuality to nature and its manifestations in modern culture. I work with themes such at generation, growth, sexuality, entropy and decay. I am inspired by the structural patterns inherent in plant and animal life that reveal an undeniable connection between humans and the natural universe. My compositions become multi-layered worlds filled with motifs inspired by human anatomy, plant structures, and geometry. A key theme throughout the work is the resilience of living things and the ability for adaptation, despite a natural tendency toward disorder.
I recently wrapped up a yearlong residency at The Center For Book Arts where I focused on making artists books reflecting on my personal connection with nature as well as conservation, community and preservation of the natural world for future generations. 
My work is process driven and each stage of the work is a reaction that is informed by the work that preceded. I work with pattern and layering, building up layers of hand drawn patterns, watercolor washes, original prints, collage, and appropriated imagery. Printmaking and multiples are central parts of my art practice and I am passionate about creating unique handmade art with a foundation in the practice and theory of printmaking. The layering involved in collage, printmaking and bookmaking provides the opportunity for concealment, excavation, and revelation.
 WHAT SHE WILL BE DOING AT PRINTCAMP:
I hope to focus on experimenting with intaglio and lithography, figuring out how these techniques can fit within my studio practice. I would like to experiment with approaches to each process but ultimately move towards combining them with one another as well as other media. My goal for the week would be to come out with a small series of prints with a longer term goal of setting a foundation for making further work and more advanced use.
SKILLSHARE:
I would love to do a book making demo, perhaps a quick non-adhesive accordion or other quick structure that would be interesting to folks.
RESUME
Education
 2013 MFA, Printmaking, Savannah College of Art and Design, Atlanta, GA
2007 BFA, Painting, School of Visual Arts, New York, NY
2012  SCAD Lacoste, Lacoste, France
 RESIDENCIES AND NOTABLE WORKSHOPS
2017 - 2018    Scholarship for Advanced Studies in Book Arts, Center for Book Arts, New York, NY
2018        “Paper Memory” with Sarah Rose LeJeune, Women’s Studio Workshop, Rosendale NY
2018        Century Plate Lithograohy with Corinne Rhodes, EFARBPMW, New York NY
2017        “Experiments with Printmaking and Mixed Media” with Nandini Chirimar, EFA Robert Blackburn               Printmaking Workshop, New York, NY
2017        “Full Tilt Bookbinding” with Susan Mills, Women’s Studio Workshop, Rosendale NY
2017        “The Working Artist” with Crista Cloutier
SOLO AND SMALL GROUP EXHIBITIONS
 2019  New Book Art: Scholar Residents of 2018, Center for Book Arts, New York, NY
2018  Art That Binds, Atlantic Highlands Arts Council, Atlantic Highlands, NJ
2018 Some Assembly Required, Patchogue Arts Council, Patchogue, NY
2013 Solo Exhibition, Sensual Metamorphosis, MFA Thesis Exhibition
Dewberry Gallery, Atlanta, GA
2013 Pretty In Ink, Gallery Trois, Atlanta, GA and Pinnacle Gallery, Savannah, GA
2012 Freedom of Type, 2 Rules Gallery, Marietta, GA
2012  You Can’t Get There From Here, Emily Amy Gallery, Atlanta, GA
 SELECTED GROUP EXHIBITIONS
 2019  Freed Formats: The Book Reconsidered
2018  A Small Matter, Ann Street Gallery, Newbrugh, NY
2018  Windows on Main Street installation at A Lucky Cut, Beacon NY
2018 CBA Annual Benefit and Art Auction, Center for Book Arts, New York, NY
2018 Nassau Community College Art Faculty Exhibition, Plaza Art Gallery, Garden City, NY
2018 Exposed Strata, SGCI Conference, Las Vegas, NV
2017  EFA Robert Blackburn Printmaking Workshop Members Show NYNY
    2017        SCAD Printmaking Alumni Exhibition, SCAD Atlanta, Atlanta, GA
2017                  “Hello. I Love You. I’m Sorry,” SGCI Conference. Atlanta, GA 
2017        Nasty Women, ABD Gallery, Philadelphia, PA
2016        Small Works Show, Catalyst Gallery, Beacon, NY
2015        RAW Montreal Holiday RAWK, Montreal, QC
2015        Traces, Howland Cultural Center, Beacon, NY
2013 - 2015    Monumental Ideas in Miniature Books III Traveling Exhibition, Exhibited at various institutions and             conferences throughout the United States. Organized by Hui-chu Ying, Profesor of Art, 
        The Myers School of Art, University of Akron, Akron OH. 
2015        A Show of Hands, The Hand Magazine at SGCI Knoxville, Southern Graphics Council 
        International Printmaking Conference, A1 Lab Arts, Knoxville, TN
2014        Narcissism and the Self Portrait, Ann Street Gallery, Newburgh, NY 
2014        RAW Brooklyn presents: SCOPE, Brooklyn Night Bazaar, Brooklyn, NY
2014        Discordant, Mad Dooley Gallery, Beacon, NY
2013        ACA Library 6th Annual Student Artists’ Book Competition, ACA Library of SCAD, Atlanta, GA
2013        Georgia Artists: A Juried Art Exhibit, Abernathy Arts Center, Atlanta, GA
2013        Damn Fine!, Mason Murer Fine Art, Atlanta, GA
2013        Heart & Hands, 4th Annual National Student Juried Book Exhibition. University of Nebraska             Lincoln Love Library, Lincoln, NB, and University of Nebraska Omaha Criss Library, Omaha, NB
2013        Qi, Sycamore Place Gallery, Decatur, GA and Cherrylion Studio, Atlanta, GA
2012        Exposition des Etudiants, SCAD Lacoste Campus, Lacoste, France
2012        Figuratively Speaking, Gutstein Gallery, Savannah, GA
2012        ACA Library 5th Annual Student Artists’ Book Competition, ACA Library of SCAD, Atlanta, GA
2012        In, On, Of Paper Juried Exhibition, Paper Circle, Nelsonville, OH
2012        Oso Bay North American Printmaking Juried Exhibition, Texas A&M University, Corpus Christie, TX
2011        The Student Exhibit, 2 Rules Gallery, Marietta, GA
2011        Illuminations Juried Exhibition, Center Arts Gallery, Newburgh, NY
2010        Wish You Were Here 9, AIR Gallery, Brooklyn, NY
2010        Images for a Godless World, Project Reach, New York, NY
2009        Think Gallery Affordable Art Series, Think Coffee Gallery, New York, NY
2008        The Print Show, Visual Arts Gallery, New York, NY
2007        Body Modifications, Visual Arts Gallery, New York, NY
2007        College Art Association Annual BFA Exhibition, Center for Art and Media Studies, New York, NY
2007        Tomorrow’s Artist Today, Visual Arts Gallery, New York, NY
2005        The Print Show, Visual Arts Gallery, New York, NY
 HONORS AND AWARDS
 2017        Scholarship for Advanced Studies in Book Arts, Center for Book Arts, New York, NY
2017 and 2018    Women’s Studio Workshop Summer Art Institute Scholarship Recipient
2017        SGCI Emerging Professional Grant Recipient
2013        First Place Purchase Award, ACA Library 6th Annual Student Artists’ Book Competition, ACA                 Library of SCAD, Atlanta, GA (Juror: Margot Ecke, Artist and Designer)
2012        Best In Show, Sidewalk Art Project, Atlanta Preservation Center Grant Mansion, Atlanta, GA
2012        SCAD Seen Gala Highlight Artist, Savannah College of Art and Design, Atlanta, GA
2012        Honorable Mention, ACA Library 5th Annual Student Artists’ Book Competition, ACA                     Library of SCAD, Atlanta, GA (Juror: Eileen Wallace, Artist and Bookmaker)
2011        Dean’s Fellowship in Printmaking, Savannah College of Art and Design, Atlanta, GA
2011        Second Place, Illuminations Juried Exhibition, Center Arts Gallery, Newburgh, NY 
        (Jurors: Stuart Sachs, Virginia Walsh, Martha Zola, and Peter Cody)
 ARTIST TALKS
 2019        Artist Talk for “New Book Art: Scholar Residents of 2018”, Center for Book Arts, New York, NY, 
        February 21, 2019
2018 and 2019 Visiting Artist, Muscota New School, New York, NY
2017 and 2018    Artist Talk on Book Arts for students of Professor Sondra Graff’s Bookmaking Class, Fashion                     Institute of Technology, New York, NY, November 29, 2017 and April 11, 2018
2015        Remote Artist Talk for students of Professor John Alfred’s Undergraduate Contemporary Art                 Classes, Savannah College of Art and Design, Atlanta, GA, April 28, 2015.        
        INSTITUTIONAL COLLECTIONS
 University of Alberta, Bruce Peel Special Collections, Edmonton, Alberta 
Bowdoin College, Special Collections Library, Brunswick, ME
Carnegie Mellon University, Hunt Library Special Collections, Pittsburgh, PA
Duke University, Perkins Library, Sally Bingham Center, Durham, NC
Lafayette College, Skillman Library Special Collections, Easton, PA
Massachusetts College of Art, Godine Library Special Collections, Boston, MA
Ringling College of Art and Design, Kimborough Library Special Collections, Sarasota, FL
Savannah College of Art and Design, ACA and Jen Libraries, and the Office of the President, 
    Savannah, GA, Atlanta, GA, and Lacoste, France
SUNY Orange Newburgh Department of Nursing, Newburgh, NY
University of California Santa Cruz, McHenry Library Special Collections, Santa Cruz, CA
University of Puget Sound, Collins Library, Special Collections, Tacoma, WA
University of Washington Libraries, Special Collections, Seattle, WA
University of Wisconsin, Green Bay, Lawton Gallery, Green Bay, WI
University of Wisconsin, Milwaukee, Library Special Collections, Milwaukee, WI
Yale University, Haas Library Artist Book Collection, New Haven, CT
 PROFESSIONAL AFFILIATIONS AND MEMBERSHIPS
Vamp & Tamp Booksellers, Birmingham, AL
EFA Robert Blackburn Printmaking Workshop, New York, NY
Center for Book Arts, Artist Member, New York, NY
RAW: Natural Born Artists
Southern Graphics Council International, 2010- 2013, 2017
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blooms12 · 2 years
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The Flower Team - Florist Delivery in Blackburn
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The Flower Team is an award-winning florist in Blackburn. They have won many awards for their high-quality products and services. Whether you need a simple bouquet for a loved one or a lavish celebration, The Flower Team can help you with your flower delivery. They offer a wide range of services and are happy to provide you with a quote based on your requirements. It's easy to make a booking with The Flower Teams, and the customer service team will be delighted to help you.
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wetsteve3 · 3 years
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1937 EXCELSIOR 350CC MANXMAN REGISTRATION NO. FFC 955 FRAME NO. MM722 ENGINE NO. CXB210
Like most other pioneers of Britain’s motorcycle industry Excelsior fitted European manufacturers’ proprietary engines at first before turning to home-produced power plants - mainly Villiers, JAP, and Blackburne. Acquired by R Walker & Sons in 1919, Excelsior moved from Coventry to Tyseley, Birmingham. The Walkers believed in the value of racing for development and publicity and the revitalised company was soon making its mark in competition, early successes including a number of World Records set at Brooklands by Tony Worters on 250cc and 350cc JAP-engined machines in 1926. Today Excelsior is best remembered for its overhead-cam Manxman.
Although it had proved fast enough to win the 1933 Lightweight TT in Syd Gleave's hands, Excelsior’s complex twin-cam, radial four-valve ‘Mechanical Marvel’ proved something of a disappointment thereafter and at the end of the 1934 season the Tyseley firm opted for a simpler design: the Manxman. Like the Marvel, the Manxman engine was built by Blackburne, though increasing friction with its engine supplier forced Excelsior to take over production themselves early in 1936. A single-overhead-camshaft, two-valve design, the Manxman was built in 250, 350 and 500cc capacities. Road and race versions were offered, though the 500 was only ever marketed as a sports roadster. Although it never won a TT, the Manxman enjoyed considerable success in international racing and the Manx Grand Prix, Denis Parkinson winning the Lightweight race three times on the trot between 1936 and 1938. Notable Manxman developments included the switch to a shorter-stroke 250 engine in 1937 and the adoption (also applied to the 350) of an aluminium-alloy cylinder head with right-hand exhaust port.
  This 1938-model 350cc Manxman was first registered by King’s Motors (Oxford) Ltd in October 1937. Restored in 1995, ‘FFC 955’ was purchased by the current vendor at Brooks’ Stafford Sale in April 1997 (Lot 402). Kept serviced and used recently, the Manxman was ridden to and from its recent MoT inspection and is described as in generally excellent condition. The machine is offered with DVLA and Oxford CC correspondence, old-style continuation logbook (issued 1954), MoT/tax to March 2013 and Swansea V5C registration document
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architectnews · 3 years
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RIBA Awards 2022 News
RIBA Awards 2018, Winning Buildings, Shortlist, UK Architecture, Links, Projects, Architects
RIBA Awards 2022
Royal Institute of British Architects: Prize Winners News – Architectural Information
27 Nov 2020
RIBA Awards in 2022
RIBA confirms 2021 and 2022 UK Awards programme plans
Friday 27th of November 2020 – The RIBA has today announced that the next call for UK awards entries will be next year – for the 2022 RIBA Awards.
The 2021 RIBA UK Awards (including Regional, National and the RIBA Stirling Prize) will be selected from the shortlist for the 2020 RIBA Regional, RIAS, and RSAW Awards.
The RIBA will continue to build on its rigorous eligibility and judging criteria, and, from the 2022 RIBA Awards, will require all project entries to have been in use for one year. This change will enable judges to assess projects with even more detail on their performance, more extensive client feedback, and a better understanding of how the project functions within its civic, communal and environmental context. It will also add greater focus to the sustainability criteria – further aligning them with the standards set out in the RIBA 2030 Climate Challenge.
RIBA President Alan Jones said: “I am pleased that the 2021 RIBA UK Awards will focus on judging and celebrating the exceptional projects that we were unable to visit this year. Not only is this the fairest outcome – reached after detailed consultation with entrants and jurors – but it provides an unexpected opportunity for us to bring forward plans to significantly refresh our judging criteria – with projects having to be in use for one year. The RIBA and our members are committed to the best, sustainable design that will serve generations to come, and I am pleased that from 2022 we will be able to further demonstrate this through our awards programme.”
Previously on e-architect:
May 2018
RIBA Awards in 2018
RIBA National Awards Winners in 2018
RIBA South East Awards Winners 2018 photo © Quintin Lake
RIBA East Awards Winners 2018 photo © Nick Kane
RIBA Yorkshire Awards Winners in 2018 photo © Phil Grayston
RIBA North East Awards Winners 2018
RIBA West Midlands Awards Winners 2018
RIBA International Award in 2018
RIBA Awards for International Excellence 2018
RIBA National Awards Shortlists in 2018
Arranged by region, alphabetical:
RIBA East Awards Shortlist 2018
RIBA London Awards Shortlist 2018
RIBA North East Awards Shortlist 2018
RIBA North West Awards Shortlist 2018
RIBA South Awards Shortlist 2018
RIBA South East Awards Shortlist 2018
RIBA West Midlands Awards Shortlist 2018
RIBA Yorkshire Awards Shortlist in 2018
23 + 22 Jun 2017
RIBA Awards in 2017
RIBA National Awards Winners in 2017
49 projects across the UK have been announced as winners in the 2017 National Awards for architecture, which distinguishes the UK’s most outstanding buildings and offers insight into construction, design, and investment trends in the country.
A shortlist for the prestigious Stirling Prize will be selected from this list.
Arranged by region:
RIBA East Awards Winners in 2017
• Carrowbreck Meadow by Hamson Barron Smith – Norwich, Norfolk, England – Housing development – private photo © Jefferson Smith
• The Enterprise Centre, University of East Anglia by Architype – Norwich, Norfolk, England – University photo © Nick Caville
• Peacock House by BHSF Architekten with Studio-P Aldeburgh, Suffolk, England – Individual house photo © Benedikt Redmann
• St Albans Abbey by Richard Griffiths Architects – St Albans, Hertfordshire, England – Place of worship photo © Richard Griffiths
• Vajrasana Buddhist Retreat Centre by Walters & Cohen Architects Walsham le Willows, Suffolk, England – Place of worship photo © Dennis Gilbert – VIEW Vajrasana Buddhist Retreat Centre Building in Suffolk
• The Welding Institute Eric Parry Architects Great Abington, Cambridge, England Research institution photo © Dirk Lindner The Welding Institute Building
• Leicester Cathedral’s Richard III Project ‘With Dignity and Honour’ by van Heyningen and Haward Architects – Leicester, England – Place of worship photo © Carlo Draisci
RIBA London Awards Winners in 2017
• The Laboratory, Dulwich College by Grimshaw – Dulwich, south London, England School – independent/public
• No 49 by 31/44 Architects – Hither Green, southeast London, England – Individual House
• The Loom by Duggan Morris Architects – Whitechapel, east London, England – Workspace/office
• 8 Finsbury Circus by WilkinsonEyre – City of London – Workspace/office image courtesy of architects 8 Finsbury Circus
• 40 Chancery by Lane Bennetts Associates – Holborn, central London, England – Mixed use building – Workspace/office and retail photo ® Hufton+Crow Saatchi & Saatchi Chancery Lane HQ
• King’s College School by Allies and Morrison – Wimbledon, southwest London, England – School – independent/public
• New Scotland Yard by Allford Hall Monaghan Morris – Embankment, central London, England – Workspace/office picture from London Metropolitan Police Service New Scotland Yard by Allford Hall Monaghan Morris
• Paradise Gardens by Lifschutz Davidson Sandilands – Hammersmith, west London, England – Housing development – private
• Photography Studio for Juergen Teller by 6a architects – Ladbroke Grove, west London, England – Mixed use building – workspace and residential photo © Johan Dehlin Photography Studio for Juergen Teller wins a RIBA Award 2017
• Silchester by Haworth Tompkins – Notting Hill, west London, England – Housing development – social
• Barretts Grove by Amin Taha + Groupwork – Stoke Newington, north London, England – Housing development – private photo © Timothy Soar Barretts Grove wins a RIBA Award in 2017
• Dujardin Mews by Karakusevic Carson Architects with Maccreanor Lavington – Ponders End, north London, England -Housing development – social
• Tate Modern’s Blavatnik Building by Herzog & de Meuron – Bankside, central London, England – Museum Switch House, Tate Modern © Iwan Baan Tate Modern Blavatnik Building by Herzog & de Meuron
• The British Museum World Conservation and Exhibitions Centre by Rogers Stirk Harbour + Partners – Bloomsbury, central London, England – Museum image © the Trustees of the British Museum British Museum World Conservation and Exhibitions Centre / British Museum World Conservation and Exhibitions Centre
• Walmer Yard – P Salter and Associates with Mole Architects + John Comparelli Architects – Holland Park, west London, England – Housing development – private
RIBA North East Awards Winners in 2017
• Live Works by Flanagan Lawrence with Tench Maddison Ash Architects – Newcastle Upon Tyne, England Theatre Live Works Newcastle Building
• Shawm House by MawsonKerr Architects – West Woodburn, Northumberland, England – Individual house
• The Word by FaulknerBrowns Architects – South Shields, South Tyneside, England – Library and cultural venue
RIBA North West Awards Winners in 2017
• Chetham’s School of Music – Stoller Hall by stephenson STUDIO – Manchester, England School – independent/public photograph © Daniel Hopkinson Chetham’s School of Music Building
• Finlays Warehouse by Stephenson Studio – Northern Quarter, Manchester, England Housing development – private
• Liverpool Philharmonic by Caruso St John Architects – Liverpool, England – Theatre
• Maggie’s at the Robert Parfett Building by Foster + Partners – Christie Hospital, south Manchester, England – Healthcare photograph © Nigel Young / Foster + Partners Maggie’s at the Robert Parfett Building
RIBA Northern Ireland Awards Winners in 2017
• Fallahogey Studio by McGarry-Moon Architects Ltd – Kilrea, Northern Ireland – Workspace/office photo : Adam Currie
RIBA South Awards Winners in 2017
• Bedales School of Art and Design Building by Feilden Clegg Bradley Studios – Petersfield, Hampshire, England School – independent/public photograph © Hufton+Crow
• The Berrow Foundation Building and New Garden Building, Lincoln College by Stanton Williams University of Oxford – Oxford, England – University photograph © Nick Hufton
• Magdalen College Library by Wright & Wright Architects – University of Oxford, Oxford, England – University photograph © Dennis Gilbert
• Warwick Hall Community Centre by Acanthus Clews Architects – Burford, Oxfordshire, England – Community space photograph © Andy Marshall
RIBA South East Awards Winners in 2017
• Caring Wood by Macdonald Wright Architects Rural Office for Architecture – near Maidstone, Kent, England – Individual house
• Command of the Oceans by Baynes and Mitchell Architects – Chatham Historic Dockyard, Kent, England – Museum photo : Hélène Binet Command of the Oceans in Chatham
• Hastings Pier by dRMM Architects – Hastings, East Sussex, England – Leisure photo : Alex de Rijke Hastings Pier Building
• British Airways i360 by Marks Barfield Architects – Brighton & Hove, England – Leisure British Airways i360 Drone image : Visual Air British Airways i360 Building
• South Street by Sandy Rendel Architects Ltd. – Lewes, East Sussex, England – Individual house
RIBA South West Awards Winners in 2017
• Dyson Campus Expansion by WilkinsonEyre – Malmesbury, Wiltshire, England – Workspace/office
• New Music Facilities for Wells Cathedral School by Eric Parry Architects – Wells, Somerset, England School – independent/public image : Smoothie New Music Facilities for Wells Cathedral School
• Wolfson Tree Management Centre by Invisible Studio – Westonbirt Arboretum, Gloucestershire, England – Leisure
RIBA North Awards Winners in 2017
• Remembrance Centre, National Memorial Arboretum by Glenn Howells Architects – Lichfield, Staffordshire – Memorial
• Blackburn Meadows Biomass by BDP – Sheffield, South Yorkshire, England – Energy infrastructure
• Derwenthorpe Phase One by Studio Partington – York, north Yorkshire, England – Housing development – private
• Victoria Gate Arcades by ACME – Leeds city centre, England – Retail
RIAS Awards Winners in 2017
• City of Glasgow College by Reiach and Hall Architects and Michael Laird Architects – Cathedral Street, Glasgow, Scotland – Further education college City of Glasgow College Building
• Newhouse of Auchengee by Ann Nisbet Studio – Meikle Auchengree, North Ayrshire, Scotland – Individual house
• Rockvilla by Hoskins Architects – Speirs Wharf, Glasgow, Scotland – Workspace/office
RIBA president Jane Duncan said,
“The lack of high-quality new housing is a huge issue in the UK so I am particularly pleased to see great examples of well-designed, sustainable new homes amongst our award winners,” she added.
“We all deserve a well-designed, affordable home, wherever we live in the country. I encourage other local authorities, developers and clients to look at these projects as exemplars.”
She praised the inclusion of a number of high-quality schools – including The Laboratory at Dulwich College and new music facilities at Wells Cathedral School – but said it was disappointing to see no new state school buildings included in this year’s awards.
“Well-designed schools support improved student achievement, and staff and student wellbeing and should be part of educational aspirations for all our schools, not just those in the fee-paying sector,” she said.
——————————————————————————–
8 Apr 2017
RIBA Awards Shortlists 2017
RIBA Awards Shortlists in 2017
The winners will be announced at an Awards event at Ascot Racecourse on Thursday 25 May.
RIBA London Awards 2017
RIBA West Midlands Awards 2017
RIBA South East Awards 2017
RIBA South Awards 2017
RIBA South West Awards 2017
RSAW Welsh Architecture Awards 2017
RIBA East Awards 2017
RIAS Awards 2017 Shortlist
RIBA Northern Ireland Awards 2017
——————————————————————————–
14 Jul 2016
RIBA Stirling Prize 2016 Shortlist
23 Jun 2016
RIBA Awards 2016 Winners
RIBA National Award Winners 2016
The UK’s best new buildings
RIBA Awards 2016
The Royal Institute of British Architects (RIBA) has today, Thursday 23 June, announced the winners of the 2016 RIBA National Awards, the most rigorous and prestigious awards for new buildings in the UK.
RIBA National Award-winning buildings set the standard for good architecture. The shortlist for the coveted RIBA Stirling Prize for the UK’s best building of the year will be drawn from the 46 award-winning buildings announced today.
image : Timothy Soar
RIBA Awards Past Winners
RIBA Awards 2013 – Winning Buildings + Architects
RIBA Awards 2013 photograph © Studio cento29
Britain’s 50 best new buildings – 2012 RIBA Award winners
RIBA Awards 2012 photograph © Hufton+Crow
Location: UK
Winners Archive
RIBA Awards 2011 photograph © Tim Soar
Stirling Prize
RIBA Special Awards Shortlist – Client of the Year award + Stephen Lawrence Prize
RIBA International Awards : Winners photo : Patrick Bingham-Hall
RIBA Special Awards
RIBA Royal Gold Medal
RIBA Awards Scotland
Architecture
Previous Winners 2005 – 2010
RIBA Awards 2010
RIBA Awards 2009
RIBA Award 2009 Scotland – Scottish winners
RIBA Awards 2008 – winners online
RIBA Awards Scotland 2008
RIBA Awards 2007
RIBA Awards 2006
RIBA Awards 2005
RIBA Awards – Past Overall National Winners
RIBA Award 1992 : Sackler Gallery RIBA Award 1991 : Broadgate Centre RIBA Award 1990 : Queen’s Inclosure Primary School, Hampshire RIBA Award 1989 : Nelson Mandela School, Birmingham RIBA Award 1988 : St Oswald’s Hospice, Newcastle
RIAS Award for Architecture – Best Building in Scotland
Comments / photos for the RIBA Awards 2022 – UK Architecture Prize page welcome
The post RIBA Awards 2022 News appeared first on e-architect.
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It’s that time of the year again! On Sept. 6, 2018, people from all over the world flocked to New York to kick off the annual event, New York Fashion Week. Designers showed off their Spring/Summer 2019 lines, while the world’s biggest fashionistas sat front row.
Now, the reason I love NYFW is because I love to see what my favorite celebrities are wearing for the Pre-Fall season. Here are the top 5 celebs I was on the lookout for:
Jamie Chung
I look for Jamie Chung at NYFW every year because she’s one of my fashion inspirations. Due to some scheduling conflicts, she had a shorter trip this year and only made it to a few events and runway shows. But someone has to play Blink on Fox’s The Gifted and Jamie’s on it!
Jamie kicked off the week at the opening of Refinery29’s 29 Rooms pop-up exhibit with this years theme, Expand Your Reality. She chose to wear a two-piece tartan outfit by PAPER London. Jamie can pull off anything and she confidently did it with this outfit and was even spotted doing some high kicks in one of the rooms! | Photo Source: Astrid Stawiarz/Getty Images North America via Zimbio |
  The next day Jamie made a little stop to the Shopbop Diner with a super cute asymmetric skirt and polka dotted blouse. | Photo Source: Lars Niki/Getty Images North America via Zimbio |
  One of Jamie’s last stops at NYFW was the Nicole Miller Spring 2019 Runway Show. She killed it with a black and white striped boyfriend blouse paired with a metallic maxi skirt. | Photo Source: Nicole Miller Instagram |
Bonus Look: Jamie popped up at the 2018 Toronto International Film Festival (TIFF) with a look that I absolutely adored. She wore a pajama striped Smythe pant suit. I love PJ inspired looks. They look so comfortable, but chic at the same time! | Photo Source: Steve Blackburn/Getty Images North America via Zimbio |
  Shay Mitchell
Shay Mitchell has proven to be a fashion force to reckon with over the past few years. The former Pretty Little Liars star took a few days off from promoting her new Lifetime mini-series You and kicked off fashion week at one of the most prestigious events, the Harper’s Bazaar “ICONS” Event.
  She stepped out in a beautiful gold and silver Julien MacDonald gown from his Spring 2018 RTW line. She was stunning and accessorized perfectly with her jewelry and a gold clutch. In my opinion, she was the best dressed that night. | Photo Source: Dimitrios Kambouris/Getty Images North America via Zimbio |
  A few days later, Shay sat front row at the Zimmermann show and wore a dress from the Fall 2018 RTW Collection: Tempest Tucked Contour Mini. Shay has a great style team behind her! | Photo Source: Theo Wargo/Getty Images North America via Zimbio |
On Sept. 12, Shay sat front row at Michael Kors among several other Hollywood actresses. She showcased her support for the designer in a black charmeuse and lace dress. | Photo Source: Dimitrios Kambouris/Getty Images North America via Zimbio |
Later that night, Shay rocked a bolder look, busting out some bangs at the Vanity Fair x Saks Fifth Avenue Best Dressed event. She showed off some leg in a mini Dundas dress and some Barbara Bui pumps.| Photo Source: Ben Gabbe/Getty Images North America via Zimbio |
Gemma Chan
With the success of Crazy Rich Asians, Gemma Chan is the new star to keep an eye out on! Just like her character, Astrid, she is proving to be a fashion icon. Gemma made her fashion week debut at the Tory Burch fashion show in a pink pant suit and I think Astrid Leong would be very proud. | Photo Source: Cindy Ord/Getty Images North America via Zimbio |
  A few days later, she reunited with her CRA co-star Awkwafina at the Prabal Gurung fashion show. Prabal Gurung was one of the designers she wore during press for Crazy Rich Asians. During NYFW she was a vision in red as she showed support for the Asian American designer. | Photo Source: Jamie McCarthy/Getty Images North America via Zimbio |
Heart Evangelista
Heart Evangelista is the Philippines’ sweetheart. She has been an actress in the Philippines since she was in her teen years and has grown into one of the country’s biggest fashionistas.  Ever since I was young, I watched Heart on The Filipino Channel (TFC) and now on the GMA Network, and she’s still one of my favorite TV personalities. As a Filipino American, I’m so proud to see her making waves in the international fashion world.
Heart was first seen at the Tory Burch show rocking a Tibi power suit. The gingham get up is part of their Pre-Fall 2018 line. She also accessorized with a Tory Burch tote bag and add a pop of color with some red Louboutins. | Photo Source: Anna Webber/Getty Images North America via Zimbio |
She then changed into a different ensemble for the Kate Spade presentation. She was head to toe in Kate Spade and with the white/blue dress and red shoes, I was getting some serious Dorothy vibes. | Photo Source: Instagram @iamhearte |
She ended her night at the Harper’s Bazaar “ICONS” Event in a beautiful custom made Mark Bumgarner gown, showing her support for local designers. It was such a beautiful dress. She fit in perfectly. | Photo Source: Dimitrios Kambouris/Getty Images North America via Zimbio |
Before leaving to go back to the Philippines, Heart made a stop at the Prabal Gurung show in another power suit. The hot red suit was from the designer’s Resort 2018 line. | Photo Source: Jamie McCarthy/Getty Images North America via Zimbio |
Blake Lively
We all know Blake Lively is a huge fashion icon. She styles herself and rocks whatever she has on. So many people get on her about some of her fashion choices, but those opinions do NOT matter because Blake can hold her own.
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She has been pretty busy promoting her latest movie, A Simple Favor, but she made some time in her busy schedule to attend the Ralph Lauren fashion show. She rocked a chic, black and white suit alongside her co-star Henry Golding and director Paul Feig. | Photo Source: Rob Kim/Getty Images North America via Zimbio |
Here are some honorable mentions:
Dianna Agron, one of my favorite Glee stars, came out from the shadows for NYFW. She attended both the Oscar De La Renta and Michael Kors shows wearing floral dresses from each designer.
Hailee Steinfeld looked fierce at the Tom Ford presentation and went tartan from head to toe at the Michael Kors show.
Barbara Palvin was spotted all over NYFW with boyfriend, Dylan Sprouse.  I think it’s safe to say that they are quite the fashionable couple. They made their red carpet debut at the Harper’s BAZAAR ‘ICONS’ event and ended NYFW at the Vanity Fair’s Best-Dressed 2018 party.
xoxo,
Adele
You know the drill! Subscribe, share, like, or comment!
Twitter: @itsadeleee / @adeleLIVETWEETS Instagram: @itsadeleee / @prettylittlegossipgleek Tumblr: @prettylittlegossipgleek YouTube: @ahhhduhhhleee
Looks I Love: NYFW 2018 It's that time of the year again! On Sept. 6, 2018, people from all over the world flocked to New York to kick off the annual event, New York Fashion Week.
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olko71 · 3 years
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New Post has been published on All about business online
New Post has been published on http://yaroreviews.info/2021/09/facebook-efforts-to-attract-preteens-go-beyond-instagram-documents-show
Facebook Efforts to Attract Preteens Go Beyond Instagram, Documents Show
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Facebook Inc. FB -3.66% has come under increasing fire in recent days for its effect on young users and its efforts to create products for them. Inside the company, teams of employees have for years been laying plans to attract preteens that go beyond what is publicly known, spurred by fear that Facebook could lose a new generation of users critical to its future.
Internal Facebook documents reviewed by The Wall Street Journal show the company formed a team to study preteens, set a three-year goal to create more products for them and commissioned strategy papers about the long-term business opportunities presented by these potential users. In one presentation, it contemplated whether there might be a way to engage children during play dates.
“Why do we care about tweens?” said one document from 2020. “They are a valuable but untapped audience.”
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Facebook isn’t the only technology company to court children and face scrutiny for doing so. Virtually every major social-media platform, including ByteDance Ltd.’s TikTok and YouTube, has confronted legal or regulatory problems related to how children use its products. Federal privacy law forbids data collection on children under 13, and lawmakers have criticized tech companies for not doing more to protect kids online from predators and harmful content.
The Facebook documents show that competition from rivals, in particular Snap Inc.’s SNAP -7.07% Snapchat and TikTok, is a motivating factor behind its work.
The company’s approach to young users is expected to be addressed during a Senate subcommittee hearing on Thursday, which is expected to probe the effects of Facebook’s Instagram platform on mental health. In calling for the hearing, lawmakers cited Journal reporting earlier this month that Facebook’s own research has shown that Instagram can have a negative effect on teen mental health, especially among girls.
On Monday, Adam Mosseri, head of Instagram, said the company would pause the development of a version of the app for children, often referred to as Instagram Kids. He said the company wanted time to talk to parents, experts and lawmakers before proceeding. He also contended that underage users would simply lie about their age to access Instagram if a version for children under the age of 13 wasn’t available.
Sens. Richard Blumenthal (D., Conn.) and Marsha Blackburn (R., Tenn) said they want to know what research Facebook has undertaken to promote and market its products to children, among other topics.
Over the past five years, Facebook has made what it called “big bets” on designing products that would appeal to preteens across its services, according to a document from earlier this year.
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In more than a dozen studies over that period, the documents show, Facebook has tried to understand which products might resonate with children and “tweens” (ages 10 through 12), how these young people view competitors’ apps and what concerns their parents.
“With the ubiquity of tablets and phones, kids are getting on the internet as young as six years old. We can’t ignore this and we have a responsibility to figure it out,” said a 2018 document labeled confidential. “Imagine a Facebook experience designed for youth.”
Earlier this year, a senior researcher at Facebook presented to colleagues a new approach to how the company should think about designing products for children. It provided a blueprint for how to introduce the company’s products to younger children. Rather than offer just two types of products—those for users 13 and older, and a messenger app for kids—Facebook should tailor its features to six age brackets, said a slide titled “where we’ve been, and where we’re going.”
The age brackets included: adults, late teens ages 16 to maturity, teens ages 13 to 15, tweens ages 10 to 12, children ages 5 to 9 and young kids ages zero to four.
In a written statement, Facebook spokesman Andy Stone said the chart was a taxonomy of the stages of childhood for internal discussion.
It isn’t uncommon for companies to pursue young people as customers. Yet the work is sensitive for the social-media giant: Facebook and Instagram prohibit children from using their apps before their teenage years, but the company’s future depends on ultimately recruiting them.
“If kids are under 13, they’re not allowed on Instagram and they should not be using our service,” said Mr. Mosseri in a written statement for this article. “It’s not new and it’s not a secret that social-media companies try to understand how teens and preteens use technology. Like all technology companies, of course, we want to appeal to the next generation, but that’s entirely different from the false assertion that we knowingly attempt to recruit people who aren’t old enough to use our apps.”
He said the company had removed more than 600,000 accounts in the past three months for violating its rules on age limits.
Facebook’s first foray into child-specific products was its 2017 launch of Messenger Kids, a video-and-chat app heavy on parental controls. The app says it is designed for users ages 6 through 12 and meets legal requirements on data collection. The hope was that the family-friendly product would set the stage for the children to eventually adopt other Facebook platforms, the documents show.
“Our ultimate goal is messaging primacy with U.S. tweens, which may also lead to winning with teens,” one of the documents said.
That same year, Facebook’s market researchers uncovered a weakness in the plan. Interest in Messenger Kids tapered off after age 10 and tweens viewed Facebook as a product for old people. They also weren’t yet interested in Instagram and what the document called its focus on “self-presentation.” Instagram was vulnerable to a challenge from Snapchat, which had a growing preteen following.
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Is there a way to leverage playdates to drive word of hand/growth among kids?
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Is there a way to leverage playdates to drive word of hand/growth among kids?
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Is there a way to leverage playdates to drive word of hand/growth among kids?
“It’s fun, funny, silly and creative—seemingly made just for them,” the 2017 presentation said of Snapchat, warning that “signing up for social media is a given” for tweens. TikTok’s rise added to the pressure, with the main Facebook product no longer a serious contender among teens.
“Global teen penetration on FB is low, and acquisition appears to be slowing down,” a March 2021 document states. In the U.S., the daily number of teens using Facebook has fallen by 19% over the past two years, another document noted, and would likely fall by an additional 45% by 2023.
A Pew Research Center survey from 2020 found that among 9-to-11-year-olds, 30% said they used TikTok, 22% said they used Snapchat, 11% said they used Instagram and 6% Facebook.
Facebook is relying on Instagram to recruit young users in the hope that they’ll age into the company’s eponymous platform over time. A November 2020 presentation cited an eventual goal of pitching Facebook as the “Life Coach for Adulting.”
A March 2021 review conducted for Facebook Chief Product Officer Chris Cox found that Instagram still saturated the teen social-media market in developed countries. But researchers noted that posting by Instagram users had dropped significantly and that teens were spending two to three times more time on TikTok, according to one document.
Keeping kids safe on social media is an industrywide issue. TikTok and YouTube have in the past few years each reached settlements for allegedly violating federal privacy laws protecting children, and have announced tighter rules since then to further protect young users. Both companies also have launched versions of their products designed especially for kids.
Snapchat’s rules state users must be at least 13 years old, and the company has said it works to identify and terminate accounts for those under that age.
There also are risks of children being exposed to adult content. A Journal investigation earlier this year showed that TikTok’s algorithm serves videos containing sex and drugs to accounts registered as minors. Facebook in 2019 said a design flaw allowed young people using Messenger Kids to enter group chats with strangers.
Social media’s uncomfortable relationship with children was on display at a Facebook event in June, when star Instagram influencer JoJo Siwa blurted out during a question-and-answer session that she had been active on the platform for almost a decade. Ms. Siwa is 18 years old.
“I don’t want to hear it,” replied Mr. Mosseri, Instagram’s head, who was conducting the online event.
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In this screengrab, Adam Mosseri and Instagram influencer JoJo Siwa speak during a Facebook event in June.
Photo: Amy Sussman/Instagram and Facebook’s Creator Week/Getty Images
Ms. Siwa said she had fans and followers under age 13 and wanted to be able to make content for them. She said young kids are drawn to the bright, quick nature of content on Instagram, and that she hoped there would be a product built for them.
“The key thing is making sure you keep kids safe,” Mr. Mosseri said. “But like you said, you can lie about your age now, so our hope is to build a version that’s designed for kids.”
Part of the broader challenge for Facebook, its researchers identified, was that while parents said they were most comfortable with their children using the company’s original Facebook product, tweens don’t view it as an app made for them.
“Facebook is for old people—old as in 40,” an 11-year-old boy told Facebook’s researchers.
One Facebook team conducted interviews with children to try to gauge whether there were opportunities to encourage them to use the Messenger Kids app when they were socializing in person, according to a 2019 internal presentation titled “Exploring playdates as a growth lever.” The document noted that parents expressed wariness about the idea.
In a study about household dynamics, a Facebook user-experience researcher found that although teens often inspired their younger relatives to join Instagram, those same teens also often counseled the tweens not to share too frequently, and not to post things they would later regret.
“I don’t know how to get a perfect picture like my sister says you need to post,” a tween told the researcher.
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A photo provided by Facebook demonstrates the company’s Messenger app for kids.
Photo: Facebook/Associated Press
“We need to understand if this influence over preteen sharing holds at scale,” the researcher wrote in a document posted to Facebook’s internal message board early this year. “If it is common that teens are discouraging preteens from sharing, there are obvious implications for creation and the ecosystem both in the near and longer-term as preteens are the next generation coming onto the platform.” The presentation cited concern among teenagers about oversharing as a “myth” about Instagram.
A Facebook team studying preteens set a three-year goal to figure out how to provide young people with social-media products built just for them. They noted that figuring out how to reach them would be just half the challenge. Convincing their parents that the products are safe would be the other half.
The team focused on the benefits, mostly around connecting more easily with friends and family, that they believed social media could bring to the younger generation.
“We have a historic opportunity for youth to experience the same positive benefits we have through social media, and more,” one of the members of the youth team wrote in a document. Facebook also created a $1 million research fund to study tech’s long-term impact on children. A Facebook spokesman said the company recently announced it was supporting the creation of a “digital wellness lab” at Boston Children’s Hospital.
Other teams suggested additional products that might appeal to tweens, including quizzes and games that could help tweens connect when they struggle to initiate conversations, ways to surface unexpected content and automatic signals that indicate whether friends are available to interact. They also looked for more ways to expand Messenger Kids.
The Facebook Files
—Design by Andrew Levinson. A color filter has been used on some photos.
Write to Georgia Wells at [email protected] and Jeff Horwitz at [email protected]
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i-bobjia · 3 years
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ericmorseblog · 3 years
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It’s Writer’s in Horror Recognition Month
Our next writer’s profile for Writer’s in Horror Recognition Month is John Fenwick Anderson Blackburn.
John Fenwick Anderson Blackburn  (26 June 1923 – 1993) was a British novelist who wrote thrillers, and horror novels. Blackburn was described as "today's Master of Horror" by The Times Literary Supplement.
Many of his books feature stock characters, including General Charles Kirk of British Intelligence and his friends, the scientist Sir Marcus Levin and his Russian wife Tania.
His horror novels are often structured as thrillers, with detective story plots involving international espionage, but often leading to either a supernatural or science fictional resolution. This means that, as with some of the books of James Herbert, many of Blackburn's horror novels are notable for pace and plotting rather than for atmospheric effects. Blackburn specialised in mixing modern concerns such as germ warfare and international conspiracies with ancient traditions and curses, often to ingenious effect. The Flame and the Wind (1967), by contrast, is an unusual historical novel set in Roman times, in which a nephew of Pontius Pilate tries to discover the facts about the crucifixion of Jesus.
The Encyclopedia of Science Fiction has noted that in many of Blackburn's novels 'a powerful ambience of Horror derives from a calculated use of material from several genres, including science fiction, often simultaneously; he was a sophisticated, commercial exploiter of Equipoise in fantastic fiction'.[9] His use of science fiction is generally borderline, though not in Children of the Night, which features – in classic sci-fi fashion – an underground lost race, this time with telepathic powers.
Horror novels[
·        A Scent of New-Mown Hay (1958)
·        A Sour Apple Tree (1958)
·        Broken Boy (1959)
·        A Ring of Roses (1965)
·        Children of the Night (1966)
·        Nothing But the Night (1968)
·        Bury Him Darkly (1969)
·        Blow the House Down (1970), a non-supernatural story in which a racist architect deliberately designs a building to be a death-trap [12]
·        Devil Daddy (1972)
·        For Fear of Little Men (1972)
·        Our Lady of Pain (1974), based on Elizabeth Bathory, suggested by and dedicated to Christopher Lee
Thrillers
·        Dead Man Running (1960)
·        Bound to Kill (1963)
·        The Winds of Midnight (1964)
·        Murder at Midnight (1964)
·        Packed for Murder (1964)
·        The Reluctant Spy (1966)
·        The Gaunt Woman (1967)
·        Blue Octavo (1967)
·        Colonel Bogus (1969)
·        The Young Man from Lima (1970)
·        The Household Traitors (1971)
·        Deep Among the Dead Men (1973)
·        Mister Brown's Bodies (1975)
·        The Face of the Lion (1976)
·        The Cyclops Goblet (1977)
·        Dead Man's Handle (1978)
·        The Sins of the Father (1979)
·        A Beastly Business (1982)
·        A Book of the Dead (1984)
·        The Bad Penny (1985)
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