HOLY SHIT!!! Big Finish has resurrected their Novel Adaptations Range after SEVEN YEARS; They're adapting the first Virgin Missing Adventure novel "Goth Opera"! If you're a fan of the Wilderness Years books or of the 5, Nyssa, and Tegan TARDIS team you should check it it out! It's releasing in July and you can preorder it now, LINKS BELOW!
The VNAs and EDAs are a pretty niche corner of Doctor Who fandom these days so its really fucking cool to get more love for these stories and this era of the series (although they haven't adapted any BBC books yet). It'd be REALLY sad if they retired book adaptations because of meh sales so if you're even remotely interested feel free to check out the links below! THE CONTINUATION OF THIS RANGE GETS US ONE STEP CLOSER TO EIGHTH DOCTOR BOOK ADAPTATIONS. I NEED FITZ AND EIGHT YOU GUYS.
Link to Goth Opera page: https://www.bigfinish.com/releases/v/doctor-who-goth-opera-2998
Link to previous Novel Adaptations: https://www.bigfinish.com/ranges/v/doctor-who---novel-adaptations
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Actress and Author, Lara Parker, of Dark Shadows, Passes at 84
Lara Parker, who found the role of a lifetime at just 28 years old when she was cast by Dark Shadows producer Dan Curtis as the beautiful, vengeful and altogether evil witch Angelique Bouchard Collins, died October 12 in her sleep in Los Angeles following a battle with cancer. She was 84.
Her death was announced by producer Jim Pierson of Dan Curtis Productions, on behalf of Parker’s family.
“I’m heartbroken, as all of us are who knew and loved her,” said her Dark Shadows co-star and longtime friend Kathryn Leigh Scott in a statement. “She graced our lives with her beauty, talent and friendship, and we are all richer for having had her in our lives.”
Parker was born Mary Lamar Rickey on Oct. 27, 1938, in Knoxville, Tennessee. Her father, Albert, was an attorney, and her mother, Ann, was active in civic groups.
She graduated from Central High School in Memphis and attended Vassar — she roomed with Jane Fonda there — and Rhodes College in Memphis, where at 19 she served as Wink Martindale’s assistant on his WHBQ-TV show, Dance Party. She then earned a master’s degree from the University of Iowa.
Parker, who also authored four popular Dark Shadows-related novels from 1998-2016, arrived on the supernatural soap opera in 1967, not long after Canadian actor Jonathan Frid had been cast as vampire Barnabas Collins. Frid’s storyline changed the show from a moody, Gothic Jane Eyre-type serial into a flat-out horror show.
During breaks in production, Parker acted on Broadway in September 1968 in Woman Is My Idea, which lasted just five performances, and in the early Brian De Palma film Hi, Mom! (1970), starring Robert De Niro.
And toward the end of the daytime serial, she and fellow castmembers including John Karlen, Kate Jackson, David Selby and Grayson Hall appeared in the poorly received MGM film Night of Dark Shadows (1971).
In 1972, Parker relocated to Los Angeles and went on to appear on episodes of such shows as Medical Center, Kojak, The Rockford Files, Police Woman, Kolchak: The Night Stalker (as a witch) and The Incredible Hulk, where she played David Banner’s first wife in a flashback sequence in the pilot.
In her later years, Parker turned to writing and teaching — her novels include Angelique’s Descent (1998), The Salem Branch (2006), Wolf Moon Rising (2013) and Heiress of Collinwood (2016). The books proved popular among Dark Shadows‘ still-devoted, conventions-attending fan base, as well as devotees of romance and horror genre novels.
Parker kept in touch with her co-stars including Scott, Selby, Roger Davis, the late John Karlen and others throughout her life, particularly once the conventions became annual events in the late 1980s through the 1990s and up to the 50th anniversary celebration in 2017.
Many of the original cast, including Parker, recorded a series of Dark Shadows audio dramas in the 2000s released by Big Finish Productions. They also reunited for a “Smartphone Theatre” Zoom-style, Covid-era performance of A Christmas Carol in 2021 and, on Halloween night 2020, a YouTube/Zoom Dark Shadows cast reunion.
Parker is survived by second husband Jim Hawkins, daughter Caitlin, sons Rick and Andy, and their wives Miranda and Celia; and grandson Wesley.
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Hello, people! I'm someone who is Very Very Very intrigued and interested by the Gallifrey audio dramas (lore! political intrigue! found family! Gallifrey as a place and culture!) but unfortunately can't buy them.
And I've had a look and I don't believe any of them are on Spotify and the only free one I could find on the big finish website was only available free for a week that has long since passed 😭. Sooooo please help a girl out if you know of any links, or websites, or...? Help please reading the wiki pages isn't enough I'd love to listen.
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I love the Big Finish audios, but I had a hard time forgiving them for this transphobic bullshit in 2003
In the studio (and Nicholas Briggs') defense, they've certainly definitely changed for the better
I rather like the referring to one's assigned gender as a "shot in the dark."
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Relistening to The Apocalypse Element, a couple of things strike me:
This is probably about as good as you could expect a "Daleks invade Gallifrey" story to get. It's almost entirely spectacle-based, but it just about manages to paper over its shortcomings by moving at an unbelievable rate of knots... until the final episode where it basically just devolves into the Doctor trying to do some Very Intense Engineering to solve the problem.
(Why yes, this did come out just one month after Cole's other big "showstopping invasion of Gallifrey" story in The Ancestor Cell, why do you ask?)
Cole's script also just seems very muddled on the issue of whether xenophobia and isolationism are bad or simply justified responses to real external threats. Take the cliffhanger to Part Two, where the "Monan" ship is revealed to contain Daleks.
I get what the story is *trying* to do here, in having Vansell's opportunistic greed be shown up as Bad, but when you get down to it there is an element of "Don't allow refugees in because they might actually be providing cover for a group of belligerent and armed aggressors," which feels... poorly aged, particularly in a story that features at least two instances of what can accurately be described as "Dalek suicide bombings."
(And really I'm probably affording Cole too much credit here, because I suspect any comment on Vansell's morals is strictly secondary to allowing him to say the line "The Daleks are invading Gallifrey!")
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