A collection of over 40 writers and their work from World War 1 and the years that followed.
11/11. Happy Armistice Day!
This is by no means a guide so much as it is recommendations and selections from my reading list, but I hope it can interest others in some extraordinary or important lives. Enjoy!
POETRY
Richard Aldington (1892-1962)
British. 2nd Lieutenant, Royal Sussex Regiment.
Themes: Callousness, Apathy, Sound, Myth & History, Art
War and Love 1915-1918 (1919)
"Trench Idyll"
"In The Trenches"
"Apathy"
"Soliloquy I" & "Soliloquy II"
Exile and Other Poems (1923)
“Eumenides”
“At a Gate by the Way”
Edmund Blunden (1896-1974)
British. 2nd Lieutenant, Royal Sussex Regiment.
Field: Ypres, Somme, Passchendaele
Themes: Survivor's Guilt, Isolation, Nature, Post-War Reflection
The Waggoner (1920)
"The Estrangement"
The Shepherd and Other Poems of Peace and War (1922)
"11th R.S.R."
"Reunion in War"
"The Troubled Spirit"
"War Autobiography: Written in Illness"
"Third Ypres: A Reminiscence"
Rupert Brooke (1887-1915)
British. Sub-lieutenant, British Mediterranean Expeditionary Force, but died of sepsis before reaching Gallipoli.
Themes: Colonialism, Memory & Death
1914 and Other Poems (1915)
"1914"
Robert Graves (1895-1985)
British. Captain, Royal Welch Fusiliers.
Field: Somme, but also in a POW and Garrison camp iirc.
Themes: Camaraderie, Grief, Flippancy/Humor, Personal Change
Faeries and Fusiliers (1919)
The Pier-Glass (1921)
"Lost Love"
Collected Poems 1955 (1955)
"Recalling war"
Frederic Manning (1882-1935)
Australian & British. Private, King's Shropshire Light Infantry. Lance Corporal, 7th Battalion. 2nd Lieutenant, Royal Irish Regiment.
Field: The Somme, Ancre
Themes: Collective identity, Numbness, Individuality, Ritual as a coping method, Myth
Eidola (1917)
"αυτάρκεια"
Wilfred Owen (1893-1918)
British. 2nd Lieutenant, Manchester Regiment.Also see: The Hydra (1917-1918), the Craiglockhart War Hospital magazine.
Field: Northern France
Themes: Inhumanity, Protest, Disgust & Pity
Poems (1921)
“Apologia Pro Poemate Meo”
“Mental Cases”
“Dulce et Decorum Est”
"S.I.W" (Self-Inflicted Wound)
“Wild With All Regrets”
Poems of Wilfred Owen (1931)
“The Unreturning”
The Complete Poems and Fragments (1984)
Isaac Rosenberg (1890-1918)
British (also Jewish!). Private, 12th Bantam Battalion of the Suffolk Regiment, then South Lancashire Regiment, then King's Own Royal Lancaster Regiment, then King's Own Royal Regiment.
Also see: Joseph Cohen Collection of Rosenberg documents and artifacts
Field: Arras
Themes: Heroism, Loathing, Confusion
Poems (1922)
"Significance"
"The Immortals"
Delphi Complete Poetry, Plays, Letters and Prose of Isaac Rosenberg (2015)
Not free, but like the one for Wilfred Owen, I recommend these collections since they're super cheap (like $3) and mostly comprehensive even if there are some formatting errors.
Siegfried Sassoon (1886-1967)
British. 2nd Lieutenant, Royal Welch Fusiliers.
Also see: A Soldier's Declaration.
Field: The Somme, Arras
Themes: Activism, Self-Expression, Nature, Leadership, Camaraderie, Grief
The Old Huntsman and Other Poems (1918)
“The Kiss”
“The Last Meeting”
Counter-Attack and Other Poems (1918)
"Suicide in the Trenches" (sometimes typo'd, like in Collected Poems, as "Suicide in Trenches")
"Repression of War Experience"
"The Dream"
A Suppressed Poem (1918) (alternative/full text)
War Poems (1919)
"Everyone Sang"
Picture-Show (1920)
"Concert Party"
"Phantom" (removed from Collected Poems in 1961)
"Aftermath"
Vigils (1936)
"War Experience"
"Revisitation"
The Collected Poems 1908-1956 (1961)
Contains text edits and revisions of previous work.
MEMOIR
Will R. Bird (1891-1984)
Canadian. 42nd Battalion, Royal Highlanders of Canada.
Field: France and Belgium
Also see: his bibliography. His work seems to have been popular, but is now exceedingly rare other than in some recent reprints.
And We Go On (1930)
Reissued as Ghosts Have Warm Hands (1968) which removes several anecdotes--and in particular, removes many instances of the ghost of his brother (who often appears to guide him after dying before Bird enlisted).
Thirteen Years After: The Story of the Old Front Revisited (1931)
Funded by Maclean's Magazine, Bird returned to France and wrote a series of reflections.
The Communication Trench: Anecdotes & Statistics from the Great War, 1914-1918 (1933)
A Soldier's Place: the War stories of Will R. Bird (2018)
Fifteen anecdotes from various war-time and post-war publications.
Edmund Blunden (1896-1974)
Undertone of War (1928)
Philip Gibbs (1877-1962)
British. Extraordinarily popular war journalist and later war correspondent.
Heavily censored in publications like the Daily Telegraph and Daily Chronicle.
Field: Western Front
The Soul of the War (1915)
From Bapaume to Passchendaele, 1917 (1918)
Reissued as The Struggle in Flanders on the Western Front, 1917 (1919)
The Way to Victory: Vol 1: The Menace and Vol 2: The Repulse (1919)
Wounded Souls (1920)
Now It Can Be Told (1920)
US title: The Realities of War
More That Must Be Told (1921)
Robert Graves (1895-1985)
Goodbye to All That (1929)
Censored (1929), Revised (1957), and I think Uncensored (2014)
Also a personal memoir--the first few chapters detail his childhood and discuss homosexuality.
Arnold Gyde (1894-1959)
British. Captain, 2nd Battalion South Staffordshire Regiment.
Field: Le Havre, Mons, Aisne
Contemptable (1916) as Casualty
Part of the Soldiers’ Tales of the Great War series
T. E. Lawrence (1888-1935)
British. Archeologist but mostly a military informant.
Field: Arab Revolt, Palestine
Themes: Isolation, Brotherhood
Seven Pillars of Wisdom (1922)
Abridged "subscribers" edition subtitled with A Triumph (1926), Further abridged as Revolt in the Desert (1927), Unabridged as "The Oxford Text" (1997)
Also see: With Lawrence in Arabia (1924) by Lowell Thomas
Thomas was a war correspondent for the US, and who filmed and photographed Palestine and Lawrence and created the media boom surrounding the two.
Also see: Lawrence and the Arabs (1927) by Robert Graves
This book was initially panned for showing Lawrence as more of a flawed person than England's glorious war hero.
Edward C. Lukens
American. Lieutenant, 320th Infantry 80th Division.
Field: Meuse-Argonne
A Blue Ridge Memoir (1922)
Includes an afterword titled “The Last Drive and Death of Major G. H. H. Emory” by E. McClure Rouzer
Wilfred Owen (1893-1918)
Journey from Obscurity: Wilfred Owen, 1893-1918 (1963-1965) by Harold Owen
Published in three volumes: Childhood, Youth, and War
E. M. Roberts
American. Lieutenant, RAF.
A Flying Fighter: An American Above the Lines in France (1918)
I’m not finding much on this book atm, but I remember finding some articles after I had read the book that mentioned much of it was embellished.
Siegfried Sassoon (1886-1967)
Siegfried's Journey, 1916-1920 (1945)
Discusses the range of his life on leave or otherwise away from the battlefield, along with his post-war travels and struggles. For his more military memoirs, see the Sherston Trilogy below.
Also see: Lady Ottoline's Album (1976)
included entirely bc there's a cute pics of him (pg 66-67,90-93) but also bc there's a lot of cool ppl in it (also Robert Graves 68, Edmund Blunden 69)
Diaries:
Scans of 1915-1922, 1924-1927, 1931-1932: Sassoon Journals @ Cambridge
Siegfried Sassoon Diaries 1915-1918 (1983)
Highlights: 27 May 1916. 13 July 1916. 23 April 1917. 17 April 1918. 27 April 1918. 9 May 1918. 19 December 1917.
Siegfried Sassoon Diaries 1920-1922 (1981)
Siegfried Sassoon Diaries 1923-1925 (1985)
FICTIONAL MEMOIR
Giving a third person narrator one's trauma or life allows the writer to view those events in a new light–and also partially absolve themselves from ownership of their actions and feelings. Thus, it was super popular to deflect the shame of trauma.
Richard Aldington (1892-1962)
Death of a Hero (1929)
Uncensored in two volumes (1930), in one volume (1965) and (1984)
Roads to Glory (1930)
Short stories
Hervey Allen (1889-1949)
American. Lieutenant, 111th Infantry Regiment of the 28th Division
Field: Marne, Aisne, Château-Theirrey
Toward the Flame (1926) (limited preview)
Henri Barbusse (1873-1935)
French. Western Front. Anti-war.
Under Fire: The Story of a Squad (1916)
One of the first WWI novels published. Formative work for Sassoon, but also popular with Owen iirc.
Larry Barretto (1890-1972)
American. Ambulance driver in France and Belgium.
A Conqueror Passes (1925)
The soldier protagonist swiftly falls into depression upon returning to civilian life, so he abandons everything to return to France. Where he hopes to return to the mental occupation of service, he finds instead that the world has moved on without him.
James Norman Hall (1887-1951)
American. Posing as a Canadian: Royal Fusiliers. After being discovered, Lafayette Escadrille and Lafayette Flying Corps, then Captain of US Army Air Service. German POW for several months.
Kitchener's Mob: The Adventures of an American in the British Army(1916)
Describes the Battle of Loos during his time as a machine gunner with the Royal Fusiliers.
High Adventure: A Narrative of Air Fighting in France (1918)
Also see: The Lafayette Flying Corps Vol 1 and Vol 2 (1920), a history written with fellow pilot Charles Bernard Nordhoff.
Also see: Falcons of France (1929), another memoir written with Charles Bernard Nordhoff.
John Dos Passos (1896-1970)
American. Ambulance Driver in France (Norton-Harjes Ambulance Corps) & Italy (American Red Cross)
One Man’s Initiation: 1917 (1920)
Reissued as First Encounter (1945)
Three Soldiers (1921)
Frederic Manning (1882-1935)
The Middle Parts of Fortune: Somme and Ancre, 1916 (1929) as Private 19022
Uncensored in two volumes
Censored edition is Her Privates We (1929), and Uncensored (2014)
Primarily depicts the mundane life of a private. A deserter crops up throughout the novel for commentary on the intersection of mental illness and perceived cowardice. The chapters on the trenches are extraordinary imo, and it's a great look at the unsensational life of billets and drill that most accounts leave out.
Charles Bernard Nordhoff (1887-1947)
American. Ambulance driver, then Lafayette Flying Corps, then Lieutenant of US Army Air Service
The Fledgling (1919)
Series of letters (and dairy entries?)
Also see: The Lafayette Flying Corps Vol 1 and Vol 2 (1920), a history written with fellow pilot James Norman Hall.
Also see: Falcons of France (1929), another memoir written with James Norman Hall.
Erich Maria Remarque (1898-1970)
German. 2nd Guards Reserve Division, then 15th Reserve Infantry Regiment, 2nd Company, Engineer Platoon Bethe.
Field: Hem-Lenglet Torhout and Houthulst.
All Quiet on the Western Front (1929)
The Road Back (1931) (limited preview)
Siegfried Sassoon (1886-1967)
The Sherston trilogy follows his entire service, although purged of anything literary or concerning his family. He also changed the names of almost everyone in it. The third book does a great job confronting the trauma he swears he doesn't have up until the last couple pages.
Memoirs of a Fox-Hunting Man (1928)
Memoirs of an Infantry Officer (1930)
Sherston's Progress (1936)
FICTION
More on the Internet Archive
Hervey Allen (1889-1949)
It Was Like This: Two Stories of the Great War (1940)
Leonid Andreyev (1871-1919)
The Confessions of a Little Man During Great Days (1917
Russian. Account of a fictional banker in St. Petersburg struggling through war shortages and family strife. Anti-war.
E. F. Benson (1867-1940)
British. Archeologist, Greek Scholar, Worked in Cairo with T. E. Lawrence. also hes gay
Up and Down (1918)
An at-home drama which begins pre-war and descends into featuring the relationship of letters between home and the front.
Dodo Wonders-- (1921)
Sequel to Dodo: A Detail of the Day (1893) Dodo’s Daughter (1913) and Dodo the Second (1914) social dramas.
Will R. Bird (1891-1984)
Private Timothy Fergus Clancy (1930)
John Buchan (1875-1940)
Scottish. Popular novelist, Writer for the Propaganda Bureau, Director of Intelligence, and Lieutenant of Intelligence Corps
The Thirty-Nine Steps (1915)
First in the Richard Hannay series, suspense spy novels meant to sensationalize war intrigue and German barbarism.
Also see: Nelson's History of the War, a serial which began in 1915 to become a 24-volume account of censored and pro-Allies Great War history.
Wilfrid Heighington (1897-1945)
Canadian. Lieutenant, 4th Canadian Infantry Brigade
Field: The Somme, Vimy Ridge
The Cannon’s Mouth (1943)
Edward Edward Plunkett, Lord Dunsany (1878-1957)
Anglo-Irish. Captain, Royal Inniskilling Fusiliers. Also participated in the Easter Uprising. Traveled to Ploegsteert, St-Emilie, the Somme, and Bourlon Wood as work for the MI7 (b) creating propaganda.
Tales of War (1918) & Unhappy Far-Off Things (1919)
Short stories largely created as propaganda and published in various papers before being collected in book form.
Also see: Patches of Sunlight (1938), his autobiography.
Rebecca West (1892-1983)
The Return of the Soldier (1918)
A rather fanciful novel of a woman confronting her cousin soldier returning home with amnesia, having forgotten the past 15 years of his life from shell-shock.
LETTERS
T. E. Lawrence (1888-1935)
I'm more familiar with Lawrence's post-war relationship with mental illness, which seems to be rooted in his tendency for self-reproach. He consistently bemoans his difference from the others, and details his reliance on military companionship for connections.
Highlights: To Lionel Curtis, 19/3/23. To Robert Graves, 12/11/22. To Lionel Curtis, 14/4/23.
Also published in: Lawrence, T. E., and Garnet, David. The Letters of T. E. Lawrence. Doubleday, Doran & Company, 1939.
Wilfred Owen (1893-1918)
Owen defends himself at every opportunity to eliminate the possibility that his distress is from cowardice, so while his testimony is valuable for its real-time recording, it's more difficult to pick out such violent and clear instances of trauma compared to other writers.
Also see: Uncensoring Owen Project
Highlights: To Susan Owen, 16/1/17. To Susan Owen, 4/2/17. To Susan Owen, 18/3/17 (which describes The Sentry). To Susan Owen, 6 (or 8)/4/17. To Susan Owen, 1/5/17. To Mary Owen, 8/5/17. To Siegfried Sassoon, 5/11/17. To Susan Owen, 6/17. To Susan Owen, 31/12/17. To Susan Owen, 4 (or 5)/10/19. To Siegfried Sassoon, 10/10/18.
Siegfried Sassoon (1886-1967)
Siegfried Sassoon letters to Max Beerbohm : with a few answers (1986)
Vera Brittain (1893-1970)
& Roland Leighton, Edward Brittain, Geoffrey Thurlow, Victor Nicholson
Letters From A Lost Generation: First World War Letters of Vera Brittain and Four Friends (1998)
PLAYS
R. C. Sherriff (1896-1975)
British. East Surrey Regiment
Field: Vimy Ridge, Loose, Passchendaele
Journey's End (1929)
Also novelized (1930) with Vernon Bartlett
J. M. Barrie (1860-1937)
Scottish. Propagandist. Also see: famous author propagandists
Echoes of the War (1918)
Four humorously written yet hard-hitting plays concerning the war, particularly interpersonal relationships at home. More like satire than jingoism tbh.
MEDICAL ESSAYS
Shell-shock and Other Neuropsychiatric Problems Presented in 589 Case Histories (1919) by E. E. Southard (ableist af but these case studies are an extraordinary insight into the breadth of symptoms and their treatment. highly recommended.)
War Neuroses and Shell Shock (1919) by F.W. Mott
Hysterical Disorders of Warfare (1918) by Lewis Yealland
Army Report of The War Office Committee of Enquiry into Shell Shock (1922)
Shell Shock and Its Lessons (1918) by Sir Grafton Elliot Smith, Tom Hatherley Pear
Repression of War Experience (1917) by W.H.R. Rivers
Conflict and Dream (1924) by W.H.R Rivers
Instinct and the Unconscious (1924) by W.H.R Rivers
MEDICAL ACCOUNTS
Harold Barclay (1872-1922)
American. Captain, American Expeditionary Forces. Roosevelt Hospital Unit, then 42nd Division.
Field: Château-Thierry, St.-Mihiel
A Doctor in France, 1917-1919 (1923)
His diary--also published after his death.
Vera Brittain (1893-1970)
Testament of Youth (1933)
Also see: Vera Brittain and the First World War: The Story of Testament of Youth (2014) for its extra chapter on Edward Brittain and his oft-discussed death (spoiler: they confirmed he was gay).
Ellen La Motte (1873–1961)
The Backwash of War (1916)
American. A collection of fourteen stories from the hospitals of France.
Helen Zenna Smith/Evadne Price (1888-1985)
Not So Quiet: Stepdaughters of War (1930) (limited preview)
Written in the style of Remarque’s All Quiet on the Western Front using Winifred Constance Young, an actual ambulance driver as inspiration.
Sequels: Women of the Aftermath/One Woman’s Freedom (1931), Shadow Women (1932), Luxury Ladies (1933), They Lived With Me (1934)
May Sinclair/Mary Amelia St. Clair (1863-1946)
British. WSPU and WWSL member/Suffragette. Founding supporter of the Medico-Psychological Clinic in London, Munro Ambulance Corps in Flanders for a few weeks.
A Journal of Impressions in Belgium (1915)
OTHER ACCOUNTS
A. T. Fitzroy/Rose Allatini (1890-1980)
Despised and Rejected (1918)
Austrian-British. A novel following members of the CO and Pacifist movement. also v gay
Father Bernard Carey (1865-1932)
Leaves from the Diary of a Catholic Chaplain in the Great World War
(1920)
Irish. A chaplain's memoir of Egypt and East Africa, and the religious and racial intolerance in the military.
Philip Gibbs (1877-1962)
Germans on the Somme (1917)
John Masefield (1878-1967)
British. Poet Laureate. Briefly a Red Cross orderly, then propogandist with the Department of Information.
Gallipoli (1915)
Account of the campaign's failure to counteract anti-German propaganda in the US.
The Old Front Line (1918)
Eyewitness account of the Somme. Revisited and further completed in Battle of the Somme (1919)
The War and the Future (1918)
Also see: John Masefield's Letters from the Front, 1915-1917 (1985)
Also see: His poem “August 1914″
William Le Roy Stidger (1885-1949)
American. YMCA Pastor working with the AEF.
Soldier Silhouettes on our Front (1918) & Star Dust From The Dugouts (1919)
Stories of Christian faith through portraits of various soldiers.
Stanley Washburn (1878-1950)
American. Correspondent of the London Times in Russia.
Field Notes From the Russian Front (1915)
The Russian Campaign: April to August 1915 (1916)
Victory In Defeat - The Agony Of Warsaw And The Russian Retreat (1916)
Field Notes From the Russian Front (1917)
BLOGS & PROJECTS
Siegfried Sassoon resources
Cambridge Sassoon Project Blog
T. E. Lawrence texts and resources
Life timelines for several poets, like Sassoon and Owen
War Poets Association
Oxford War Poetry Digital Archive
List of additional war poets
WWI fiction resource
WWI timeline and artifacts resource
Today in WWI with Literary and Historical contexts
List of WWI authors and dust jackets
Additional WWI writers
Great War Theatre
Essay on American pilots in other armies
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ALIEN (1979)
As the space freighter Nostromo heads back to Earth, it receives a signal from a nearby planet. Its crew decides to investigate in case somebody needs assistance and Captain Dallas (Tom Skerritt), Kane (John Hurt), and Lambert (Veronica Cartwright) follow the signal to a large ship, finding a giant, dead extraterrestrial. Investigating the area further, Kane finds a large amount of egg-like objects. One of these eggs hatches and a small creature latches itself onto Kane's face. Getting back to the Nostromo, Kane is taken to the medical bay, in some sort of coma. Science officer Ash (Ian Holm) tries to cut it off, but finds it impossible due to the animal's acidic blood. Before too long, the creature is found dead and Kane has awoken, seemingly unharmed. But as the crew later sits down to dinner, Kane seizes and falls onto the table, a small creature erupting from his chest. The animal escapes into the ship and the crew do their best to track it down. The alien grows very quickly, however, soon becoming man-sized. One by one, the beast slaughters the crew, until only Ripley (Sigourney Weaver) remains...
For years, movies about monsters from space attacking astronauts had almost always been cheesy B-movies. That all changed with the release of Ridley Scott's Alien, a tense, atmospheric film featuring one of the screen's most iconic monsters. The story by Dan O'Bannon and Ronald Shusett is simple - A crew in deep space encounter an extraterrestrial life form and everything goes horribly wrong - but it's all that's needed for the film, and its execution is perfect. The claustrophobic sets of the Nostromo really help sell how isolated and alone the crew is, millions of miles away from anyone who can help. From the various vents and control rooms of the Nostromo to the enormous chambers of the Space Jockey's ship, the sets really help build a convincing world. The effects, while simple, are almost flawless (though there is an unfortunate hiccup involving Ash's severed head) and serve the story rather than the other way around. The film does not rush things, taking its time to properly introduce our characters and the world they inhabit. While this works to the film's advantage for the most part, it also works against the movie at a few key points - Mainly, the Nostromo's self destruct/"searching for Jones" sequence goes on at least twice as long as it needs to. It goes on just long enough to properly build the right amount of tension, but then unfortunately doesn't stop. The music by Jerry Goldsmith is appropriately eerie, particularly the opening credits theme.
Quite possibly the most recognizable of all cinematic space monsters, the Alien (later known as a "Xenomorph") is a strange, frightening beast, completely inhuman in its behavior and motivation. From the spiderlike Facehugger to the bloodstained Chestburster and finally the razortoothed, dome headed final form, the Alien is a striking, unforgettable creation. Originally designed by H.R. Giger, the beast has a striking, sleek, almost biomechanical appearance. Story wise, the Alien went through many changes during the film's inception; Its blood was originally not acidic, but when O'Bannon couldn't figure out why the crew wouldn't simply shoot the monster, concept artist Ron Cobb suggested the idea. Secondly, the Alien was originally going to emerge victorious, killing Ripley and reporting back to Earth using a human voice. Suit actor Bolaji Badejo gives an effective performance as the Alien, never coming across as too human-like in his movements, with its final showdown with Ripley an especially memorable sequence. Here the Alien has an air of mystery to it as well as horror, a vibe that would sadly be lost in sequels as the creature was reduced to a cannon fodder species.
Though it takes a while for her to take center stage, Sigourney Weaver eventually shines as Lt. Ellen Ripley, the only survivor of the Alien's attack and eventual series star. At first she seems to come across as a cold woman, initially unwilling to let Dallas and his crew back on the ship with Kane 'infected' by something. But she soon comes into her own when she discovers Ash's secret plan and deals with the quickly unraveling events that take place shortly after. Thanks to Weaver's performance, you can really feel Ripley's desperation and terror as she tries to escape the self destructing Nostromo and defeat the murderous Alien. Tom Skerritt is good as Captain Dallas, but never really gets anything across other than "the leader." Initially his and Ripley's relationship was to be much more involved in earlier versions of the script, but most of it was removed to make way for the proper story. That said, he does get the most effective scare in the entire movie, surpassed only by the famous Chestburster itself. Ian Holm gives a great performance as Ash, the science officer-cum-secret android. Reserved and logical, Ash keeps making comments to not harm or touch the Alien throughout the film, which seem reasonable at first. But eventually comes the grand reveal, in which Ash is nothing more than a robot with a devious mission planted by Weyland-Yutani (here referred to as just "the company"), sent to protect the Alien at all costs, even if it means the loss of the crew's lives. It's a shocking reveal, but with all great twists, there are plenty of clues to go back and catch during repeat viewings. John Hurt is good as Kane, even though the man severely lacks even the most basic of self preservation skills, coming across an enormous nest of large, alien eggs, then deciding to get closer to investigate. At least he gets the honor of being the first person in the series to receive their very own Chestburster. The scene is intense and horrifying, making it one of the most memorable in all of cinematic history. Veronica Cartwright does alright as Lambert, but all she really brings to the table is being the whiny, panicky one, and somehow she survives for most of the movie. Honestly, the most entertaining thing about Lambert is knowing Cartwright had no idea she was going to be sprayed with blood during the Chestburster scene. Yaphet Kotto and Harry Dean Stanton are amusing enough as Parker and Brett even though they honestly don't add very much to the film, but at least they're more entertaining to watch than Lambert is.
With nearly all of its elements coming together perfectly, Alien emerges as a solid, tense thriller, and one of the genre's best. The Xenomorph quickly became one of horror's most iconic monsters (with its inner mouth and copious amount of drool a source of endless spoofs and rip offs), while Sigourney Weaver's portrayal of Ellen Ripley would cement her as one of Hollywood's most notable leading ladies. As of 2017, the series is still going strong seven entries later without once being rebooted or remade, including two crossovers with the Predator series.
Rating: ★★★★★
Cast:
Tom Skerritt ... Captain Dallas
Sigourney Weaver ... Ellen Ripley
Ian Holm ... Ash
Yaphet Kotto ... Parker
John Hurt ... Kane
Veronica Cartwright ... Lambert
Harry Dean Stanton ... Brett
Bolaji Badejo ... The Alien
Director: Ridley Scott.
Producer: Gordon Carroll, David Giler, Walter Hill, Ivor Powell (associate producer), and Ronald Shusett (executive producer).
Writer: Dan O'Bannon (story and screenplay) and Ronald Shusett (story).
Music: Jerry Goldsmith.
Special Effects: Nick Allder (supervisor), Alan Bryce (floor effects supervisor), Clinton Cavers (coordinator: 'Alien' effects), Carlo De Marchis (additional 'Alien' mechanics), Roger Dicken (maker: small 'Alien' forms), Guy Hudson (technician), Brian Johnson (supervisor), Phil Knowles (technician), Dennis Lowe (technician), Roger Nichols (technician), Carlo Rambaldi (creator: 'Alien' head effects), Neil Swan (technician), David H. Watkins (technician), David Watling (additional 'Alien' mechanics), Anton Furst (uncredited), Bob Keen (modeller, uncredited), Philip Sharpe (technician, uncredited), Christian Wolf-La'Moy (model maker, uncredited). Dennis Ayling (director of photography: miniature effects), Martin Bower (supervising model maker: miniature effects), Ray Caple (matte artist), Dick Hewitt (electronics and video coordinator: main unit), David Litchfield (operator: miniature effects), Bernard Lodge (special graphic effects), Terry Pearce (focus: miniature effects), Bill Pearson (supervising model maker: miniature effects), Peter Woods (key grip: miniature effects), Alan Buchan (visual effects, uncredited), Jon Sorensen (visual effects miniatures, uncredited), and Rick Cortes (Inferno artist (2003 director's cut re-release), uncredited).
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