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#bc the anime colors make him look like shaggy </3
cocoabubbelle · 1 year
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Watching “Scooby Doo, Where Are You?” (1969-1970 CBS) + Thoughts
Episode 25: Don’t Fool with a Phantom
Not me trying to pronounce the flashing “KLMN” on the building as one word before realizing it’s probably an Acronym for something.
Fraphne dance for what seems like a talent show.
Is Johnny Sands based off of a celebrity?
Even without them handling it for their dance routine, Shaggy and Scooby’s taffy (it’s called toffee in the show but it’s too stretchy) looks yucky.
Monster of the week almost looks as bad as the toffee.
Velma looks comically angry at the monster’s stunts.
Johnny Sands is gone, which mean’s he’s either the culprit or the victim—oh wait, there he is.
“Come on, Johnny. The publicity stunt’s over.” She says to a man tied up in a chair. If Johnny winds up not being the masked monster, Velma’s going to look pretty insensitive.
The Wax Phantom.……Okay, yeah, no. The name doesn’t sound very intimidating (though admittedly hot wax on skin HURTS)
Ah, wax figures. That’s understandably more creepy.
Mr. Stevens the station manager, who was there earlier with everyone, including when the Wax Phantom first appeared, is suddenly gone for some reason. If he turns out to be the culprit, I hope there is an explanation as to why he was still present when the monster made its debut (such as having an accomplice or using a projector.)
Johnny isn’t helping alleviate my suspicions when he doesn’t want to call the police for risk of the studio being shut down.
“Well, it looks like we have another mystery on our hands.” Velma borrowing Fred’s catchphrase. (Frelma)
Fraphne and Shelma + Scooby split ups, because that’s always original.
Animation Goof: Daphne forgot to apply her lipstick/gloss.
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Cute angry owl is cute.
Animation Goof: Shaggy is too tall for the screen’s frame.
Mr. Grisby looks suspiciously like a color swap of one of the gang’s earlier masked culprits from the first season.
“Hmmmm, looks like Mom’s stew!” He says as he’s about to take a sip without permission before skull-shaped smiley face bubbles (yes you read that right) make him lose his appetite. Also, I have questions regarding Ms. Rogers’s cooking.
Mr. Grisby flat out admits that he performed black magic to conjure up Wax Phantom. Shelma + Scooby obviously don’t report him to the police for questioning.
Remember viewers: a) Fraphne is totally a thing because Daphne is hugging Fred’s arm; b) Daphne is totally a damsel in distress who totally did not almost bash Shaggy’s head in self-defense thinking he was a masked ghost coming after her one time.
Daphne jumps into Fred’s arms after being startled from knocking over a wax figure in the wax museum. It’s an obvious attempt at another Fraphne moment and in my opinion it ignores what moments of fearlessness Daphne had in the earlier episodes but I’m highlighting it because I like a good bridal/princess carry, mmmkay~? 🤪
We don’t see Shag and Scoob looking for a window for them and Velma to enter through after the Wax Phantom locked the entrance door because that would be too interesting.
Turning on the lights brightens the scene by 3%.
Crash-into-reunion gag. More heartwarming or painful? Depends on how you really feel about your friends, whether you or they were the ones doing the crashing, and how how hard the impact is.
“Sure glad to run into you, Velma.” “Where’s Shag and Scoob?” Am I shameless and ridiculous for highlighting these as Frelma and Shaphne? Yes. Am I doing it anyway? Yes.
You can tell which background artists actually enjoyed or overthought (thank? thunk?) their job when some of the walls of the museum are plainly colored while others look like they have a texture similar to a cavern.
When Shaggy and Scooby open the sarcophagus they somehow landed in due to shenanigans: “Shaggy! What are you doing in there?” “Like, who knows? We just dropped in to see my mummy.”
I failed to mention this earlier bc I wasn’t sure it was worth posting but those random colored screens that come with funny noises to indicate necessary/unnecessary cuts from one scene to the next are back.
Shag and Scooby get distracted by food on a display in a WAX museum and fail to connect the dots.
“Now if the Wax Phantom doesn’t drop in on us—” *cue humongous trapdoor that swallows her, Fred, and Velma whole.* Danger-Prone-Daphne never fails to disappoint.
Shag and Scoob hijinks don’t get them out of trouble this time.
Hey, it’s me from the future. For some weird reason Tumblr is giving me trouble over making this post for this particular episode, so I will be doing the rest of the points super summarized that can only be enjoyed if you read them in your best caveman voice. Even then, this site will entire/partial points that will render the rest of this post as incomplete and clunky. Apologies for the mess. Have no idea how to make Tumblr stop deleting and resurfacing my bullet points. Maybe in the future I will re-edit the post and translate what I originally had.
Apologies again.
Velms find money. Fred remember it from station. Me forgot.
Velma stop foot. Open trap door. “Velma you amazing!” “Because me angry?”
Waxy push Shag and Scoob. Want to commit murder.
Shaggy no impressed by bad guy doing predictable bad guy stuff.
Scoob and Shag no roll off conveyor belt bc that too smart.
Daphne save her man and his dog. Accidentally yes but thought still count.
Waxy chase Shag and Scoob. Fred Daphne Velma chase Waxy.
Cinderella dress. Me like.
Oh no lovey dovey chase music. Me no like.
Ok actually me like but why lovey dovey?
Shaggy’s false lashes purty.
Song: Pretty Mary Sunlight. “I tell them girls were made for kissing.” And punching. We punch too.
Loony toons physics.
It work? Yes and no WUT??
Uh oh Fred has plan.
Shag and Scoob trick Fred before Fred lure them with Scooby Snacks.
Joke on them they do plan after all when accidentally meet Waxy.
Skateboards!
Fred does oopsy and kill Shag and Scoob with wax + Waxy???
No they alive and no burned bc children’s show.
Mr. Stevens = Waxy.
No explanation for why Waxy there earlier with Mr. Stevens in beginning bc writers don’t wanna ‘splain.
Animation Goof: purple neck Daph
Day 25 of no "And I would have gotten away with it too, if it weren't for you meddling kids!"
Shag and Scooby dummy word privileges deprecation privilages bc no no if someone else call them dummies.
Day 25 of no "And I would have gotten away with it too, if it weren't for you meddling kids!"
Day 25 of no “And I would have gotten away with it too, if it weren’t for you meddling kids!”
No ending gif bc tumblr no like me
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Hey, this review for this episode has been giving me trouble for a while now because tumblr keeps messing with my drafts whether in progress or attempting to save them because my bullet points keep getting deleted or “deleted” only to randomly pop up later when trying to write other points.
Velma accidentally opens a secret stash of money that Fred deduces was stolen from the tv station. I had to rewind the episode to be reminded that was a thing in addition to Mr. Stevens getting caught.
“Velma! You did it again!” “What, lose my temper?” That too, but Velm’s little stomp of frifrustration of their situation triggered a secret door lever so the three of them can escape.
I see Shag + Scoob tied up and the Wax Phantom wheeling them close to a boiling bowl (??? I forget if their is a more technical term for the big bucket used to hold and mix things in factories and google isn’t helping.), and conclude this guy is capable of murder.
“Not the old ride-on-the-conveyor-belt-into-the-wax
Will the hovering ghost hand ever be explained? Also, Velma being the strongest by carrying Scooby carrying Shaggy as they escape.
The Wax Phantom…
Oh wait they found him pretty quickly. Fastest mystery solved??
Even without Shaggy and Scooby handling it in their dance routine, that toffee looks yucky.
Oh hey, the goopy monster of the week looks a sma tinge less gross than the toffee. Also, Johnny Sands/the host is gone, which means either he’s been nabbed by someone with a vendetta or he’s the culprit.
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plush-anon · 4 years
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Happy Halloween Scooby Doo! Review
Muahahhhahahhahahaha! Thanks to the Walmart tradition of stocking movies for sale weeks before the intended release date, I have myself a copy of what claims to be Scooby Doo’s FIRST Halloween adventure!
…in spite of movies like Witch’s Ghost and Goblin King, holiday specials like WNSD’s A Scooby Doo Halloween (which had a haunted Scarecrow too…), BCSD’s EL Bandito (for Dia de los Muertos - obvs not the same, but most companies act like it) and Halloween, The NSDM’s Halloween Hassle at Dracula’s Castle, and the DTV short film Scooby Doo and the Spooky Scarecrow (which, ironically enough, did NOT take the opportunity to feature Dr. Jonathan Crane). 
So let us take a look now at Happy Halloween Scooby Doo! and see whether this film will be a graveyard smash of a treat, or a black licorice bomb of disappointment.
Full review (and SPOILERS TO GO WITH IT) are below the cut in my new review format; if all goes smoothly, I’ll go with this for future Scooby films.
WARNING: This review is very long.
One minor note before we begin: the Special Features actually include BCSD’s Halloween, WNSD’s A Scooby Doo Halloween, and PNSD’s Ghost Who’s Coming to Dinner
...so they were AWARE this was not the first Halloween adventure of the Scooby gang, and yet still use that tag line. Hm. 
Still, kudos for including them - this’ll help boost the reasons to keep this movie, if it turns out to be a real Milk Dud of a movie *ba-dum tish* :D
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The movie starts off rather abruptly, actually - no slow pan over the setting, just WB Animation credit and BOOM, we’ve cut to a Halloween parade and Elvira is talking. 
I’m of a mixed opinion including Elvira on top of having Bill Nye and a Batman Rogue - while she most certainly fits the Scooby aesthetic, it doesn’t feel as grand an impact after her weird little cameo in Return to Zombie Island (ugh) and I’m not sure how well the movie will balance her in wait a minute
wait just a
WAIT A MINUTE
Did - did that parade float skeleton just sing Crystal Cove as the town’s name?
oh no. 
Oh No.
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....also their song is terrible and they should feel terrible.
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Fred: We got him! Banh Mi Shop, second floor!
me: the heck is a Banh Mi Shop? *mild googling noises*
So I guess Jonathan Crane really had a craving for a Vietnamese sandwich before he enacted his Halloween scheme.
...you think he’s a lemongrass chicken type of guy or a BBQ pork guy? It’s always hard to guess at these things, esp when coffee and pumpkin spice aren’t on the table (as per fanon, of course)
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Velma: We have a flawless track record!
So I guess WB is just gonna ignore the past few DTV retcons established in 13 Ghosts and Return to Zombie Island?
I mean that rather defeats the purpose of them existing at all, but fcuk YEAH I can get behind throwing that retcon garbage out of canon!
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And STAY OUT!!
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Shaggy, talking about ghosts being real: I’m like the boy who cried wolf - I keep warning you but like, you won’t believe me until I finally get eaten!
Yet again, Warner Bros makes a wolf reference to Shaggy. Yet again, I am torn asunder between wanting werewolf!Shaggy in a new Scooby property, and fearing for the appearance of werewolf!Shaggy in a new Scooby property. 
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Velma: Point is, being afraid is a waste of time!
Scarecrow, LITERALLY EXPLODING THROUGH A BRICK WALL three buildings away:
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He’s floating through the air and t-posing to assert his dominance 🤣🤣🤣
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Gods bless animation 😁
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Daphne @ Shag and Scoob locking themselves in the van: Are you serial?
Me: wait, SERIAL? *re-reads captions* yup, that says “serial”.  
Is this an editing mistake? I don’t think that works here…unless that’s supposed to be a joke on how they always do this. But then why would that be an irritating surprise, they literally do this EVERY episode 🙄
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Oh hey, Red Herring’s Party Screams truck has Red Herring running out of it
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Could this be a hint to how the story goes? The villain appearing on a literal Red Herring?
Naaaaaah, WB’s not THAT smart
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So if we take @captainbaddecisions​​ crack theory on Jonathan Crane being Shaggy’s uncle seriously, does this mean that Jonathan is using magic to fly, float fear toxin orbs around himself, and making things explode, a la the family trait of Crack Theory A? 
Logically he’s probs using wires or magnets or some shit, but it’s a fun thought to entertain 😁
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Welp, we finally get the opening credits! … with Jonathan Crane smashing through the Mystery Machine’s windshield, set to a slow poppy song straight from the 60s, and spewing the title of the film out in glittery pink mist.
All the while Scooby and Shaggy throw candy at each other, deliberately obtuse to the cloud of fear toxin enveloping their friends and the townsfolk, the steady destruction of the Mystery Machine they’re laying in as multiple cars crash into it and send it spiraling, and the general mayhem and destruction that Scarecrow is causing
Never change, guys, never change
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I just choked on my lemonade
There’s an article plastered to the roof of the Mystery Machine titled “Talking Dog Confounds, Ignites Ethics Debate Over Dog Labor”
ahahahahaha
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Annnnnnnnd there goes the Mystery Machine, tumbling in the air and over the roads with Shaggy and Scooby still inside without seat belts. Will they perish in this horrible road accident? Will Death finally come to claim them at last?
Of course not. This is Shaggy and Scooby we’re talking about - I’m almost positive they can survive anything up to and including a nuclear bomb. This is child’s play to them.
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So they “capture” Scarecrow… by pinning his cape to a tree with crossbow bolts. 
And they do not try to at least tie up his arms or his hands in ANY capacity. 
JUST the cape. 
...you know, Velma, for a team with a “flawless” track record, you guys are making a hecking TON of mistakes in facing against one of Batman’s ROGUES GALLERY, ESPECIALLY with no Batman in sight, good freakin’ grief. 😩
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Yaaaaaaaaas, this Scarecrow design is LUSH
He’s got the lank, the height, the BTAS costume colors, the elongated face with beaky nose and pointed chin and angular cheekbones, the eyebags like Gucci, the furrowed brow… honestly the only thing missing is the more reddish color hair, and even that isn’t mandatory. I love 😍
Not to mention the HOT DAYUM voice he has - low and velvet rough and so godsdamned particular in a way that could either tie in to obscuring a southern accent as in fanon or just as a stringent academic, oh my yes. He’s voiced by someone called Dwight Schultz, who’s most well known for playing Captain ‘Howling Mad’ Murdock in the OG A-Team show, and someone called Reginald Barclay in Star Trek TNG and Voyager, if any of y’all know that character in particular. 
And of course, the first line he says is a delightfully wry “Oh, but I AM getting away with it,” with the sort of smirk that absolutely lends credence to why he’s a threat to Batman, and not some simpering wimp that can be defeated with some crossbow bolts in a tree.
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I think I’m going to enjoy this movie at least somewhat, so long as we get to see him 🥰🥰🥰
(tho on a side note: Daphne why on EARTH are you trying to film Crane saying the meddling kids line? Do you have a video compilation of past villains who’ve done that, and you hope to add his to it? Was your phone damaged when you went up against the Riddler a few DTVs ago and you want a second shot at recording a Gotham Rogue saying it? Bc I don’t think a Gotham Rogue would be too pleased with seeing himself as a Mystery Meme on the Youtubes, you get what I’m saying?)
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Okay, so the floating orb things are explained away as fear toxin bomb drones somehow… despite looking nothing like the other drones and being much smaller with no visible propulsion, while also flying unassisted through and around objects to explode against places once flung…
(tho interesting note, none of them are aimed directly at the crowds, just behind them - odd, that)
But how did he heckin’ FLY at the beginning?
Yeah, they show him wearing wrist-mounted grappling hooks at the end of the intro song sequence, but they are NOWHERE IN SIGHT at the beginning - and I do mean in sight, since he emerges against a backdrop of flames. There was nothing there (see the T-pose above for further evidence), and nothing there when he FLEW THROUGH THE MYSTERY MACHINE’S WINDSHIELD AND FLEW BACK OUT AGAIN. And these things are pale silver, which stands out like crazy against the darker backgrounds, so no hand-wavy ‘they were always being used’ bullcrap we’ve seen in other movies. 
Hmmm *scribbles in notepad* note to self, add notation concerning Crack Theory A on magic!Shaggy to “Uncle Crane” theory files - evidence denotes that Crane is able to fly (or at least hover in mid-air unassisted) for terrorization purposes. May boost strength of CTA by family association, lending credence to magic inheritance along the bloodline...
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“Avocado Toast Generation”? Crane, I honestly don’t know if you really mean that, or if you understand just how much that phrase gets under any Millennial/Gen Z kid’s skin. Having seen multiple variations of your character, it really could swing either way (tho kudos on the dead switch idea - very nice ��🏻) 
Although this does lead to an interesting stand-off: Fred, upon seeing the town threatened with 3 days worth of fear toxin, immediately moves to let Crane go, while Velma stops him and refuses to consider compromising if it means Crane escapes.  They both look legitimately frustrated at the other for taking the stance they do. 
Fascinating~
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Hmmm
Crane honey, I don’t know if your drones are made of flash paper and hope, or if Scooby and Shaggy are using the reeeeeeeeaaaaaaaaally old candy (the stuff made about ~3 years ago most neighborhoods give out to the teenagers that knock around midnight on Halloween) to shoot them down, but either way you may wish to speak with the manufacturer about this
Then again, this IS Shaggy and Scooby - they probably could’ve spat marshmallows at the drones and brought them down with equal success and explosions 
(and good on them for shooting those down! Atta boy 👍🏻)
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Aw dang it
1. They still have Crane captured and now in handcuffs (despite having… you know… NOT been bound by anything except cross bolts in his curtain cape thing)
2. Dwight Schultz has decided to pitch his voice higher and more nasally than what he has. Hopefully this is more of an incredulous sort of pitch than something that sticks for the rest of the movie, ugh.
Also, I think they’re framing the movie to be more Velma-centric this time around - she’s the one explaining to Crane how they tracked him down, apparently through a piece of fan mail he sent Elvira (is that the only reason she’s there? Also why was Velma examining random pieces of fan mail for toxins, Elvira probs gets hundreds a week irl) and it looks like they’re framing something up on how fear isn’t something you can pretend isn’t there. neat!
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whajit
53rd? 
53rd?!?!
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ONLY 53rd?!?!?!?!
Boooo, Scarecrow’s WAY more popular than that! I call foul
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Okay why is Daphne’s schtick so far to spit laaaaaaame slang after every sentence Velma says
I would rather this not be her schtick
Actually could she go back to filming mystery stuff, bc at least I can pretend it’ll build into the OG Zombie Island Daphne
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Phew, his voice has returned to its low, raspy goodness
also, Crane needs to learn about personal space, good grief
(interesting clue brought up tho - Crane only steals tech that CAN’T leak his toxin, ergo it can’t be tracked until he releases it. Sensible use, given that Batman probs tracks it if it does.)
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Velma: I’m not afraid of you, Crane. Fear is an illogical reaction to an imagined threat. 
Crane:
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Crane: Fearless, then. Intelligent. Proud and stubborn. You remind me very much of the one person in this world I care about. 
uhhhhhh
Yourself? Harley? Edward Nygma? Ichabod the raven? Idk, I’m honestly curious as to where this thread will go 🤔🤔🤔
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Fred, leaning against the Mystery Machine: Guys, it’s gonna be okay. She told me!
O_o
Fred? Honey? Are you sure you weren’t supposed to join Crane in the transport vehicle back to Arkham? 
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OH SWEET JESUS SHAGGY GREW YAOI HANDS
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WHAT THE HECK 
THAT’S WAY MORE UNNERVING THEN YOU GUYS NOT BEING AFRAID ANYMORE
(although the fact that they’re both unsettled by NOT constantly shaking or having their heart racing is honestly kind of heartbreaking. Y’all need therapy, good grief)
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Shaggy and Scooby just chewed up candy (wrapper and all) to make themselves a Halloween costume of… what looks like barfed-up candy (ew)
Before then proceeding to dance so well that everyone around them also starts dancing in a 60s-70s era rainbow light show and giving them candy
I worry for these two sometimes - that kind of power seems to be getting to their head 😬😬😬
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Oh hey, acid green toxic waste is spilling from an 18-wheeler onto the Fear Toxin drones and emitting a purple pink haze that envelops a pumpkin patch! That won’t do anything suspicious at all I bet!
(wait is Poison Ivy going to come into this at some point)
(also major kudos to the music here - very 80s horror synth, I like)
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So the Pumpkins have grown faces, limbs, consciousness, the ability to fly and a lust for human flesh
And they appear to be led by the Pumpkin King of the Pumpkin Patch mentioned in the Charlie Brown Halloween special
He’s not as friendly as I pictured him being, sadly 😕
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Why is this random ass cop coming up to FD&V to say that they’re in over their heads… AFTER the mystery’s been solved?
Like dude, you’re only making yourself suspicious at this point, go home
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Huh, interesting - the gang are being interviewed for a tv news network while they’re considered the town heroes
Why am I getting bad vibes from this…
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Eh, it’s probably nothing
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Velma: {Shaggy and Scooby} are, um… REALLY into the Halloween spirit. 
Shaggy: THIS ISN’T COSPLAY, VELMA!
I’m dying 😂
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Holy Shit
Velma just snapped and went off on Shaggy and Scooby for acting scared and doing nothing to help wrap up the mystery
(even though these guys are the ONLY reason that the gang didn’t have to choose between setting Scarecrow free and poisoning the entire town for 3 days straight, but hey, what do I know - I’m just writing an in-depth reaction post to this movie and taking note of details like this, clearly I know nothing *eye roll*)
Last time I saw Velma critique the guys’ usual mystery solving shenanigans, it was much more low-key and without knowing they were nearby
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But I’m sure that’s just a coincidence
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What the
Bills?
Bills?!?!
Fred just mentioned that fixing the Mystery Machine was going to leave a hefty bill and that they may need to get dishwashing jobs to earn money
Which is more of a job you might expect a high schooler to get on the go and yet
They actually have to pay bills 
How old are they here??!
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wait a tic
THIS is how they introduce Bill Nye?
He just calls up Velma with no explanation other than Velma saying “Oh hey, it’s Bill Nye!”
I just - what?!?!
How do you know him so well that he can just pull up your number and call you, and then geT YOU A NEW FREAKING CAR LIKE
WHAT?!?!?!?
Was there a Scooby episode with him in the past two years where the fcuk did this come from
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Also the car is dressed like Bill Nye
And he can talk to the gang directly as the car
So that he can solve mysteries with them whenever he wants
This… this was not what I was expecting to come about from the Bill Nye cameo 
(alas, poor predictions of being Crane’s roommate, you will not come to pass this day) 😔
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Ooooo, purple haze throbbing on the horizon! That’s always a good sign of things to come! 😀
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 And now Daphne’s… asking Elvira to mentor her fashion wise. And Elvira’s taking her on as her unpaid intern/personal assistant.
Yooo, movie, can you pick a direction and stick with it for Daphne? You’ve gone from her spewing outdated slang to wanting a costume for trick-or-treating, and now this. 
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Welp, now I can say I saw a giant pumpkin dog vore an old woman
I didn’t WANT to see that mind, but I guess I can say it now 😐
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OH SHIT NO
IT TURNED HER INTO A FLYING PUMPKIN SHAPED LIKE HER FACE
ABSOLUTELY UNSETTLING, 0/10 WOULD NOT RECOMMEND
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At least we get a nice scene of Daphne kicking the pumpkins’ collective butt
Something normal
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Elvira: WOW! You’re a regular Mary Sue!
*falls over cackling*
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And now there’s a giant purple fissure opening up in the concrete to swallow the town of Crystal Cove whole 
(good, i whisper softly into the darkness of my living room. Let it fall)
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Man, I feel so bad for this single father right now
He’s gotten wrapped up in all of this nonsense with his daughter, and he is just Distraught at being chased by Jackal Lanterns, having the town collapsing under his feet, and having to gorge jump in his sedan to get away from the worst of it
It’s okay, Mike Dad - we would feel the same way in your shoes
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Hologram Bill Nye is wearing Cat ears and cat whiskers/nose, and is cleaning his hands like a cat cleans its paws
Why was this the movie we found out Bill Nye was a furry
Why Warner Bros 
Why would you inflict this upon us in a Scooby Doo-Scarecrow mystery
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Hey, can Jonathan Crane return now? The movie needs its dignity back. 
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A clue on the whys here - the town was built on top of a MASSIVE lithium deposit, with the talks to mine it being scrapped due to environmental concerns. That’s actually a decent lead in for why some 
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Welp
The Jackal Lanterns just went full Mad Max with the Halloween Parade floats and cars
No, I don’t have any idea why either, just roll with it
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Nice, they confirmed that Fred’s full name is still Frederick Herman Jones XD
Also a great little action sequence with Daphne - while there’s not much movement, they frame the scene dynamically, with some good quick wordplay. Very nice. 
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Velma has a mind palace
Aight
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Velma: Shaggy, I could kiss you!
Oh, to hear this as a child, when I still hardcore shipped Shelma *sigh*
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Oh thank gods we’re going back to Scarecrow again
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Shaggy ate some Scooby Snacks, leapt out of a moving vehicle, and onto the backs of two flying pumpkins that he promptly reined in to fly to Crane’s prison transport
...yet again, I am amazed at the sentences I am led to type for Scooby Doo DTVs
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Ah, how very Hannibal Lector of you, Jon 
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Man, he actually looks very meek in normal clothes - red long-sleeved shirt and grey slacks
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Hmmm
So Crane ISN’T behind the Jackal Lanterns - in fact he’s outright befuddled by them. This means his whole spiel to Velma earlier about both of them being caught in the same trap was… metaphorical? The breakdown doesn’t actually go into WHY he thinks they’re in the same trap - Crane’s whole schtick is tied to accepting fear, not denying it, so why would they be the same?
Either way, someone is using both him and Mystery Inc to do something to Crystal Cove (please be Red Herring, please be Red Herring, please be Red Herring)
Actually, that reference at the beginning really WAS a red herring - they framed it as being Jon the whole time when it wasn’t. Kudos!
Additional kudos to having Jon be seen more out of mask than in - he is a looker, and I aim to look as much as I can ;)
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Annnnd Daphne’s now trying to convince Elvira to switch clothes with her
I don’t get it - how on earth did we get from Daphne trying to find a good costume for trick-or-treating to asking Elvira to switch oh there it is nevermind.
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There is literally a scene where a giant buzzsaw is slicing towards Crane
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and he just
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stares at it
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going “huh, that’s different”
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And I LOVE IT
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And here we have another fascinating scene: Velma going to free Crane from his cell, as Daphne tells her to just leave him to die by pumpkin
I’m wondering if they meant to draw a parallel between the two here - Velma starts by reciting a nursery rhyme, then overcoming her fears in order to release madness to take control. It’s not done very cleanly - mainly bc we barely have any time with Crane in this movie - but I wonder if they meant to insinuate that Crane was like Velma once, where he refused to acknowledge he was afraid, which caused him to lose focus on his initial goals
Idk, ignore my ramblings
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Crane, smirking: I’ll need my personal effects - extenuating circumstances.
Me, fanning myself: I’ll need you to remove yours first
(i am not even kidding, Crane is an absolute DILF in this movie and it flusters me. Stupid sexy animation)
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YAAAAAAAAAAASSSSS
SCARECROW TO THE MOTHERFCUKING RESCUE BABY, SCYTHE AND FCUKING ALL!!!
WOOOOOOOOOOOOOO
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FCUK YEAH THE GIFT THAT KEEPS ON GIVING
HE HAS A DANCE LIKE QUALITY WITH SOME OF HIS FIGHTING MOVES
VIOLENT DANCING BRINGS THE GIANT JACKAL LANTERN DOWN BABY
THEN HE BACKFLIPS AND GYMNASTIC SWINGS INTO THE VAN
ROCK IT SCARECROW FCUKING ROCK IT
(minor note here, but the subtitles show Dr. Crane instead of Scarecrow - unsure if that’s more that the movie calls him Dr Crane or if it indicates he’s acting more heroic than villainous)
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GODDAMNIT
THE GIANT PUMPKIN SNUCK VINES INTO THE VAN AND STOLE HIM BACK 
WHEN CRANE WAS... wearing a seatbelt before, but isn’t now.
...
BOOOOO
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Yet again, we find a Scooby movie that attempts character development, but with Velma
Unlike Shaggy’s Showdown however, I’m mixed on how successful it is.
For starters, Velma hasn’t been this cocksure in other DTVs we’ve seen, so it’s a bit odd to see it now. While not 100% out of place - after all, the gang DID capture one of Batman’s Rogues Gallery on their own - it still feels a touch forced. Compare that to Shaggy’s Showdown, where Shaggy has ALWAYS been a coward (one that, in more recent years, writers have had willing to abandon his friends for safety), so the character development there feels more natural. 
The progression of events with Velma actually work somewhat okay - but again, here’s where past DTVs come to bite them in the ass. The past handful have had the gang be wrong, have had them fail, or catch the wrong guy. This makes Velma’s attitude here at odds with the other films, something that sticks more due to a character that’s appeared in the past few films as a minor inconvenience - a Sheriff who keeps telling the gang not to interfere, they’re doing things wrong, etc. If this had been a character who was completely wrong in the past AND SHOWN TO BE WRONG FOR HIS OPINIONS, while the gang never guessed wrong, this would work much better. Unfortunately, it doesn’t, and here we are. 
I think it would have flowed better if Velma’s cockiness came solely from catching Crane on their own. Have a random cop character or reporter or whatever (just not the recurring cop), insinuate that the gang is in too deep with Scarecrow, that he should be handled by the adults or professionals or whatever. Velma could bristle, overcompensate, and THEN fall from her pedestal like we see, reach out to the gang and commiserate over feeling scared, and grow. Again, it’s not too far to reach for, but they handle it poorly; as a result, the outcome feels a little more shoehorned in. 
It’s an honest shame, bc we haven’t had a Velma centered story since Frankencreepy, and we all remember what a hideous fcuking mess THAT was *shudders*. Still, it somewhat gets its point across, I guess.
---
Fred why did you rip your shirt off
Actually better question why do you not have nipples
--- 
Awwwwwww
Velma just apologized to Shag and Scoob for snapping at them earlier, and admits how she doesn’t appreciate how much they make Mystery Inc what it is
Also she eats a Scooby Snack with them and admits they taste pretty good
----
Huh
Velma’s mind palace is the Mystery Machine driving through space
Also Shaggy and Scooby are able to telepathically follow her in and communicate with her
Literally, they actually followed her into her head telepathically, and show her their memories of things she hasn’t gotten to see tonight (while also possibly enhancing her ability to remember things, given how much DETAIL she captures perfectly of things that she would maybe have glimpsed in a millisecond AT MOST)
...another tally for Crack Theory A of magic! Shaggy and Scooby *scribbles*
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Fred, be very very thankful that there are no people operating those pumpkins in person cause uhhhh
Those traps would be spraying red instead of orange
------
Another weird music choice - the gang goes up to fight the Jackal Lanterns, but the music is the same 60s bubble we heard earlier 
Not terribly atmospheric, really
(wouldn’t a Smashing Pumpkins cover of Scooby Doo be more appropriate, or did you guys spend all your money on hiring Elvira and Bill Nye?)
------
Dang
Velma just admitted her fears and jumped into the mouth of the Mega Pumpkin, before getting Fred to use the app from earlier to shut it down, revealing it to be a giant drone surrounded by smaller pumpkin drones
This feels… counterintuitive, but I’ll try to explain at the end
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Okay
I’ll admit it
The Whodunnit is actually pretty decent in concept
There was a sprinkling of tidbits that could be assembled for the final conclusion and still make a decent amount of sense, all to find the sheriff doing it 
Only he isn’t a sheriff
He’s a former Tech CEO who was also busted by the gang years ago in a case the Sheriff kept bringing up throughout the movie - due to his prison sentence, he lost more than half his wealth and the opportunity to expand it further with the Crystal Cove Lithium deposits
He was also someone who sold tech to Crane for his fear toxin distribution, where he got the idea to frame him for it
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(tho on a side note, Crane is an absolute dork and a terrible liar - just look at the email he sent XD and that profile pic, my gods)
He deliberately picked at the gang for the past few DTVs (specifically 2: Return to Zombie Island and Curse of the 13th Ghost) to fracture their confidence, undermine them, etc - all so that in one fell swoop, he could retake his fortune, frighten everyone in town away from the mines so they couldn’t interfere, frighten away the gang (while also ruining their reputation as mystery solvers), and take Crane off the docket so he couldn’t identify the CEO when he pretended to be the sheriff
This… is actually a pretty damn good plan, for a Scooby villain. He was patient, manipulative, and clever, learning how best to tie up loose ends and win back what he lost. A clever revenge story that came so close to coming to fruition, and could have honestly been sold convincingly… 
...if it hadn’t been done so much better in Scooby Doo 2: Monsters Unleashed. 
Yeeeaaaah, this movie basically lifts the rough framework up from that one - past mystery villain comes back to attack the gang and ruin their reputation (tho this one decides to also make his fortune back and tie up loose ends with former criminal contacts, a la Crane). Gang is embarrassed in front of the news folk, another villain is framed for it (like Old Man Wickles of the Black Knight fame), and the gang must reconcile to foil the villain for good.
Although it also??? Merges elements of Frankencreepy in it?? The movie is focused on Velma, who is struggling to admit when she’s wrong (which ties into her fear, somehow… I’ll think on that point a little) and things purportedly go haywire when she won’t bend. This… isn’t illustrated as well here, since there’s very little direct cause-and-effect from Velma’s actions that would prove this point - that insisting her way is the right, best, and therefore only way to go ends up making things worse.  
As much as I despised Frankencreepy (and I DESPISED IT), it did do that part well - showing that refusing to budge on something can lead to you hurting your friends (literally, in that one), and that admitting you were wrong and need help isn’t the end of the world. 
(that movie also had former villains returning to gain vengeance upon the gang using psychological warfare, hm - may need to go over that one again, unfortunately).
It’s a shame, too -  the basic elements for this plot are all here, they just need to be polished and reworked a bit to make a really fascinating movie. 
------
Anyways, back to the asshat CEO who just… faked being a sheriff. Because white people can get away with that so long as they have the outfit and the car *throws up hands* (the sad part is this is probably something that actually happens)
As he drives away we see a familiar silhouette looming in the cornfields, watching him approach
Velma had Bill Nye on speaker, so he could record the entire confession for the federal officers nearby (who were taking Scarecrow back to Arkham), and track the phone signal to his exact location
And right as his holographic call cuts out, we see the shadow of a Scarecrow looming over him, causing him to scream.
When the feds arrive at his final location, both his body and the money have vanished. The car still sits, engine running, before the crows leering over him from the field vanish into the sky. 
-------
Now that he’s dead, the gang walks and finds themselves at a Halloween party, with friendly faces and good food. The mystery is solved, though the culprit may never be found again. 
Then Daphne admits to NOT trying to steal Elvira’s costume for Halloween, but instead trying to steal Elvira’s identity and replace her. 
Something that she’s apparently nearly gotten away with on past mysteries working with Phillis Diller
*sighs* movie, why couldn’t you just stick to the costume schtick? This is just… so much worse. 
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From there, Elvira walks off to wrap things up, reveal the monster face on the back of her head sans wig (which was also a monkey), and start the credits, where we see the gang working to bring the Mystery Machine back to its former glory a la Frankenstein pastiche. 
This movie… this movie is a hot mess, but at least it’s an OKAY hot mess. 
It really does feel like someone started writing a decent Velma-focused movie concerning the Scarecrow and a past Mystery Inc villain interfering, but was bogged down by notes from higher-ups: Wait! Write in Elvira! Also write in Bill Nye! Hey, let’s have a Mad Max car chase with the Jackal Lanterns! And have Daphne obsessed with literally becoming Elvira! Also make reference to things that we’ll insist be explained this way instead of a way that makes sense! Great!
(seriously tho, we never find out who Crane cares about most that reminds him of Velma, what the heck?)
It’s like two or three different scripts were smooshed together without being cleaned up - stuff is said that doesn’t get resolved, the celebrity guests don’t get to breathe much and feel squished together, and the build-up for the villain feels… less impactful, even knowing that he’s been in the past two films. 
It might have worked if he’d been in… let’s say like 5 or 6 DTVs in a row, speaking roles for dissing the gang growing in each (ex start with “Good job kids! But maybe next time, leave it to the professionals, okay?” and growing more bitter from there), but only 2 feels kind of meh. Still, I do appreciate the clues we got to collect together, and they all work in the final breakdown of the scheme - some DTVs can feel like they pull stuff completely out of nowhere, so kudos there. 
I appreciate what they wanted to do with Velma - give her a character development arc similar to Shaggy’s in Shaggy’s Showdown. Unfortunately, it wasn’t set up quite so neatly: they blended her ‘refusal to admit fear’ with her overconfidence that she was always right, and it led to a weird conclusion. To face her fears, she leapt into the Giant Pumpkin, which… proved that she was right all along about it being fake, and that solves things somehow. It doesn’t address how she can get something wrong sometimes, it doesn’t really address what she’s afraid of (which is honestly quite good: she’s afraid of failing in a way that allows bad guys to escape justice and in a way that hurts her friends), it’s just a bit of a mess. Points for aiming the focus the right way (and in a way that DOESN’T sexualize the underage teenage girl, unlike some DTVs cough cough Frankencreepy cough cough), but it’s very very messy how it goes about it. 
The movie actually balanced pretty well for the whole gang - no excessive focus on one leaving the rest in the dust (too much at least - Fred was a touch underdeveloped, but nowhere near as annoying as past iterations have been. Shaggy and Scooby were kind of meh in some places but great in others, while Daphne was just odd. I think they were trying to recapture the BCSD Daphne characterization, but they failed. Still, she did spend some good time kicking ass with the pumpkins, so that was fun.
Now for the Rogue, Jonathan Crane. If you like Crane, this movie gives you: maniacal Scarecrow, calm and creepy Crane, a brief glimpse at fanboy!Crane (he admits in his own awkward way that he’s a fan of Elvira, and later tells her he loves her work - it’s fun), and (best of all for me) a heroic Crane - one who helps the protagonists and ends up kicking ass pretty damn well, brief as it was. And while DILF Crane is always a treat, he feels underutilized in this. In comparison, Scooby Doo/Batman Brave and the Bold really utilized a lot of different aspects of Riddler, to the point he actually does feel pretty menacing by the third act. It’s a shame we don’t quite get that with Crane, but I do love seeing him 1. More out of mask, and 2. Acting as a good guy (in his own way), so he’s enjoyable on the whole. 
I kind of wish that the whole movie was spent more with Crane, but again, the script is a bit of a mess on this part - the fact that he’s not completely screwed over is a goddamn miracle. 
Elvira was… okay. She didn’t have much of a purpose beyond getting the plot started and giving Daphne some hooks to play off of. Bill Nye (abrupt as his introduction was) did provide some necessary elements to the mystery, as well as the tech; he wasn’t too bad by the end. (still a touch bitter we didn’t get ex roommate Nye, but hey, what can you do)
Humor was… mixed. Some good, some meh, but very few long enough to feel painful. Some bits felt extraneous at times, but they did help to build to the conclusion, so points for effort.
At the end of the day though, I’m probably keeping this more for Jonathan Crane than anyone else. It does have a lot of fanfic potential tho 🤔🤔🤔
That’s all from me tonight, folks! Hope you enjoyed my own little breakdown of the movie. 
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kateeorg · 4 years
Text
Point-by-Point Scoob Analysis (second viewing, bc I’m bored)
Spoilers below!
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Why Venice Beach, I have to wonder? And why this song? I don’t dislike it, but I’m curious about the reasoning
The gyro scene is really fun XD
Shaggy’s intro is perfect - the music, the “Casey’s Creations” and Mystery Machine aesthetics, just beautiful. You can see the little shake in his hand as he switches to the podcast - he’s so alone :(
“I lose a lot of balls” funny AND sad. And Young Sheldon being lonely is on point for him
Gyro meat  - convenient! But yeah, I can see how Shaggy’s weird lunch combos would be off-putting to others
Oh, he found him ON Halloween?? That’s so odd. (But on brand)
“Well mostly man. It’s mostly just the suit that’s falcon.”
“Like no way bruh” Really? That... sounds odd coming from Shaggy.
...Since when do young boys care about blood sugar? Also, “We’re okay with that” XD
Baby Fred, Daphne, and Velma are also perfect
...No. No no. RBG is not a Slytherin. But that, braces Velma and Hogwarts references very much modernize the series and put them firmly in modern day (without going too out there).
The kids are such badasses, it’s awesome
The replication of the original credits is *perfect* - they even got the original Space Creep sound 
Scooby handles the accounting? Also, how old are they supposed to be? If they’re expected to pay taxes and get called millennials, are they late 20s?
I’m really not convinced by the Simon Cowell bit, I’m sorry. They could have made him a bland British investor, not attached to the name. There really should have been some more time invested in this scene (but I AM glad Mystery Inc never agreed with Simon, or even considered he was right) (Also Simon - haven’t you heard of networking? Making friends to get ahead?)
Scooby bowling is such great physical comedy, and the chase is very Scooby Doo
Hyper-specific police code ftw
Falcon Fury!
You know Scooby and Shaggy are having a bad day when they’re *happy* to be in danger
The falcon entrance is admittedly funny
I really wish if Blue Falcon and Dynomutt had to have such a bug role, there’d been more about how Dynomutt feels about his original owner basically ditching him.  It seemed like that was supposed to have more significance, and then it didn’t.
The shake button XD and Dastardly is fantastic from the first
...right, because this script wasn’t also written by middle-aged men.
Also, how’d she know about the blue light?
Velma fanning out is fun
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The robots make me uncomfortable, and I’m not sure why. 
Muttley <3
I appreciate that Falcon was trying to be resourceful.
“You’re now out of... everything.”
Scooby and Shaggy’s gift is to inspire - they’re the lucky charm
...And this is where I started to dislike Falcon. He’s just... he’s too dumb. The bravado is one thing, but  then Fred is a little too similar. I think Falcon is supposed to be a foil for Shaggy, but I don’t know... didn’t quite work for me.
OH! I didn’t get the connection between the Greek restaurant at the beginning and the Cerberus plot until now! Nice.
DeeDee deserves more credit, hands down. Honestly, make her Blue Falcon.
I love all the references in the arcade - Hex Girls, Hong Kong Phooey, LaffALympics
The fun house scene is really cool! And funny, so colorful
My mom really liked this bit with the Ferris Wheel and the bumper cars and the smoke cloud - more traditionally cartoony
And I started to dislike Falcon more here. -__- (Like you acknowledge Shaggy is hurting and then just decide let’s give the dog a super suit instead of focusing on the mission? 90% of what goes wrong in this move is his fault and I don’t like it)
Okay. I get that Shaggy is really insecure. And Scooby isn’t reassuring him at all. But it feels like there’s more going on here, and I wish he’d had the chance to talk about it more than he did to give us more context. (But I still maintain this is less contrived than Shaggy falling for that Mary Jane girl in the live action film, so I’ll let it pass)
I actually really like Daphne’s characterization as the people person (though I feel real bad Grey DeLisle wasn’t given a chance to voice her), and how the gang are quick to realize how much Shaggy and Scooby contribute. They were never down on them, but it’s still important. 
Messick Mountain :)
Velma as Dynomutt was great
I do really like the plot and how it ties to friendship. Also, Muttley is perfect, my parents loved him.
Poor man’s Hemsworth
I initially questioned whether Scooby would really be safer off the ship. But of course that’s not the point - this kicks off the conflict. Remember kids: NEVER give someone an ultimatum. 
I appreciate that this was the only poop joke in the movie. Unlike the original Scooby Doo movie...
And now Shaggy realizes he was an ass. But seriously - the “Shaggy’s refusal to change is tearing them apart” thing needed a little more finessing. I see where they were going, but didn’t quite make it home.
The Captain Caveman bit was a little... eh? Not sure what I’d put there instead. It does the point of showing Falcon and Scooby they’re not really traditional hero material.
Scooby looks so sad as he gets taken :(
See, this is where I feel like Falcon and Fred were too similar, though it is pretty funny
See... I don’t think this speech was earned. It’s beautiful. If I saw it in isolation it would be great. But something was missing in the buildup. I can’t see how Shaggy made it from “I screwed up” to “Friendship changing is okay.” 
This whole Athens bit is so beautiful and cinematic, I hope this gets a chance to be in theaters someday!
Flying mystery machine! 
FLUFFY!
Mystery Inc reunion <3 But poor Fred, his van up in flames
(Someone set this to “Your Wagon is On Fire” from Trail to Oregon!)
Dastardly and Muttley is actually pretty sweet, but not a Scooby-Shaggy redux. (My parents love the snicker)
THE ASCOT RETURNS! But this is usually the part where he figures out a trap.
Scooby and Shaggy growing and embracing their roles on the team <3
“I’m so weak” - my parents and I laughed hysterically at this
The Dynomutt-Falcon moment was nice :) (again, not sure it was earned). Also, cool wings are cool.
This really is a Scooby Doo Avengers
Shaggy becomes important in the worst possible way :( 
“Back when we were kids, you saved me. Now it’s my turn.” Damn with the feeeeels
Scoooby :( 
“But why would Alexander make a gate that would separate him from his best friend forever?” Martyrdom is not the only way, y’all
Aw, Dynomutt is trying
Had to throw in an unmasking
I guess they got backing after all! 
(Wait... was Dick Dastardly the Simon Cowell at the beginning??? That would make so much sense, actually!! Is this confirmed?! )
Don’t know how I feel about the new Mystery Machine, but Fred is happy :)
DeeDee deserves a raise
Falcon Force! Falcon realizes he needs friends too. But Dastardly is at large...
Okay, second watch was less off-putting. I do like it! It’s colorful and sticks to the cartoon, and there’s clearly so much love here, for Scooby and all of Hanna Barbara. Admittedly, this isn’t really a mystery - it’s a superhero origin story, which admittedly the trailers should have prepared me better for. But we’ve seen Scooby mysteries on the big and small screen, so I see why they had to change it up to justify such a blockbuster animation project. (Not unlike Recess: School’s Out going from middle school slice of life to save-the-world adventure.) And we do get mystery-solving shenanigans in the beginning.
But as a result, things do feel a tad bit dumbed down, particularly with Blue Falcon, Fred, and Shaggy’s development. I don’t love that aspect, but I can see why that compromise had to be made.
So all in all, I think it’s a solid film! It’s more Trolls than Pixar, but honestly? Not sure I’d have Scooby Doo any other way. 
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sabaku-no-livna · 5 years
Text
Is your oc a Mary Sue ?
Okay I created this test back in 2016 on the french fandom, for the french fandom but its still so funny so if you want to try that test, please do. Don’t take it bad if your oc has several points doesn't make her Mary Sue and again these are only the clichés I noted, doesn't mean I got the absolute science on how to make a good OC and that my OCs does not correspond to these clichés or arn’t Mary Sues. Beware this test is full of sarcasm and second degree. Anyways ! Enjoy !
I. The design  of the OC  For your OC to be shitty, appearance is primordial. Therefor, I made you a list of clichés that you can try to cumulate to create a perfect Mary Sue. Are you ready ? At the end we’ll count the M.S points of our own Oc.  ღ Spiky hair, must be long, more likely black, red, yellow, with two colors that MUST be extra saturated ! You can take your favorite color if you want, it will work. Why thinking further ? xD  If you put two colors, make sure they clash with each other. Your hair style must be edgy, emo, so 2012 fashion with some bangs in front of the eye, nothing original please. Its weird to be original. AND WE DON’T WANT THAT. 
ღ  Piercings and tattoos are SWAG. But not any piercings or tattoo ! The labret is swag, the septum is swag, the eyebrow is swag, the belly button is swag but NEVER on the nostril its’s a golden rule of swag. Sorry. Have you ever seen an oc with a piercing in the nostril ? Nope, then don’t do that. Don’t try to invent new things. Originality is weird. 
ღ  About the body type, you got to stick to the canons : Huge breasts, large hips and butt, narrow waist (so narrow you don’t know how she can possibly bear her own weight). 
ღ If you REALLY don’t have any design ideas it doesn't matter. Make a gender-bend of Naruto or Sasuke. IT WORKS. 
II. The back story of your OC
For your OC to fit in the story like some shit falling on top of carbonara pastas, your backstory must be as CHEATED as possible. It must affect the main manager plot a maximum, just to enhance your oc. NEVER FORGET IT : Your OC is the center of the world. 
ღ Lets start by the beginning. For the name of your OC take some name that sounds Japanese. You can even invent one, as long as it sounds Japanese its perfect. To do so, insert some “ki” “ko” “su” “shi” “mi” et you got a name ! 
ღ Here is one of the supreme principle : Your OC is the most gorgeous, intelligent and strong. Its legit ALL THE MEN IN THE PLANET are desperately in love with her. 
ღ Your OC must be paired, or have had an affair, with at least one of the canon characters (better if its a main one) of the anime. Leave Shoji and and all the other Rock Lees for the ugly ones, YOU got Sasuke and Naruto waiting for you in your bed. So here’s a list of decent crush for a Goddess like your OC : 
Sasuke, Itachi, Naruto, Kakashi, Neji, Gaara, Madara, Deidara. Others are for the ugly ones. Don’t touch it, may have diseases ... :/ 
ღ  As your OC is the strongest, she must have super badass jutsus and have a chakra of ALL TYPES AT A TIME, she must master ALL the technics, and the must is her having an demon within. If possible a demon with tails (we don’t know why it wasn't mentioned in the manga but WHO CARES ?) that would be stronger than all the canon demons combined ! OR she can cumulate all the demons. Another SWAG thing is to have special pupils. If you don’t have the creativity to invent some, just use the sharingan/byakugan, or directly the rinnegan. OR you can cumulate them. Do like Sasuke ! This guys was clever. He knows the secret of success. 
ღ  Your OC must FUCK the game, so don’t hesitate to make her a princess, a vampire, a Rage, or even a Goddess. SHE IS TOO HOT TO BE HUMAN. Regular shinnobis are for people with no ambitions. 
ღ When you have to describe her personality always indicate this : “sweet, shy, friendly, cold, mysterious, choleric, courageous.” How is it totally paradoxal ? WHO CARES ? It doesn't have to be accurate in your character in her story anyways, that’s just for the presentations. For your OC to be really obnoxious she has to have a shitty personality. She has to clash every canon characters, be a burden for everyone else, OR, the opposite, a fuckin’ Deus Ex Machina ! Your girl she would have kicked Madara’s emo ass in a sec ! 
ღ  Her relationships with the canon characters are VERY IMPORTANT. Try the hidden blood binding. It’s SOOO original. Incest is not to provide, we all love what’s forbidden by the law and morals ! But always use main characters first, and don’t hesitate to put your character in a canon team, even if you have to kick off Sakura to do so (after all who cares for her ?). And for secondary but popular characters such as Itachi, Gaara and Neji ... Well as long as they are canons and popular ! Its better if they are in the Akatsuki or Kages though ! The best thing would be to be the hidden maleficent twin of Sasuke and have an affair with him OR Naruto’s genderbend paired with Itachi. The really SWAG clans you can put your OC into if you got no creativity to create an over powered shitty clan are : Uchiha, Uzumaki, Namikaze and Otsutsuki, and Hyuga only if there is no more room in the previous I quoted. 
ღ  Your OC must have a tragical backstory, horrible and complicated, incoherent or completely empty and lacking of depth cumulating all the best clichés of the fandom. 
In the first case your OC is broken by her past traumatic experiences, which gives her a dark side, a madness within, an emo vibe. She must be complaining all the time about her misunderstood pain. 
In the second case, your OC must be cheesy, always smiling and enthusiastic for no reason, and be a little stupid. Okay VERY stupid. But well ! She has big tits at least ! So its fine. Her biggest trauma must not exceed in terms of violence her little brother finishing the Nutella. 
ღ  Or, you can also try having a SUPER weak OC. Because with Mary Sues you are either TOO strong or TOO weak. No nuance please. It would make your character too credible. AND WE DON’T WANT THAT. Your OC must be rejected by everyone, hated and underrated (#victimlol) only her One True Love will see the light behind her shaggy hair. 
ღ If you are a bit CrAzY you can invent a country where she’ll be on top, but the best is for her to come from Konoha. Stay on the right track. 
I think I gave you all the best tips I had to make an OC perfectly obnoxious. ♥ To illustrate my own sayings, let me introduce you, my own Mary Sue : 
Suskiki Uchiha ! 
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Name : Suskiki Uchiha
Age : Immortal 
Team : 7 (who cares about Sakura anyways ? Lol) Family : parents : Fugaku and Mikoto Uchiha / big brother : Itachi / twin brother : Sasuke / cousin : Naruto (yes its possible) Personality : Has big boobs Love interests : Sasuke, Naruto, Itachi, Gaara, Deidara, Suigetsu, Kakashi, Peter Pan, Edward Cullen and Jon Snow Story : Suskiki is the hidden sister of Sasuke. Not so hidden bc she is in team 7.  For real she is the princess vampire of and has the power of emo. Her childhood was so terrible you cant imagine. What was it ? Idk you cant imagine i said ! She supports Naruto since childhood bc they were both rejected. Why ? Bc she was too beautiful duh ! She has in her the demon Nyan cat dragon of darkness the most powerful of all ! She has both sharingan and byakugan for no reason (maybe her mom had an affair ?).  NOW LETS TRY THIS QUIZZ : 
Does your OC have : 
1)  Spiky or flashy hair ? 2)  Piercings/tattoos ? 3) Big breasts ?  4) Is she the female equivalent (physically) of a canon character ? 5) Was her name picked randomly because it sounded Japanese  ? 6) Are several canon characters into her ? (3 and more is yes).  7) Is she paired with one of the decent canons quoted before ?  8) Has she got a demon ? 9) Has she got special pupils ? Is she from a SWAG clan ? (if not you suck) 10) Does she have a special statut ? (princess, vampire, kage ...) 11) Is she “ “sweet, shy, friendly, cold, mysterious, choleric, courageous.”  at the same time ?  12) Does she have any blood binding with one of the canon characters ? Marriage doesn’t work.  13) Incestuous with one of the canons ? 14) Is she part of one of the main teams of the Naruto gen ? 15) Has she got a tragic back story ? 16) Is she bad at everything/super powerful ? 17) Was she rejected ?   18) Does she come from Konoha ? 19) Does she look like the  character she is paired with ?  20) Was she part of the Akatsuki or did she join Orochimaru ? 
So now you can count your points and it will give you a grade over 20. The closer you are to 20 the most Mary Suish your OC is. I personally tested it on Yukiko she got : 6 points. And you what is your score ? ;)
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retroreaderr · 7 years
Note
Hello! So... since harry potter is on your fandom list thing, is there any way a huge fan of yours could get a slightly angsty and incredibly fluffy oneshot or more if you get inspired with that precious bb Remus Lupin? It can be HP era or marauders era, up to you. Thanks so much!! :)
OK SO PLEASE SEND MORE HARRY POTTER STUFF BC REMUS IS MY BABE AND I LOVE HIM SM??? this is set in the marauders era but i am 1000% down to write some golden trio era stuff too !! also im like one of a solid 3 people in the fandom that doesnt subscribe to the whole andrew garfield as a faceclaim thing but hey mod gaston and i came up with alternates and we decided matthew gray gubler makes an adorable remus bc look at this babe ???? but hey yall can have ur hcs ill have mine  🕷️💋
“Hey James!” you flagged down the boy as he walked.
“____, what’s up?”
“Have you seen Rem? I wanted to ask him about some homework.”
“He’s, uh, out. Y’know,” he nervously scans the other students passing the two of you.
“Full moon tonight?” you ask keeping your voice low. He nods slightly.
“Listen, I promised I’d meet Pads before dinner -” he awkwardly motioned towards the Gryffindor Common Room.
“No, no it’s alright,” you turn to walk back down the staircase, “I’ll catch up with you later, yeah?”
“Sure.”
You took a seat in one of the chairs of the Common Room, glancing around at the decor.
“Never been in Gryffindor’s before…” you mumble to yourself.
You watch as three particular troublemakers made their way from the boy’s dormitory towards you.
Sirius was the first to notice you, “____? What are you doing -”
“Got the password a while ago from a friend. Listen, I wanted to ask you something.”
“We’re kinda busy, can it wait till tomorrow?”
“No.”
“Listen, I know you guys usually spend the night with him, but -”
“How do you know that?”
“I’m his friend too, you know,” you sigh, “He tells me these kinds of things. Anyways, I was thinking…What if I went tonight?”
“I’m all for the fact that you wanna help a friend, ____, but you can’t come with us, it’s too dangerous.”
“I actually wanted to go alone.”
They all stared at you as if you were mad.
“Have you lost your damn mind?”
“James, listen, I’ve got a plan and -”
“No! It’s way too dangerous. Listen, ____, it’s nothing against you, but…It’s just…Too dangerous.”
“If you won’t let me go I’ll march right down to Dumbledore’s office and tell him about your little map you all use.”
“You wouldn’t dare.”
“Try me.”
James sighed, Sirius simply glared at you, and Peter stood behind them, clueless as always.
“When you get hurt don’t say we didn’t warn you.”
You get up from your seat and make your way towards the exit, “I’ll be fine.”
“How do you even know about the map anyways?” James calls after you.
“I told you, he tells me these kinds of things,” you smirk.
Your footsteps echoed off of the stone walls as you traversed the small passageway. You could still hear the thump of the Whomping Willow above you, and had it not been for the soft glow of your wand, you would’ve been left in complete darkness. After a few minutes of walking, you found yourself confronted with a small door above you, it reminded you of the entrance to a cellar. You pushed your way through it, being sure it was closed once you were through.
The house you stood in was dusty and decrepit, just standing in the hall you felt your anxiety levels rise. You slowly took your first step, and the floor under you creaked. You heard a shuffling from upstairs, and your eyes shot towards the ceiling, scanning it for any other signs of life. After a small period of silence, you took another step, this time towards the nearby staircase.
You heard the shuffling again, then a small thunk.
“Rem?” you whispered, hoping to hear him answer.
He didn’t.
You climbed the steps slowly, trying to make minimal noise. Your bag felt heavy on your shoulder despite its light weight.
At the top of the steps, you were faced with a door, half open already.
You reached out and pushed it, and watched as it slowly creaked open.
You saw him sat in the corner, his head buried in his knees, his breath rigid.
“Remus.”
His head shot up at the sound of your voice.
“____, what are you doing here?” his face was overwhelmed with worry, making the dark circles under his eyes even more prominent.
“You’ve got to leave, you gotta go, it - It’s not safe, you know -”
“Does it hurt?”
He stopped speaking, though his expression was still overcome with concern.
“What?”
“Does it hurt?”
He doesn’t acknowledge your question for a moment until he slowly nods, dropping his head back to his knees.
“Yeah,” his voice was muffled.
“I’m sorry.”
“You’ve got to leave, though,” he suddenly stands, “You know it’s not safe -”
“I’m staying.”
He shakes his head as he approaches you, “Please, I don’t…” He finally is close enough to touch, and you watch your friend stare down at your hand - god how much he wanted to take it in his own, grab it and never let go - “I don’t want to hurt you.”
“You won’t.”
“I might,” he meets your eyes, “I can’t exactly control myself when…When it happens.”
You reach into your bag, pulling out a small object. You look at it before placing it in his hand.
“I know it’s your favorite.” He looks at the small candy bar before glancing back up at you, he had such pretty eyes, didn’t he? You never noticed how the green sometimes turned to a sort of blue -
“Thank you,” a small smile crossed his face, “But…You really do have to go.”
“I’m not leaving.”
“____-”
“At least let me stay for a little bit longer, then.”
He turned his head, looking out the window before glancing down at the chocolate, then to you.
“You can’t stay long.”
A smile spreads across your face.
“I don’t get how you stand me, really,” he leans his head back against the wall.
“Hm?”
“I mean, all I really am is a hassle, aren’t I? I just cause problems and I’m not worth your time, and -”
“Rem, you’re worth all the time in the world.”
“What I am is a monster.”
“What you are is kind, and cute, and shy and -”
“I don’t get why you like someone like me. Someone with my condition.”
“Because you aren’t defined by it. It’s a small part of a much bigger whole.”
“It’s a pretty big part of my life, if you ask me.”
“I’m not saying it’s not. I’m saying everything else about you, all that good, isn’t defined by that single negative. You’re too hard on yourself, Remus. You’re really a wonderful guy.”
“That’s not how I see it.”
“Well it’s how everyone else does. I’ll just have to teach you to see it my way, eh?” you nudge him playfully. He flashes a small smile again, and the sight makes your heart melt.
You sit in silence for a few minutes, just sitting, enjoying each other’s company. You almost forget why you’re there until suddenly you see him tense up.
“Rem?”
“You gotta go,” he breathes before letting out a grunt of pain and falling forward to the floor.
You felt your heart shatter at the sight of him in pain.
“Rem -” you reach out towards him, resting your hand on his shoulder. At your touch he jerks away.
“Go.”
“No.”
He’s shaking as he meets your eyes. His pupils dilate as his head lowers again, and he lets out a scream of pain. You wince at the noise, but stand your ground. His nails dig into the floor and his breath quivers as he bites hard on his bottom lip, drawing blood.
“Please,” his voice is weak.
“I want to stay.”
He jerks backwards, slamming against the wall. You look away as you hear the sickening snap of bone.
You slowly back towards the bed that sat in the corner of the room, unsure of what to do. He let out another groan of pain, though as it went on it became less human. You couldn’t bring yourself to look at him.
There were a few more moments filled with the sounds of both bone and flesh contorting, and you hold your breath as the room becomes silent. You hear a small whimper, and you slowly open your eyes, and turn to face him.
You’d expected much worse, honestly.
He almost looked cute - his fur was shaggy, and the same shade as his hair. His robes were tattered but still clung to his body.
You let out the breath you held.
His amber eyes snapped up towards you, and you were struck with fear.
“Rem?” you whisper.
The wolf’s eyes softened for a moment, and he took a step towards you. You smiled and stepped away from the bed, towards him, and extended a hand to reach for him. He stopped walking, and you barely saw his pupils dilate once more before he let out a growl and leapt towards you.
You stumbled backwards, onto the bed and frantically grabbed around for your wand. Your fingers felt nothing but the cold and worn quilt of the bed as you heard another bark and the patter of nails against the hardwood floor. You barely rolled out of the way before you felt the pressure of another creature on the bed besides you. You clambered onto the floor, searching furiously for your wand. You spotted it a foot away, next to your bag. Crawling towards it, you barely making contact before you heard the howl of your friend beside you.
If you could even call it your friend - you knew it wasn’t really him.
“Rem, please,” you whimper, finally grabbing hold of your wand. You then pull yourself to your feet using the wall as support.
The wolf simply growled aggressively, and bounded towards you. He swiped at your arm, barely catching it and tearing your colored robes in the process. The action made you fall backwards, though you didn’t process the pain right away.
Your breathing quickened as the animal slowly approached you again, teeth bared.
“Remus, I know you’re in there somewhere. I know…I know…”
The beast paid no attention to your pleas and leaped towards you again, but before he made contact with you, your arm flew in front of you, wand in hand. You weren’t sure which spell you’d casted, as a thousand different ones had flown through your mind all at once, but whichever it was sent the wolf flying back into the wall. It landed on the ground, whimpering. You immediately felt a pang of regret and sadness, you had just hurt your best friend.
You slowly approached him, placing a hand on his soft fur.
“Rem?”
The wolf responded slightly to the noise, trying to lift its head. It let out a deep huff before resting back on the ground.
“I’m sorry, I’m so sorry -” You placed your other hand onto its head, petting him. It seemed to lean into your touch, once again letting out a small whine.
Maybe it had hit its head too hard, or maybe you had somehow gotten through to him, but you knew then that you were safe. You sat down next to him, leaning against his torso, slowly stroking the fur of his neck. The scraps of robe that still stuck to him somehow only added to your comfort, reminding you of his true self.
You closed your eyes, and soon enough fell into a deep slumber, not even noticing that the wolf had adjusted its large body to somewhat wrap itself around you protectively.
It wasn’t the sunlight glaring through the window that woke you. It wasn’t even the cold. In fact, it was the lack of cold that had awoken you. You opened your eyes, still dazed from sleep. Your pillow rose and fell rhythmically, and you raised your head to look at it, confused.
Instead of the familiar four-poster you were used to sleeping in, you then realized that you lay on the hard-wood floor of a bedroom.
“Rem?” your voice was low and still veiled in slumber.
He lay below you, dark circles surrounding his eyes. Just the look of him made you exhausted, as though in some way you could share his burden of fatigue.
His arm is draped around your waist, and you make no attempt to move it as you lay back down against his chest, which is barely covered by his clothes.
The contact makes him shiver, and he opens his eyes, startled after being pulled from sleep.
He groans, taking a moment to asses the situation.
“____?” his voice is gravelly.
“Hm?” you snuggle closer to him, suddenly feeling the chill of the shack’s air.
“What are you…Oh god. Oh god, did I -”
“I’m fine, love.”
He stiffens at the name. You chuckle, then reach up to plant a kiss on his cheek.
“____, I don’t understand…”
“Hm?”
“Why you’d risk your life for…Someone like me.”
“Why wouldn’t I?”
“I…I just…”
You look up at him again and see a few stray strands of hair draped over his face. You grin, once again reaching up to kiss him, though this time you capture his lips, and your eyes flutter shut as you do so. Despite his exhaust, he eagerly kisses back, and after you part he sighs, turning his head to stare out the window.
“Have you got classes today?”
“No.”
“Can we stay a while longer?”
“Of course, Rem.”
You hear an almost inaudible, “Yes!” from him.
You giggle as you cuddle closer to him, and he wraps his other arm around you, “Dork.”
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