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buzzdixonwriter · 4 years

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Cowboys And Cavemen

This one’s gonna meander, but it’s about cavemen and cowboys and dinosaurs, so some of you may wanna stick around…

. . .

Recently watched the colorized version of One Million B.C. with Victor mature, Carole Landis, and Lon Chaney Jr.

I remember frequently watching the original black & white version of this as a kid; it popped up on local Early Shows a lot primarily because it could be chopped down to fit an hour’s running time without losing too much of the story (Early Shows were afternoon movies with a local host that typically ran only 90 minutes from 4:30-6pm; with commercials and host segments there wasn’t much room for uncut films and as a result they featured a lot of B-movies with 65 minute running times, or else cut out sequences from longer films not germane to the plot).

The colorized version surprised me in a couple of ways.

First, I’d forgotten just how well done One Million B.C. is in basic film making terms: Once past the opening scene, in which an archeologist explains some cave drawings to a group of mountaineers who then imagine themselves in prehistoric times, there’s no recognizable dialog; the film is told in purely visual terms.

Second, the colorization was incredibly sloppy: There’s a lot of weird blue artifacting going on that lays a strange mist-like quality over several scenes, and in several places the colorists inexplicably either colored the actors’ bare legs blue or else overlooked the mistake in the final color correction.

Third, the sloppy colorization doesn’t matter: If anything, it adds to the weird dream-like quality of the film. As an attempt to realistically recreate the prehistoric past, it’s gawdawful; taken as the imaginings of an average contemporary 1940s person with no real knowledge of prehistoric times (viz the prolog), and it’s pretty entertaining.

Technically the movie is a mixed bag. The special effects are pretty seamless (yeah, you can tell when something is a rear screen shot, but then again rear screen shots in every film of that era were obvious)). A travelling matte shot of a hapless cavewoman buried under a flood of lava is particularly well done and as amazing today as it was then (though the colorists dropped the ball and didn’t tint it a vivid red or orange in the colorized version).

There’s a lot of monsters, but they range from well done to just plaine…well…

The best are a woolly mammoth (i.e., an elephant in shaggy fur costume) and a baby triceratops (a large pig in costume) that really seem to capture the essence pf those creatures.

The worst is a guy in an allosaurus suit who kinda just shuffles along like a grandparent going to the bathroom, and in the middle are various lizards dressed up with fins and horns.

The lizards bother me more and more over the years. At first it was because they were disappointing -- they don’t look like dinosaurs, dammit, but like lizards with fins and horns glued on -- but now it’s because I realize they were goaded by their handlers into fights and reactions shots.

That’s plain ol’ animal cruelty, even if they are reptiles and not mammals.

There’s an armadillo and a koala-like animal that appear thousands of times their normal size. The koala-like critter (sorry, but I don’t know what it actually is) is passable as a giant cave bear or sloth, but the armadillo is just an armadillo (there was something about armadillos that 1930s audience found creepy; they’re waddling all over the Count’s hiding place in the original Dracula).

One Million B.C. was produced by Hal Roach and Hal Roach Jr. The senior Roach goes all the way back to the silent era, so this was not a huge stretch for him.

Originally D.W. Griffith was to direct the film, but while he did a lot of pre-production work including screen and wardrobe tests, he either dropped out or was replaced on the eve of production. (Reportedly he wanted the cave tribes to speak recognizable English and left when Roach refused.)

The special effects wound up in a ton of movies and TV shows over the ensuing decades; modern audiences are more familiar with the film through 1950s sci-fi than its original version.

All else aside, the picture is carried by stars Victor Mature and Carole Landis. Ms Landis in particular is a spunky, charming cave gal with a blonde-fro and while Mature would never be an Oscar contender, he at least has the physicality and screen presence to get his character across.

The scene where he thinks Landis has died in a volcanic eruption may be corny, but you can feel his character’s grief.

. . .

A quarter of a century later it was remade as One Million Years B.C. with John Richardson in the Victor mature role and Raquel Welch in the Landis role.

No disrespect to Welch, who by all accounts is a nice person, but she never showed one iota the acting chops of Carole Landis. Welch is beautiful, and as a generic pin-up model cast as a film’s “sexy lamp” (look it up), she presented appealing eye-candy. She appeared in one good sci-fi film (Fantastic Voyage), one campy monster movie (i.e., One Million Years B.C.), two incredibly campy WTF-were-they-thinking movies (The Magic Christian and Myra Breckenridge), and a host of instantly forgettable spy films and Westerns. The best movies she appeared in were Fuzz, based on the 87th Precinct novels by Ed McBain (a.k.a. Evan Hunter nee Salvatore Lombino), where she did an acceptable supporting turn as a police detective, and Kansas City Bomber, a roller derby movie that many consider her best role.

Landis never enjoyed the same level of fame (or notoriety, depending on your POV) that Welch did, but holy cow, could the gal act. It’s a pity Hollywood is crowded with talented, beautiful people because she certainly deserved a bigger career capstone than One Million B.C..

Welch’s personal life certainly proved less traumatic than Landis’, however. When actor Rex Harrison broken off his affair with her rather than divorce his wife, Landis committed suicide.

The scandal exiled Harrison temporarily back to England. A few years later One Million B.C. and Landis’ other films started playing on television.

Who knows what opportunities may have opened for her in that medium?

. . .

The original One Million B.C. is vastly superior in all areas but one (well, two -- mustn’t leave out the catfight between Welch and Martine Beswick): Ray Harryhausen’s stop motion dinosaurs

Mind you, most of the dino scenes in One Million Years B.C. are underwhelming. To stretch the budget the producers used close ups of spiders and an iguana to simulate giant monsters, a brontosaurus does a walk through in one scene and never appears again, and the first big dino moment has cave gals poking sharp sticks at a big sea turtle.

On the other hand, the remaining trio of dino scenes are the aces and vastly superior to their corresponding scenes in One Million B.C.. The latter film’s allosaur attack is one of the best dino scenes ever animated, and the ceratosaurus vs triceratops battle followed by the pteranodon grabbing Welch are almost as good.

Both versions of the film had an interesting influence on films that followed. One Million Years B.C. was followed by a host of prehistoric films, most of which existed only to cast voluptuous actresses in fur bikinis although When Dinosaurs Ruled The Earth, a direct follow-up, offered more monsters and a better story.

While One Million B.C. wasn’t the first film to sub real life lizards for dinos, it certainly told budget conscious producers that such substitutions were okay.

The 1959 version of Journey To The Center Of The Earth cast iguanas with glued on fins as dimetrodons, and for once the impersonation proved successful as the two species do bear certain similarities.

Producer Irwin Allen (he of Lost In Space and Towering Inferno fame) hired Willis O;Brien (the animator behind the original King Kong) and his then assistant Ray Harryhausen to do accurate-for-the-era stop motion dinosaurs for The Animal World documentary but apparently frustrated by the time it took to get results opted for lizards in his version of The Lost World (which, ironically, O’Brien worked on in a non-animation capacity despite having done the original silent version of the film with stop motion dinosaurs).

I saw Allen’s Lost World as a little boy and felt grossly disappointed by the obvious lizards, especially since the script identified them as belong to specific dinosaur species when they quite clearly didn’t (had the script said they evolved from such creatures, the way the most recent version of King Kong did, it would have been less egregious).

Allen’s lizards popped up in several TV shows he did, most notably the TV version of Voyage To The Bottom Of The Sea. That show’s co-star David Hedison played a supporting role in The Lost World so once a season they found some excuse to get him out of his Navy uniform and into a safari jacket in order to match footage with stock shots from the movie.

The Animal World wasn’t the first time O’Brien and Harryhausen worked together, and Harryhausen followed up One Million Years B.C. with The Valley Of Gwangi, an O’Brien project that the older effects artist never got off the ground.

. . .

Let’s back up a bit to discuss “O’Bie” (as his fans refer to him).

O’Brien was a former cowboy-turned-cartoonist around the early 20th century who became interested in animation.

Movies were in their infancy then, and O’Bie shot a short test reel of two clay boxers duking it out.

This got him financing to do a series of short films ala The Flintstones with titles like Rural Delivery, One Million B.C. (the titles were often longer than the films).

These shorts featured cartoony puppets, no actual actors. O’Bie followed it up with The Ghost Of Slumber Mountain which was the first time dinosaurs were animated in an attempt to make them look real, and that was followed by The Lost World in which O’Bie combined live action with special effects, climaxing the film with a brontosaurus running amok in London.

O’Bie wanted to follow it up with a film called Creation but that got deep sixed. However, producer Merian C. Cooper saw O’Bie’s test footage for Creation and hired him to do the effects for the legendary King Kong.

While O’Bie followed that success with the quickie Son Of Kong he never got to work on a dinosaur film of such scope again.

War Eagles (a lost-civilization-with-dinos story) was supposed to have been a big follow up epic, but the Depression and the growing threat of WWII caused it to be cancelled in pre-production.

During the 1940s O’Bie pitched a number of stories to studios involving dinosaurs or other monsters encountering cowboys, one of which was Gwangi (he also pitched King Kong vs Frankenstein which eventually got made as King Kong vs Godzilla using two guys in rubber suits, not his beloved stop motion effects).

Gwangi had cowboys discovering a lost canyon inhabited by dinosaurs, chief of which being Gwangi, an allosaurus. O’Bie never got Gwangi off the ground but decades later Harryhausen did with Valley Of Gwangi.

. . .

I never cared for Valley Of Gwangi and much preferred One Million Years B.C. over it (and, no, not because of Ms Welch).

Growing up in the 1950s and early 1960s, I enjoyed cowboys as much as dinosaurs.

I’ve posted elsewhere how my interest in dinosaurs led me to dinosaur movies which led to monster movies which led to science fiction movies which led to literary science fiction which led to science fiction fandom which led to my writing career, but my genre of choice before age 10 was Westerns.

As others point out, most Westerns are actually crime stories, what with bandits robbing stagecoaches and banks, rustlers making off with cattle, etc. The climax usually involves a lawman (or a vigilante who carries the weight of the law) confronting the evil doers and bringing them to justice.

Sometimes these vigilantes wore masks (Zorro and the Lone Ranger). Sometimes those they pursued wore masks, and sometimes those masked villains pretended to be ghosts or phantoms.

They weren’t, and were invariably exposed as frauds.

Westerns based themselves in a rational world.

Other times a criminal in a Western would be after some invention that could bring either a great boon (say an energy source) or great harm (a death ray) to the world, and wanted it for their own selfish ends.

The story would invariably use the invention as a mcguffin device, maybe letting it figure into the villain’s eventual comeuppance, but never really influencing the outcome of the plot.

Westerns and fantasy genres (including science fiction) don’t mix well, The Wild Wild West not withstanding (and The Wild Wild West was not a Western per se but rather what we would now call a steampunk commentary on James Bond filtered through the lens of traditional American Westerns).

(And don’t bring up Gene Autry And The Phantom Empire, just…don’t…)

Dinosaurs and cowboys don’t really go together.

That didn’t stop O’Bie from trying.

In addition to Gwangi, O’Bie had two other projects that he did get off the ground: The Brave One and The Beast From Hollow Mountain.

The Beast From Hollow Mountain is a standard Western about mysterious cattle disappearances and quarrels over who might be responsible, only to discover in the end it’s really -- surprise! surprise! -- a solitary tyrannosaurus that somehow survived since prehistoric times.

The movie is constructed in such a way that had the dinosaur element not panned out, they could have removed it and substituted a more conventional ending.

While O’Bie didn’t work directly on the film after he sold the story, it did feature a variant of stop motion animation known as replacement animation. Instead of building a realistic looking puppet with rubber skin and posable limbs, the dino in Beast was more solid and featured interchangeable limbs that could stretch and squash in a more realistic manner (rather, the movement looked more realistic, the dino sculpture no so much…).

The Brave One started life as a story about a young Mexican boy who raises a prize bull for the ring, only to have the bull face an allosaurus in the ring instead of a matador.

The producers who bought that idea hired blacklisted screenwriter Dalton Trumbo to turn it into something filmable, and Trumbo sensibly jettisoned the dino to focus the story on the boy and his bull, much to the film’s advantage (it won an Oscar for best story when released, but Trumbo’s heirs had to wait decades before the award could be recognized as due their father).

The Valley Of Gwangi was yet another variant on the same basic idea, more expansive than the other two in terms of dinosaurs, and with at least a nod in the direction of trying to explain them (a “lost canyon” giving them shelter instead of a mountain plateau or remote island).

It never connected with me, despite having more extensive dino sequences than One Million Years B.C..

O’Bie animated stop motion cowboys fighting a giant ape in the original version of Mighty Joe Young but the context proved different. The cowboys’ presence in Africa is acknowledge in the film itself as a publicity gimmick, and therefore not a true blend of the American West with a fantastic element.

Mr. Joseph Young of Africa himself, a 12-foot tall gorilla, was also presented as an exceptionally large but otherwise natural gorilla, not a throwback to a prehistoric era.

. . .

Before there were action figures, but long after there were tin soldiers, we had plastic play sets.

They came in all eras and varieties, but among the most popular were Wild West sets, Civil War, World War Two, and dinosaurs.

My father took a business trip to Chicago when I was four, and when he came back I remember eagerly crowding around the suitcase with my mother, grandmother, and aunt as he opened it and brought out souvenirs for us.

I forget what they got, but I remember feeling disappointed and forgotten since their stuff was on top.

But, underneath everything else, sat a large cardboard box, and in that box was a Marx Prehistoric Times playset.

It’s hard to adequately describe the joy that filled my heart when I opened it; it was one of the best presents I’ve ever received.

And while I later acquired a Civil War set and a World War Two set and a bag of what we then called cowboy and Indian figures, the dinosaurs remained my most favorite.

I bring this up because I think the Marx playsets explain the origins of two comics books, Turok, Son Of Stone (an on-again / off-again series from 1954 to 1982 from Dell / Gold Key) and The War That Time Forgot (1960-68 from DC).

In both cases, I’m sure somebody from each company saw some kid combing their Wild West or their World War Two playsets with their dinos and realized there was story gold to be found there.

The War That Time Forgot felt much more my speed, a lost island inhabited by dinosaurs and visited by American and Japanese forces during World War Two.

World War Two effectively ended any hope of their being a lost island with prehistoric monsters; pretty much the entire planet was scouted either on foot or by air.

Turok, Son Of Stone didn’t connect with me. For one thing, it was too much like a Western in concept; for another, Turok and his brother Andar, being pre-Columbian Native Americans, were already from a neolithic culture, and the various cavemen and Neanderthals they encountered in their lost valley seemed more drab and colorless than their tribal background.

The dinosaurs they encountered always came across as large, dangerous, but wholly natural animals, different only from bears and wolves and bison by size and appearance.

Despite my indifference to Turok, I can absolutely understand why others love it and disdain The War That Time Forgot.

Different strokes for different folks.

. . .

We can’t close this without taking a look at The Flintstones, and we can’t consider The Flintstones without first examining Tex Avery’s The First Bad Man in order to bring this post full circle.

There’s a long history (har!) of contemporary satire using a prehistoric lens. The Flintstones started life as a knockoff of Jackie Gleason’s The Honeymooners told in a prehistoric setting; the series made no attempt to present itself as realistic in any shape, fashion, or form.

Among the many cartoons and short subjects that preceded it (including Chuck Jones’ Daffy Duck And The Dinosaur) is The First Bad Man by Tex Avery, an MGM theatrical cartoon.

Tex told the story of Dinosaur Dan, the world’s first outlaw, using Western tropes told through a prehistoric lens.

It works, because it’s a parody of the Western form, not a sincere effort to blend it with the caveman genre. It works because it’s a jarring clash of genres, not despite it.

The caveman genre itself has fallen on fallow times. Despite films like The Quest For Fire and Clan Of The Cave Bear attempting to do realistic takes on the topic, most people seem to prefer more fanciful approaches, best exemplified by the movie Caveman which sent up the entire genre while not skimping on the stop motion dinos.

With sword & sorcery / Tolkienesque fantasies finally acceptable to mass audiences and thus providing a venue for humans to directly fight giant monsters, there doesn’t seem to be a huge demand for a return to the glories of One Million B.C.

#Compare And Contrast #One Million BC #One Million Years BC #Ray Harryhausen #Willis OBrien #Victor Mature #Carole Landis #Raquel Welch #Hal Roach #DW Griffith #cavemen #cowboys #dinosaurs #sci-fi

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szopenhauer · 4 years

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Have you ever worn those Drunk Goggles? never

Which decade before the 90s had the best makeup trends? I don’t know enough about make up to say

Can you agree to disagree, or usually get upset over conflicting views? get upset

Does it bug you when long socks are constantly falling down? when it slips inside my boot omg

Rodeos – entertaining, or cruel? cruel

Do you care what kind of toilet paper you use? nah

What color of roses do you find the prettiest? herbaciane

Which celebrity has the cutest butt? Abbi Jacobson

After a holiday, do you go to the store to get candy on sale? nope

Did Marilyn Monroe look better before or after cosmetic surgery? I don’t see a big difference

Bullfighters who get gored kind of had it coming, right? absolutely

Have you ever accidentally found porn when looking for something else? obvi

Do you draw fanart of anything? nope, just my OCs

What things have people shamed you for? sigh...

What device do you seem to always be buying batteries for? the only thing I ever buy batteries for are camera and flashlight

Are there any 'adult stores’ in your area? you mean sex shops? nah

Have you been inside of them/shopped there before? no

Do you watch The Masked Singer? just fragments

Favorite Alfred Hitchcock film? I’m not a fan of Aflred Hitchcock, I saw Birds only

Do you like Funko Pop figurines? meh

If so, do you have any? Which ones would you like to have? I don’t own nor want any

Which ones do you think they should make (but haven’t yet)? I don’t care

Have you ordered anything online today? I haven’t

Commonly asked question, but what was the last song you listened to? I listened to Momomoyouth’s songs

Are your hands warm or cold at the moment? warm

Do you own a teddy bear? Who gave it to you? plenty

Have you had any songs stuck in your head today? sure

Have you ever worn blue mascara? in middle school from what I remember

When you feel low, what is guaranteed to lift your mood? there’s no guarantee

Do you have any flowers in your garden? lots

Is there anyone from your past that you think about, from time to time? of course

What’s the weather been like today? cold

Did you change into other clothes after you got home? because of covid

What were some positive things about today? spending time with dad, getting a new hoodie, joking with my gf...

What were some negative things about today? some food issues, health issues, people related issues...

Rate today on a scale of 1-10. I don’t like rating things this way

I am presuming you are female, am I correct? you are

What month did you come into the world in? February

How easily scared are you? How easily shocked are you? I’m easily grossed out and anxious/worried/paranoid/overthinking etc.

You like the colour blue, don’t you? wouldn’t say so

What makes you irritated? shitload of stuff

Is it morning, afternoon, evening or night? night already

Is it sunny, cloudy, rainy or stormy? dark XD

Would you like to be able to learn how to control a submarine? what for?

From 1-10, how would you rate your cooking skills? 0

Do you notice the heat or the cold more? cold because I hate it, heat I sometimes don’t notice until I get burned :x

What hurts more scratches or bites? bites like a mosquito or dog?...

Do you prefer rabbits to mice? I prefer mice

Are you a sarcastic person? me? sarcastic? are you kidding? :P

Do you see the world in black and white, shades of gray or all colours? shades of grey

Noise or no noise when sleeping? noise until I fall asleep then no noise

Lights on or off when sleeping? lights on until I fall asleep then light off

When was the last time you did clay work/pottery? in middle school

If you had to choose would you prefer dull pain for 12hours or sharp for 2? dull pain, sharp pain would stress me out

Koala or Kangaroo? koala

Would you rather be a Model, Famous Scientist, Singer or Chef? scientist or singer, definitely not chef

Would you rather be a pilot, crime scene investigator or estate agent? crime scene investigator or estate agent I think Does making others happy really make you feel happy? yup

Did you ever swear at a teacher in school? Why? noooo

Have you ever wrote your own short story? bunch

What about a novel? Or herhaps you started and couldn’t finish? finished and published, started another

Would you rather have a big house, a lot of kids or a high flying job? I don’t need my house to be big, career or kids to be happy

Would you like twins? heck no

Do you know any twins? If so, what are they called? used to, personal

If you were given the choice to choose your childs gender, would you? if I wanted a kid then only a girl so...

Does the sound of knocking/tapping startle you? might

When was the last time you were in hospital? What for [if comfy saying]? but ER or stayed?

When was the last time you went to the dentist? last week

Are you happy with your social life? I’m fine without one

Are there a lot of graffiti around your neighbourhood? no What kinds of stuff do you have on your keychain? besides key I have a tiny house and a poop emoji Have you ever made something with your own hands that you’re proud of? more than one thing :3 Girls, do you ever just say “Fuck it!” and go without a bra? often Have you ever had a restaurant dish that was made with bugs? wtf, disgusting!

Do you ever compare your life to somebody else’s? If so, why? I don’t wanna talk or think about it right now Have you ever had a custom print done on a shirt? If so, what was it? I wish

What’s your highest level of education so far? 2 szkoły policealne Would you ever have a UV tattoo? nah Do you work better alone or in a group? dunno

Have you ever had a boyfriend/girlfriend who was depressed? yep

Would you be able to climb out your bedroom window to sneak out? not without breaking bones

Would you be embarrassed to buy pads/tampons/condoms? Which one more? condoms If a stranger went in your bedroom, would they be able to tell what gender you are from just looking at it? stereotypically because of plushies

If you were in a car accident would the last person you kissed care? she would

If you were looking for a new pair of shoes where would you go? depends

How much was the last pair of shoes you bought? 25 PLN

Would you be surprised if you saw the last person you texted smoking? :o

Does the smell of cigarettes and beer repulse you? both, yeah

Do you like sitting on the inside or outside of a restaurant booth? outside

Do you own a nightgown? I don’t think so

Do your grandparents know how to operate a cell phone? a little

Have you ever had sex or something like it? or smth like it lmfao

In a hotel do you always nose through all the drawers and cupboards? from what I remember

Do you always wear your seat belt? I do

Have you ever started to laugh but played it off as a cough successfully? maybe

Have you ever liked the lyrics of a band but hated the music? yeah and the other way around too

Does your bathroom have a window? small

Do you go somewhere to get your eyebrows done? I don’t do my eyebrows anyhow

When you were younger did you read the A Series Of Unfortunate Events books? loved it <3 want to collect it whole one day

Do you believe prayer really works? sigh...

Have you been on a date in the park? yup

Are there any diseases/health problems that run in your family? could say so

Do you have asthma? it seems

Have you ever had an embarrassing email address? sort of

Do you put shampoo in your left or right hand? ... left? Do you have a bull ring through your nose? I don’t have a septum

Do you and your dad get along? we’re best friends :)

Can you see your purse right now? several

When you get colds, do you use nasal spray to help get your nose unstuffy? nah

Do you actually like sneezing? nooo

Have you taken a shower yet today? not yet and my mom will get mad that I’m not asleep yet in 1... 2... 3...

Do you like hoodies? I do

Big ones or the form fitting kind? oversized

Do you wear polo shirts a lot? I don’t wear polo shirts

Did you ever actually have a rubber duck? I do

Are you one of those people who claim to live with no regrets? I have many regrets

Do you love your computer? I hate this shit!

Do you basically like all of your clothes? most of them

Do you shop mostly with your parents, your friends, or by yourself? by myself or dad mostly

Do you know anyone inside and out? it’s not possible

Have you learned anything depressing lately? I have Do you worry a lot, or are you pretty much carefree? worry 24/7 What kind of camera do you have? cellphone, Benq and some old tiny thingy I lend for my mom and she hidden it somewhere and now she can’t find it lol Was today good or bad, or has it just started? it was a neutral day, there were good and bad moments, mostly bad or neutral What is something you know you shouldn’t do, but do anyways? I don’t know anything for sure Ever broke something really expensive? luckily not Is photography one of your interests? kind of Have you ever hurt yourself just to get attention? sigh... Do you write ever write poetry just to get your feelings out? rarely What is a sad song that you like? I like a lot of sad songs

Last time you drank water? should do that now

Do you own any platform shoes? not currently, I miss my black platforms, it’s been almost 10 years

Are you adopted? am not Do you like scrapbooking? a bit Do you collect anything valuable? valuable to me Have you ever had a cat meow at you for 20 minutes straight? not that long Do you own a lava lamp? nope Do you know anyone with an bulimia or anorexia? used to Have you ever thought about stepping in front of a car? jumping in front of the car Have you ever laid down in the middle of the street? no When was the last time you used a public bathroom? noon When was the last time you went to the zoo? zoo or petting zoo counts too?

Who do you plan on having wheel chair races with when you grow older? I'll die before getting old Have you ever woken up and realized that yesterday really happened? yeah... Do you know anyone without a middle name? me and not only How much did your latest sunglasses cost? 3 PLN Are you talking on the phone right now? I’m not

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