#asteroid city icons

[hsrrington]

like or reblog

#stranger things icons #maya hawke icons #robin bluckey icons #do revenge icons #asteroid city icons #do revenge #asteroid city #st icons #robin buckley #maya hawke #icons

[editfandom]

Midge Campbell - Asteroid City, 2023

#midge campbell #midge campbell icons #icons midge campbell #scarlett johansson #asteroid city #scarjo #scarlett johansson icons #icons scarlett johansson #scarjo icons #icons scarjo #asteroid city icons #icons asteroid city #movie icons #movies #film icons #icons #without psd #icon #natasha romanoff #natasha romanoff icons #marvel #marvel psd #marvel icons #black widow #black widow icons #edited icons #natasha romanoff aesthetic #natasha romanoff moodboard #scarlett johansson headers #marvel layouts

[hollywocd]

asteroid city like/reblog if you use them

#asteroid city #asteroid city icons #scarlett johansson #scarlett johansson icons #movie icons #movies #film icons #icons #without psd

[mondlevan]

asteroid city headers

“♡” or reblog if you save/use — follow me.

twt: @szamofada

#asteroid city #asteroid city headers #asteroid city icons #jason schwartzman #jason schwartzman headers #scarlett johansson #scarlett johansson headers #tom hanks #tom hanks headers #margot robbie #margot robbie headers #icons #layouts #headers #wes anderson #without psd #cinematography

[lovrwz]

☆ • 𝘚𝘤𝘢𝘳𝘭𝘦𝘵𝘵 𝘑𝘰𝘩𝘢𝘯𝘴𝘴𝘰𝘯 𝘪𝘤𝘰𝘯𝘴 •

★ • 𝘭𝘪𝘬𝘦 𝘰𝘳 𝘳𝘦𝘣𝘭𝘰𝘨 𝘪𝘧 𝘶 𝘶𝘴𝘦!! •

#scarlett johansson #scarlett johansson icons #actress icons #icons actress #movies #lost in translation #lucy #black widow #the avengers #asteroid city #marriage story #her #jojo rabbit #icons #icons without psd #twitter icons #actress #tumblr likes #reblog stuff

[gmzriver]

Margot Robbie as Jess Barrett in "Focus" icons.

like if you save or use

#margot robbie #margot robbie icons #barbie #barbie icons #focus 2015 #will smith #jess barrett #harley quinn #the suicide squad #birds of prey #babylon #ryan gosling #the wolf of wall street #once upon a time... in hollywood #asteroid city #i tonya #2010s #2010s nostalgia #2010s movies #2010s films #icons #twitter icons #films #films icons #girls icons

[jinxbishop]

Scarlett in Asteroid City!💙

#scarlettjohansson #scarlett johansson #scarlettjohanssonicons #scarlett johansson icons #asteroid city #icons #headers

[pqsupremacy]

𝙈𝙤𝙣𝙩𝙖𝙣𝙖 𝙄𝙘𝙤𝙣𝙨 ♡︎

#rupert friend #asteroid city #montana #montana asteroid city #icons #icons with psd #rupert friend icons #aesthetic #2023 #beauty

[iconsfinder]

#margot robbie #margot robbie icons #icons margot robbie #margot icons #icons #girls #girls icons #female icon #females icons #it girl #fashion girl #twitter stuff #twitter icons #barbie #barbie movie #suicide squad #asteroid city #babylon #amsterdam #once upon a time in hollywood #bombshell #i tonya

[nipply-castform]

so i have finally found an icon i want to keep forever (it's not the nipply castform) but i'm still trying to think of a url so anyway be warned a (hopefully final) change to my tumblr identity is coming!

#the icon will be the alien from asteroid city #nipply castform was always meant to be a placeholder anyway #i don't even like pokemon

[doktorphil]

Wes Anderson on the set of ‘Asteroid City’.

#Wes Anderson #Asteroid City #Icon

[hsrrington]

like or reblog

#stranger things icons #maya hawke icons #robin buckley icons #do revenge icons #st icons #maya hawke #do revenge #asteroid city icons #asteroid city #icons #robin buckley

[punksarahreese]

This movie solidified that Maya Hawke looks like a younger Tilda Swinton

#seeing the two of them in the same film lmao #icons #Maya Hawke #tilda swinton #CJ watches asteroid city

[netflix]

Spotlight: Adam Stockhausen

Production Designer, The Wonderful Story Henry Sugar

Oscar winning production designer Adam Stockhausen (not pictured above, that’s Benedict Cumberbatch), whose work you may know from Wes Anderson films like The Grand Budapest Hotel, Asteroid City, The French Dispatch, Isle of Dogs, and Moonrise Kingdom, as well as titles like Bridge of Spies, and West Side Story (2021), took the time to answer some questions.

Which details from or aspects of The Wonderful Story Henry Sugar did you focus the most on while adapting it to the screen? How did you meld Roald Dahl and Wes’s worlds?

The details on this one started with Dahl’s writing hut! We matched the details pretty carefully and exactly. As soon as we step outside of the hut though we start to move through the world of the story and the world of the stage at the same time. Wes had the idea of how he wanted to do this from the very beginning. My main challenge was trying to figure out how to pull it off—making the parts move and getting each to have the right detail.

What’s a small change you made on a project that ended up having an unexpectedly significant impact? 

Lots of times this happens—where what seems like a small thing at the time becomes a very significant turning point. I’m in Berlin now writing this and remembering being here scouting for East Berlin for Bridge of Spies. We were struggling to find a section of town that still felt old enough to show the early 60s, and decided to take a chance on a quick search in Poland. That quick search changed the whole production plan and ultimately gave us the look of our East Berlin.

How has technology changed the way you approach your work? 

Technology has definitely changed the way we plan the work. We used to model everything in cardboard or sometimes just plan in two dimensions with pencil and paper. We can now plan in 3-dimensional space using modeling programs and see what real lenses will do.  This allows for more accurate planning and makes scenery moves like the casino set in Henry Sugar possible.

Do you have any signature easter eggs you like to leave? Any small details that you are particularly fond of? 

I wouldn’t say there are easter eggs in this one. But there are loads of special details! I think my favorite might be the levitation boxes where we painted a perspective view of the background onto a prop box. The actor sitting on the box appears to be floating in a very special and theatrical way.

Did you talk about reflecting the iconic Quentin Blake illustrations in production design? How would you go about doing that? 

Not really. They are such incredible drawings and I’d say they’ve been inspiring me since I saw them as a child! But for this the starting point was really the machine Wes devised to move us through the story—and pairing that to specific references scene by scene.

There is such an intentionality to the aesthetics of a Wes world. Is there a set or frame that took you a long time to get perfectly right? 

All of them! It’s a very labor-intensive process getting these frames right. Occasionally one will click right away, but usually it’s a process of refining and refining. The jungle for instance went from sketches to models to samples and back again several times before the final look settled.

If you had to present one frame that showcases the best of your work, what would it be? 

Oh my. Maybe the jungle? I really enjoyed making the jungle!

With all the moving sets in the trailer for The Wonderful Story Henry Sugar, it feels reminiscent of a theatre production. Are there distinct differences in approach between film and theatre and how much do you blur the lines between them in your work? 

I think the lines are blurred completely! Or maybe they aren’t even there. I love that Henry Sugar is so incredibly theatrical in its storytelling.  It allows us to show the artifice of the sets all the time which somehow makes them even more satisfying when they finally do line up and create a complete picture. I think the casino set is a perfect example—the pauses where it all lines up for a second are even more enjoyable because we get to see it broken apart and sliding away.

Thanks, Adam!

#spotlight #entertainment spotlight #adam stockhausen #wes anderson #production design #filmblr #wes weaving #web weaving

[mondlevan]

asteroid city headers

“♡” or reblog if you save/use — follow me.

twt: @szamofada

june 16 in all theaters🏜️

#asteroid city #asteroid city headers #asteroid city icons #jason schwartzman #jason schwartzman headers #scarlett johansson #scarlett johansson headers #tom hanks #tom hanks headers #maya hawke #maya hawke headers #margot robbie #icons #layouts #without psd #wes anderson #cinematography

[mikrokosmos]

Alexandre Desplat - Main Theme to Asteroid City (2023)

Last night I went out to the movies with friends and we saw the new Wes Anderson picture, Asteroid City. This is the first time in a long time that I've seen a film in a theater and I do have a lot to say about the movie and the unique way that it shows the kind of crisis and anxiety that artists have in the creative process. But from the first moment I fell in love with the score by the acclaimed film composer Alexandre Desplat. Just as Anderson uses picturesque scenes and stock characters of Atomic-Age Americana to evoke a nostalgia for this idealized past we can only experience as artificial recreations, So Desplat turn to post-war American music to capture not only an atmosphere of the era but also of the American Sublime. There are only a few moments that his score comes through mixed with retro country western tracks. The opening of this “suite” holds us with a high-pitched note held over a melody in the lower register of the piano. This distinct “Americana” sound feels that way because it is reminiscent of Copland’s orchestral writing. But then the oscillating xylophone and bells brings in a pulse that makes me think of American minimalism with the likes of Steve Reich and Philip Glass. Little wind arpeggios come in to heavily emphasize Philip Glass' style of “minimalism”, which can be heard throughout his scores. And this nod to Glass ends with a long held organ pedal point in the bass, reminding us of his iconic score for Koyaanisqatsi (1982). Then, unexpectedly, the held note which opened the score is revealed to be the opening to the serene and otherworldly prelude to Wagner’s Lohengrin (or at least a short pastiche). Why reference Wagner here? I'm going to guess that this is related to the Wagnerian sound of heroism, triumph, and the sublime all being paired with the reminiscent love for the cowboys of the Old West. And these long held notes, and evoking the repetitive and potentially endless sounds of looping American minimalism come together to create a musical depiction of the American Sublime of endless Horizons and expansive nature and the quiet beauty that places like the Southwest has. I might be reading a lot into it and I don't want to argue that this is what Alexander Desplat had in mind when he decided to write in an American musical style for matching aesthetics, but I think this adds a nice little cherry of a detail on top of an already complicated and multi-layered film.

#Desplat #Alexandre Desplat #film music #film score #soundtrack #Asteroid City #Wes Anderson #orchestra music #Minimalism #American minimalism #Steve Reich #Philip Glass #Richard Wagner #Glass #Reich #Glass Koyaanisqatsi #Wes Anderson Asteroid City #Alexandre Desplat Asteroid City #classical music #Youtube #Wagner Lohengrin #Lohengrin