#as well as the extreme bias showing itself in the scene disparity of their characters

[galedekarios]

that interview is driving me insane i've been thinking about it for the past hour and i still can't wrap my head around it. i think what really gets under my skin is it just... contradicts with the text of the game. the most positive possible reading of the ending where gale blows himself up is that it was an unavoidable tragedy dictated by fate but even that's a stretch. to say it's a good ending?? or a satisfying conclusion to his arc?? i call bull. it's more infuriating because there is such a clear good ending for gale's character arc and it's the professor ending! his arc was about learning to accept himself as he was, to value who he is as he is flaws and all, and he's done that in the professor ending! and the god of ambition ending is a bad end for him but still ties into his overall arc in a satisfying if sad way (imo). the ending where he dies just... doesn't. which is fine as a tragedy but to imply it isn't exactly that, a tragedy, is wild to me. and it being so blatantly contradictory to the actual events of the game makes me think that whole thing was just catering to people who hate gale which like... why? people who don't like him don't care about his story so why pander to them like this?

uhg. i am sorry for blowing up your inbox like this i just feel like i'm gonna rip my hair out and need to express that to a fellow gale appreciator. i love gale's epilogue SO MUCH it made me feel for a bit like maybe the writers had actually changed how they felt about him but. nope! silly of me to hope for that. wish i could memory wipe that whole interview from my brain dark urge style.

don't be sorry at all! 🖤 i feel the same way in a lot of ways. altho i feel the need to mention that gale's writer, jan van dosselaer, was not involved in this interview.

i started to make a meta post about this yesterday, but reading things like this from gale:

act ii [after elminster] Player: An old man with a craving for cheese. Hardly the great wizard of legend. Gale: A wizard doesn't reach Elminster's age without enjoying their home comforts. Those who seek danger over cheese don't tend to live as long. Gale: For Mystra to have sent him... The severity of her bidding could not be clearer. Or weigh more heavily on me. devnote: reflecting on mystra sending elminster, of all people - a powerful individual, becoming reflective. Gale: Time seems so infinite when you are young... a month is an age, a year is a lifetime... it is a strange feeling, to realise how little of it one might have left. Player: You're seriously considering doing what Elminster said?   Gale: Of course - he offered the clearest solution to our problem. All I have to do is find the right place and time, close my eyes, and let go... devnote: Trying to sound upbeat, not fully engaging with what he's saying (that he's going to kill himself). Gale: Then the slate will be clean, wrongs will be righted, the Absolute will be gone... devnote: Trying to sound upbeat, not fully engaging with what he's saying (that he's going to kill himself). Gale: ...and I along with it. devnote: Still trying to sound upbeat, though this time the reality that this means he will die weighs a bit heavier

and:

act ii [act ii romance scene] Gale: I am terrified - I will not claim otherwise. My face could scarcely conceal it even if my words sought to deny it. nodecontext: Hushed, vulnerable Gale: There is no point in running from the inevitable. Better to meet it, on my own terms. nodecontext: Resigned

as well as this:

act ii [act ii friendship version] Gale: Yes... but there is so much to live for, and so few moments in which to house it all. Gale: Damn you. Damn you for giving me so much to care about. Our friends, our adventures... this would have been so much easier if it was just me. But it isn't. Gale: If there is a way - any way - to save all that's grown dear to me, I want to seize it. I just cannot fathom what that might be, other than to fail Mystra and condemn the world. Gale: Stay with me, will you? I don't want to think of it any more, but I don't want to be alone either.

act iii [before the netherbrain] Player: Gale... I think we should consider using the orb as Mystra intended. To blow up the Netherbrain. Gale: I'm getting rather tired of how often those I care about seem to reach the same conclusion.

when you have this:

and i just... couldn't finish the meta.

it's absolutely beyond comprehension for me how anyone could try to frame this as an ending that is the right one in "many ways", as the "guy who starts off annoying everyone", eating your "most priced possessions", having to "give back to the world".

for the founder of the company to say he wasn't "ready" the "first time", but he's finally "ready" now.

gale's death isn't only unnecessary, an instruction given to him by his former mentor on the behalf of a goddess, who would've sacrificed not only him but thousands of others to achieve her own goals, he doesn't want to die. he's terrified. he wants to live. he is offering this because he believes that his time has run out. because he wants his death to have purpose if it must happen. because he feels he made a mistake far bigger than he can ever make up for. because he doesn't want others to waste their chance at life like he feels he has. the will he leaves behind in the epilogue if he sacrifices himself isn't finished because he thought there would be more time. i could go on and on.

and again, the question is too... for what exactly does he need to "give back to the world"?

being perceived as annoying after coming out of what is presented as isolation and depression? asking for help with a now chronic impairment that feeds on his very soul and wreaks havoc on his body? for making a mistake? by that logic every companion deserves the same fate.

which brings me to the contrast to how most of the other companions are framed in this interview: k*rlach, "the labrador of the party". l*e'zel, "she's so young". ast*rion, "much of what he does it out of fear". sh*dowheart, "the jason bourne" and "victim of religous trauma". w*ll, "the true baldur's gate hero".

the difference is staggering. there's empathy here. there's at least a surface level understanding and/or appreciation of the characters there.

...and then you have gale.

it's alienating and disappointing to see devs have so little respect and care for their own character, as well as for the parts of their fandom who have grown attached to the character exactly for the strengths and flaws he has, for the struggles he faces and for the healing journey he can have if he is helped and lives.

#my opinion on larian has already changed to the negative for the way they've lied prior release re: what is actually in the game #as well as the amount of bugs and issues that other companies would be dragged through the mud for #as well as the extreme bias showing itself in the scene disparity of their characters #but this was really the final nail in the coffin for me #i also think that it would have been so easy to find a more diplomatic answer instead of choosing reddit talking points but that's just me #ch: gale dekarios #vg: baldur's gate 3 #series: baldur's gate #text: personal #text: asks #bg3 critical #larian critical #suicidal ideation cw #depression cw

[stillness-in-green]

MVA In Memoriam (3/5)

The Comprehensive Account of the Butchering of My Villain Academia

(Introduction and Part One, Episode 108: My Villain Academia) (Part Two, Episode 109: Revival Party)

Part Three, Episode 110: Sad Man's Parade

Chapter 229 – All It Takes Is One Bad Day

• The full first page, of Jin getting mobbed by Puppet!Jins, them tearing his mask off, and flinging it and then him away. Saved them a bit of budget, I suppose, but it’s a shame to lose the drama and the violence of Twice having his mask pulled away, since it’s decent foreshadowing (indeed, possibly intentionally so, on Skeptic’s part) for the violent bewilderment he’ll be subject to shortly.

• Re-Destro’s line, “Not when he’s using his meta-ability to puppeteer, unless you want another nagging lecture.” They didn’t keep the first nagging lecture, so of course they wouldn’t keep this. I’m still annoyed, both on general principle and at the loss of RD’s implication that these nagging lectures are a regular occurrence, especially if one tries to bother Skeptic when he’s using his meta-ability. Has RD himself been on the receiving end of one? Possibly so! But you’d be less likely to think so just from the anime.

• Re-Destro’s line, “This allowed our warriors to momentarily hold back and stay out of danger.” Because why would the audience need to know that Skeptic planned for and Re-Destro cares enough to observe something like that lol?? Obviously the MLA is perfectly content to just throw their peoples’ lives away because, whatever, more where that came from! Dammit, anime, the fandom believes this enough as it is without confirmation bias from your cuts!

• Skeptic’s “fufufu” laugh, because the anime is allergic to the MLA having fun.

• The police officer’s line, “Sure, but in a case like this, you’re still to blame.” The rest of the exchange hints at it, of course, but there’s a horrifying callousness to a police officer just saying straight to the face of a teenaged orphan facing his first offense, “Yes, you were obeying the law perfectly and this guy just ran out in front of you, but it’s going on your criminal record anyway, whatever.” A weight the anime lost, and another that makes me very suspicious of the patterns behind what, precisely, was put on the chopping block.[1]

• Jin’s narration, “That police officer couldn’t have known. Me neither.” Demonstrates that Jin doesn’t really hold his fall against the one policeman. It’s a consistent thread with Jin’s character that, while he’s very jaded, he’s not actually vengeful, nor is he looking to enact systemic change. While he’s very defensive of his friends, people who hurt Jin himself are never in any real danger of him coming to collect his pound of flesh in return; he just rolls with it as part of how the world works, in the way of someone who was never given reason to believe any different. This line is a good example of that.

• From Jin’s old employer’s angry rant, deletes the note that the client that called is angry, and that the client said, “That young punk of yours did this!” It’s nothing that wasn’t obvious from the rest of the conversation, but I do I think cutting it loses a sense that this guy is just unloading all of his frustration and fear on Jin. The length of the screed, the extra details—it clearly communicates that Jin’s boss is so angry and upset he’s not paying any real mind to filtering, but just recounting every point of contention the moment they come into his mind.

• In modern society, when you’re someone without roots… Well, not a lot of people can relate to that.” It isn’t just the police that failed Jin; it’s a whole society that’s distrustful of people who don’t have a place in the fabric, and thus are unwilling to try and bring them into it. Like Tenko, there are a thousand little places where someone could have reached out a hand, but no one ever did. The audience can intuit this, but I feel it’s better to be clear about it—it’s not just the legal system that screwed Jin over; it’s every other person that never tried to help him because they were afraid of his eyes or distrusted a guy who had no connections. When Shigaraki comes, he’s not going to be coming for heroes alone; he’ll be coming for this entire tapestry of indifference and timidity.

• Skeptic’s lines, “Hrm? Fighting back? I was sure he’d either flee or cower in place... We didn’t anticipate such unity between them.” This gets at two things. Firstly, and once again, that the MLA did their research; that they came into this with educated expectations and a definite plan. Secondly, an in-character observation of what the arc has been showing the audience all along: that the League isn’t just a disparate gang of hoodlums anymore; that they’re developing real bonds. Those bonds mark them as unusual—Re-Destro comments on it in 223, as did Overhaul in 147; even Mr. Compress remarks disapprovingly on Twice’s “habit” of getting overly attached to people. It’s striking that, even though the MLA knew from Giran’s records that the League was uncommonly well-bonded, Twice’s devotion still fell outside Skeptic’s parameters.[2]

• Again Skeptic’s line, “Now his legs.” The drones don’t actually get this far (though you can see them gearing up for it on the next page), so it’s a reasonable enough cut, but it does emphasize the ludicrous, over-the-top extremes Skeptic in particular is willing to go to in securing what he wants. If, you know, “Kidnap the doubler so we have a method to make copies of the Grand Commander at our leisure,” wasn’t bonkers enough.

• Twice’s line, “Even against Gigantomachia!” It really highlights just how much mental energy Twice has been dedicating to avoiding injury, that he was able to keep it in mind even fighting a foe as overwhelming, and for as extended a period, as Machia. And like, the anime blitzed over the Machia fight so quickly, and with so little visible wear and tear to the League, that it really could have used all the reminders it could find room for about how intense those six weeks were.

• Twice’s line, “I won’t watch a friend die!” Such an important line that the composer named an entire track for it, not that the anime gave us that track in the moment it was clearly scored for. They added in a new line later in the scene which mostly gets the important sentiments back in, but loses out in being slightly less fitting to his breakthrough. See the Additions portion of the write-up on Chapter 230, following.

Framing Shifts

• The policeman in Jin’s flashback looked up at him in the anime, where in the manga, his eyes stay down on his paperwork the entire time. I realize that anime can’t just still-frame every panel of a manga and call it an adaptation,[3] so characters will do things like move and look around in different directions just in the course of inhabiting a room, Still, in this case, it has the effect of making the officer look more alert and engaged than he was in the manga, and given that this whole chunk of backstory is about Jin slipping through the social safety net, it feels appropriate to me that the officer should be completely checked out.

Additions

• A new shot of Jin(s) in his pre-massacre doppelganger army days. Didn’t tell us anything we don’t already know—it’s little more than a new angle of the gang in the truck—but it was nice to see.

Bonus Note

• They left Re-Destro’s phrase, “My company,” alone when he was talking about the micro-transceivers Skeptic was using. That’s accurate to the manga, but I’d like to remind everyone that, at that point in the anime, viewers whose only reference is the anime itself have no idea that Re-Destro is a businessman. The show skipped the commercial, RD’s intro, the dinner scene where his company comes up, and Giran’s association of RD with Detnerat; it will further go on to skip Shigaraki recognizing him from the commercial. The news report mentioning Detnerat was ten full episodes prior to Episode 110, and was followed up on in not the faintest degree. For heaven’s sake, would it have been so hard to have Hirata Hiroaki say, “My Detnerat’s,” instead of just, “My company’s”?

Chapter 230 – Sad Man’s Parade

• Deleted the MLA members that are attacking Compress as they get pushed off by the Twice wave. Not the first time, and not the last, that the anime didn’t animate the random MLA people on the street. It’s hard to take the threat of their numbers seriously when the anime kept deleting them from what are supposed to be crowd scenes, you know?

• Mr. C thinking worriedly about Dabi as he’s mulling over Geten’s strength and disregard for catching his own people in the collateral damage. It’s just a, “Dabi—!” but it’s yet another tiny cut that shaves away at the manga’s clear depiction of Leagues’ concern for one another—even Mr. Compress, who claims that such things aren’t very villainous.

Framing Shifts

• Changed the random MLA’s exhortation to kill all the Twices to a generic, “Damn—!” I know American censors have often taken issue with the words “Kill” and “Die” in kids’ cartoons, but I was never of the impression that that was the case in Japan. And it’s not like the show made any bones about Curious planning to kill Toga. A rephrase to save a second and a half on dialogue, maybe?

• Had Skeptic give his lines about failure on the way over to the elevator instead of stalking over in silence, and then dumping the whole monologue all at once. The manga’s extended silence over three identically sized panels is much funnier and more characterful. I grow ever more confident in my assessment of Skeptic as the second-most ill-treated MLA character in this adaptation.

• The return of the Doom Choirs for the Twice Parade. I really wish the anime would lay off slathering Doom Choirs all over everything, especially a moment like this: a triumph for Twice, and, true to form for Twice, also crammed to the gills with visual and verbal gags. The Doom Choir is out of keeping with both the victory and the comedy—Mine Woman, later on, served the Parade much better.

Additions

• Gave Twice a new line, “I will protect my comrades!” It was nice to make up for his, “I won’t watch a friend die!” but the latter is more characterful, especially since a more literal translation is, “I won’t kill my friends!” Which is, you know, relevant to the fact that Twice has problems telling himself apart from things that just look like him, and he just had to intervene to stop some of those look-alikes from killing one of said friends. At least it got his use of nakama back in.[4]

• A new little cut of animation as the action went back to Geten and Dabi. I suppose the Dabi fans liked it, and it was nice to see more of Geten’s ice dragon, but I’d have much preferred they could keep the scenes we already have before adding new ones.

Chapter 231 – Path

The scene of Hawks wondering why he hasn’t heard from Dabi and his subsequent flashback to the last time they spoke were relocated to the beginning of Episode 102, the first thing the audience saw after the prior episode ended with Shouto inviting Bakugou and Deku to come intern with him at Endeavor’s. In the manga, of course, it’s not “a few weeks ago in Kyushu,” it’s “meanwhile in Osaka.” Also, the order of the scenes was flipped—the episode led with the flashback, then returned to the modern day. It really makes the timeline needlessly confusing—the viewer has no real context for what we’re seeing and when, especially since the anime neglected to specify how much time passed between the two scenes. You have to assume it was enough time for an outcry to be raised over Jeanist’s disappearance, but the random shot of a bird flying over was not at all helpful there.

          Alterations included (as usual, outright removed material is in bold text):

          1. Cut Hawks’ thought, “That’s why you keep calling,” and his line, “What’s the job?” I know I should give a breakdown here about Hawks’ mentality and training, but I’m afraid I don’t have it in me to complain about any lines Takami Keigo loses. God knows the anime gives him plenty enough bonus material.

          2. Spliced in the flashback scene of Hawks reporting to the Commission from Chapter 243, but subtly changed it to suggest that it took place after the phonecall in which Dabi demanded Hawks kill a non-Endeavor top hero, rather than it taking place right after Hawks and Dabi’s first contact, which is what the manga implies.

          3. Deleted several key shots in the Jeanist apartment scene, with the effect of making Hawks way less creepy. We got an anime-original shot of his eyes, narrow and serious, but not either of the shots of his big, off-putting grin and widened eyes as he pulls a feather-blade on Jeanist. We also lost a shot of Jeanist turning to face him, framed between extended primaries of Hawks’ Fierce Wings. It’s not like the anime dropped the fake!Dead Jeanist plot, so I’m not sure why the shift, unless it’s just that they wanted to keep Hawks likable for the merch-buying crowd, not creepy and unsettling. And while I personally never believed that Hawks really killed Jeanist, a lot of people thought it was plausible, no doubt based on how off-kilter he comes across in this scene. It loses a real frisson, to just play it straight.

• Shigaraki decaying a missile in mid-air. So Dabi can get those little animation flourishes but Tomura can’t, huh, anime? I see how it is. I. See. How. It. Is.

• Spinner’s little side comment about all the ice everywhere. A nice demonstration that Geten and Dabi’s fight really is affecting huge swathes of the city; that’s certainly apparent already in a bunch of the wide shots showing exactly that, but it’s helpful to have the more zoomed-in moments, too. Also, I do enjoy those little side quips wherever we get them, and the anime often removes them.

• Thinned out the crowd guarding the route to the tower somewhat (it’s particularly noticeable on the mid-distance rooftops) and, as best I can tell, removed Shigaraki and Spinner from the shot. Why keep all the lines harping on the 110,000 number when a) it’s not even accurate to the MLA’s forces, just the League’s assumptions, and b) the studio doesn’t even have the resources to adequately convey the numbers the manga does portray?

• Somebody in the crowd being defiant about Twice’s multiplication and vigorously declaring that the League are all just sacrifices for the MLA’s Revival Party anyway. The background nobodies? Allowed to express even bog-standard over-confidence? Well I never. How dare those people think their lives count enough for them to get dialogue.

• Spinner’s, “This keeps happening!” Of course he couldn’t have that line in the anime, since the anime cut the other big place Trumpet clearly used his power to rile up his followers. What other times were you even talking about when you said, “Every time he talks,” Anime!Spinner? That scene was the first time we even saw Trumpet since he welcomed you guys to town.

• Twice calling Re-Destro a cult leader. He just called him a damn moron (bakayarou) in the anime; he uses the considerably more specific baka kyouso (Google Translate gives “guru”; jisho gives “founder of a religious sect”). He uses the same term again immediately afterward—Viz’s translation gives, “More like chrome dome cult!”—which the anime also deleted.

          So here’s another example of the anime doing everything it could to erase the presence of cults in the HeroAca world. The easy assumption to make is that this was tied to broadcast standards about the depiction of what Japan refers to as “new religious movements,” which—and pardon the brief swerve into real life historical horrors here—have been very unpopular in Japan since Aum Shinrikyo and the sarin gas attacks in 1995. But were these elements removed because the anime didn’t want to represent anything that smacks of new religious movements at all, or because the depiction of both the MLA and particularly the CRC are explicitly villainous and calling religious movements, even made-up ones, evil on TV leads to a lot of angry phone calls?

• Re-Destro’s line, “Unlike my good Miyashita, there’s nothing charming about you.” Of course they’d cut this, having cut the Miyashita scene, but I hate it anyway. As I said earlier, RD’s invocation of Miyashita in front of two people who are going to have not the slightest clue who that is tells me that Re-Destro really does miss and feel bad about killing the guy. Cutting the reminder that RD still feels that sting makes it much too easy to assume that Shigaraki’s right about RD hiding up in his tower, uncaring of the blood shed on his behalf, when if you read Re-Destro with even the slightest of attempts at good faith, it’s clear that those losses weigh very heavily on him.

          Incidentally, and not to harp on the art again, but in the manga, Stress is still visibly spread down from RD’s temple to the ridge of his brow over his eye socket. The anime returned it back to its normal resting state, again suggesting that the death toll mounting in the streets below (as well as, possibly, the new stress of confronting a quirk as powerful as Double) left RD completely unmoved. The spread was back in the following shot, so it was probably just an art error, but it would be nice to have had fewer of those, especially when they impact characterization as much as what RD’s Stress blots are doing at any given time.

Framing Shifts

• Had Machia doing this weird cannonball skim just over the ground, when in the manga, he’s still half-buried, spraying earth and stone everywhere. The manga never namedrops Machia’s Mole quirk during the story itself, but it’s important to know for later that Machia can not only tear through obstacles, he can tear through obstacles extremely quickly.

Additions

• Gave Hawks a few new lines about how too many unexpected things happened for their last arrangement, and that Dabi should have given him more warning. Largely seemed to be there to give the anime an excuse to flashback to the High End fight, in case the viewers had completely forgotten about Hawks and Dabi having a clandestine meeting and sniping at each other in the aftermath of that event. An understandable addition, but deeply frustrating in the context of all the lines that got cut.

Chapter 232 – Meta Abilities and Quirks

• Dropped a third instance of Twice calling Re-Destro a cult leader. I don’t know what the S&P restriction is on this, but given that the movie was allowed to create and villainize an entire international terrorist cult, it is really incomprehensible that the MLA doesn’t get to keep their designation as such. Why?? Because the movie involves going out and defeating its cult, but the series is going to engage in a more sympathetic treatment?[5] Because the self-selecting movie crowd is less likely to complain than the TV audience? Did they just not want to draw attention to how much the movie was ripping off the MLA’s whole shtick? What??

• Missed that RD’s swole arm swipe wipes out the puppets Skeptic left behind; they just vanished from the scene entirely after Twice’s arrival. It’s hard to blame the anime for this; the manga also seems to lose track of the fact that they’re right there in between RD and the elevator—they’re nowhere to be seen anywhere between the end of Chapter 231 and the aforementioned arm swipe, where you can see them getting obliterated. Both versions could have stood to be more attentive to this; indeed, the anime could have fixed it, small error though it is.

• A sort of twitchy sparking around Shigaraki’s hand right after he decays the tower. This is foreshadowing that Shigaraki’s big AOE decay attacks are hard on his body, which will become extremely apparent after he unleashes it on the city at large during the climax, and factors into his decision to accept the mysterious power Ujiko offers. The damage Shigaraki sustains there doesn’t come out of nowhere; Horikoshi is, on the whole, extremely good at layering in foreshadowing many chapters before the foreshadowed elements come fully to light. It makes the writing look much messier than it actually is—more convenient, more pat—to delete this stuff.

• Shigaraki recognizing RD from the Detnerat commercials. Well, they ditched the Detnerat commercial, so of course they ditched this. Still, it lost one of the indicators that Shigaraki is, despite not receiving a formal education, actually quite up to speed on current events—even, apparently, when those current events are happening while he’s been fighting Machia in an isolated stretch of mountains for six weeks! I already suffer enough through fanon characterizations of Shigaraki in which he’s a basement-dwelling feral manchild glued to his gaming console whom AFO bans from accessing information about the outside world, anime! I don’t need you dropping the scenes that most clearly demonstrate otherwise!!

• In the anime, Baby!Chikara’s face was unmarked, just a normal infant face—you’d never even know the kid had a meta-ability just to look at him. In the manga, the skin of his face is clearly darker, contrasted against the paleness of his mother’s hand. It’s obvious that he’s not “normal” looking, and thus equally obviously would have attracted negative attention in his era.[6] Also had his mother smiling; her face in the manga is too shadowed and vague to make out an expression, befitting the murky tragedy of her story and the fear she must have been living with.

Framing Shifts

Additions

• A little thing: they had Twice echo, “Cushion?” when Clone!Shigaraki told him to get ready to cushion Giran’s fall. If anything, Re-Destro and his little thought-bubbled question mark is probably the one who should have had this reaction line.

• Added a visual for Clone-araki catching himself on the window. A perfectly reasonable way to fill screen time while a dialogue beat was ongoing.

• Added a panning still over a reaction shot from a bunch of Twice clones when the tower came down. It had a few good faces in it.

                                                           ---

So, generally, this episode was better. I definitely still had issues with it, but compared to what came before, when they were trying to cram 5+ chapters into the episodes, there were far fewer cuts, and what cuts and tweaks there were, were relatively minor. Definitely nothing that made me want to throw chairs Jerry Springer-style the way 108 and 109 did.

Sadly, I can't say the same for the remaining two episodes. Come back next time for Part Four, Episode 111: Shimura Tenko, Origin.

FOOTNOTES

[1] After witnessing the massacre that was Episode 108, I was convinced they were going to cut the policeman scene entirely, and just go right to Jin getting fired for hitting someone with his bike, letting the audience think it was his fault completely rather than cast aspersions on police and the justness of the law. I was pleased they kept it at all, but less pleased with the steps taken to soften the sharpness of its accusation.

[2] Of course, it’s not like the MLA themselves don’t understand the willingness to give everything for the people who matter. They just label those feelings Devotion To The Cause, and don’t think the League is capable of such resolution.

[3] Netflix’s Way of the House Husband, be told.

[4] Nakama is, of course, a shonen standby, but, to the best of my knowledge (which is admittedly limited; I don’t follow a lot of shounen series), it’s pretty rare to hear the word coming out of a villain’s mouth! Jin calling the League his nakama ties into how the League are both sympathetic villains in the larger story and also the protagonists of the current arc, thereby operating under a lot of protag tropes for the duration—foreshadowed by Spinner’s earlier talk of Shigaraki and his boyish, dream-chasing eyes.

[5] Sometime after the mass arrests, one hopes.

[6] This could well be a coloring error in the manga, but if so, you’d think they’d have corrected it for the volume release. Especially given that, again, the color is in a different shade/screentone than the shadow that covers most of his mother’s face, and her hand stroking Chikara’s chin isn’t shadowed at all.

#my villain academia #bnha #bnha meta #boku no hero academia #my hero academia #my writing #stillness has salt