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#and more scrawny maybe
bluebirbbb · 1 year
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little arthur malevolent lester portrait because my brain is full of him
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nubs-mbee · 3 months
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I hope the podcast will soon answer these big questions
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s0up1ta · 1 year
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have an oc i made for an english project-
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his name is larry
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scrawnytreedemon · 5 months
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Lady of the Stars.
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teeth-draws · 2 years
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“You are a scholar, are you not?”
@shepherds-of-haven‘s Red + my MC Halle as Milo and Kida for Halloween huehue
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wefoundedrome · 6 months
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Tldr I feel like im actively putting so much effort into being the perfect easily digestible trans person especially when talkinf to cis ppl and yes it probably helps them or whatever but its so draining and it makes me miserable
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baylardian-1 · 2 years
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Karr is probably my BIGGEST FAVE antagonist in Star Trek: Voyager. :) His chemistry with Janeway is MAGICAL to me. 
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just-a-tiny-goldfish · 9 months
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Thinking of an alternate universe where Ortega never had to get modded—I like to think they turned out a lot scrawnier more visible scars—and I like to think that by some weird fate shit, they still meet sidestep.
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shellyseashell · 1 year
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I literally can’t take any willow criticism seriously there’s so much sexism it’s almost funny
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castielmacleod · 1 year
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Oh actually you know what would be fun. Maybe hellhounds are most of the time fairly average in size and looks and could actually be easily mistaken for normal earthly dogs. But the moment there’s something to attack they suddenly grow HUGE and open four extra eyes and they sprout two extra rows of fangs and their jaws unhinge and drip black slobber and spikes raise along their spines and their tails transmute into snakes and their paws scorch the ground and their eyes glow like hellfire and they bark so loud your ears bleed and then when it’s over they just turn and shrink and go back to looking like a normal dog like nothing even happened.
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aeide-thea · 1 year
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not totally sure what reminded me of this, but—if i had a nickel for every witcher fic describable as 'geralt and jaskier get plunged via magic into a mysterious hall without apparent entrance or exit, where every door opens onto some scenario from their own lives, either remembered or imagined, and by the end of the story they're holding hands…' admittedly i'd still only have ten cents, but it's kind of wild to me that there's more than one!
Opening Doors by chamomiletea
A short fic in which I again engineer a fanciful and unlikely way for a magical mishap to bring Jaskier and Geralt together. Trapped in an underground chamber with four mysterious doors, the two both discover and reveal more than they had intended.
nothing is lost that is born of the heart by inexplicifics
Little fool, the mage had said. If you care for your pet witcher so much, go and find him. And then Jaskier was here, with his pack and his lute and - thank Melitele - a torch, and no idea where Geralt might be, or what sort of condition he’ll be in when Jaskier finds him, or what sort of dangers might be lurking between here and there. And no idea where here is to begin with.
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queer-chnospinci · 1 year
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Not to be annoying on main but WHAT does this author think what a longsword is??? Or like a sword in general
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torchiiko · 2 years
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will ralseis clothes fit the spamton plush even a little bit bc lemme tell you if i cant put him in ralseis little butler outfit i will be quite sad
semi related thought are they taking so long to come out bc voicebox naturally means longer production time Or are they making an unfathomable amount in preparation
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mcmansionhell · 3 months
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we've found it folks: mcmansion heaven
Hello everyone. It is my pleasure to bring you the greatest house I have ever seen. The house of a true visionary. A real ad-hocist. A genuine pioneer of fenestration. This house is in Alabama. It was built in 1980 and costs around $5 million. It is worth every penny. Perhaps more.
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Now, I know what you're thinking: "Come on, Kate, that's a little kooky, but certainly it's not McMansion Heaven. This is very much a house in the earthly realm. Purgatory. McMansion Purgatory." Well, let me now play Beatrice to your Dante, young Pilgrim. Welcome. Welcome, welcome, welcome.
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It is rare to find a house that has everything. A house that wills itself into Postmodernism yet remains unable to let go of the kookiest moments of the prior zeitgeist, the Bruce Goffs and Earthships, the commune houses built from car windshields, the seventies moments of psychedelic hippie fracture. It is everything. It has everything. It is theme park, it is High Tech. It is Renaissance (in the San Antonio Riverwalk sense of the word.) It is medieval. It is maybe the greatest pastiche to sucker itself to the side of a mountain, perilously overlooking a large body of water. Look at it. Just look.
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The inside is white. This makes it dreamlike, almost benevolent. It is bright because this is McMansion Heaven and Gray is for McMansion Hell. There is an overbearing sheen of 80s optimism. In this house, the credit default swap has not yet been invented, but could be.
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It takes a lot for me to drop the cocaine word because I think it's a cheap joke. But there's something about this example that makes it plausible, not in a derogatory way, but in a liberatory one, a sensuous one. Someone created this house to have a particular experience, a particular feeling. It possesses an element of true fantasy, the thematic. Its rooms are not meant to be one cohesive composition, but rather a series of scenes, of vastly different spatial moments, compressed, expanded, bright, close.
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And then there's this kitchen for some reason. Or so you think. Everything the interior design tries to hide, namely how unceasingly peculiar the house is, it is not entirely able to because the choices made here remain decadent, indulgent, albeit in a more familiar way.
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Rare is it to discover an interior wherein one truly must wear sunglasses. The environment created in service to transparency has to somewhat prevent the elements from penetrating too deep while retaining their desirable qualities. I don't think an architect designed this house. An architect would have had access to specifically engineered products for this purpose. Whoever built this house had certain access to architectural catalogues but not those used in the highest end or most structurally complex projects. The customization here lies in the assemblage of materials and in doing so stretches them to the height of their imaginative capacity. To borrow from Charles Jencks, ad-hoc is a perfect description. It is an architecture of availability and of adventure.
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A small interlude. We are outside. There is no rear exterior view of this house because it would be impossible to get one from the scrawny lawn that lies at its depths. This space is intended to serve the same purpose, which is to look upon the house itself as much as gaze from the house to the world beyond.
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Living in a city, I often think about exhibitionism. Living in a city is inherently exhibitionist. A house is a permeable visible surface; it is entirely possible that someone will catch a glimpse of me they're not supposed to when I rush to the living room in only a t-shirt to turn out the light before bed. But this is a space that is only exhibitionist in the sense that it is an architecture of exposure, and yet this exposure would not be possible without the protection of the site, of the distance from every other pair of eyes. In this respect, a double freedom is secured. The window intimates the potential of seeing. But no one sees.
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At the heart of this house lies a strange mix of concepts. Postmodern classicist columns of the Disney World set. The unpolished edge of the vernacular. There is also an organicist bent to the whole thing, something more Goff than Gaudí, and here we see some of the house's most organic forms, the monolith- or shell-like vanity mixed with the luminous artifice of mirrors and white. A backlit cave, primitive and performative at the same time, which is, in essence, the dialectic of the luxury bathroom.
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And yet our McMansion Heaven is still a McMansion. It is still an accumulation of deliberate signifiers of wealth, very much a construction with the secondary purpose of invoking envy, a palatial residence designed without much cohesion. The presence of golf, of wood, of masculine and patriarchal symbolism with an undercurrent of luxury drives that point home. The McMansion can aspire to an art form, but there are still many levels to ascend before one gets to where God's sitting.
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yuridovewing · 9 months
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Someone liked an old post I made about Littlecloud on my main so I doodled LittleCinder while watching Pokemon
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