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#and her relationship with izuku and their dynamic is beautiful even if it only exists in my head and writing
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when i finish writing my nejire-centric nejire and izuku senpai and kohai fic it’s all over for u people. emotionally. because writing nejire was sad somehow
anywayyy here are some snippets, because this fic is really fun to write and i’ve enjoyed working out how to characterise nejire,
Nejire Hado. Second year. Best friends with Mirio Togata and Tamaki Amajiki. They’re all very good with their quirks, though they didn’t place well in the recent sports festival.
When Nejire’s quirk first manifested, she couldn’t get a handle on it at all.
Wave Motion was volatile, setting off whenever she jumped up and down or waved her hands about in excitement. What followed afterwards was days full of sleep and worried adults catching her hands and bunching them into fists to keep the spiraling energy at bay.
“You can’t keep moving your hands like that,” Mama said one day, her bigger hands wrapped around Nejire’s. “I’m sorry, Nejire. I know you’re excited, but until we can get you to see a quirk counsellor, we’ll just have to be careful.”
Arms behind her back, hands clasping at her wrists - even now it’s a habit.
/
“Hey, hey, hey,” Nejire says, leaning around the corner of a building to catch a look at the fight going on in the alleyway. “What’re you doing that for? Why are you bullying that kid? That doesn’t seem very nice, you know. Maybe you should stop.”
It’s still bright and school let out a little while ago. 
Nejire had wanted to hang out with Mirio and Amajiki because even after a year having friends is still new and amazing. She really likes them both and they’re so weird and so much better than all her old classmates who were normal and not like her at all.
But Mirio’s grandma is visiting today. 
Nejire had wanted to come and meet her, and she’s pretty sure Mirio would have let her, but her classmates had taken her aside and said, “Those things are just for family, you know. It’s really cute that you want to join, but you have to think about others, Hado-chan.”
She’d smiled at them and said, “Oh, right! I get it now!”
She hadn’t gotten it, and she’d sat in a bathroom stall at lunch and cried more than a little. And when Mirio asked if she wanted to come see his grandma with him and Amajiki, she’d said that, actually, her mama wanted her home early today.
Mirio had frowned. He and Amajiki had both been disappointed.
Her classmates were wrong, probably.
/
“You okay?” Nejire asks, holding out a hand, ignoring the pained groaning behind her. She leans in, almost nose to nose with the kid. “You’re not seriously hurt, right? Do those guys hit hard? They didn’t really get a chance to hit me. They’re so weak. Hey, you’re looking a little pale. Are you oka-”
The kid squeaks. His cheeks flush.
Nejire blinks and waits.
“Y-y-y-you’re- the- UA-” he gets out. “Y-you’re- from the sports festival! You have an amazing quirk!”
It really seems to take a lot to say it, but as soon as it’s out the kid can’t seem to stop, flushing and mumbling and stuttering.
“T-the way you used it was s-so cool! A-and- Wow! I can’t believe- I mean,” A bruised hand wrestles through his hair. “You’re so cool and your quirk is so cool and I can’t believe I get to meet you! This- this- i-it-it’s so-”
The kid stops and gasps for breath, hands grasping at his chest.
“Woah!” Nejire says, impressed. “You talk a lot. Are you always like this?”
/
Izuku is really weird, which makes him interesting. Nejire doesn’t like normal people so much. She either gets to the end of her questions quickly and gets bored, or they snap at her for being too pushy.
While Izuku is twitchy and shifty, he answers all of her questions happily and even asks some of his own in between his mumbling.
“Is chocolate okay? Or do you like strawberry? Hey, what’s your favourite ice cream flavour?” Nejire asks once they get to the ice cream place.
Izuku fumbles with his hands, eyes cast to the ground. “I, uh...I like...uhm, well, anything is fine…”
“Which one’s your favourite, though?”
“M-matcha,” Izuku squeaks.
Nejire nods. “I don’t really like that flavour, but Mirio likes it - he likes lots of things. It’s too bitter for me, though, and Amajiki likes weird flavours, like squid ink and octopus.”
“A-Amajiki and M-M-Mirio?” Izuku asks, his eyes lighting up. “From the sports festival?”
“Yep!” Nejire says, popping the ‘p’. “They’re my friends!”
Just as she’s hoping, Izuku starts rambling about the two boys. It’s a great topic, cause Nejire knows a lot about them and Izuku wants to know about them and Nejire likes talking about the things she knows lots about.
/
She finishes off her ice cream (strawberry. She doesn’t have a favourite flavour, though most people do and that’s super interesting) and lets the spoon fall into her bowl with a clatter. Izuku pauses mid-sentence, spoon full of green ice cream held half-way to his mouth. He blinks.
“I’ve decided,” Nejire beams. “Let’s be senpai and kohai!”
The flustered wail that Izuku lets out is loud.
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mysterylover123 · 5 years
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BNHA Rewatch: Two Heroes
mysterylover123
And before we start Season 3, one more road stop: The Big Freaking Movie, Two Heroes, last year’s surprise anime blockbuster and HeroAca’s first excursion onto the big screen. Time to share my thoughts and rewatch this very entertaining film!
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We open with bald eagles, deserts, and cowpoke themes, to make sure we know we’re in America. We fly into “California” which looks more like Las Vegas (not really complaining, I loooove that they picked my hometown state for this) to find young, white schlera eye-having All Might and his hunky bro David Shield kicking ass and taking names. My state’s name, to be precise. 
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Some exposition follows, basically recapping the premise of HeroAca, as I’m reminded of what a stroke of genius Hori had when he decided to make the MC an easy expositor thanks to his geeky knowledge of all things Hero. Deku will always be Captain Exposition.
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Melissa! She’s fun and adorable and amazing, and I just love that the first HeroAca movie chooses to focus on a geeky, kind and energetic lady. 
Deku looking back and forth between Melissa’s breasts and All Might’s crotch belt is peak Bi energy.
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I’m so jealous that Melissa gets to touch Deku’s hand.
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Melissa describing All Might as someone David ‘loves’ is just throwing away all pretence of his heterosexuality, if it ever existed. How the hell did this guy end up with a kid?
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Deku blushing around and enthusing over both Melissa and David is max bi energy.
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Uraraka’s Annoying Crush Counter: 5
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But I’m glad the girls are here! The Bones animators clearly know well what the fanbase wants to see, choosing to give all 6 class 1-A girls at least a cameo in the film, and three of them involved in the main plot. I especially love that, despite being initially pitted against each other, Uraraka and Melissa develop a bit of a womance in the film. OchaLissa ship!
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My one major regret about this film is that Mineta is included in the Main Cast. I wish either Mina or Tsuyu had come along for the ride instead - one, they’re better, more lovable characters who could do the same job he does, and two, then we’d have a nearly gender-even cast! (6 Boys: Deku, Katsuki, Tenya, Shoto, Kiri, Kaminari; 5 Girls: Ochaco, Momo, Jiro, Melissa, Mina or Tsu). 
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Kacchan makes his appearance! This bit was leaked online before the film’s release and drew quite a lot of ire from BKDK shippers and Bakugo fans. I’m mostly annoyed that Deku is acting OOC here; this is Post-Final Exam Deku, post Hero Killer Deku. Would the guy who punched All Might in the face and Bakugo in the face and the Hero Killer in the face be cowering in fear behind Iida, the guy whose life he saved, from the guy he, only a few weeks ago, punched in the face?! Badass Deku Rights!
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Ooh a wild Todobaku moment! I always love when they bicker. Or rather, Katsuki bickers and Shoto ignores him.
OH NO you cannot slap me with the Ingenium OST theme and hardcore feels out of nowhere! God this scene is heartbreaking. I love, however, the cut to the whole of Class 1-A and Melissa when they talk about the future.
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AH Bakugo’s feet! Why are we staring up his crotch? So this movie has a lot of KiriBaku scenes, and I should probably talk about them a little, since their friendship is a big deal in S3. They’re the only major HeroAca ship I’ve never shipped as a romantic pairing, per se. Like, in this scene, I see Kiri as Katsuki’s wingman, his bro, the guy who teases him about his obvious feelings from someone, not as the guy he has feelings for.
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And for Kiri’s sake, I kinda dislike making him basically Bakugo’s sidekick. He willingly hangs out with the guy, when he wants to, in canon, he doesn’t follow him around and become the butt of the joke, and he has lots of other relationships in canon to draw from, so this dynamic between them doesn’t appeal to me.
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Melissa being a quirkless kid like Deku is a great idea for the film, especially since she and David still find a way to help others. They’re a brighter image of the person Izuku could have been. 
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Full Gauntlet is pretty cool
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Everyone dresses up pretty! The movie suits/dresses are awesome and (almost) everyone looks great. Why Deku is wearing a baggy zoot-suity mess is beyond me, but hey, he sheds it pretty quickly so I’m not complaining. 
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If by ‘female assassin’ you mean Beauty Queen. Jiro is gorgeous.
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OK the plot ensues! Darn, I could’ve easily enjoyed a movie that was just everyone hanging out and goofing off...ah well, I still love what we got.
This villain does what neither Tomura nor All for One could ever do! Subdue All Might! My god he’s a criminal mastermind!
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Deku wants to help, and everyone but Shoto basically piles on the bandwagon afterwards. “And me!” “And me!” “Me too!” “And Me” “Nobody cares Mineta.” I like how they bring up the Powers dilemma, since that’s a big deal in Season 3.
I was pretty impressed by the amount of level grinding our heroes had to do to make it to the top floor. 200 freaking floors, that’s impressive.
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Todoroki saved Bakugo! Yay! BTW I love all the tactical planning stuff in this portion, and how lots of characters get to contribute.
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10 little superheroes, trying to save the day. Two got lost and then there were eight.
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8 little superheroes, escaping from the garden. One saved the others and then there were seven.
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7 little superheroes running against the sea, four were trapped by robots and then there were three. (i don’t count mineta). 
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Three little superheroes, reached the top and flew; one had to float them so then there were two. (she’s fine, Bakugo saved her. Save to win!)
Two little superheroes, faced with a gun. One fell out the window and then there was - never mind, she saved him, he’s fine.
That was fun. Anyway, to sum, the group gets split up as they work to get to the top, leaving only Deku and Melissa to reach the final boss dungeon. Highlights include the usual Kamijiro bantering, Todobaku making an awesome combat move, Uraraka standing against the coming onslaught of robots in a weirdly dramatic scene, and Reciproburst.
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Dislikes include Kirishima being portrayed as not much use and kind of stupid (c’mon, he can do better than that!) and Uraraka not getting to kick any real ass other than floating Melissa and Deku. 
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So we make it to Dramatic Plot Twist Tower and find out that David set up the whole thing. I joke, but I actually didn’t see this coming the first time around and was genuinely surprised. I also think it fits really well with the story they’re telling here: about trying to hold onto the past and forgetting to look to the future. I usually measure good plot twists in terms of how they change the story, characters and themes, and this one does.
On the other hand, Sam betraying him is just kind of silly. “Oh no, not...that guy!”
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The villain being named Wolfram makes me wonder if there are any secret Buffyverse fans on Bones’ writing staff. With the next movie’s villain be named Hart?
I love how Melissa is a quirkless character who gets to save the day every bit as much as the powered ones. Also, Deku is freaking awesome in this scene, ngl. It has vibes of his fight with Muscular, that “pinned by an unstoppable wall” thing.
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And this has vibes of Deku vs Overhaul trying to save Eri. OMG S4 IS GONNA KILL ME. Anyway Deku tries really really hard to save David Shield and does lots of cool leaps and gets beaten up while doing it, enough to earn some of Wolfram’s respect, but is unable to. Fortunately...
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Watashi Ga Kita!
But then...duh duh duh! Wolfram has that power-enhancer-plot MacGuffin! Actually, it’s not a MacGuffin now, because now we the audience kind of care about it. It has weight, it’s significant. The characters care about it, but there’s more to it than just being an interchangeable object.
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I LOVE how they animated the metal on this guy. That’s Metalbending. OMG. 
Class 1-A showing up and kicking ass as always. I just wanna quibble for a second with how this movie uses Howitzer Impact: a giant mind-blowing explosion in manga canon, a small underwhelming fizzle here.
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DUH DUH DUH DRAMATIC PLOT TWIST. Again this one floored me the first time around. My jaw actually dropped when AFO’s theme started playing. Holy crap WHAH How what how. I’m not as excited about this plot twist, as it basically just happens for the sake of being shocking, but hey, that is clearly something AFO would do, and I like seeing him and hearing his theme here anyway, so who cares. Just roll with it!
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And now, the reason this movie was made and the premise behind it. We never, in the canon of the manga, actually get to see All Might and Deku fight the same villain at the same time, so the movie I think was made for that purpose: DOUBLE DELAWARE DETROIT SMASH + YSR
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OH YOU SAY RUN. You could soundtrack a scene of people sitting around staring at the wall and turn it into the most epic thing ever. I will never get tired of this beautiful, peerless, impossibly good composition. And this is honestly one of my favorite YSR scenes, because dayum, you can’t get much cooler than the Double DD smash. 
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Visual storytelling here is on point. David Shield’s image of All Might turning into Deku is perfect.
We end on a sunrise, fittingly, and Long Hope Philia sountracked credits - with a small bit of depressing to end on, as we see David is probably gonna get arrested and All Might can’t do nothing about it.
Two Heroes is great. My quibbles with it are all minor. It’s the perfect first movie for BNHA; it is big and bombastic and action-packed, but more important, it gets what MHA is about at it’s core. BNHA is a story about the prior generation of heroes (and villains) passing the torch down to the next one. You know, like how teachers pass info onto their students in Academia. The movie gets that, and it delivers it with aplomb. It’s a great script, every scene and moment is necessary and everything happens in the right place and right order. It’s a thrill to watch, and I can’t even begin to imagine what insane stuff they’re gonna put in Movie #2 BKDK Boogaloo. Starting S3 tomorrow!
BKDK CORNER:
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On a rewatch, I’m a little more OK with this scene, because Deku pretty quickly bucks up and takes the challenge - and he doesn’t exactly cower from Kacchan, Iida just gets in the way. I also love that gay sounding “Kacchan, people are watching!” line in the sub. 
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All of Deku’s Love interests where white flowers on their fancy wear.
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NGL this is my favorite part of the movie. That is the sweetest, softest, most endearing smile Bakugo has ever had, and Todoroki seeing it and smirking is just perfect. Baku is peak Tsundere in this scene.
RANKER: The Formal Wear
Girls:
4. Momo - I like the tiara, and the dress is kind of a nice color.
3. Melissa - pretty but a little birthday cake-y.
2. Ochaco - Very cute and well-tailored. The tights really sell it.
1. Jiro - unconventional is the winner of the day here.
Boys:
6. Izuku - Deku where the f did you get that suit? Take it off, please. Why is your taste in clothing so bad.
5. Kirishima - it’s ok, but a little generic.
4. Kaminari - the waiter look isn’t half bad on him
3. Iida - sharp dressed, of course. It looks nice!
2. Todoroki - perfectly handsome, and of course his suit is white.
1. Bakugo - that vest tho. damn. 
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recentanimenews · 5 years
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Fans Give Their Hot Takes On The Anime Awards
More important than the Oscars, the Grammys, and the Havelock, North Carolina Chili Cookoff combined is the Anime Awards. It's that wonderful time when we can look over the past year of anime and bestow honors upon the ones that most touched our hearts. And with them looming ever closer, we asked some of y'all to give us your hot takes on who YOU think should take the trophy in some of the categories. And you didn't disappoint. Your answers ranged from surprising to thoughtful to inspired, so we decided to collect the twelve best of them and post them here for the rest of the internet to love and appreciate and then, as the internet does, nitpick into oblivion. 
  I'm gonna go down category by category, and what better category to start with than the big one: Best Anime.
  BEST ANIME
  "Yorimoi for AOTY" by Cameron (A Place Farther Than The Universe)
  A Place Further Than The Universe was the best anime of the year. It was the best anime by far and no other show came even close. There were plenty of other shows I loved this year like Laid-back Camp and Revue Starlight but none of those shows compare to the good good Antarctica girls. The show teaches amazing lessons and made me cry many times. The email scene at the end of episode 12 made me cry for hours and I still tear up every time I think about it. It's just genuinely one of the best shows I've ever seen. This is my new go-to recommendation for people who want to get into anime. Their adventure is so inspiring and it deserves anime of the year. 
  "Devilman: Crybaby" by Manic Stylo (Devilman Crybaby)
  It's been almost universally accepted by both formalist and populist anime fans that Devilman Crybaby has the qualities of an instant classic. From its unique visual direction, infectious soundtrack, and unrelenting use of adult content, Devilman Crybaby breathes new life into Go Nagai's classic manga and beautifully streamlines it for a contemporary audience. Remaining mostly faithful to its source material, director Masaaki Yuasa's sensibility for abstract and avant-garde visuals makes for a delightfully nightmarish fever-dream adaptation of Nagai's original concept (it's a match made in heaven...or hell in this case). As far as adult anime go, Crybaby is consistently balanced fare with uncompromisingly violent action for anyone who just wants a fun romp, solid thematic undertones for those who want more bite out of their shows, and tastefully implemented real-world commentary if you want more than just escapism. A hyper-stylized modern gothic masterpiece, whether it worked for you or not, Devilman Crybaby will not leave your subconscious any time soon.
  "Zombies But Still Alive" by Jouii-chan (ZOMBIE LAND SAGA)
    2018 has been quite the year for anime. It's my first year that I've been watching and keeping up with seasonal anime with Crunchyroll! But one show stood out to me, and that show was Zombie Land Saga. For the first few episodes, I was pretty doubtful about the series. I mean, an idol anime with zombie girls? That was just plain crazy!
  But as the show went on, I realized Zombie Land Saga was more than some silly comedy show. It was beauty. All the characters had great chemistry, and the music was great. It got me addicted to it with it's great music too. The best part of the show was how it showed the indomitable human spirit and how even through the toughest of storms, anyone can prevail. Sakura provided a great lead with her past sucking her of all her confidence, yet she overcomes this to lead Franchouchou to a great future. Zombie Land Saga was one of the surprises of 2018, and I was always hyped to watch the new episodes when they came out.
  "Violet Evergarden: An Anime for a Lifetime" by James (Violet Evergarden)
  Violet Evergarden is an anime that grabs your heart. The loss of a father, mother, daughter, son- the fears of rejection, regret, and failure- Violet Evergarden reaches inside you, and pulls tight on these strings. It's not just a post-war story; Violet Evergarden is a somber filled tale that elicits a strong sense of empathy from the audience. Beautifully rendered and well-paced, the story features a subtle escalation in heart ache and healing. Each episode takes the time to fully immerse the audience in a complex micro-story filled with very human lives. This anime understands the importance of a well developed character, and spends it's time wisely weaving this incredibly vibrant, living world. Story aside, the animation and artwork are absolutely stunning. When paired, the audio and visual cues truly bring the world of Violet Evergarden to life. From start to finish, there is no other animation that delivers a more compelling sense of catharsis and satisfaction, and that is why I believe Violet Evergarden deserves to be Anime of the Year.
    Best Boy
    "I Would Lay Down My Life For Toono Hiyori" by Nija (Free! -Dive to the Future-)
  200 words definitely aren't enough to properly convey my intense love and appreciation for my everything, the light of my life, the absolute blessing that is Toono Hiyori from Free! but I'M STILL GONNA TRY because he deserves everything. Starting out as a fun antagonist, turning into a slightly confusing antagonist, and then ep. 6 hits you with that ABSOLUTE GUT-PUNCH and I weep for him always. He did some things wrong (though I understand why he did them and wouldn't say I necessarily disagree tbh) but in the end he's just a lonely boy giving everything for the person he cares about the most without ever asking anything in return. Less important but still Important things include: he's a jerk sometimes and I love it. His frenemyship with Asahi? The funniest thing. He can and will ruin your life with a smile, he loves reading and coffee and has a really good fashion sense, he's very organised and on top of things, even if he's a social mess lbr... And if he likes you, he'll probably kill for you. All in all he's just the best and you, person who's reading this entry, should know that too. Bless his soul.
  "Katsuki Bakugo, A Living, Breathing Explosion" by Mimi Valentine (My Hero Academia)
  Katsuki Bakugo is easily one of the most dynamic characters of the year. Starting with his complicated relationship with Izuku, his hidden jealousy for a boy with no quirk, to outright anger at him suddenly having a quirk, to the rejecting the trope of "rival becomes evil for greater power," to confessing his feelings of inferiority towards Izuku, and the intense self blame for what happened to All Might. Katsuki has always shown that he has this heart, from treating Uraraka as his equal in the torunament, to fully acknowledging Izuku's growth ans strength. Seeing his slow dismantle from just a typical bully to a hidden broken boy only to show you that under all that anger, he's truly just a boy who wants to be a hero.
  "Why Rimuru Tempest is the bestest boy of not just this year, but of all time" by Kat (That Time I Got Reincarnated As A Slime)
  There were a lot of good boys this year, but who was the goodest? The undoubtedly most delicious smudge-muffin in existence?
My answer is Rimuru Tempest and here's why:
He is the kindest ball of squidge you could ever meet. He would stop and help anyone in need at the drop of a hat. In his previous life he DIED saving his kohai from an attacker and he would do it again.
He is adorable. How could you take one look at his face (or lack there of) and not fall in love instantly with this soft boy? Not only is he soft in his ball form but once he grants the wish of a dear friend, he becomes the ultimate soft boy. One you could probably hug endlessly and both of you would still be comfortable.
He is the definition of epic. One of the first things he does with his new life is befriend and EAT a dragon. He ate him, whole. Then he proceeded to eat everything else in the cave. If you hurt one of friends he'll eat you too! Not before he beats you in a hilariously and awesomely one sided combat sequence though.
  BEST FIGHT SCENE
  "SSSS. Gridman's True Final Battle" by Donovan Bertch (SSSS. Gridman)
  The greatest part about SSSS.Gridman's final battle wasn't the sheer amount of quality animation and editing on display. It wasn't the satisfaction of seeing Gridman finally return to his original form, theme songs blaring, as he finally decked the villainous Alexis Kerib in his smug face. It wasn't even finding out what the hell SSSS actually meant in the end. All of those were wonderful moments that made the fight shine, to be sure. However, the greatest part was that when all was said and done, the fight wasn't Gridman vs. Alexis Kerib. It was the show's antagonist, Akane Shinjo, vs. Herself. Her sins, her insecurities, her self-hatred...it took a lot of effort, and it wasn't a total victory (given that Akane's final scene with Rikka shows her still processing her guilt), but few things are that simple. Even when the heroes came to encourage her, it was Akane who made the final choice that led to Kerib's downfall. Gridman may have landed the final strike and had the big speech about human potential, but Akane Shinjo defeated Alexis Kerib and saved her world. The action-packed duel was just icing on the cake.
  BEST VA PERFORMANCE (EN)
  "My Hero Academia, Episode 61: Bakugo's Breakdown (Clifford Chapin)" by Masky (My Hero Academia)
    In one of the most emotionally stirring episodes of the entire series, we finally see all of Bakugo's pent-up anger come to a boil in this what could be considered a huge turning point for his character development. As a character who is known for his angry outbursts, this episode let us have some insight into Bakugo's inferiority complex and really reminded us just how young and emotionally immature these upcoming heroes are, and yet how much responsibility is weighing on their shoulders. With such an important milestone for a character like Bakugo, the voice acting in this episode was critical. Clifford Chapin gave an extremely raw and powerful performance that truly echoed Bakugo's pain; a performance that exceeded expectations of even those who don't normally give dubs a try. It was real, emotionally-charged, and could be considered a landmark for just how far english dubs have come.
  "Clifford Chapin (Katsuki Bakugo)" by Katherine (My Hero Academia)
    My Hero Academia fans sure are spoiled with a fantastic same-day English simuldub in addition to everything we already love about the series! With great casting overall by ADR Director Colleen Clinkenbeard, Chapin's take on Bakugo is one of the highlights. He's consistently been such a natural fit for the role that I can't imagine anyone else voicing him, and always seems to give 110%. Season 3 has been no exception with some key moments to really shine, including a fan-favorite emotional confrontation. His vocal cords would probably disagree, but I'm definitely glad he's a part of one of my favorite anime from 2018.
  BEST OPENING SEQUENCE
  "Fighting Gold - Jojo's Bizarre Adventure" by Loon (JoJo's Bizarre Adventure: Golden Wind)
    "Fighting Gold" is an intro I was honestly excited for long before it was even announce. I may be slightly biased as a manga fan and long time Jojo fan but in all honesty "Fighting Gold" is really a masterpiece in my opinion. It highlights the series so well with plenty of hidden spoilers as most Jojo intros have had before it telling the story perfectly if you break it down. It is an intro I will honestly never try to skip to get to the anime itself faster.
  BEST DIRECTOR
  "Akira Amemiya - SSSS.Gridman" BY Katherine (SSSS. Gridman)
    I would not be surprised to see SSSS.Gridman represented in quite a few categories this year, but its direction is where the show truly shines as one of the best of 2018. Akira Amemiya and Studio Trigger juxtapose the understated, day-to-day activities of our heroes with glorious, city-destroying kaiju battles without ever being jarring. However, that doesn't mean the former is only viewed though a mundane lens while the latter are just beautiful hype machines. Character moments have just as much flair as any fight with dynamic framing, art, and sound design, while tokusatsu battles are given so much attention to detail with how the kaiju move to pay homage to the live-action shows the team grew up with. Amemiya has a confident sense of visual language, and it shows every episode. SSSS.Gridman is subtle when it needs to be and bombastic when it wants to be, which is not an easy task to pull off.
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  And there you have it, the diverse tastes of anime fans and people that praise the holy name of Bakugo. But even if you didn't find your submission on here, thank you for taking part in this and double thank you for supporting Crunchyroll over the past year. We do our best to give you the greatest anime collection in the universe, so we appreciate y'all taking the time to give us your thoughts in return.
  Remember, if you haven't voted in The Anime Awards, there's still time! And if you have, we look forward to sharing the winners with you on February 16th, when the Awards are streamed live on Twitch. 
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