forever obsessed with dynamics between vampires, specifically that of a maker and fledgling, as a way to explore abuse. the creation of a vampire itself can so easily be a literalization of the lasting impacts of trauma and also much more simply the ways a perpetrator might shape their victim’s very identity. the extremes of isolation in the way that the new vampire, in most narratives, must cut all ties to their mortal life, or else go through an elaborate charade to maintain the facade of humanity, while forever still being removed from it. and the sheer dependence and vulnerability of being in an entirely new state of being, wholly uncertain of what it entails, and relying on another person to define… everything.
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Francis Crozier for the wonderful @so-i-did-this-thing
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5th grade history class gave my a special interest like no other
historically inaccurate amrev media you are so dear to me
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ok today finally adobe found my Photoshop was cracked lol. Seriusly? In the middle of commissions and school projects? XD,well now I use Medibang Paint this is a little software test. Any advice? what software do you use?
the Lafayette multiverse is not complete without this one too
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washington whenever he sees hamilton and tallmadge
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hi
.. - Based Off Victoria Semykina's art.
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yet another iwtv s2 clip dropped and i am soooo elated at the fact that they’re leaning into the whole creepy vampire thing for the Dubai trio now that Armand isn’t doing his Rashid cosplay.
The entire scene of Louis and Armand fucking with Daniel and picking through his memories is so unsettling and fun to watch. The facade is dropped and now they’re just free to be creepy and weird and bitchy. Armand doesn’t blink once in the whole scene.
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Journalist and King Monsterfucker Danny Molloy kept having strange dreams about his Source’s offputting assistant
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