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#also nooot my best work the longer i look at it
jasonsscar · 4 years
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The Ingenuine-ness of The Trials of Apollo - an Essay
As someone who has been following every Percy Jackson release since 2012 when Mark of Athena was released, I almost cannot believe it has come to an end. After fifteen books with five books across three series, it has come to an end with Rick Riordan closing the world as we know it (while leaving room for a possible stand alone novel or two in the future). Although I have had my qualms with the Heroes of Olympus story, I was willing to give the Trials of Apollo a chance to redeem itself and allow myself to continue this journey one last time. Upon reading the Tower of Nero, I felt as if the journey did not fully come to a close, due to many factors but the main factor being how Rick Riordan has chosen to not write a story he was passionate about but because he would have rather wrote a story he was hoping to make money off of.
Frankly putting it, Trials of Apollo felt like a rip-off of what Riordan wanted to be Percy Jackson and the Olympians 2.0, but reminding the audience that it was 2.0 constantly. The cameos just so happened to be the only thing that his audience seemed to ever be looking forward to every book and Riordan knew this. Plenty of interviews that he did as each book got released, Rick Riordan has always had a point of bringing up who was going to be making an appearance in each book. The Hidden Oracle was Percy Jackson and the rest of Camp Half-Blood. The Dark Prophecy had the appearance of Leo Valdez and Calypso. The Burning Maze had the addition of Grover Underwood (who the audience hasn’t seen since The Last Olympian), Jason Grace and Piper McLean. The Tyrant’s Tomb had Reyna Avila Ramirez-Arrelano, the Hunters of Artemis and the rest of Camp Jupiter. The Tower of Nero had the appearance of all of the characters in one way or another. Overall, there were very few characters who were new to the series. Even Apollo, who is considered a “fan-favorite” god among the fans is not an original character to this series, having been introduced in Percy Jackson and the Olympians: The Titan’s Curse. Nothing felt new and fresh and it is clear that Riordan is clinging onto these old faces that have enraptured his audience in the past to keep them holding onto this new series.
Although the characters were not the only problems that lead to the Trials of Apollo being as unpassionate as it feels. The plot overall was rather predictable from the beginning, hinting to the audience where it was going to lead to by the time the audience arrived at the Tower of Nero, the final book. Though, a fair argument could be set up that a larger scheme was at play within this series. The Hidden Oracle, the first book within the series, sets up that a company by the name of Triumvirate Holdings is trying to take control of all the oracles. Though, upon learning this information, the audience also learns about some information that is linked to the Percy Jackson and the Olympians books from none other than Rachel Elizabeth Dare herself: “... during the Titan War, Luke Castellan mentioned he had backers in the mortal world? They had enough money to buy a cruise ship, helicopters, weapons. They even hired mortal mercenaries… That cruise ship, the Princess Andromeda, was property of Triumvirate Holdings” (The Hidden Oracle 197-198). Just reading this scene alone could get long time readers to believe that something more was coming. The ending to the series was really coming, this could almost be the ending to wars in general, no more battles or even the ideas of quests because they could no longer be funded by this company. Sadly, that was not what happened, rather the plot becomes dry. It follows a direct sequence of events not getting as complicated as it had been in the Heroes of Olympus series (although, Riordan has since learned the Heroes of Olympus was definitely out of his comfort level as an author). 
This of course leads to how the Trials of Apollo as a whole ended. In the Tower of Nero the antagonists, Emperor Nero and Python, have been defeated. After conquering the many trials and the major quests he has been sent cross country to do, Apollo has finally returned to his rightful throne on Olympus, though, feeling out of place after what he had endured in the last six months. With the series having ended and Apollo having learned some valuable lessons during his time as a mortal, a lot feels unanswered. After the ending of the Last Olympian where Percy Jackson asked the gods to listen to their children and maybe take responsibility for some of their actions, they did not change. In the Heroes of Olympus, the gods were asked again to do this, take some responsibility, praise their children yet nothing happened. In the Trials of Apollo, Apollo himself comments on this when he says: “I suppose I could have raged at him and called him bad names… But it would not have changed him. It would not have made anything different between us. You cannot change a tyrant by trying to out-ugly him” (The Tower of Nero 377). This pegs the question, why only change one god’s perspective of mortal lives? The gods still have their issues, everything could have been resolved but was not. The book ends with the possibility of a stand-alone novel with Nico di Angelo and Will Solace after receiving news about a new prophecy for the two of them. Riordan will not close this series and the problems that could be fixed because he knows that it closes off all possibilities for him to continue and make more profit off of it.
Overall, while the Percy Jackson Chronicles as a whole is a rather fun read, I cannot help to be disappointed with the outcome of where the series stands as a whole. It has ended but it never really feels as if Riordan wants it to end. Some can argue that it is because some worlds never end. There is so much to discover but if that is the case, where is the close off then? Where is the satisfaction to the readers who have dedicated so much time and energy for this series? At some point, fans will grow tired and not be as passionate as they once were, because they will no longer feel that same passion in the words written. Instead they will begin to sense how the author is simply writing this all as a gamble for himself and to raise the already large sum amount of money he makes for the books he has written and sold.
Works Cited
Riordan, Rick. The Hidden Oracle. Disney-Hyperion, 2017.
Riordan, Rick. The Tower of Nero. Disney-Hyperion, 2020.
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